Popularity: 3 (history)
| Director: | Roger Michell |
|---|---|
| Writer: | Richard Bean, Clive Coleman |
| Staring: |
| In 1961, a 60-year-old taxi driver stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. What happened next became the stuff of legend. | |
| Release Date: | Jul 23, 2021 |
|---|---|
| Director: | Roger Michell |
| Writer: | Richard Bean, Clive Coleman |
| Genres: | Comedy, Drama, History |
| Keywords | couple, release |
| Production Companies | Ingenious Media, Screen Yorkshire, Pathé, Neon Films |
| Box Office |
Revenue: $0
Budget: $11,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Jim Broadbent | Kempton Bunton |
| Helen Mirren | Dorothy Bunton |
| Fionn Whitehead | Jackie Bunton |
| Matthew Goode | Jeremy Hutchinson |
| Aimee Kelly | Irene Boslover |
| Charlotte Spencer | Pammy |
| Jack Bandeira | Kenny Bunton |
| Anna Maxwell Martin | Ms. Gowling |
| Sian Clifford | Dr. Unsworth |
| John Heffernan | Neddie Cussen |
| Joshua McGuire | Eric Crowther |
| James Wilby | Judge Aarvold |
| Craig Conway | Mr. Walker |
| Richard McCabe | Rab Butler |
| Sam Swainsbury | DI Brompton |
| Andrew Havill | Sir Philip Hendy |
| Dorian Lough | DI Macpherson |
| Sarah Beck Mather | Press Woman |
| Heather Craney | Debbie - Clerk of the Court |
| Darren Charman | The Duke of Wellington |
| Stephen Rashbrook | Foreman |
| Sarah Annett | Post Office Clerk |
| Michael Hodgson | Barry Spence |
| Cliff Burnett | Wilf |
| Val McLane | Freda |
| Ashley Kumar | Javid Akram |
| Michael Adams | |
| Will Graham | Office Worker |
| Philip Gascoyne | Press Photographer (uncredited) |
| Name | Job |
|---|---|
| Mike Eley | Director of Photography |
| Roger Michell | Director |
| Richard Bean | Screenplay |
| Clive Coleman | Screenplay |
| Andrew Jadavji | First Assistant Editor |
| Sjors Fiege | Location Assistant |
| Sarah Wilson | Casting Associate |
| Nikita Vyas | Casting Assistant |
| Rob Rowley | Special Effects Supervisor |
| Rob Turner | Sound Effects Editor |
| Rob Prynne | Sound Effects Editor |
| Robert Platt-Higgins | Post Production Coordinator |
| P.R. Smith | Property Master |
| Thomas Barratt | Props |
| Callum Haden | Dressing Prop |
| Bob Charlton | Construction Manager |
| Paul McGeachan | Gaffer |
| Will Kendal | Best Boy Electric |
| Joe McGee | Electrician |
| Andrew O'Driscoll | Electrician |
| Thomas Tann | Electrician |
| Luke Pochetty | Electrician |
| Tom Hyde | Electrician |
| Steve Roberts | Generator Operator |
| Grace Dubruel | Assistant Location Manager |
| David Gales | Unit Manager |
| Lian Furness | Location Assistant |
| Cory Townsend | Location Assistant |
| Dave Seward | Unit Manager |
| Ben Frost | Assistant Location Manager |
| George Fenton | Orchestrator, Original Music Composer |
| Kristina Hetherington | Editor |
| Kristian Milsted | Production Design |
| Liz Simpson | Art Direction |
| Libby Uppington | Set Decoration |
| Dinah Collin | Costume Design |
| Fiona Weir | Casting |
| Chris Lyons | Special Effects Makeup Artist |
| Karen Hartley-Thomas | Makeup Designer, Hair Designer |
| Martin Beresford | Production Sound Mixer |
| Louise Seymour | Post Production Supervisor |
| Simon Hedges | First Assistant Director |
| Julian Spencer | Stunt Coordinator |
| Filiz-Theres Erel | Production Manager |
| Matthew Bowden | Location Manager |
| James Player | Location Manager |
| Danny Sheehan | Sound Supervisor |
| Paul Carter | Sound Re-Recording Mixer |
| Jamie Roden | Sound Re-Recording Mixer |
| Oliver Driscoll | First Assistant Camera |
| Ben Jones | Second Assistant Camera |
| Matthew Poynter | "B" Camera Operator |
| Arron Monkman | First Assistant "B" Camera |
| Luke Selway | First Assistant "B" Camera |
| Owen Cant | Second Assistant "B" Camera |
| Bruce Carmichael | Second Assistant "A" Camera |
| Rosamund Freeman | Camera Trainee |
| Núria Pérez | Digital Imaging Technician |
| Sergio Bernuzzi | Key Grip |
| Del Strachan | Grip |
| Ben Lowe | Grip |
| Lee James | Assistant Sound Editor |
| Julian Bale | Assistant Sound Editor |
| Adam Tomlinson | Supervising Art Director |
| George W Turner | Assistant Art Director |
| Robert Haynes | Standby Art Director |
| Ian Tomlinson | Draughtsman |
| Kaye Kent | Assistant Set Decoration |
