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Witch Hunt Poster

Witch Hunt

Burn that witch.
2021 | 92m | English

(2079 votes)

TMDb IMDb

Popularity: 2 (history)

Director: Elle Callahan
Writer: Elle Callahan
Staring:
Details

In a modern America where witches are real and witchcraft is illegal, a sheltered teenager must face her own demons and prejudices as she helps two young witches avoid law enforcement and cross the southern border to asylum in Mexico.
Release Date: Oct 01, 2021
Director: Elle Callahan
Writer: Elle Callahan
Genres: Fantasy, Horror
Keywords witch, witch hunt
Production Companies Kodiak Pictures, Defiant Studios
Box Office Revenue: $56,415
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Gideon Adlon Claire
Abigail Cowen Fiona
Elizabeth Mitchell Martha
Echo Campbell Shae
Cameron Crovetti Corey
Nicholas Crovetti George
Lulu Antariksa Jen
Natasha Tina Liu Megan
Anna Grace Barlow Sofie
Ashley Bell Gina
Christian Camargo
Sadie Stratton Esther
Treva Etienne Jacob
Deborah May Cynthia
Punkie Johnson Eliza
Regi Davis Mr. Cullen
Denise Jaxon Judge Dusan
Riley Scott Young Woman
Christian Hicks Agent Smith
Samiya Khan Mother
Stephanie Hodge Emily
Assaf Cohen Doctor Justice
Cooper Rowe Cashier / Bar Patron
Natalie Johnson Imprisoned Witch / Bar Patron
Roni-Sue Kiser Gym Teacher
Bella Shepard Kelly
Noam Vaknin Young Boy
Story Slaughter Video Blog Girl
Sydney Wilder Abby
Anthony Ruff PA Principal Voice / Bartender
Anthony Jan Potter BWI Agent
Brian Johnson BWI Agent
Lorenzo Young BWI Agent
Michael Hernandez BWI Agent
Nick Wright Bar Patron
Name Job
Tommy Oceanak Director of Photography
Nick Garnham Wright Editor
Holly Trotta Production Design
Kevin Matré Production Manager
Nicholas Ruff Second Unit First Assistant Director
Joseph Waggoner Set Dresser
Lindsey Weissmueller Casting
Carrie Mercado Key Makeup Artist
Eric S. Quintana Set Decoration, Art Direction
Maryann Yee Makeup Department Head
Josh Foglio Second Assistant Director
Amanda Thurman Property Master
Carli Sandweiss Costumer
Jordan Little First Assistant Director
Anthony Ruff Second Unit Director
Josh Gannon Script Supervisor
Katherine Anne Carey Costumer
Lej Talens Best Boy Electric
Jordan Fliehler Chief Lighting Technician
Connor Lambert First Assistant "A" Camera
Bill Boehme Gaffer
Eric M. Velasquez Key Grip
Garret Barnett Boom Operator
Michael Holcomb Sound Mixer
Quinton Farina Armorer
Ashton Warner Special Effects Technician
Zach Zombek Visual Effects Supervisor
Aimey Beer Stunts
Chris Denison Utility Stunts
Tree O'Toole Stunt Double
Zach Mahassine Production Supervisor
Matthew Ray Leadman
Hannah Schenck Makeup Artist
Sammy Kline Studio Teacher
Belinda McCormick Studio Teacher
Peter Bawiec Sound Re-Recording Mixer
Martin Macphail Original Music Composer
Jason Knutzen Digital Intermediate Colorist
Austin Millinder Assistant Camera
Jonathan Williams Electrician
Jerry Sun First Assistant Camera
Adam Schneider Key Grip
Vatche Karagozian Still Photographer
Eric Miller Boom Operator
James Molina Sound Mixer
Simon White Special Effects Coordinator
Salvatore Sciortino Visual Effects Supervisor
Zac Krause Key Production Assistant
Christine Abernathy Stunt Driver
Callie Croughwell Stunts
Lane Leavitt Stunts
Cara Seo Key Costumer
Karen Stein Makeup Artist
Monica Salazar Additional Editing
Max Zarou Studio Teacher
Peter Kelsey Sound Re-Recording Mixer
Reece Miller Foley Artist
Tristan Tarr Original Music Composer
David Barkley Best Boy Grip
Alberto De Coste Calla Electrician
Will Hecht First Assistant Camera
Enrique Espinoza Jr. Grip
Nic Vannatta Second Assistant Camera
Matt Kendrick Boom Operator
Luis Molgaard Sound Mixer
Albert Lannutti Pyrotechnician
Anthony Gomez Visual Effects Supervisor
Ryan Hendricks Production Controller, Production Accountant
Joanna David Costume Design
Paul Anthony Scott Stunt Coordinator
Hawk Walts Stunts
John Fordham Set Medic
Leya Oakley Makeup Artist
Nick Delgado Studio Teacher
Jeffrey Scott Nuttall Studio Teacher
Elle Callahan Writer, Sound Designer, Director, Supervising Sound Editor
Nico Aguilar Director of Photography
Itai Levin Assistant Editor
Sten Tadashi Olson Camera Operator
Jess Varley Production Coordinator
Léa Catania Stunts
Caitlin M Hutson Stunts
Tim Soergel Stunt Coordinator
Jason Sweat Stunts
Abigail Bradley Makeup Artist
Brittany White Makeup Artist
Dean Rode Original Music Composer
Name Title
Maurice Fadida Producer
Eric B. Fleischman Producer
Victor Shapiro Executive Producer
Jordan Walker-Pearlman Executive Producer
Chris Abernathy Co-Producer
Jon Gosier Executive Producer
Zeev Krieger Executive Producer
Emily Siegel Executive Producer
Raphael Swann Executive Producer
Bull Blumenthal Co-Producer
Elizabeth Mitchell Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 18 25 12
2024 5 19 27 11
2024 6 18 44 11
2024 7 18 34 9
2024 8 16 30 9
2024 9 12 15 8
2024 10 12 19 7
2024 11 13 27 8
2024 12 13 19 8
2025 1 14 24 10
2025 2 9 15 3
2025 3 6 15 1
2025 4 2 4 1
2025 5 1 4 1
2025 6 1 2 1
2025 7 1 2 1
2025 8 2 4 1
2025 9 4 6 3
2025 10 1 3 0

