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Sunrise: A Song of Two Humans

"An artistic masterpiece and also a joy to watch."
1927 | 94m | English

(55961 votes)

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Popularity: 4 (history)

Details

A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
Release Date: Nov 04, 1927
Director: F. W. Murnau
Writer: Hermann Sudermann, Carl Mayer
Genres: Drama, Romance
Keywords love triangle, adultery, lake, country life, indian summer , pig, marriage crisis, rural area, redemption, storm, silent film, farmer, troubled marriage, german expressionism
Production Companies Fox Film Corporation
Box Office Revenue: $1,636,000
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
George O’Brien The Man (Anses)
Janet Gaynor The Wife (Indre)
Margaret Livingston The Woman from the City
Bodil Rosing The Maid
J. Farrell MacDonald The Photographer
Ralph Sipperly The Barber
Jane Winton The Manicure Girl
Arthur Housman The Obtrusive Gentleman
Eddie Boland The Obliging Gentleman
Herman Bing Streetcar Conductor (uncredited)
Sidney Bracey Dance Hall Manager (uncredited)
Gino Corrado Manager of Hair Salon (uncredited)
Vondell Darr (uncredited)
Sally Eilers Woman in Dance Hall (uncredited)
Gibson Gowland Angry Driver (uncredited)
Thomas Jefferson Old Seaman (uncredited)
Bob Kortman Villager (uncredited)
F. W. Murnau Dancer (uncredited)
Barry Norton Ballroom Dancer / Kissing Couple (uncredited)
Robert Parrish Boy (uncredited)
Sally Phipps Ballroom Dancer / Kissing Couple (uncredited)
Harry Semels Carnival Gallery Man with Pig (uncredited)
Phillips Smalley Head Waiter (uncredited)
Leo White Barber (uncredited)
Clarence Wilson Money Lender (uncredited)
Name Job
Hermann Sudermann Author
Harold D. Schuster Editor
Alfred Metscher Assistant Art Director
R. H. Bassett Music
Willy Schmidt-Gentner Music
Gordon Wiles Art Department Manager
Maurice Baron Orchestrator
Max Munn Autrey Still Photographer
Frank Powolny Still Photographer
Rochus Gliese Art Direction
Carl Mayer Screenplay
F. W. Murnau Director
Hugo Riesenfeld Original Music Composer
Charles Rosher Director of Photography
Karl Struss Director of Photography
Carli Elinor Music
Erno Rapee Music
Charles Dudley Makeup Artist
Herman Bing Assistant Director
Edgar G. Ulmer Assistant Art Director
Frank D. Williams Special Effects
Name Title
William Fox Producer
Organization Category Person
Academy Awards Best Actress Janet Gaynor Won
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 16 24 10
2024 5 17 29 11
2024 6 14 26 8
2024 7 16 31 9
2024 8 15 29 8
2024 9 12 23 7
2024 10 18 36 9
2024 11 15 25 9
2024 12 15 29 9
2025 1 14 24 9
2025 2 11 19 3
2025 3 5 14 1
2025 4 2 3 1
2025 5 2 5 1
2025 6 2 3 1
2025 7 1 3 0
2025 8 1 3 1
2025 9 3 4 1
2025 10 4 5 4

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Reviews

tanty
7.0

Interesting but much more for how the movies were done back in 1927 and how the relationships between men and women were understood. ...

Jun 23, 2021
Geronimo1967
7.0

Wow! Friedrich Murnau really did pull out all of the stops for this gorgeously complex and beautiful story - that is entirely based on human character flaws that ordinarily might make one squirm... None of the characters actually have names, but George O'Brien is contentedly married to Janet Gaynor, ... living on their farm with their young child. One day, he happens upon the visiting Margaret Livingstone - an urban sophisticate with whom he is soon captivated. Conscious of his duty to his wife, he is reluctant to join her in the big city, so she rather malevolently suggests that he and his wife fake a boating accident in which she drowns and he survives... Disgracefully, he agrees and so the couple set out on their trip, but when he tries to push her overboard he bottles it and she flees in terror into the city where he finally catches up with her, and craves her forgiveness. Luckily for him, she agrees and the couple spend a charming day together experiencing all the luxuries the metropolis can offer before being caught in the mother of all storms as they head home at the end of their day. Try as he might, though, he cannot put the memory of the other woman behind him, and his thoughts take a much darker turn... The story is basically a tale of good vs. evil, temptation and sin - and not always presented in any clear cut scenario. Despite being a thoroughly odious and selfish man, I didn't hate O'Brien's character - weak and fickle is it was; and the temptress Livingstone isn't hateful either - it's all about human nature and what makes us tick - warts and all. The photography is super - especially in the salon where they are both pampered and seduced, and the storm sequence at the end is also very effective. By 1927, silent films had learned the art of condensing their stories - and this is done really well here, too. The film has a pace that doesn't linger long, and is really a joy to watch.

Mar 27, 2022