Popularity: 2 (history)
Director: | Kitty Green |
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Writer: | Kitty Green |
Staring: |
A searing look at a day in the life of an assistant to a powerful executive. As Jane follows her daily routine, she grows increasingly aware of the insidious abuse that threatens every aspect of her position. | |
Release Date: | Jan 31, 2020 |
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Director: | Kitty Green |
Writer: | Kitty Green |
Genres: | Drama |
Keywords | movie business, corporate world, employer employee relationship, personal assistant, woman director, abuse of power, metoo, workplace culture, depressing, ambiguous, bold, foreboding |
Production Companies | Forensic Films, Symbolic Exchange, Bellmer Pictures |
Box Office |
Revenue: $1,338,881
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Julia Garner | Jane |
Matthew Macfadyen | Wilcock |
Makenzie Leigh | Ruby |
Kristine Froseth | Sienna |
Jonny Orsini | Male Assistant 2 |
Noah Robbins | Male Assistant 1 |
Alexander Chaplin | Max |
Jay O. Sanders | Boss (voice) |
Juliana Canfield | Sasha |
Dagmara Dominczyk | Ellen |
Bregje Heinen | Tatiana |
Clara Wong | Tess |
Purva Bedi | Executive Assistant |
Patrick Breen | Roy |
Migs Govea | Executive 1 |
Daoud Heidami | Executive 2 |
Owen Holland | Driver |
Rory Kulz | Executive 3 |
Ben Maters | Executive 4 |
Tony Torn | Boss |
Devon Caraway | Non-Fiction Executive 1 |
Genny Lis Padilla | Non-Fiction Executive 2 |
James Gray | Postal Worker |
Sophie Knapp | Child 1 |
Hunter Hojnowski | Child 2 |
Andrew Hsu | Business Man 1 |
Ray Sheen | Business Man 2 |
Chester Wai | Translator |
Liz Wisan | Edwina |
Fang Du | Executive 5 |
Cherie Mendez | Receptionist 2 |
Kirit Karpadia | Amir |
Karen Stewart | Traffic Reporter (voice) |
Bray Poor | Gary (voice) |
Lou Martini Jr. | John (voice) |
Rafael Sardina | Javier (voice) |
Jenna O'Gara | Eleanor (voice) |
Stéphanye Dussud | Wife (voice) |
Heather MacCrae | Mom (voice) |
Cynthias Bastidas | Maria (voice) |
Manu Narayan | Amir (voice) |
Mark Jacoby | Dad (voice) |
Patrick Wilson | Man In Elevator (uncredited) |
Nemuna Ceesay | Courier (uncredited) |
Name | Job |
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Kitty Green | Writer, Director, Editor |
Blair McClendon | Editor |
Leslie Shatz | Sound Re-Recording Mixer, Sound Designer, Supervising Sound Editor |
Charlie Shackleton | Creative Consultant |
Fletcher Chancey | Production Design |
John Arnos | Art Direction |
Dani Broom-Peltz | Set Decoration |
Rachel Dainer-Best | Costume Designer |
Tamar-kali | Orchestrator, Original Music Composer |
Max Tromba | Production Manager |
Annalise Lockhart | First Assistant Director |
Willy McGee | Second Assistant Director |
Ramsey Scott | Art Department Coordinator |
James Hamme | Leadman |
Zack Alliger | On Set Dresser |
Chazz Foggie | Set Dresser |
Dee Hamid | Set Dresser |
Madeline Sadowski | Set Dresser |
Anthony Taylor | Set Dresser |
Bree Merkwan | Property Master |
Sean Callaghan | Construction Coordinator |
Paul Audouy | Carpenter |
Peter Field | Carpenter |
Winston Willingham | Carpenter |
Jonathan Zarkowski | Carpenter |
Hunter Potter | Scenic Artist |
Jayne Clark | Graphic Designer |
Ethan Cohen | Graphic Designer |
Jordan Peak | Graphic Designer |
Julia Baylis | Assistant Costume Designer |
Rose Bell | Costume Supervisor |
Natasha Simchowitz | Costume Assistant |
Regina de Lemos | Makeup Department Head |
Lauren Citera | Hair Department Head |
Vincent Weiler | First Assistant Camera |
Julia Pitch | Second Assistant Camera |
