 
  Popularity: 2 (history)
| Director: | Elle Callahan | 
|---|---|
| Writer: | Elle Callahan | 
| Staring: | 
| In a modern America where witches are real and witchcraft is illegal, a sheltered teenager must face her own demons and prejudices as she helps two young witches avoid law enforcement and cross the southern border to asylum in Mexico. | |
| Release Date: | Oct 01, 2021 | 
|---|---|
| Director: | Elle Callahan | 
| Writer: | Elle Callahan | 
| Genres: | Fantasy, Horror | 
| Keywords | witch, witch hunt | 
| Production Companies | Kodiak Pictures, Defiant Studios | 
| Box Office | Revenue: $56,415 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Gideon Adlon | Claire | 
| Abigail Cowen | Fiona | 
| Elizabeth Mitchell | Martha | 
| Echo Campbell | Shae | 
| Cameron Crovetti | Corey | 
| Nicholas Crovetti | George | 
| Lulu Antariksa | Jen | 
| Natasha Tina Liu | Megan | 
| Anna Grace Barlow | Sofie | 
| Ashley Bell | Gina | 
| Christian Camargo | |
| Sadie Stratton | Esther | 
| Treva Etienne | Jacob | 
| Deborah May | Cynthia | 
| Punkie Johnson | Eliza | 
| Regi Davis | Mr. Cullen | 
| Denise Jaxon | Judge Dusan | 
| Riley Scott | Young Woman | 
| Christian Hicks | Agent Smith | 
| Samiya Khan | Mother | 
| Stephanie Hodge | Emily | 
| Assaf Cohen | Doctor Justice | 
| Cooper Rowe | Cashier / Bar Patron | 
| Natalie Johnson | Imprisoned Witch / Bar Patron | 
| Roni-Sue Kiser | Gym Teacher | 
| Bella Shepard | Kelly | 
| Noam Vaknin | Young Boy | 
| Story Slaughter | Video Blog Girl | 
| Sydney Wilder | Abby | 
| Anthony Ruff | PA Principal Voice / Bartender | 
| Anthony Jan Potter | BWI Agent | 
| Brian Johnson | BWI Agent | 
| Lorenzo Young | BWI Agent | 
| Michael Hernandez | BWI Agent | 
| Nick Wright | Bar Patron | 
| Name | Job | 
|---|---|
| Tommy Oceanak | Director of Photography | 
| Nick Garnham Wright | Editor | 
| Holly Trotta | Production Design | 
| Kevin Matré | Production Manager | 
| Nicholas Ruff | Second Unit First Assistant Director | 
| Joseph Waggoner | Set Dresser | 
| Lindsey Weissmueller | Casting | 
| Carrie Mercado | Key Makeup Artist | 
| Eric S. Quintana | Set Decoration, Art Direction | 
| Maryann Yee | Makeup Department Head | 
| Josh Foglio | Second Assistant Director | 
| Amanda Thurman | Property Master | 
| Carli Sandweiss | Costumer | 
| Jordan Little | First Assistant Director | 
| Anthony Ruff | Second Unit Director | 
| Josh Gannon | Script Supervisor | 
| Katherine Anne Carey | Costumer | 
| Lej Talens | Best Boy Electric | 
| Jordan Fliehler | Chief Lighting Technician | 
| Connor Lambert | First Assistant "A" Camera | 
| Bill Boehme | Gaffer | 
| Eric M. Velasquez | Key Grip | 
| Garret Barnett | Boom Operator | 
| Michael Holcomb | Sound Mixer | 
| Quinton Farina | Armorer | 
| Ashton Warner | Special Effects Technician | 
| Zach Zombek | Visual Effects Supervisor | 
| Aimey Beer | Stunts | 
| Chris Denison | Utility Stunts | 
| Tree O'Toole | Stunt Double | 
| Zach Mahassine | Production Supervisor | 
| Matthew Ray | Leadman | 
| Hannah Schenck | Makeup Artist | 
| Sammy Kline | Studio Teacher | 
| Belinda McCormick | Studio Teacher | 
| Peter Bawiec | Sound Re-Recording Mixer | 
| Martin Macphail | Original Music Composer | 
| Jason Knutzen | Digital Intermediate Colorist | 
| Austin Millinder | Assistant Camera | 
| Jonathan Williams | Electrician | 
| Jerry Sun | First Assistant Camera | 
| Adam Schneider | Key Grip | 
| Vatche Karagozian | Still Photographer | 
| Eric Miller | Boom Operator | 
| James Molina | Sound Mixer | 
| Simon White | Special Effects Coordinator | 
| Salvatore Sciortino | Visual Effects Supervisor | 
| Zac Krause | Key Production Assistant | 
| Christine Abernathy | Stunt Driver | 
| Callie Croughwell | Stunts | 
| Lane Leavitt | Stunts | 
| Cara Seo | Key Costumer | 
| Karen Stein | Makeup Artist | 
| Monica Salazar | Additional Editing | 
| Max Zarou | Studio Teacher | 
| Peter Kelsey | Sound Re-Recording Mixer | 
| Reece Miller | Foley Artist | 
| Tristan Tarr | Original Music Composer | 
| David Barkley | Best Boy Grip | 
| Alberto De Coste Calla | Electrician | 
| Will Hecht | First Assistant Camera | 
| Enrique Espinoza Jr. | Grip | 
| Nic Vannatta | Second Assistant Camera | 
| Matt Kendrick | Boom Operator | 
| Luis Molgaard | Sound Mixer | 
| Albert Lannutti | Pyrotechnician | 
| Anthony Gomez | Visual Effects Supervisor | 
| Ryan Hendricks | Production Controller, Production Accountant | 
| Joanna David | Costume Design | 
| Paul Anthony Scott | Stunt Coordinator | 
