Blood and Money
The hunter becomes the hunted
2020 | 89m | English
Popularity: 1 (history)
| Director: | John Barr |
|---|---|
| Writer: | John Barr, Alan Petherick, Mick McGrale |
| Staring: |
| A retired veteran hunting in the Allagash backcountry of Maine discovers a dead woman with a duffle bag full of money. He soon finds himself in a web of deceit and murder. | |
| Release Date: | May 15, 2020 |
|---|---|
| Director: | John Barr |
| Writer: | John Barr, Alan Petherick, Mick McGrale |
| Genres: | Action, Drama, Crime, Thriller |
| Keywords | wilderness, maine, snow, deer hunting |
| Production Companies | Allagash Films |
| Box Office |
Revenue: $0
Budget: $475,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Tom Berenger | Jim Reed |
| Kristen Hager | Debbie |
| Paul Ben-Victor | Bill |
| Mark Sivertsen | Ray |
| Erica McDermott | Jane |
| Bates Wilder | Night Guard |
| Brian Duffy | Skip |
| Melissa McMeekin | Cass |
| Jimmy LeBlanc | George |
| Caroline Portu | Kathy Williams |
| Gary Tanguay | News Anchor |
| Lisa Lynch | Bartender |
| Ryan Homchick | Jason |
| Ace Gibson | Frank |
| David J. Curtis | Logging Supervisor |
| David Parks | Benji |
| Name | Job |
|---|---|
| John Rusk | First Assistant Director |
| Denney Pierce | Stunt Double |
| Stuart F. Wilson | Stunt Double |
| John Barr | "A" Camera Operator, Writer, Director of Photography, Director |
| Tannis Vallely | Casting |
| Alan Petherick | Production Design, Writer |
| Tasha Goldthwait | Costume Design |
| Tom Brewster | Second Assistant Director |
| Helen Rasmussen | Set Dresser, Set Decoration |
| John Ruggieri | Special Effects Coordinator, Special Effects Supervisor |
| Omar Torres | Special Effects Supervisor |
| Laura Bill | Key Costumer |
| Veronica Mulero | Script Supervisor |
| Gary L. Whelpley | Armorer |
| Matthew Coleman II | Best Boy Electric |
| Nick Cady | Best Boy Grip |
| Shawn Aguilar | Digital Imaging Technician |
| Matthew Coleman | Gaffer |
| Anthony Cady | Key Grip |
| E.C. Gregg | Production Coordinator |
| Colin Williams | Property Master |
| Roger Cropley II | Editor |
| Robert Comire | Special Effects Technician |
| Craig Frosty Silva | Stunt Coordinator |
| Maria Chamberlain | Digital Colorist |
| Rob Farris | Digital Intermediate |
| Alexander Phillips | Digital Intermediate Assistant |
| Suhaila Mahmoud | Digital Intermediate Producer |
| Zak McNeil | Music |
| Tony McVann | Supervising Sound Editor, Sound Re-Recording Mixer |
| Eric Anderson | Special Effects Makeup Artist |
| Mick McGrale | Writer |
| Suza Horvat | Unit Production Manager |
| Hillary Missan | Additional Casting |
| David Parks | Assistant Location Manager |
| Liezy Perez | Production Supervisor |
| Khyle Smith | First Assistant "A" Camera |
| Ant Wheeler | Second Assistant "A" Camera |
| Philip Comier | "B" Camera Operator |
| Theron Powell | First Assistant "B" Camera |
| Kalle Bailey | Second Assistant "B" Camera |
| Ian Clampett | Additional Camera |
| Matthew Glover | Production Sound Mixer |
| Guy Welles | Boom Operator |
| Jack Rohner | Electrician |
| Dexter Feliciano | Electrician |
| Brandon Atkinson | Rigging Grip |
| Matt Zinchuck | Art Department Assistant |
| Sarit Snyder | Graphic Designer |
| Terra Stuart | Costume Supervisor |
| Adam Doering | Costume Assistant |
| Maili Lafyette | Costume Assistant |
| Michele Mckaig | Key Hair Stylist, Key Makeup Artist |
| Dawn Subhasiriwatana | Assistant Makeup Artist |
| Emma Shuter | Visual Effects Producer |
| Bill McNamara | Visual Effects Supervisor |
| Chloe Warner-Harris | Online Editor |
| Casey Blevins | Post Production Coordinator |
| Jeff Stearns | Location Manager |
| Name | Title |
|---|---|
| Brian O'Neill | Executive Producer |
| Suza Horvat | Producer |
| Paul Casale Jr. | Executive Producer |
| Paul T. Casale | Executive Producer |
| Vaughan Clark | Executive Producer |
| John de Souza | Executive Producer |
| Greg Munroe | Executive Producer |
| Diana Wood | Executive Producer |
| Roberta Marie Munroe | Co-Producer |
| Jeff Stearns | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 20 | 27 | 12 |
| 2024 | 5 | 19 | 28 | 12 |
| 2024 | 6 | 17 | 31 | 9 |
| 2024 | 7 | 18 | 36 | 9 |
| 2024 | 8 | 12 | 29 | 6 |
| 2024 | 9 | 10 | 23 | 5 |
| 2024 | 10 | 12 | 22 | 5 |
| 2024 | 11 | 10 | 16 | 6 |
| 2024 | 12 | 10 | 22 | 6 |
| 2025 | 1 | 9 | 17 | 6 |
| 2025 | 2 | 8 | 12 | 3 |
| 2025 | 3 | 5 | 10 | 1 |
| 2025 | 4 | 1 | 3 | 1 |
| 2025 | 5 | 1 | 3 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 2 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 2 | 4 | 1 |
| 2025 | 10 | 1 | 3 | 0 |
Trending Position
Decent movie that's more a character drama for the first 30-minutes and survival drama for the last hour or so. Berenger delivers a nice performance and acts like an old man at times which is a nice change for a movie like this. The very end was a bit baffling (can't say why without it being a major ... spoiler) but all in all, okay way to spend 90-minutes. **3.0/5**
A great deal of money has been robbed, at gunpoint, from a casino whilst "Jim Reed" (Tom Berenger) is plodding around in the freezing wilderness looking to bag a buck. After hitting what he thought was his quarry, though, he discovers that he's shot a woman and has - quite literally - now got an hug ... e great bag of bucks! Of course she wasn't acting alone and what now ensues is possibly the daftest manhunt I've ever seen. He hobbles about in the snow whilst pursued at an equally glacial speed by a gang of miscreants who, luckily, are no better at shooting at what they aim at than he is. Having hidden the loot, his task is now to stay alive. Of course he's a veteran and of course he has family baggage that would have made Cleopatra blush. Yawn! There is some beautifully chilly cinematography of a wintry Maine but the silliness of the story, the paucity of decent dialogue and the staccato pace of this make it nigh on unwatchable. The ending is entirely fitting - just why couldn't it have happened at the start?