| Candice Marchlewski | Assistant Set Decoration |
| Vanessa Bamford | Art Department Assistant |
| Frances Pulford | Art Department Assistant |
| Rachel Garlick | Storyboard Artist |
| Simon Lewis | Assistant Costume Designer |
| Paul Yeowell | Assistant Costume Designer |
| Richard Cooke | Assistant Costume Designer |
| Filipa Fabrica | Costume Supervisor |
| Natasha Kutrovacz | Costume Standby |
| Amy Riley | Makeup & Hair |
| Emma Rigby | Makeup & Hair |
| Natalie Young | Makeup & Hair |
| Tim Powell | First Assistant Accountant, Post Production Accountant |
| Emily Orlik | Assistant Accountant |
| Oliver Orlik | Assistant Accountant |
| Gemma Nunn | Second Assistant Director |
| Lucy Andrews | Third Assistant Director |
| Malinda Kaur | Assistant Director |
| Cecily Colahan | Production Coordinator |
| Tian Boyce | Production Secretary |
| Matt Davies | Dialogue Editor |
| Robert Weatherall | Foley Editor |
| Keith Partridge | Foley Recording Engineer |
| Barnaby Smyth | Foley Artist |
| Tom Melling | Sound Re-Recording Assistant |
| Robbie Scott | Mix Technician |
| Jessica Watkins | Mix Technician |
| Vikram Chadha | Visual Effects Producer |
| Sebastian Barker | Visual Effects Supervisor |
| Julian Kershaw | Orchestrator |
| Graham Sutton | Music Editor |
| Mark Jones | Grip |
| Name | Title |
|---|---|
| Nicky Bentham | Producer |
| Jenny Borgars | Executive Producer |
| Hugo Heppell | Executive Producer |
| Cameron McCracken | Executive Producer |
| Andrea Scarso | Executive Producer |
| Christopher Burton | Executive Producer |
| Michael S. Constable | Producer |
| Peter Scarf | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 22 | 41 | 13 |
| 2024 | 5 | 24 | 54 | 13 |
| 2024 | 6 | 17 | 26 | 11 |
| 2024 | 7 | 18 | 37 | 12 |
| 2024 | 8 | 18 | 36 | 9 |
| 2024 | 9 | 13 | 22 | 9 |
| 2024 | 10 | 14 | 23 | 7 |
| 2024 | 11 | 14 | 40 | 9 |
| 2024 | 12 | 14 | 30 | 8 |
| 2025 | 1 | 17 | 44 | 9 |
| 2025 | 2 | 9 | 13 | 3 |
| 2025 | 3 | 5 | 13 | 1 |
| 2025 | 4 | 3 | 8 | 1 |
| 2025 | 5 | 2 | 7 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 2 | 2 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
Nice to finally watch <em>'The Duke'</em> at the cinema, given it had been delayed from September 2020 and I didn't get around to it during its February 2022 release - managed to catch one of the last few showings this afternoon. I don't usually check out trailers but I did unintentionally see on ... e for this before a different film and it did look good - and I, now that I've seen it, can confirm that to be the case. It's very British, North Eastern English to be exact, with Jim Broadbent sporting an amusing Geordie accent - I'm a Southerner, but it sounded spot on to me. Broadbent is a great choice to play the main character, bringing all the necessary qualities to a role like Kempton Bunton. Helen Mirren is also involved to pleasant and noteworthy effect. Matthew Goode has a smaller role too. It is quite the true story that this film is based upon, one that is told in a fun but also meaningful manner - sometimes it is a bit too sweet for my liking, though for the vast majority it's neatly heartfelt. Cool to see the <em>'<a href="https://letterboxd.com/film/dr-no/" rel="nofollow">Dr. No</a>'</em> connection in there, also. A charmer. No doubt worth a watch if you get the chance.
Jim Broadbent and Helen Mirren are two performers I tend to follow and give any production they are in a try. This is yet another movie based on actual events. I have nothing against that obviously if it is well done, but as someone who writes novels I am sometimes tempted to ask if production compa ... nies could support screenwriters who write pure fiction a bit more often. But that observation takes nothing away from this production. Broadbent is good throughout, especially when he charms the jury in a courtroom scene, which is nearly worth watching the movie all by itself. Helen Mirren disappears into her role as the almost crumpled housewife and does a great job. The film held my interest and I didn’t see the slight twist in the plot coming, though it feels right once it is revealed. I will be willing to watch the movie again if the opportunity arises, which for me is what separates the adequate programming from the truly entertaining.