 
  Popularity: 3 (history)
| Director: | Bryan Bertino | 
|---|---|
| Writer: | Bryan Bertino | 
| Staring: | 
| On a secluded farm in a nondescript rural town, a man is slowly dying. His family gathers to mourn, and soon a darkness grows, marked by waking nightmares and a growing sense that something evil is taking over the family. | |
| Release Date: | Apr 16, 2020 | 
|---|---|
| Director: | Bryan Bertino | 
| Writer: | Bryan Bertino | 
| Genres: | Drama, Horror, Mystery | 
| Keywords | suicide, texas, possession, grief, priest, haunting, isolated farmhouse, goats, severed finger, brother sister relationship, rural | 
| Production Companies | Travelling Picture Show Company, Unbroken Pictures, Inwood Road Films, Shotgun Shack Pictures | 
| Box Office | Revenue: $736,153 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Marin Ireland | Louise | 
| Michael Abbott Jr. | Michael | 
| Xander Berkeley | Priest | 
| Lynn Andrews | Nurse | 
| Julie Oliver-Touchstone | Mother | 
| Tom Nowicki | Charlie | 
| Ella Ballentine | Young Girl | 
| Michael Zagst | Father | 
| Mel Cowan | Doctor | 
| Mindy Raymond | Becky | 
| Chris Doubek | Funeral Director | 
| Name | Job | 
|---|---|
| Bryan Bertino | Screenplay, Director | 
| Jennifer Ricchiazzi | Casting | 
| Tristan Nyby | Director of Photography | 
| Ashley Landavazo | Art Direction | 
| Elizabeth Trott | Costume Design | 
| William Boodell | Editor | 
| Zachary Weintraub | Editor | 
| Scott Colquitt | Production Design | 
| Christopher Duke | Sound Re-Recording Mixer | 
| Joe Stockton | Sound Designer | 
| Thomas Hoffman | Boom Operator | 
| Lance Hoffman | Sound Mixer | 
| Tom Schraeder | Original Music Composer | 
| Ryan Gunn | Boom Operator | 
| Kevin Matusow | Unit Production Manager | 
| Aaron Steele-Nicholson | First Assistant Director | 
| Colin Blankenship | Second Assistant Director | 
| Tara Brawley | Key Makeup Artist, Special Effects Makeup Artist | 
| Emily Istre | Makeup & Hair Assistant | 
| Eve Butterly | Script Supervisor | 
| Christine Copeland | Assistant Editor | 
| Ryan K. McNeal | Colorist | 
| Becky McNeal | Digital Intermediate Producer | 
| Robert Ables | Drone Operator | 
| Joe Doran | Drone Operator | 
| Deangelo Harding | First Assistant Camera | 
| Josh Elam | Key Grip | 
| Marques Mallare | Second Assistant Camera | 
| Jesse Curl | Gaffer | 
| Paul Gerrard | Concept Artist | 
| Phillip Rios | Set Dresser | 
| Reid Sullivan | Set Dresser | 
| Cydney Cox | Digital Imaging Technician | 
| Phil Rios | On Set Dresser, On Set Props | 
| Chris Mills | Swing | 
| Jason Owen | Animal Coordinator | 
| Mark Brooks | Animal Wrangler | 
| Jeff Armstrong | Additional Production Assistant | 
| Mauricio Vanbenthuysen | Additional Production Assistant | 
| Jonathan Trott | Production Assistant | 
| Nicholas Fernandez | Production Assistant | 
| Doug Vanbenthuysen | Production Assistant | 
| Alex Splice Jones | Online Editor | 
| Mauricio Favery | 3D Artist | 
| Sergey Mihaylov | 3D Artist | 
| Mohammad Hani | VFX Supervisor | 
| Shared Jaradat | VFX Artist | 
| Name | Title | 
|---|---|
| Bryan Bertino | Producer | 
| Sonny Mallhi | Producer | 
| Steven Chester Prince | Executive Producer | 
| Milan Chakraborty | Executive Producer | 
| Thomas Giamboi | Executive Producer | 
| Adrienne Biddle | Producer | 
| Carissa Buffel | Executive Producer | 
| John Short | Executive Producer | 
| Mike Scannell | Executive Producer | 
| Bruce Cummings | Executive Producer | 
| Jeff Stevens | Executive Producer | 
| Kevin Matusow | Producer | 
| Brian Dalton | Executive Producer | 
| James Short | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 22 | 29 | 16 | 
| 2024 | 5 | 24 | 38 | 14 | 
| 2024 | 6 | 23 | 47 | 10 | 
| 2024 | 7 | 23 | 45 | 14 | 
| 2024 | 8 | 17 | 26 | 12 | 
| 2024 | 9 | 17 | 36 | 12 | 
| 2024 | 10 | 17 | 29 | 11 | 
| 2024 | 11 | 16 | 24 | 10 | 
| 2024 | 12 | 16 | 22 | 10 | 