Sandy Soohoo | Digital Imaging Technician |
J.T. White | Additional First Assistant Camera |
Aksarin Arevalo | Additional Second Assistant Camera |
Ty Johnson | Still Photographer |
Alan Kudan | Sound Recordist, Production Sound Mixer |
Artur Szerejko | Boom Operator |
Julian Cahill | Boom Operator |
Sarah Hale | Production Coordinator |
Abbie Jones | Production Assistant |
Susan Haley | Production Accountant |
Jeremy Dekle | Assistant Accountant |
Alex Wexelman | Assistant Accountant |
Matthew Hadley | Second Second Assistant Director |
Jessica Papayiannis | Set Production Assistant |
Peter Cruz | Additional Production Assistant |
Emmet Demuzio | Additional Production Assistant |
Abel Herrera | Additional Production Assistant |
Chris Moon | Additional Production Assistant |
Bailey Popeck | Additional Production Assistant |
Devin Smith | Script Supervisor |
David Light | Gaffer |
Luke Shannon | Best Boy Electric |
Aaron Smith | Key Grip |
Riede Dervay | Best Boy Grip |
Greg Costa | Swing |
Gabriel Eduardo Solorzano | Swing |
Scotty Anderson | Casting Associate |
Aaron Schoonover | Background Casting Director |
Tim Stacker | Location Manager |
Natasha Parker | Assistant Location Manager |
John Maher | Location Scout |
David Dreishpoon | Catering |
Joaquin Liddiard | Transportation Captain |
Robert Bruns | Driver |
Andrew Collins | Driver |
Norman Dhana | Driver |
Jason Dowd | Driver |
James Greene | Driver |
Alonzo Hellerbach | Driver |
Kenneth Laudante | Driver |
Michael McNulty | Driver |
Roy Savastano | Driver |
Brian "Bear" Schmidt | Driver |
Richard Schrimp | Driver |
Roy Wright | Driver |
Ashish Ravinran | Assistant Editor |
Brandon Booker | Dailies Operator |
Jon Flores | Sound Effects |
Laura Heinzinger | Foley Editor |
Don Hoffman | ADR Mixer |
Lauren Boyle | ADR Post Producer |
Erich Netherton | ADR Mixer |
Victor Axelrod | Mixing Engineer |
Yasuhiko Fukuoka | Musician |
Bobbie Lee Crow | Musician |
Kate Goddard | Musician |
Edwardo Mendez | Senior Visual Effects Supervisor |
Ryan Cunningham | Visual Effects Producer |
Alexa Mauro | Visual Effects Producer |
Adrienne McNeary | Visual Effects Producer |
Ruben Rodas | Visual Effects Supervisor |
Robert 'Nick' Duaphinais | 2D Supervisor |
Sara Woomer | Visual Effects Coordinator |
Tyler Lockard | Pipeline Technical Director |
Lucas Andrei | Visual Effects Editor |
Sofie Borup | Colorist |
Andrew Dearnley | Feature Finishing Producer |
John Diesso | Digital Conform Editor |
Jake White | Color Assistant |
Ben White | Color Assistant |
Kelli Miller | Layout, Title Designer |
Vinicius Paranhos | Art Department Assistant |
Wes Bechtler | Art Department Assistant |
Vivian Bond | Art Department Assistant |
Dave Brenneman | Set Dresser |
Aaron Herschlag | Electrician |
Michael Latham | Director of Photography |
Avy Kaufman | Casting |
Ming-Zhu Hii | Additional Writing |
Manny Siverio | Stunt Coordinator |
Josh Heilbronner | Dialogue Editor, ADR Supervisor |
Leslie Bloome | Foley Artist |
Joanna Fang | Foley Artist |
Ryan Collison | Foley Mixer |
Nick Seaman | Foley Mixer |
David Guzzone | Production Assistant |
Name | Title |
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James Schamus | Producer |
Abigail Disney | Executive Producer |
Kitty Green | Producer |
P. Jennifer Dana | Producer |
Scott Macaulay | Producer |
Rita Walsh | Co-Producer |
Avy Eschenasy | Executive Producer |
Sean King O'Grady | Executive Producer |
Philipp Engelhorn | Executive Producer |
Leah Giblin | Executive Producer |
John Howard | Executive Producer |
Ross Jacobson | Producer |
