 
  Popularity: 4 (history)
| Director: | James Gray | 
|---|---|
| Writer: | James Gray | 
| Staring: | 
| In 1980, Queens, New York, a young Jewish boy befriends a rebellious African-American classmate to the disapproval of his privileged family and begins to reckon with growing up in a world of inequality and prejudice. | |
| Release Date: | Oct 28, 2022 | 
|---|---|
| Director: | James Gray | 
| Writer: | James Gray | 
| Genres: | Drama | 
| Keywords | grandparent grandchild relationship, school friend, grandfather, arrest, ronald reagan, stealing, pta, semi autobiographical, 1980s, school board, jimmy carter | 
| Production Companies | Focus Features, Keep Your Head Productions, RT Features, MadRiver Pictures, Spacemaker Productions | 
| Box Office | Revenue: $6,524,886 Budget: $15,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Job | 
|---|---|
| Kevin Krout | Senior Colorist | 
| Doug Torres | First Assistant Director | 
| Heikki Kossi | Foley Artist | 
| Douglas Aibel | Casting | 
| Stacey Butterworth | Wigmaker | 
| Nana Fischer | Makeup Department Head, Makeup Designer, Hair Designer | 
| Jennifer Suarez | Key Makeup Artist | 
| Brian Wilkowski | Dailies Operator | 
| Chris Cloud | Location Assistant | 
| Diego Carranza | Set Costumer | 
| Gina Javaheri | Key Costumer | 
| Rena Sherman | Set Costumer | 
| Jesse Speer | Compositing Supervisor | 
| Jason Hemmerlin | Utility Sound | 
| Cary Lee | Second Assistant Director | 
| Clare Lord | Set Decoration Buyer | 
| Danny Rovira | Construction Coordinator | 
| Alex Lombardo | Production Coordinator | 
| Bryan Congote | Production Assistant | 
| Harry Finkel | Legal Services | 
| Cris Iannucci | Production Assistant | 
| William A. Medina | Health and Safety | 
| Christian Simonds | Production Consultant | 
| Happy Massee | Production Design | 
| Maria Maio | Makeup Artist | 
| Max Samu | Assistant Production Manager | 
| Rebecca Breckel | Script Supervisor | 
| Angela Citrola | Extras Casting | 
| Anne Brenneke | Key Costumer | 
| James Ghazarian | Costume Coordinator | 
| Gina Ruiz | Costumer | 
| Drew Jiritano | Special Effects Coordinator | 
| Richard Friedlander | Visual Effects Producer | 
| Graham Gardner | Boom Operator | 
| Justin Bischoff | Second Second Assistant Director | 
| Magnus Collins | Assistant Property Master | 
| Mark Pate | Assistant Art Director | 
| Ralph Reyes | Camera Production Assistant | 
| Brooke Carrell | Stand In | 
| Jen Deleon | Production Assistant | 
| Brett Heidenreich | Production Assistant | 
| Mona Kubota-Johnson | Production Assistant | 
| Shannon Smith | Production Coordinator | 
| Scott Morris | Editor | 
| Theresa Haljean | Hairstylist | 
| Richard Mancuso | Production Manager | 
| Paul Eskenazi | Location Manager | 
| Matthew Glasner | Casting Associate | 
| Jon Can Coskunses | Assistant Costume Designer | 
| David Roig | Costume Assistant | 
| Laura Steinman | Wardrobe Supervisor | 
| Glenn Allen | Visual Effects Supervisor | 
| David J. Schwartz | Sound Mixer | 
| Faridih Bolognini | Charge Scenic Artist | 
| Jordan Mailes | Art Department Assistant | 
| Candice Wong | Property Master | 
| Cassandra Barbour | Clearances Coordinator | 
| Ashley T. Dart | Production Assistant | 
| Alanna Harrington | Assistant Production Coordinator | 
| Alex Ingram | Production Assistant | 
| Ali Reilly | Production Secretary | 
| Howard Samuelsohn | Dialect Coach | 
| Christopher Spelman | Original Music Composer | 
| Madeline Weeks | Costume Design | 
| James Gray | Director, Writer | 
| Darius Khondji | Director of Photography | 
| Deborah Maxwell Dion | Casting Associate | 
| Robert Yapkowitz | Special Effects Technician | 
| Thurman Martin III | Visual Effects Producer | 
| Teddy Blanks | Title Designer | 
| Name | Title | 
|---|---|
| Rodrigo Gutierrez | Executive Producer | 
| Alan Terpins | Producer | 
| Riccardo Maddalosso | Executive Producer | 
| Lourenço Sant'Anna | Executive Producer | 
| Marc Butan | Producer | 
| Alex Hughes | Executive Producer | 
| Rodrigo Teixeira | Producer | 
| James Gray | Producer | 
| Anthony Katagas | Producer | 
| Doug Torres | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 24 | 45 | 16 | 
| 2024 | 5 | 31 | 63 | 16 | 
| 2024 | 6 | 19 | 32 | 11 | 
| 2024 | 7 | 23 | 51 | 12 | 
| 2024 | 8 | 23 | 46 | 12 | 
| 2024 | 9 | 14 | 22 | 10 | 
| 2024 | 10 | 23 | 54 | 13 | 
| 2024 | 11 | 20 | 45 | 11 | 
| 2024 | 12 | 16 | 31 | 10 | 
| 2025 | 1 | 19 | 37 | 10 | 
| 2025 | 2 | 13 | 26 | 3 | 
| 2025 | 3 | 6 | 19 | 1 | 
| 2025 | 4 | 3 | 9 | 1 | 
| 2025 | 5 | 2 | 8 | 1 | 
| 2025 | 6 | 2 | 4 | 1 | 
| 2025 | 7 | 1 | 3 | 1 | 
| 2025 | 8 | 1 | 2 | 1 | 
| 2025 | 9 | 2 | 3 | 1 | 
| 2025 | 10 | 3 | 4 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 5 | 601 | 862 | 
After his strong effort in "The Black Phone" from earlier this year, Banks Repeta delivers another in this curious tale of a young boy ("Paul"), of Jewish antecedence, who must juggle the ambitions of his family to survive and thrive whilst adapting to a multi-racial community. His best (and possibl ... y only) friend at school, "Johnny" (Jaylin Webb), is a bit of a mischief maker with whom his folks would rather he spent less time. His grandfather "Aaron" (Sir Anthony Hopkins) has a close bond with the young lad, and tries to encourage him to be fair and decent in an environment where that is not necessarily easy. There are multiple themes at work here. On the face of it, it is two children just trying to fit in - one from a more stable and prosperous background. There are also discriminatory overtones here too, delivered the more poignantly because they are not straightforward race-based themes, but ones of tolerance, aspiration and affection as can only really be seen effectively through the innocence of childhood; a childhood as yet untainted by an ingrained bigotry that even the most decent about him cannot claim to be immune from. Sir Anthony features sparingly, and his character is potent at serving as a conduit for the young "Paul" to try to make the right choices, however difficult and confusing. Webb also turns in a solid performance and offers us quite a contrast to the loved and cared for "Paul" as their friendship progresses towards a not altogether surprising conclusion. Anne Hathaway and Jeremy Strong are adequate as the parents, themselves striving to ensure that their two children attain a better life than they managed for themselves, and James Gray uses the New York environment well to give us an indication of the iniquities of their childhoods. It sort of peters out a bit, though, and somehow I felt that the ending rendered much of the film moot. Did "Paul" actually make any progress? See what you think. It's slow at times and is a bit on the lengthy side, but certainly worth a look.