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Wrong Turn Poster

Wrong Turn

We still haven't learned.
2021 | 110m | English

(40455 votes)

TMDb IMDb

Popularity: 7 (history)

Director: Mike P. Nelson
Writer: Alan B. McElroy
Staring:
Details

Jen and a group of friends set out to hike the Appalachian Trail. Despite warnings to stick to the trail, the hikers stray off course—and cross into land inhabited by The Foundation, a hidden community of mountain dwellers who use deadly means to protect their way of life.
Release Date: Jan 26, 2021
Director: Mike P. Nelson
Writer: Alan B. McElroy
Genres: Horror, Thriller
Keywords secret society, forest, community, revenge, interracial relationship, gore, slasher, backwoods, group of friends, mercy killing, virginia, reboot, appalachian trail, killers, abduction
Production Companies Constantin Film, Lionsgate, Tea Shop & Film Company, The H Collective
Box Office Revenue: $3,777,969
Budget: $0
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Charlotte Vega Jennifer Shaw
Adain Bradley Darius Clemons
Bill Sage John Venable
Emma Dumont Milla D'Angelo
Dylan McTee Adam Lucas
Daisy Head Edith
Matthew Modine Scott Shaw
Vardaan Arora Gary Amaan
Adrian Favela Luis Ortiz
Tim DeZarn Nate Roades
Rhyan Elizabeth Hanavan Ruthie
Chaney Morrow Hobbs
Cory Scott Allen Ed Jenkins
Amy Warner Aileen
Richard Hagerman Chief Abernathy
Damian Maffei Morgan / Deer Skull
Mark Mench Standard / Wolf Skull
David Hutchison Cullen / Wild Boar Skull
Chris Hahn Samuel / Elk Head
Valerie Jane Parker Corrine
Richard Davis Cooper
Heru Lasana Ogden
Daniel R. Hill Reggie
Brady Gentry Jackson
Daphne Matthews Bar Patron
Gary Ray Stearns Lloyd Pettigrew
Jeremy Ambler Cave Person
Jennie Malone Cave Person
Bret Aaron Knower Standard Double
Brian Searle Ted Nothum
John E. Brownlee Foundation Citizen (uncredited)
Brian James Fitzpatrick Osborn Early
Grant Brooks Miles
Mark Angel Cave Guard (uncredited)
Michael Lee Bailey Foundation Elder (uncredited)
Jerry Mullins Bar Patron
Jenny McManus Bar Patron (uncredited)
Name Job
Nancy Nayor Casting Director, Casting
Mike P. Nelson Director, Title Designer
Alan B. McElroy Screenplay
Janelle Beaudry Stunt Double
Richard Fike Utility Stunts
Chris Gann Stunt Double
Amy Greene Stunts
Tim James Utility Stunts
Brian Searle Stunts
Ryan Sturz Stunt Double
Curtis Lyons Stunt Double
Lydia Hand Stunt Double
Juliene Joyner Stunt Double
Anthony J. Rickert-Epstein "B" Camera Operator
James Rumas Digital Compositor
Chris Hahn Stunts
Michael Wooten First Assistant "B" Camera
Eric Ransbottom Digital Imaging Technician
Mike Dickman Gaffer
Mike Dittiacur Dolly Grip
Tom Elkins Editor
Jon D. Wagner Unit Production Manager, Line Producer
Roshelle Berliner Production Designer, Production Design
Scott Daniel Art Direction
