 
  Popularity: 4 (history)
| Director: | Robert Pulcini, Shari Springer Berman | 
|---|---|
| Writer: | Robert Pulcini, Shari Springer Berman, Elizabeth Brundage | 
| Staring: | 
| Catherine Clare reluctantly trades life in 1980 Manhattan for a remote home in the tiny hamlet of Chosen, New York, after her husband George lands a job teaching art history at a small Hudson Valley college. Even as she does her best to transform the old dairy farm into a place where young daughter Franny will be happy, Catherine increasingly finds herself isolated and alone. She soon comes to sense a sinister darkness lurking both in the walls of the ramshackle property—and in her marriage to George. | |
| Release Date: | Apr 29, 2021 | 
|---|---|
| Director: | Robert Pulcini, Shari Springer Berman | 
| Writer: | Robert Pulcini, Shari Springer Berman, Elizabeth Brundage | 
| Genres: | Horror | 
| Keywords | based on novel or book, bulimia, haunted house, fraud, ghost, troubled marriage, eating disorder, dark secret, 1980s, toxic masculinity | 
| Production Companies | Likely Story | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Amanda Seyfried | Catherine Claire | 
| James Norton | George Claire | 
| Natalia Dyer | Willis | 
| Alex Neustaedter | Eddie Vayle | 
| Rhea Seehorn | Justine | 
| Michael O'Keefe | Travis Laughton | 
| Karen Allen | Mare Laughton | 
| Jack Gore | Cole Vayle | 
| F. Murray Abraham | Floyd DeBeers | 
| James Urbaniak | Bram | 
| Ana Sophia Heger | Franny Claire | 
| Charlotte Maier | Peg | 
| Kristin Griffith | Audrey Claire | 
| Ben Graney | Husband #2 | 
| Molly Jobe | Wife #1 | 
| Joey Auzenne | Husband #1 | 
| Kelcy Griffin | Lynne | 
| Cotter Smith | Tom Claire | 
| Dan Daily | Pat | 
| Maureen Young | Blind Woman | 
| Melinda Tanner | Local Woman #2 | 
| Emily Dorsch | Ella Vayle | 
| Alison Smith | Poet | 
| Marion McCorry | Millicent | 
| Peter Grosz | Martin | 
| Brian Corrigan | Mr. Pratt | 
| Jill Dalton | Mrs. Pratt | 
| Peter Von Berg | Local Man | 
| Dawn McGee | Local Woman #1 | 
| Polly Lee | Librarian | 
| James Hindman | Bank Teller | 
| Lewis Payton, Jr. | Shelby Warren | 
| Olivia Boreham-Wing | Flirty Student | 
| Michelle Brown | Reporter | 
| Joe Lanza | Andy | 
| John Rue | Marine Worker | 
| Name | Job | 
|---|---|
| Robert Pulcini | Screenplay, Director | 
| Shari Springer Berman | Screenplay, Director | 
| Louise Ford | Editor | 
| Andrew Mondshein | Editor | 
| Manny Siverio | Stunt Coordinator | 
| Chris Barnes | Marine Coordinator | 
| Anna Kooris | Still Photographer | 
| Lori Grabowski | Script Supervisor | 
| Lester Cohen | Production Design | 
| April Napier | Costume Design | 
| Stephanie Barr | Key Makeup Artist | 
| Martha Melendez | Makeup Department Head | 
| Peter Pastorelli | Unit Production Manager | 
| Brad Robinson | Second Assistant Director | 
| Simon Brown | Boom Operator | 
| Ethan June | Key Grip | 
| Valerie Velez | Key Hair Stylist | 
| Ben Spaner | Focus Puller | 
| Rori Bergman | Casting | 
| Jonathan Mosca | Art Direction | 
| Rich Krusell | Makeup Effects | 
| Betsy Reyes | Key Hair Stylist | 
| Heather Levenstone | Unit Production Manager | 
| Stewart Cantrell | "A" Camera Operator | 
| Seth Coleman | Gaffer | 
| Alethea McElroy | Wardrobe Supervisor | 
| Johann Kunz | Special Effects Supervisor | 
| Elizabeth Brundage | Novel | 
| Jeanne McCarthy | Casting | 
| Kendall Anderson | Set Decoration | 
| Lindsay Gelfand | Makeup Effects | 
| Larry Smith | Director of Photography | 
| Timothy Bird | First Assistant Director | 
| Aileen Taylor | "B" Camera Operator | 
| Jerry Stein | Production Sound Mixer | 
| A.J. Desimone | Rigging Gaffer | 
| Kerrie Smith | Hair Department Head | 
| Jeffrey Penman | Post Production Supervisor | 
| Ashley Pynn | Stunt Double | 