| Hawk Walts | Stunts | 
| John Fordham | Set Medic | 
| Leya Oakley | Makeup Artist | 
| Nick Delgado | Studio Teacher | 
| Jeffrey Scott Nuttall | Studio Teacher | 
| Elle Callahan | Writer, Sound Designer, Director, Supervising Sound Editor | 
| Nico Aguilar | Director of Photography | 
| Itai Levin | Assistant Editor | 
| Sten Tadashi Olson | Camera Operator | 
| Jess Varley | Production Coordinator | 
| Léa Catania | Stunts | 
| Caitlin M Hutson | Stunts | 
| Tim Soergel | Stunt Coordinator | 
| Jason Sweat | Stunts | 
| Abigail Bradley | Makeup Artist | 
| Brittany White | Makeup Artist | 
| Dean Rode | Original Music Composer | 
| Name | Title | 
|---|---|
| Maurice Fadida | Producer | 
| Eric B. Fleischman | Producer | 
| Victor Shapiro | Executive Producer | 
| Jordan Walker-Pearlman | Executive Producer | 
| Chris Abernathy | Co-Producer | 
| Jon Gosier | Executive Producer | 
| Zeev Krieger | Executive Producer | 
| Emily Siegel | Executive Producer | 
| Raphael Swann | Executive Producer | 
| Bull Blumenthal | Co-Producer | 
| Elizabeth Mitchell | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 18 | 25 | 12 | 
| 2024 | 5 | 19 | 27 | 11 | 
| 2024 | 6 | 18 | 44 | 11 | 
| 2024 | 7 | 18 | 34 | 9 | 
| 2024 | 8 | 16 | 30 | 9 | 
| 2024 | 9 | 12 | 15 | 8 | 
| 2024 | 10 | 12 | 19 | 7 | 
| 2024 | 11 | 13 | 27 | 8 | 
| 2024 | 12 | 13 | 19 | 8 | 
| 2025 | 1 | 14 | 24 | 10 | 
| 2025 | 2 | 9 | 15 | 3 | 
| 2025 | 3 | 6 | 15 | 1 | 
| 2025 | 4 | 2 | 4 | 1 | 
| 2025 | 5 | 1 | 4 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 1 | 2 | 1 | 
| 2025 | 8 | 2 | 4 | 1 | 
| 2025 | 9 | 4 | 6 | 3 | 
| 2025 | 10 | 1 | 3 | 0 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 7 | 929 | 929 | 
**The problem with this film is in the plot: starting from a wrong premise, the whole plot ends up going wrong.** There are certain films that we, even with all our good will, cannot find that fulfill what is necessary to be decent. This movie is one of them, and it's almost entirely to blame for ... a sadly poorly written plot, which pushes all the barriers of logic to create a story without any meaning. Normally, I save the technical aspects of a film for the end of my reviews, but this time it's precisely here that Ill start, because in fact it's in the production values and the visual effects and CGI that the film seems to me the most well-crafted. The movie doesn't have a good budget, but the effects are believable and look good enough. The settings aren't a problem either, being a story set in our time, and in an uncertain location in the American Midwest. The editing is regular, the pace is pleasant, and the music does what it needs to. The cast is mostly female, with the best performances coming from the hands of Elizabeth Mitchell and Gideon Adlon. There are still some other actresses who try to do what they can, but the youth of the cast does not allow for great dramatic efforts, nor does the lightness of the film truly demand it. But what really defeats this film is its plot: the film tries to recreate, in our time, the witch hunt fever that existed, occasionally, in some places in Christendom during the 15th to 17th centuries. This movement has more ancient roots: the Christian religion has always condemned the practices of witchcraft, and there are laws against witches in many ancient societies and civilizations, all the way back to the Roman Empire. The last woman to be officially executed for witchcraft in Europe was in 1782, and there are still modern countries, especially those with an Islamic religion, that formally condemn witchcraft in their penal codes. It just so happens that it just doesn't make any sense to try to recreate the witch hunt in a country like the USA, so openly democratic and defender of the individual freedoms of citizens. Even if we assume that magic exists and witchcraft is real (and there are many people today who believe this), it is inconceivable that a democratic country could ban magic or the practice of witchcraft, even for negative purposes. It's almost like forbidding someone to swear and curse: as wrong as it may be, it's a right that no one can take away from me, if I'm not offending anyone. I find it inconceivable that the US Congress would pass a constitutional amendment banning witchcraft, and that undermines everything the film tries to do afterwards. It just doesn't make sense. Summary: The problem with this film is in the plot: starting from a wrong premise, the whole plot ends up going wrong.