 
  Popularity: 6 (history)
| Director: | Eva Longoria | 
|---|---|
| Writer: | Judy Montañez, Linda Yvette Chavez, Richard Montañez, Lewis Colick | 
| Staring: | 
| The inspiring true story of Richard Montañez, the Frito Lay janitor who channeled his Mexican American heritage and upbringing to turn the iconic Flamin' Hot Cheetos into a snack that disrupted the food industry and became a global pop culture phenomenon. | |
| Release Date: | Mar 11, 2023 | 
|---|---|
| Director: | Eva Longoria | 
| Writer: | Judy Montañez, Linda Yvette Chavez, Richard Montañez, Lewis Colick | 
| Genres: | Drama, History | 
| Keywords | biography, based on true story, janitor, mexican american, woman director | 
| Production Companies | Franklin Entertainment, Searchlight Pictures | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Jesse Garcia | Richard Montañez | 
| Annie Gonzalez | Judy Montañez | 
| Emilio Rivera | Vacho Montañez | 
| Vanessa Martinez | Concha Montañez | 
| Dennis Haysbert | Clarence C. Baker | 
| Tony Shalhoub | Roger Enrico | 
| Pepe Serna | Abuelito | 
| Bobby Soto | Tony Romero | 
| Jimmy Gonzales | Hector Morales | 
| Matt Walsh | Lonny Mason | 
| Carlos S. Sanchez | Young Richard | 
| Hunter Jones | Lucky Montañez | 
| Carlos Solórzano | Young Lucky Montañez | 
| Brice Gonzalez | Steven Montañez | 
| Jayde Martinez | Young Judy | 
| Fabian Alomar | Pablito | 
| Scar | Diego | 
| Eric Marq | Nacho | 
| Alejandro Montoya Marin | Alejandro | 
| Howard Ferguson Jr. | Al Carey | 
| Peter Diseth | James Finley | 
| Lora Martinez-Cunningham | Enrico's Secretary Patti | 
| Zach Rose | Wade Carson | 
| Stephen Zamora | Courthouse Judge | 
| J.D. Garfield | Pastor Marco | 
| Jacob Browne | Post Office Clerk | 
| Jackamoe Buzzell | Post Office Customer | 
| Stephanie Jones | Frito Lay Personnel Secretary | 
| Stephen Fuller Austin | Frito Lay Plant Director | 
| Brent Black | Frito Lay VP of Operations | 
| Landall Goolsby | Scientist | 
| Gianna Gallegos | Young Mary Lou | 
| Hank Rogerson | 1966 Quickie Mart Manager | 
| Vic Browder | Quickie Mart Police Officer | 
| Kevin Chambers | Quickie Mart Manager | 
| Ericka Zepeda | Quickie Mart Customer | 
| Eli Bickel | Cafeteria Kid | 
| Beckett Bauer | Cafeteria Kid | 
| Brady Bauer | Cafeteria Kid | 
| Rafael Herrera | Landscaper | 
| Jack O'Donnell | Grocery Store Manager | 
| D'Nette Wood | Supermarket Woman | 
| Mickey Bond | Social Worker | 
| Greg Lutz | Angry Husband | 
| Gerald Cordova | Janitor | 
| George Strada | Waiter | 
| Margarito Chairez | Bus Boy | 
| Eva Longoria | Secretary (uncredited) | 
| Name | Job | 
|---|---|
| Nicole Auringer | ADR Recordist | 
| Donavin Merritt | Set Designer | 
| Federico Cantini | Director of Photography | 
| Liza D. Espinas | Editor | 
| Brandon Mendez | Production Design | 
| Cabot McMullen | Production Design | 
| Billy W. Ray | Art Direction | 
| David Hack | Set Decoration | 
| Elaine Montalvo | Costume Design | 
| Colt Allen | Set Dresser | 
| Kelly D. Miller | Set Decoration Buyer | 
| Katie Halliday | Supervising Sound Editor | 
| Tateum Kohut | Sound Re-Recording Mixer | 
| Greg Orloff | Sound Re-Recording Mixer | 
| Laura Estelle Connolly | Set Costumer | 
| Colleen Fox | Set Costumer | 
| Kim Trujillo | Costume Supervisor | 
| Sierra Barton | Assistant Makeup Artist | 
| Teressa Hill | Hair Department Head | 
| Madeline McCue | Key Makeup Artist | 
| Jolynn Nieto | Hairstylist | 
| Kierke Panisnick | Production Supervisor | 
| Lisa Rodgers | Post Production Supervisor | 
