Popularity: 2 (history)
Director: | Lawrence Michael Levine |
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Writer: | Lawrence Michael Levine |
Staring: |
At a remote lake house in the Adirondack Mountains, a couple entertains an out-of-town guest looking for inspiration in her filmmaking. The group quickly falls into a calculated game of desire, manipulation, and jealousy, unaware of how dangerously intertwined their lives will soon become. | |
Release Date: | Dec 04, 2020 |
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Director: | Lawrence Michael Levine |
Writer: | Lawrence Michael Levine |
Genres: | Drama, Thriller |
Keywords | pregnancy, jealousy, dark comedy, filmmaking, love triangle, writer's block, house guest, cabin in the woods, lake house |
Production Companies | Tandem Pictures, Blue Creek Pictures, Oakhurst Entertainment |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Aubrey Plaza | Allison |
Christopher Abbott | Gabe |
Sarah Gadon | Blair |
Paola Lázaro | Cahya |
Grantham Coleman | Baako |
Lindsay Burdge | Maude |
Lou Gonzalez | Chris |
Shannon O'Neill | Simone |
Alexander Koch | Mike |
Jennifer Kim | Nora |
Kevin Barker | John the Gaffer |
Mary Borrello | 1st AC |
Rob Turbovsky | 2nd AC |
Haitao Zeng | PA |
Name | Job |
---|---|
Lawrence Michael Levine | Director, Writer |
Kath Raisch | Colorist |
Paul Losada | Sound Mixer |
Stephen Harrod | Boom Operator |
Giulio Carmassi | Original Music Composer |
Jenn Gaw | Casting |
Dominic Martin | Second Assistant Director |
Leo Giannopoulis | Stunt Coordinator |
Rob Agulo | First Assistant Camera |
Nikki Maltezos | Wardrobe Supervisor |
Eliot Marzano | Carpenter |
Tommy Mitchell | Set Dresser |
Alanna Wray McDonald | Property Master |
Elizabeth Fox | Key Makeup Artist, Key Hair Stylist |
Katie Grant | Assistant Production Coordinator |
Derek Sexton Horani | Gaffer |
Trevor Hart | Best Boy Grip |
Ariadne Figueroa | Key Set Production Assistant |
Hans Augustave | Additional Production Assistant |
Cat Long | Animal Wrangler |
Raymond Calderon | Dailies Operator |
Lewis Goldstein | Supervising Sound Editor |
Andrew Mastronardi | Sound Effects Editor |
Allison Pearce | Costume Design |
Tracy Dishman | Production Design |
Bryan Scary | Original Music Composer |
Henry Russell Bergstein | Casting |
Hilton Jamal Day | First Assistant Director |
Jesse Coyote Sanchez-Strauss | Steadicam Operator |
Gianna Llewellyn | Digital Imaging Technician |
Kirsten Lee Houck | On Set Dresser |
Jeanne Goehring | Set Dresser |
Stephen Phelps | Property Master |
Neha Simon | Production Coordinator |
Wesley Swanson III | Script Supervisor |
Daniel Hourihan | Key Grip |
Karl Williams Jr. | Second Second Assistant Director |
Kris Hurysz | Production Assistant |
Don Fuller | Animal Wrangler |
Anna Kelman | Finishing Producer |
Dylan Suchesk | Dailies Operator |
Tom Ryan | Sound Re-Recording Mixer, Supervising Dialogue Editor |
Teddy Blanks | Title Designer |
Jennifer Durban | Set Decoration |
Robert Leitzell | Director of Photography |
Bruno Vernaschi | Unit Production Manager |
Haitao Zeng | Second Assistant Camera |
Sarah Scepansky | Set Costumer |
Erin LaSorsa | Set Dresser |
Roselani Goehring | Set Dresser |
Josie Rodriguez | Makeup Department Head |
Kekepania Vasquez-Tamali'i | Hair Department Head |
Patricia Beaury | Production Accountant |
Theo Johnson | Best Boy Electric |
Adam McClellan | Swing |
Emma Dornewass | Production Assistant |
Héctor Vargas | Additional Production Assistant |
Michelle Paulucci | Animal Wrangler |
Ben White | Color Assistant |
Chase Comming | Dailies Operator |
Vinny Alfano | Assistant Sound Editor |
Matthew L. Weiss | Editor |
Allison Estrin | Casting |
Chazz Menendez | Stunt Coordinator |
