 
  Popularity: 5 (history)
| Director: | Kevin Lewis | 
|---|---|
| Writer: | G.O. Parsons | 
| Staring: | 
| When his car breaks down, a quiet loner agrees to clean an abandoned family fun center in exchange for repairs. He soon finds himself waging war against possessed animatronic mascots while trapped inside Willy's Wonderland. | |
| Release Date: | Feb 12, 2021 | 
|---|---|
| Director: | Kevin Lewis | 
| Writer: | G.O. Parsons | 
| Genres: | Comedy, Action, Horror | 
| Keywords | nightmare, carnival, dying and death, mascot, evil doll, possession, apocalypse, demon, amusement park, animatronic, demonic | 
| Production Companies | Saturn Films, Landafar Entertainment, Almost Never Films, JD Entertainment, Landmark Studio Group | 
| Box Office | Revenue: $431,020 Budget: $5,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Nicolas Cage | The Janitor | 
| Emily Tosta | Liv Hawthorne | 
| Beth Grant | Sheriff Eloise Lund | 
| Ric Reitz | Tex Macadoo | 
| Chris Warner | Jed Love | 
| Kai Kadlec | Chris Muley | 
| Caylee Cowan | Kathy Barnes | 
| Jonathan Mercedes | Dan Lorraine | 
| Terayle Hill | Bob McDaniel | 
| Christian Delgrosso | Aaron Powers | 
| David Sheftell | Evan Olson | 
| Grant Cramer | Jerry Wallace | 
| Christopher C. Padilla | Jim Hawthorne | 
| Olga Cramer | Judy Hawthorne | 
| Jiri Stanek | Willy Weasel | 
| Taylor Towery | Cammy Chameleon | 
| Chris Schmidt Jr. | Tito Turtle | 
| Austin Perez | Gus Gorilla | 
| BJ Guyer | Ozzie Ostrich | 
| Christopher Bradley | Arty Alligator | 
| Jessica Graves Davis | Siren Sara | 
| Duke Jackson | Knighty Knight | 
| Émoi | Willy Weasel (voice) | 
| Madisun Leigh | Cammy Chameleon (voice) | 
| Abel Arias | Tito Turtle / Ozzie Ostrich (voice) | 
| Mark Gagliardi | Gus Gorilla (voice) | 
| Luke James Donnelly | Arty Alligator (voice) | 
| Waverly Dooley | Siren Sara (voice) | 
| Jenner Michaels | Knighty Knight (voice) | 
| Name | Job | 
|---|---|
| Amy Shelton | Travel Coordinator | 
| Kevin Lewis | Director | 
| Ryan Liebert | Editor | 
| Lauren Coghlan | Art Direction | 
| Jennifer Schreck | Costume Design | 
| Sunny Dubica | Assistant Hairstylist | 
| Michelle Alderman | Hair Department Head | 
| Pamela Warden | Makeup Artist | 
| Cat Bernier | Special Effects Key Makeup Artist | 
| Jordan Sanders | Special Effects Makeup Artist | 
| Chris Baker | Construction Coordinator | 
| Elliott Boswell | Property Master | 
| J.R. Campbell | "A" Camera Operator | 
| Nick Seoane | Best Boy Electric | 
| Jeremy Wren | Dolly Grip | 
| Matt Setzer | Electrician | 
| Pedro Escobar | First Assistant "B" Camera | 
| Aidan Hayes | Grip | 
| Aaron Toups | Key Grip | 
| Jeremy Peele | Second Assistant Camera | 
| Mitchell Loo | Casting Assistant | 
| Terese Davis | Assistant Costume Designer | 
| Ashley Skelly | Set Costumer | 
| Roger Cooper | Additional Editor | 
| Jason Rayment | Colorist | 
| Vincent Chang | Compositing Supervisor | 
| Jasmine Choong | Visual Effects Compositor | 
| Colin Shen Min Lim | Editorial Production Assistant, VFX Editor | 
| Jester Yao Hui Chai | Visual Effects Coordinator | 
| Meo Yap | Visual Effects Production Assistant | 
| Robert A. Howell | Special Effects | 
| Rayne Marcus | Payroll Accountant | 
| G.O. Parsons | Screenplay | 
| Molly Coffee | Production Design | 
| Jennifer Chandler | Set Decoration | 
| David Newbert | Director of Photography | 
| Genie Bolet | Assistant Makeup Artist | 
| Ashley Langston | Key Makeup Artist | 
| Erin Chaney | Makeup Department Head | 
| Robby Knyrim | Special Effects Makeup Artist | 
| Ren Tanner | Art Department Coordinator | 
| Adam Brantz | Leadman | 
| Parker W. Woods | Set Dresser | 
| Tim Banks | "B" Camera Operator | 
| Justin Paul Warren | Digital Imaging Technician | 
| Tim Chang | Electrician | 
| Ezra Riley | First Assistant "A" Camera | 
| Travis Stewart | Gaffer | 
| Seth Patterson | Grip | 
| Ronald H. Hynson | Rigging Gaffer | 
| Brittney Rosella | Second Assistant "B" Camera | 
| Heather Hylton Bivens | Extras Casting | 
| Christine Rigby | Set Costumer | 
| Janine Gosselin | Script Supervisor | 
| Dominic Tan | Compositor | 
| Mohamad Sharil Harees | Digital Compositor | 
| Damian Drago | VFX Artist | 
| Daniel Salwam | Visual Effects Coordinator | 