| Alison Grossman | Additional Second Assistant Director | 
| Cole Henken-Siefken | Production Assistant | 
| TK Shom | First Assistant Director | 
| Giovanna Anderson | Art Department Coordinator | 
| Alejandro Marmolejo | Art Department Assistant | 
| Phillip Bladh | Production Sound Mixer | 
| Shane Bruce | Foley Artist | 
| Zane D. Bruce | Foley Artist | 
| Smokey Cloud | Assistant Sound Editor, First Assistant Sound Editor | 
| Lindsay Pepper | Foley Artist | 
| Danny Reeves | ADR Recordist | 
| Kirbie Seis | Boom Operator | 
| Antony Zeller | Foley Mixer, Foley Editor | 
| Luke Hussack | Special Effects Technician | 
| Andrew La Pointe | Special Effects Technician | 
| Sebastian Hasbun | Digital Compositor | 
| Eric Jacobo | Visual Effects Coordinator | 
| Álvaro Moreno | Digital Compositor | 
| Takashi Takeoka | Digital Compositor | 
| Jonathan Thornhill | VFX Editor | 
| Conrad R. Padilla | Stunts | 
| Emily Aragones | Still Photographer | 
| Chelsea Hooper | Script Supervisor | 
| Susan Parras | Costumer | 
| Ursula Rose Rochester | Key Costumer | 
| Lindsay Zgonina | Assistant Costume Designer | 
| Shani Orona | Location Manager | 
| Thomas Milsom | Assistant Location Manager | 
| Ben Roe | Assistant Location Manager | 
| Selinda Zhou | First Assistant Editor | 
| Walter Volpatto | Colorist | 
| Jack Keough | First Assistant Editor | 
| Vanessa Jorge Perry | Music Supervisor | 
| Richard Ziegler | Music Editor | 
| Marisa Freeman | Casting Assistant | 
| Judy Montañez | Book | 
| Linda Moulton | Casting Assistant | 
| Jennie Shea | ADR Recordist | 
| Nicholas A. Mudd | Casting Associate | 
| John Bonaccorse | Second Assistant Director | 
| Marisa Frantz | Set Designer | 
| Dylan Kelling | Set Designer | 
| Dennis Noyes | Camera Operator | 
| Daniel Zollinger | Camera Operator | 
| Olivia Hasse | Assistant Editor | 
| Erica Weis | Supervising Music Editor | 
| Neil Solberg | Gaffer | 
| Paul Broadhead | Best Boy Electric | 
| Rudy Covarrubias | Key Grip | 
| Taylor Roberts | Makeup Department Head | 
| Carol Mitchell | Hair Department Head | 
| Eric Thelander | Special Effects Coordinator | 
| Deidre Hannah | Production Coordinator | 
| Ricardo Camacho Paramo | Visual Effects Supervisor | 
| Carlos Oyarzun | Visual Effects Coordinator | 
| Jose Marra | Visual Effects Supervisor | 
| Merrin Marra | Visual Effects Producer | 
| Hetal Jain | Visual Effects Producer | 
| Sweta Madhapuri | Visual Effects Producer | 
| Audrey Gu | Sound Effects Editor | 
| Byron Beane | Casting Associate | 
| Christi Moraga | Hairstylist | 
| Eva Longoria | Director | 
| Linda Yvette Chavez | Screenplay | 
| Kayla Emter | Editor | 
| Marcelo Zarvos | Original Music Composer | 
| Carla Hool | Casting | 
| David Kern | Unit Production Manager | 
| Mark DeSimone | ADR Mixer | 
| Frank Smathers | Dialogue Editor | 
| Leah Hopkins | Stunts | 
| Shayne Hartigan | Extras Casting | 
| Wolfie Trausch | ADR Voice Casting | 
| Richard Montañez | Book | 
| Lewis Colick | Screenplay | 
| Derick Pritchard | Stunt Coordinator | 
| Joshua R. Aragon | Property Master | 
| Diane Warren | Songs | 
| Name | Title | 
|---|---|
| DeVon Franklin | Producer | 
| Samuel Rodriguez | Executive Producer | 
| David Kern | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 61 | 82 | 46 | 
| 2024 | 5 | 66 | 94 | 42 | 
| 2024 | 6 | 63 | 97 | 46 | 
| 2024 | 7 | 45 | 76 | 28 | 
| 2024 | 8 | 47 | 85 | 29 | 
| 2024 | 9 | 48 | 144 | 30 | 
| 2024 | 10 | 151 | 387 | 60 | 
| 2024 | 11 | 65 | 137 | 34 | 