| 2025 | 1 | 16 | 20 | 11 | 
| 2025 | 2 | 12 | 17 | 3 | 
| 2025 | 3 | 4 | 14 | 1 | 
| 2025 | 4 | 4 | 6 | 2 | 
| 2025 | 5 | 3 | 6 | 2 | 
| 2025 | 6 | 2 | 3 | 1 | 
| 2025 | 7 | 2 | 2 | 1 | 
| 2025 | 8 | 1 | 2 | 1 | 
| 2025 | 9 | 2 | 3 | 1 | 
| 2025 | 10 | 3 | 4 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 8 | 626 | 626 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 6 | 987 | 987 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 4 | 923 | 934 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 175 | 565 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 10 | 977 | 977 | 
I was excited to see Bryan Bertino's latest offering. "The Strangers" was an interesting classic introducing masked home invaders in the most unsettling of ways. "The Monster" was a better-than-expected as an estranged mother and daughter are stranded in their car in the woods while being stalked by ... a monster. "Wicked's" Rotten Tomatoes/Metacritic score was a solid (90%/72) and user reviews were ok (3.2 on IMDB). But for me, it fell completely flat as I kept waiting for something to connect the disparate disturbing scenes and story-line together. Many movies try to tease the viewer with unreliable narrators, leaving them to ponder whether what is happening is supernatural or all in the characters head. "The Babadook," "Black Swan," and "The Lighthouse" are examples of movies that do this right. Unfortunately, this doesn't. It's clearly something supernatural that is haunting everybody but beyond some gory and violent scenes (all of which are well done), the movie is just too ambiguous in a very frustrating way.
I was excited to check out Bryan Bertino's latest offering, "The Dark and the WIcked." His debut, "The Strangers," was an instant classic introducing masked home invaders in the most unsettling of ways. His followup, "The Monster," was well-crafted as an estranged mother and daughter get stranded in ... their car in the woods while being stalked by a monster. It was ultimately disappointing as there was nothing to connect the disparate creepy happenings to the story-line. Many movies try to tease the viewer with unreliable narrators, leaving them to ponder whether what is happening is supernatural or all in the characters head. "The Babadook," "Black Swan," and "The Lighthouse" are examples of movies that do this right. Unfortunately, this doesn't. It's clearly something supernatural haunting everybody, but beyond some disturbing and/or violent scenes (all of which are well done), the movie is just too ambiguous in a very frustrating way.
The scariest new film that I've seen in 2020, 'The Dark and the Wicked' is well-crafted, moodily evocative, and best watched through one's fingers. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-the-dark-and-the-wicked-2020s-scariest-film ...
> _loved this one_ let's start with the poster. I expected some red vibes like from "_evil dead_" something. but turns out, it's showed a _dark sepia tone_ which works. it's been a while since I was gasped and terrified for a horror movie. the sound and music are effective. I mean, this horror ... built by this sound. not like a creepy orchestra, but a chaotic chromatic sound. _beautiful and terrifying._ my interpretation is we should learn to let go of our loved ones. when the priest said: > "the devil is already here" yes, it's there because you still cling to your loved ones. to let go is not to deny but to accept. to let go is to fear less and love more. I'm sorry if you find this overanalyze.
The film is all about madness at best. Main characters lose their mind and we watch their hallucinations. All the religious references in the film leads to nowhere. The film has a few good jump scares and quite a good beginning which makes you think the rest of the film is going to get somewhere. Un ... fortunately it doesn’t. **I wouldn’t watch it again, nor would I make my friends watch it**.