Trending Position


Year Month High Avg
2025 7 929 929

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Reviews

FilipeManuelNeto
2.0

**The problem with this film is in the plot: starting from a wrong premise, the whole plot ends up going wrong.** There are certain films that we, even with all our good will, cannot find that fulfill what is necessary to be decent. This movie is one of them, and it's almost entirely to blame for ... a sadly poorly written plot, which pushes all the barriers of logic to create a story without any meaning. Normally, I save the technical aspects of a film for the end of my reviews, but this time it's precisely here that Ill start, because in fact it's in the production values and the visual effects and CGI that the film seems to me the most well-crafted. The movie doesn't have a good budget, but the effects are believable and look good enough. The settings aren't a problem either, being a story set in our time, and in an uncertain location in the American Midwest. The editing is regular, the pace is pleasant, and the music does what it needs to. The cast is mostly female, with the best performances coming from the hands of Elizabeth Mitchell and Gideon Adlon. There are still some other actresses who try to do what they can, but the youth of the cast does not allow for great dramatic efforts, nor does the lightness of the film truly demand it. But what really defeats this film is its plot: the film tries to recreate, in our time, the witch hunt fever that existed, occasionally, in some places in Christendom during the 15th to 17th centuries. This movement has more ancient roots: the Christian religion has always condemned the practices of witchcraft, and there are laws against witches in many ancient societies and civilizations, all the way back to the Roman Empire. The last woman to be officially executed for witchcraft in Europe was in 1782, and there are still modern countries, especially those with an Islamic religion, that formally condemn witchcraft in their penal codes. It just so happens that it just doesn't make any sense to try to recreate the witch hunt in a country like the USA, so openly democratic and defender of the individual freedoms of citizens. Even if we assume that magic exists and witchcraft is real (and there are many people today who believe this), it is inconceivable that a democratic country could ban magic or the practice of witchcraft, even for negative purposes. It's almost like forbidding someone to swear and curse: as wrong as it may be, it's a right that no one can take away from me, if I'm not offending anyone. I find it inconceivable that the US Congress would pass a constitutional amendment banning witchcraft, and that undermines everything the film tries to do afterwards. It just doesn't make sense. Summary: The problem with this film is in the plot: starting from a wrong premise, the whole plot ends up going wrong.

Jun 18, 2022