| 2024 | 12 | 42 | 74 | 30 | 
| 2025 | 1 | 40 | 65 | 25 | 
| 2025 | 2 | 30 | 44 | 5 | 
| 2025 | 3 | 10 | 35 | 3 | 
| 2025 | 4 | 4 | 5 | 3 | 
| 2025 | 5 | 5 | 7 | 3 | 
| 2025 | 6 | 4 | 5 | 3 | 
| 2025 | 7 | 3 | 4 | 2 | 
| 2025 | 8 | 16 | 40 | 1 | 
| 2025 | 9 | 5 | 10 | 3 | 
| 2025 | 10 | 5 | 7 | 3 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 8 | 691 | 876 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 4 | 450 | 598 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 2 | 559 | 663 | 
Eva Longoria makes her feature film directorial debut in “Flamin’ Hot,” a breezy biopic about Richard Montanez, the man who invented the super spicy (and well known) flavor of Cheetos. This underdog story of a hardworking Mexican immigrant who found success despite all of the boxes society tried to ... put him in is one that’s inspiring, satisfying, and universal. As a teenager, Montanez (Jesse Garcia) was in and out of trouble. As he puts it, “when society treats you like a criminal, you become one.” He was on the fast track to a permanent life of crime until his wife Judy (Annie Gonzalez) became pregnant with their first son. Searching for a better life for his new family, Richard relied on his street smarts and entrepreneurial attitude to go out and make his own success story. A go-getter from the start, he ended up working at Frito Lay and, after “thinking like a CEO,” came up with the idea to create a flavor that would appeal to the large Hispanic market and save the snack food industry. It’s a terrific story that captures the Mexican-American experience that’s not often seen in mainstream films. Linda Yvette Chávez’s script feels deeply personal, and she takes Richard’s inspiring, complex story and gives us an intimate picture of the man behind the Cheetos. The result is a very human film about discrimination, determination, and the ability to get a leg up on life by pulling yourself out of a bad situation. The story (which is actually controversial because there is a debate as to who really invented the snack flavor) is full of humor and heart. It’s a love story between Richard and Judy, his supporting, loving wife. She isn’t just a background character waiting in the shadows, but is presented as a very strong, tenacious woman who dominates every seen she’s in. As is the case with most biopics, there’s obvious embellishment and exaggeration, and there’s no shortage of emotional fluffery that is designed to tug on your heartstrings. There’s plenty of discussion about having faith and living the American dream, which does feel as corny as it sounds. There’s a lot of talk about representation in front of the camera, but it’s important behind the camera, too. Longoria put her money where her mouth is and hired a diverse crew for her film because who tells these stories also matters. The final product is something that radiates an authentic tone and feeling that is rare, especially for a biopic. Longoria’s directorial style is polished and well-matched to the script, with a clear vision and voice. The cast is just as easy to love. Charismatic and sympathetic, I was rooting for Richard and Judy the minute they were introduced onscreen. Casting is so important in a film like this, and it couldn’t be more perfect. Despite a predictable outcome and a few obvious exaggerations of the truth, “Flamin’ Hot” is an irresistible underdog story about a disruptor who shook up the snack food industry. It’s a funny, sweet, and delightful film that’s as crowd-pleasing as it gets. By: Louisa Moore