| Kenneth J. Hall | Creature Design | 
| J.J. Madaris | Special Effects | 
| Blakely Clark | Production Accountant | 
| Michael J. Broomberg | Foley Artist | 
| Hector Guerra | Sound | 
| Mike Pipgras | Sound Effects Editor, Sound Designer | 
| Robert Troy | Dialogue Editor | 
| Émoi | Original Music Composer | 
| Roy Knyrim | Makeup Effects Designer | 
| Charles German | Boom Operator | 
| Matt Yocum | Sound Effects Editor | 
| Christopher C. Padilla | Stunts | 
| Lawreen E. Kayl | Line Producer | 
| Gabrielle Almagor | Casting | 
| Shannon Makhanian | Casting | 
| Charlie Parrish | Stunt Coordinator | 
| Michael Schmidt | Production Sound Mixer | 
| Aaron Cowan | Executive Visual Effects Producer | 
| Name | Title | 
|---|---|
| Danny Roth | Producer | 
| Kevin V. Duncan | Associate Producer | 
| Bryan Lord | Producer | 
| David Ozer | Producer | 
| Jake Seal | Executive Producer | 
| Tamara Birkemoe | Executive Producer | 
| Jeremy Davis | Producer | 
| Scottland Olds Harbert | Executive Producer | 
| Seth Needle | Executive Producer | 
| Grant Cramer | Producer | 
| Nicolas Cage | Producer | 
| Mark Damon | Executive Producer | 
| Adam Rifkin | Executive Producer | 
| Michael Nilon | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 30 | 38 | 23 | 
| 2024 | 5 | 32 | 39 | 19 | 
| 2024 | 6 | 29 | 42 | 17 | 
| 2024 | 7 | 31 | 45 | 22 | 
| 2024 | 8 | 28 | 55 | 18 | 
| 2024 | 9 | 22 | 32 | 17 | 
| 2024 | 10 | 25 | 45 | 18 | 
| 2024 | 11 | 22 | 49 | 15 | 
| 2024 | 12 | 21 | 37 | 14 | 
| 2025 | 1 | 20 | 26 | 14 | 
| 2025 | 2 | 16 | 25 | 4 | 
| 2025 | 3 | 6 | 20 | 1 | 
| 2025 | 4 | 3 | 5 | 2 | 
| 2025 | 5 | 3 | 6 | 1 | 
| 2025 | 6 | 3 | 4 | 2 | 
| 2025 | 7 | 2 | 3 | 2 | 
| 2025 | 8 | 2 | 4 | 2 | 
| 2025 | 9 | 3 | 4 | 2 | 
| 2025 | 10 | 4 | 6 | 3 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 6 | 517 | 653 | 
As it goes in the film world, there will be plenty of critics who will think they are “too good” for a ridiculous movie like “Willy’s Wonderland,” an outrageous, audience-pleasing popcorn flick with an 80s slasher vibe. This film is one that feels like it’s made expressly for fans of the horror-come ... dy genre, and its terrific premise, badass hero, and throwback grindhouse sentiment check all the boxes for a successful journey to becoming a midnight cult classic. A quiet loner (Nicolas Cage) becomes stranded in a remote town when his car breaks down. Unable to pay for the needed repairs, he agrees to spend the night cleaning up the local abandoned family fun center known as Willy’s Wonderland. Little does he know that he has just signed up to be the janitor for a place believed to be haunted. Things haven’t been the same since the rumors about missing children (and evil animatronics) took over the town. As the night progresses, the man discovers that the life-sized fuzzy mascots have minds of their own, and he must fight to the death in order to survive to see the sun rise. The story is solid all around and if you suspend disbelief, the plot is actually plausible. There are supernatural elements and lots of humor, and the Janitor is the horror hero we didn’t know we needed. Kevin Lewis has a terrific eye for direction, a natural at knowing exactly what the audience wants to see and how they want to see it (and delivering just that). The pacing is excellent, too. The film ends with a set-up for an eventual sequel that I really, really hope happens. The most appropriate word I can find to describe this movie, and one that fits in almost any discussion of the film, is “rad.” The awesome, primitive puppet costumes for Willy the Weasel and his tribe of murderous pals (Tito the Turtle, Siren Sara, Ozzie the Ostrich, and Knighty Knight, to name a few) are absolutely hysterical, the perfect pair for the equally amusing low budget horror effects. Even better is Cage, who brings that certain je ne sais quoi to his character, a soda-guzzling, pinball-loving man of few words (the actor doesn’t speak any dialogue in the movie). This isn’t a movie that you’re supposed to take seriously, and that’s what adds to its charm. “Willy’s Wonderland” is tons of bloody fun, especially if you want to watch Nic Cage beat the shit out of possessed serial killer animatronics. And quite frankly, isn’t that all of us?