Stephonika W. Kaye Set Decoration
Gina Ruiz Costume Designer
Amber Johnson Makeup Artist
Scott H. Reeder Hair Department Head
Anna Maria Reyer Hairstylist
Ryan Shaddelee Special Effects Makeup Artist
Brianna Lee Johnson Production Supervisor
David Scharf Post Production Supervisor
Tami Kumin Second Assistant Director
Casey Shelton Second Second Assistant Director
Doug Turner First Assistant Director
T.J. White Second Unit Director, Stunt Coordinator
Mark C Barnett Scenic Artist
Andy Flynn Leadman
Brett P. Jackson Carpenter
Geza Kassai Set Designer
Nick Laughlin Set Dresser
Stephanie Postich Assistant Property Master
Bryan Staerkel Weapons Master, Property Master
Tash Ann Boom Operator
Jason Dotts Sound Re-Recording Mixer, Supervising Sound Editor
Alexander Jongbloed Foley Editor
Chris Polczinski Sound Mixer
Antonio Grassano Special Effects Technician
Kyle Roberts Special Effects Supervisor
Kevin Chandoo Visual Effects Supervisor
Jean-Paul Ear Compositor
William Haithco III Stunt Double
Cody Bo Kruger Stunt Double
James Ortiz Stunt Double
Dylan Algie Electrician
Nick Junkersfeld Director of Photography
Alexander Elkins "A" Camera Operator
Joe Bou Second Assistant "A" Camera
Dean Smollar Steadicam Operator
Claire Tanner Script Supervisor
Xavier Luo Stunt Double
Alan Forbes Location Manager
Ryan Goertz Set Designer
Samantha Drake Graphic Designer
Ryan Tudor Set Dresser
Nick Pirrmann On Set Dresser
Robin Fields Costume Supervisor
Jodi Byrne Makeup Department Head
Beki Ingram Key Makeup Artist
Samantha Maloney Key Hairdresser
Rea Nolan Dialect Coach
Dominika Posserén Casting Associate
Craig Metzger Transportation Captain
Clayton Condit Additional Editor
Michael T. Ryan Music Editor
Michael Baird Dialogue Editor
Mark Coffey Assistant Sound Editor
Geordy Sincavage Foley Mixer
Tara Blume Foley Artist
Monique Reymond Foley Artist
Erin Nicholson CG Supervisor
Kyle Sim Digital Compositor
Greg Lamar Digital Compositor
Ted Teske Sound Re-Recording Mixer
R. Matthew Scheib Stunt Double
Stephen Lukach Original Music Composer
Trace Walker Production Assistant
Shepherd Ahlers Production Coordinator
Geoffrey Storts First Assistant "A" Camera
Name Title
James Harris Producer
Robert Kulzer Producer
Martin Moszkowicz Executive Producer
Christian Oliver Executive Producer
Alan B. McElroy Executive Producer
Bill Bromiley Executive Producer
Fiona Yang Li Executive Producer
Jonathan Saba Executive Producer
Dylan Tarason Co-Producer
Shanan Becker Executive Producer
Ness Saban Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 72 92 50
2024 5 70 85 51
2024 6 85 127 61
2024 7 92 123 66
2024 8 93 139 61
2024 9 73 97 52
2024 10 99 192 65
2024 11 79 151 46
2024 12 64 138 46
2025 1 65 88 45
2025 2 43 59 10
2025 3 16 50 3
2025 4 12 18 6
2025 5 10 16 8
2025 6 9 13 7
2025 7 8 9 7
2025 8 7 8 5