| Shepherd Ahlers | Assistant Production Coordinator | 
| Name | Title | 
|---|---|
| Anthony Bregman | Producer | 
| Timothy Bird | Associate Producer | 
| Peter Cron | Producer | 
| Stephen Lippross | Executive Producer | 
| Stefanie Azpiazu | Producer | 
| Peter Pastorelli | Executive Producer | 
| Julie Cohen | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 16 | 22 | 13 | 
| 2024 | 5 | 20 | 28 | 10 | 
| 2024 | 6 | 16 | 26 | 10 | 
| 2024 | 7 | 27 | 46 | 11 | 
| 2024 | 8 | 18 | 39 | 14 | 
| 2024 | 9 | 13 | 17 | 9 | 
| 2024 | 10 | 16 | 32 | 8 | 
| 2024 | 11 | 14 | 24 | 8 | 
| 2024 | 12 | 15 | 32 | 8 | 
| 2025 | 1 | 13 | 23 | 9 | 
| 2025 | 2 | 10 | 18 | 3 | 
| 2025 | 3 | 5 | 15 | 1 | 
| 2025 | 4 | 3 | 10 | 1 | 
| 2025 | 5 | 3 | 11 | 2 | 
| 2025 | 6 | 2 | 5 | 1 | 
| 2025 | 7 | 1 | 2 | 1 | 
| 2025 | 8 | 2 | 3 | 1 | 
| 2025 | 9 | 3 | 3 | 2 | 
| 2025 | 10 | 3 | 5 | 2 | 
Trending Position
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Horror is definitely one of my favorite genres. I find this type of film extremely impactful when done right. From sleepless nights to unforgettable images, I can never get enough of horror. However, ... just like every other popular genre, it reached a point where studios care more about building franchises set on formulaic screenplays than actually delivering original, creative, unique stories. Netflix isn't known for exceptional horror content, so I was skeptical going into this movie. Things Heard & Seen may hold a generic premise, but Shari Springer Berman and Robert Pulcini are able to add enough substance to make it interesting. Amanda Seyfried (Mank) and James Norton (Little Women) offer two remarkable performances, portraying two distinct characters that somehow ended up together. Both have their own flaws, but the husband is depicted in such a negative manner that it becomes challenging to follow someone so despicable. The main narrative offers a slight twist on the usual ghost story, making it more than just a creepy jumpscare festival, as well as possessing a particularly violent scene that's no short of surprising. Despite the suspenseful atmosphere, the slow pacing drags an overlong film that unfortunately features an underwhelming ending. The beginning of the third act reaches the peak of excitement, boasting attention-grabbing character decisions that will surely raise the entertainment value. Sadly, the mix of feminist themes with the supernatural narrative is far from getting the right balance, ending as yet another horror flick that had everything to be much, much better. Rating: B-
Good watch, could watch again, and can recommend. I'll be honest, I was a little tired when I watched it, but I had a good time. This is a good movie that I feel could have been a great movie, but I feel like its concept causes a distraction from it's own story. The movie does some clever t ... hings that make it a little hard to not spoil it, but giving the main character debilitations doesn't automatically make her more sympathetic. I'm sure it makes her more relatable to certain audience and even more realistic a person, as a lot of her characteristics are the result of an unhappy relationship, but it doesn't really drive the story on its own. Once the momentum of the story, the house, and the characters start to build, the movie really becomes something else. There seems to be a new trend in movie making, that this story shares, where the story ends and a new story begins. Its not quite the same as having a 4th act or having 2 3-act stories. It's close to having a short sequel in the same movie, and that's definitely what it feels like. This gets a lot of points for being interesting and having a great cast and delivery, but it's just not..."great" as a whole.