Chelsea Mahr | Stunt Double |
Lou Pecora | Visual Effects Supervisor |
Name | Title |
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Lawrence Michael Levine | Producer |
Richard J. Bosner | Producer |
Jai Khanna | Producer |
John Hills | Executive Producer |
Jonathan Blitstein | Producer |
Marina Grasic | Producer |
Andrew Chang-Sang | Executive Producer |
Julie Christeas | Producer |
William G. Santor | Executive Producer |
Jesy Odio | Associate Producer |
Aubrey Plaza | Producer |
Sophia Takal | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 14 | 24 | 7 |
2024 | 5 | 16 | 30 | 10 |
2024 | 6 | 13 | 23 | 7 |
2024 | 7 | 15 | 27 | 9 |
2024 | 8 | 13 | 28 | 7 |
2024 | 9 | 8 | 13 | 6 |
2024 | 10 | 12 | 27 | 6 |
2024 | 11 | 11 | 29 | 6 |
2024 | 12 | 10 | 21 | 6 |
2025 | 1 | 11 | 22 | 7 |
2025 | 2 | 7 | 11 | 3 |
2025 | 3 | 5 | 10 | 1 |
2025 | 4 | 2 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 2 | 2 | 1 |
Trending Position
a movie within a movie within a movie. epic... except it's not I do want to see Aubrey Plaza in more lead roles though ...
Aubrey Plaza is terrific in this! <em>'Black Bear'</em> is intriguing from beginning to end. I did find the first half to be the stronger and most interesting part, though the conclusion is still fairly captivating all the same. As noted, Plaza is excellent throughout - she carries the film, no d ... oubt. Christopher Abbott has a few moments, while it's neat to see <em>'<a href="https://en.wikipedia.org/wiki/The_Walking_Dead_(TV_series)" rel="nofollow">The Walking Dead</a>'</em> newcomer Paola Lázaro involved.
I’d really like to like Black Bear. I actually was really liking it a lot, even enjoying it, right up to the halfway point, where the whole thing comes crashing down faster than Kevin Spacey’s career. Black Bear is divided into two parts; The Bear on the Road, and The Bear by the House (let’s cal ... l them BB1 and BB2); both parts end with the appearance of the titular Ursus americanus, but could very well have ended with a sign saying ‘Dead End’. In a remote lake house in the Adirondacks, Gabe (Christopher Abbott) and Blair (Sarah Gadon), welcome Allison (Aubrey Plaza), an up-and-coming film director. Like the stereotypical artists, these three are creative and intelligent, but also childish and belligerent. Allison is a bald-faced pathological liar, Gabe is immature and manipulative, and Blair doesn’t let her pregnancy get in the way of a burgeoning alcoholism (the casting, by the way, is spot-on). Their interactions are fraught with patronizing passive-aggressiveness.This is plain good ol’ rubbernecking fun. The dialogue is both obscene and highbrow(I especially enjoyed the use of the word “solipsistic”), but sadly the biggest insult, to the audience’s intelligence, takes the form of a cliffhanger —for lack of a better term — that segues into BB2.The second half is a meta-textual quagmire wherein there’s a movie-within-the-movie, but that inner movie isn’t really the movie we were watching thus far, so presumably there’s a hypothetical third movie buried somewhere in this conceptual nightmare. If BB1 was a about a train wreck from which we could not take our eyes off, BB2 is just a train wreck, period. The only quality that crosses over from the first half is the acting, which is probably even better — but that just makes me feel sorry for the cast. All things considered, what we have here are two drafts of the same admittedly good idea, which doesn’t equal a single finished product. Instead of going back to the drawing board, the writer/director has simply opted to present the same underdeveloped premise twice in a row, both times neglecting to come up with a proper conclusion.