Jimmy Price | Co-Producer |
Mark Roberts | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 21 | 34 | 14 |
2024 | 5 | 25 | 40 | 18 |
2024 | 6 | 25 | 38 | 17 |
2024 | 7 | 25 | 51 | 14 |
2024 | 8 | 27 | 53 | 16 |
2024 | 9 | 17 | 21 | 12 |
2024 | 10 | 23 | 46 | 13 |
2024 | 11 | 21 | 41 | 12 |
2024 | 12 | 17 | 43 | 11 |
2025 | 1 | 19 | 38 | 12 |
2025 | 2 | 12 | 18 | 3 |
2025 | 3 | 6 | 18 | 1 |
2025 | 4 | 2 | 7 | 1 |
2025 | 5 | 2 | 7 | 1 |
2025 | 6 | 2 | 5 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 3 | 1 |
2025 | 9 | 3 | 4 | 2 |
2025 | 10 | 3 | 3 | 2 |
Trending Position
“The Assistant,” a timely story about abuse of power in the workplace, left me shaken and angry. This quietly devastating film about a young assistant (Julia Garner) to a prominent entertainment executive is inspired by the Me Too movement (and clearly, the bad actions of Harvey Weinstein). The stor ... y accurately portrays the weighty emotional toll that stems from knowing something isn’t quite right, but you are powerless to do anything about it. Jane (Garner) is just starting out in her career. She puts in long hours at the New York office of a powerful film exec, and she takes continual emotional and verbal abuse from her boss (whom we never see). There’s nothing glamorous or rewarding about her job, but those around her give constant reminders that she is the lucky one simply because she is employed there. Jane is faced with hostile, degrading comments from almost everyone she comes in contact with, but she quietly goes about her business and tries her best to ignore it. Writer / director Kitty Green chooses to center her methodical, orderly narrative around a female assistant, which makes the film all the more powerful. She uses point of view shots that make it feel as if you’re right there in the office, stepping directly into the character’s shoes. The story takes place over one day in a drab office as Jane begins to see a pattern of events that don’t add up. She’s someone who doesn’t quite know enough to have a clear, undeniable picture of what’s going on, yet she still knows something definitely isn’t quite right. It’s unsettling and effective, and it something to which young women (and some young men) everywhere will sadly relate. When Jane tries to do the right thing, she’s stonewalled by a Hollywood culture where abuse is tolerated, joked about, and covered up — in other words, it’s accepted. She watches as her colleagues joke about these escapades while laughing off her concerns. An unhelpful HR director (the terrific Matthew Macfadyen) dismisses her complaints as “bullshit” and a product of “jealousy,” which is infuriating to watch because it feels so steeped in truth. Even more disturbing is that while eyes have been opened thanks to the “Me Too” movement, this gross misconduct is still going on in offices all over the world. Newsflash to those working in the entertainment industry (and elsewhere): if you don’t speak up, or if you laugh about or shrug off bad behavior, you’re part of the problem. “The Assistant” is a sobering reminder that just because “that’s the way it is” doesn’t make it right.
You'd be hard-pressed to find a film that moves with such unassuming intensity as 'The Assistant', a film that demands full attention from its audience to tell a frustratingly normalised story of frustrating normalised harassment. It's a quiet film brimming with power, one that is not to be missed. ... - Ashley Teresa Read Ashley's full article... https://www.maketheswitch.com.au/article/review-the-assistant-meek-and-mad