I went into this thinking that it could not be that bad of a movie, and I was right and wrong at the same time. Nick Cage didn't say a single word the whole movie; the closest he got to one was when he was fighting and said "ah". All the other characters seemed unimportant, other than the girl and t ... he animatronics. This movie is in no way scary. I was scared of the animatronic Sara; at least I think that's her name. The others looked too goofy to be scary. At points in the film, the screen seemed stretched, squished, or even wobbly. The plot is just the premise of Five Nights at Freddy's, which has just changed to be more unique. The rebel kids seem like any stereotypical group of people in a horror film. Smart kid, dumb kid, dumb but hot kid, rational kid, and the leader kid that is more daring to endanger themselves than anyone else. I call them kids because they are referred to as that in the film, but what I assume they were going for is that they are teens who do things for the sake of, why not just end this? Right, but to me, they are young adults who do things for the sake of, why not? Nick Cage beating up the animatronics is enjoyable to watch, and I think they outdid themselves by making those parts good. The sex sense that, for some reason, exists The gator was just kind of watching them; ya know, hit it on... Like the gator watched for a long time. A weird amount of time. Now at the end, Nick Cage gets his sweet ride, and the one girl is there and just gets in his car without exchanging words, like Nick Cage was going to say anything anyway, but it was just weird to me. She seems unphased, kind of, even though she watched and saw her friends get murdered by animatronics. She casually drinks Nick Cage's "Punch" soda, and that's it. The ending is just weird. I feel like they ended it with Tex and the mechanic guy dying just so everything related to the building gets knocked down, other than the girl, I guess. Weird ass movie. Like wow. Oh, did I even mention that it seemed like Nick Cage was weirdly attracted by a pinball machine in the kitchen? This movie was wack.
I went into this thinking that it could not be that bad of a movie, and I was right and wrong at the same time. Nick Cage didn't say a single word the whole movie; the closest he got to one was when he was fighting and said "ah". All the other characters seemed unimportant, other than the girl and t ... he animatronics. This movie is in no way scary. I was scared of the animatronic Sara; at least I think that's her name. The others looked too goofy to be scary. At points in the film, the screen seemed stretched, squished, or even wobbly. The plot is just the premise of Five Nights at Freddy's, which has just changed to be more unique. The rebel kids seem like any stereotypical group of people in a horror film. Smart kid, dumb kid, dumb but hot kid, rational kid, and the leader kid that is more daring to endanger themselves than anyone else. I call them kids because they are referred to as that in the film, but what I assume they were going for is that they are teens who do things for the sake of, why not just end this? Right, but to me, they are young adults who do things for the sake of, why not? Nick Cage beating up the animatronics is enjoyable to watch, and I think they outdid themselves by making those parts good. The sex sense that, for some reason, exists The gator was just kind of watching them; ya know, hit it on... Like the gator watched for a long time. A weird amount of time. Now at the end, Nick Cage gets his sweet ride, and the one girl is there and just gets in his car without exchanging words, like Nick Cage was going to say anything anyway, but it was just weird to me. She seems unphased, kind of, even though she watched and saw her friends get murdered by animatronics. She casually drinks Nick Cage's "Punch" soda, and that's it. The ending is just weird. I feel like they ended it with Tex and the mechanic guy dying just so everything related to the building gets knocked down, other than the girl, I guess. Weird ass movie. Like wow. Oh, did I even mention that it seemed like Nick Cage was weirdly attracted by a pinball machine in the kitchen? This movie was wack.
"Willy's Wonderland" is a film that draws parallels to the popular video game series "Five Nights at Freddy's," despite being an original creation. Starring Nicolas Cage, who may not typically be your preferred actor, the movie showcases his silent yet captivating portrayal, adding to the unique cha ... rm of the film. The creativity behind the monstrous characters and Cage's character's silent approach to combating them contributes to the film's appeal, making it an enjoyable viewing experience. The group of characters introduced in the film adds depth and creativity to the story, serving as victims to Cage's character's relentless mission to defeat the murderous creatures. While their presence enhances the narrative, their survival is not essential, adding to the suspense and tension throughout the movie. The unexpected twist involving the cop and others deciding to strike a deal with the creatures rather than destroying the building adds a layer of intrigue to the storyline. While the decision may seem unconventional, it contributes to the overall atmosphere of the film and keeps viewers engaged in the unfolding events. In the end, "Willy's Wonderland" offers a fun and entertaining ride that deftly blends elements of horror and action with a touch of humor. Despite any perceived oddities or plot twists, the film manages to deliver an enjoyable and engaging viewing experience that keeps audiences entertained from start to finish.