Trending Position


Year Month High Avg
2025 8 701 858
Year Month High Avg
2025 7 353 725
Year Month High Avg
2025 6 174 675
Year Month High Avg
2025 5 361 653
Year Month High Avg
2025 4 437 691
Year Month High Avg
2025 3 618 871
Year Month High Avg
2025 2 431 682
Year Month High Avg
2025 1 223 550
Year Month High Avg
2024 12 411 736
Year Month High Avg
2024 11 998 998
Year Month High Avg
2024 10 933 933

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Reviews

JPV852
6.0

It was okay. Glad it wasn't just a rehash of the original (which I have a little fondness for, as many issues that one had). This one seemed to have elements of The Witch to me and at least found it mildly entertaining and I liked Charlotte Vega in the lead. However, found the six main characters to ... be just dumb asses, but maybe that's the most realistic element, I can see 20-somethings going off-trail like that. Anyway, doubtful I'll ever watch (anytime soon) but probably worth a rental. **3.0/5**

Jun 23, 2021
BeanieCore
N/A

I've long said that if you're going to bother remaking a film, it either needs to be a genuine continuation of the original, or a reboot, that offers a different spin on the same basic concepts. This film certainly falls into the latter category, but that's about the only thing it does right. Everyt ... hing else, from writing to acting is an unbelievably cringey misfire, that manages to offend and belittle every demographic, in nearly equal doses. This isn't a film for right-wingers, and though it tries to be, it's not one for the left either. It's simply a catastrophic mess, that takes one of the most basic premises in horror history, and tries to use it for social commentary. I'm all well and good with politics in my cinema, even horror, and I'm a very left-leaning individual, but there's a way to imbue progressive values in a film, and a way not to. This is a masterclass on how not to. The basics for a decent horror flick were here. At it's core, the film's bones are still very much structured after the backwoods horror that inspired the original "Wrong Turn". Where this film differs is in it's treatment of the hillbillies themselves. There's no slobbering, deformed monster-men here. Instead, we're given a cult-like group, with a very nomadic culture. Supposedly the ancestors of a group that headed into the mountains during the Civil War, and intended to create a free, equal society based on primitivism. The film's horror elements are decent, especially the variety of deadly hunting traps littering the forest for wayward travelers to stumble into. These moments provide some memorable, sometimes shocking set-pieces, but that's the only positive beyond decent enough direction. Where the film goes wrong is in it's socio-political tones. Backwoods horror has long commented on the disparity between rural peoples and so-called "city slickers", but this film is overbearing in the heavy-handedness it uses to drive home this point, with the subtlety of a sledge hammer. The main characters are a group of clichés, each meant to tick off a minority status. I want to make it clear, I'm not saying that from a reactionary point of view, the characterizations are simply insulting and the dialogue sounds as if it was written by a bratty child. The characters are needlessly and viciously antagonistic to the rural peoples, before they even get on the mountain. Once they do reach the mountain, the film's "clever twist" becomes quickly apparent. Not long after the group begins wandering into the traps, it becomes apparent that the mountain dwellers are not trying to kill them. These kids are simply setting off hunting traps by being off the beaten path, but when they see the fiercely dressed cultists, speaking tongues, they assume they are in danger and thus attack. This is the film's un-subtle commentary on society's tendency to misunderstand other cultures and pre-judge based on appearance. All would be well and good, except that the cult themselves are no better than these bougie, ignorant city kids. They deal out their own twisted brand of "an eye for an eye" justice, and turn out to be nothing more than a hyper-traditionalist group of rapists, that may not be as benign as the film paints them in the middle segment. Still, there's hardly anyone to root for. It quickly becomes apparent that the cult are nothing but barbaric heathens, but the kids make so many poor choices and intentionally provoke violence instead of being mature adults. The film unironically could have ended well for everyone if certain characters had kept their mouths shut, but this is one of those scripts in which the entire plot hinges on everyone being as vapid as possible. In the end, despite it's pretensions to say something progressive, it ends up painting both left, right and everything in between as idiocy. Couple this with dialogue so poor that it evokes laughter, and this is a bizarre effort that I can't believe ever saw wide release. We can only hope this train-wreck doesn't somehow inspire a slew of increasingly lousy sequels as the original film did. Because this one already set the bar as low as possible.

Jun 23, 2021
Kamurai
8.0

Really good watch, would watch again, and can recommend. This has very little to do with the original other than weird people hunting people in the woods. This movie surprised me quite a bit, I just didn't expect it to take the story form that it did. The cast all did a great job, and the sto ... ry is well written in layers. The movie also does something I've noticed some movies have been doing somewhat recently where the movie ends, but continues with what feels like a new story, related to the first. Other movies have done this (though much more sloppily) in the past, but I feel like writers have started to do this on purpose, to very good effect. The movie is good at keeping the audience in the dark to what is going on, and being brutal with the characters in rather interesting ways. If you like slasher / horror at all, definitely give this a watch.

Jun 23, 2021
GenerationofSwine
1.0

The main cast are so evil towards the dumb yokel country folk... presumably for the social crime of not being urban elites, and so pretentious even when they are talking to themselves that you actually want to see them die. You aren't scared, you are rooting for the bad guys because the good guys ... that you are supposed to relate to, supposed to like, supposed to want to survive are so geographically hateful, so pretentious, so self absorbed, that the only pleasure you get is seeing them killed off... ... and that doesn't make for a good horror movie. I mean, yeah, it's really rewarding to see people like the guy you knew in college highly political man with a 75IQ, a list of long words that made him feel intelligent, and an attitude that he was an expert on everything killed off, but all that means is that you have to spend time with people like him again... ... and unfortunately there are more than one of him this time. They are an entire group of people. The inbreeds look both friendly and tolerant of outsiders as well as intellectually superior to the herons. It's a painful watch.

Apr 16, 2023