Popularity: 4 (history)
Director: | Ron Howard |
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Writer: | Don MacPherson, William Nicholson |
Staring: |
Based on the true nail-biting mission that captivated the world. Twelve boys and the coach of a Thai soccer team explore the Tham Luang cave when an unexpected rainstorm traps them in a chamber inside the mountain. Entombed behind a maze of flooded cave tunnels, they face impossible odds. A team of world-class divers navigate through miles of dangerous cave networks to discover that finding the boys is only the beginning. | |
Release Date: | Jul 18, 2022 |
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Director: | Ron Howard |
Writer: | Don MacPherson, William Nicholson |
Genres: | Drama, Thriller |
Keywords | cave, thailand, based on true story, rescue, rescue mission, cave diving |
Production Companies | Imagine Entertainment, Magnolia Mae Films, Storyteller Productions |
Box Office |
Revenue: $0
Budget: $55,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
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Molly Hughes | Production Design, Production Designer |
Don MacPherson | Story |
Oliver Tarney | Sound Designer, Supervising Sound Editor |
Bruce Bright | Special Effects Supervisor |
Ben Smithers | Music Editor |
Boontawee 'Tor' Taweepasas | Assistant Art Director |
Emma Rudkin | Set Decoration |
Tess Schofield | Costume Designer |
Sarawut Chincharoen | Art Direction |
Jacqui Deacon | Makeup & Hair |
Sophie Thorpe | Makeup & Hair |
Jon Kuyper | Unit Production Manager |
Jay Corry | Second Second Assistant Director |
James Wilcox | Editor |
Brandt Gordon | Supervising Art Director |
Katrina Anger | Makeup & Hair |
Emma George | Special Effects Makeup Artist |
Quinton Wallace | Key Makeup Artist |
Michael Solinger | Post Production Supervisor |
Woodrow Travers | Second Assistant Director |
Samantha Dabrowski | Graphic Designer |
Denise Goudy | Props |
Laura Ockenden | Art Department Coordinator |
Rachel van Baarle | Set Designer |
Sue Harding | Foley Artist |
Seth Jackson | Boom Operator |
Alex Boyesen | ADR Supervisor |
Michael Miller | ADR Mixer |
Antony McMullen | Prosthetic Makeup Artist |
Jamie Whitfield | Assistant Unit Manager |
William M. Connor | First Assistant Director |
Rebecca Keros | Second Assistant Director |
Graeme Callander | Storyboard Artist |
Laura Egan | Set Dresser |
Peta Logan | Set Dresser |
Suzy Whitefield | Set Dresser |
Vic Kaspar | ADR Mixer |
Andrea King | Foley Artist |
Kara Moolman | Sound Assistant |
Bethany Stoke | Set Production Assistant |
Lisa Brennan | Property Master |
Teri Fairhurst | Set Designer |
Yvette Millist | Set Dresser |
Harrison Trubie | Set Dresser |
Michael Fentum | Sound Designer |
Joel Hodgkinson | Boom Operator |
Mark Appleby | ADR Mixer |
Rachael Tate | Supervising Sound Editor |
Mandy Mamlet | Music Supervisor |
Brian Cox | Special Effects Supervisor |
Chris Egan | Conductor |
Ron Howard | Director |
Nikki Barrett | Casting |
Sayombhu Mukdeeprom | Director of Photography |
William Nicholson | Story, Screenplay |
Rick Findlater | Hair Designer, Makeup Designer |
Charles Croughwell | Stunt Coordinator, Second Unit Director |
Karl Shefelman | Storyboard Artist |
Oliver Ferris | Foley Artist |
Adam Mendez | Foley Mixer |
Chris Navarro | ADR Mixer |
Benjamin Wallfisch | Original Music Composer |
Adam Howell | Stunts |
Name | Title |
---|---|
Karen Lunder | Producer |
Marie Savare | Executive Producer |
Gabrielle Tana | Producer |
Carolyn Marks Blackwood | Executive Producer |
Jon Kuyper | Executive Producer |
P.J. van Sandwijk | Producer |
Brian Grazer | Producer |
Ron Howard | Producer |
Jason Cloth | Executive Producer |
Aaron L. Gilbert | Executive Producer |
Michael Lesslie | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 33 | 46 | 23 |
2024 | 5 | 42 | 83 | 27 |
2024 | 6 | 34 | 70 | 21 |
2024 | 7 | 33 | 61 | 21 |
2024 | 8 | 24 | 39 | 16 |
2024 | 9 | 27 | 53 | 17 |
2024 | 10 | 29 | 73 | 16 |
2024 | 11 | 21 | 38 | 14 |
2024 | 12 | 27 | 44 | 18 |
2025 | 1 | 30 | 47 | 19 |
2025 | 2 | 18 | 33 | 4 |
2025 | 3 | 8 | 28 | 2 |
2025 | 4 | 8 | 17 | 3 |
2025 | 5 | 7 | 15 | 5 |
2025 | 6 | 6 | 9 | 5 |
2025 | 7 | 5 | 7 | 4 |
2025 | 8 | 4 | 5 | 4 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 816 | 901 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 730 | 730 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 389 | 718 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 940 | 940 |
MORE SPOILER-FREE REVIEW @ https://www.msbreviews.com/ "Thirteen Lives follows the usual formulas of works based on true events, but Ron Howard's honest, non-Hollywoodized direction allows him to efficiently tell one of the most remarkable survival stories of the last decade. The entire cast i ... s extraordinary, but it's Viggo Mortensen and Colin Farrell who mainly guide the film through all the relevant, claustrophobic plot points in a somewhat heavy viewing runtime-wise. Interesting for viewers with little to no knowledge of what happened, but the question remains as to whether it adds anything truly significant to the documentary The Rescue about the same 18 days of suffering, anxiety, and uncertainty. Massive praise for the worthy amount of screentime of the Thai language." Rating: B-
What's possibly most remarkable about this real life tale of courage and ingenuity is that a pretty A-list cast don't really overwhelm the story. Their contributions are solid and fairly undramatic as they allow the chronology to develop and the suspense and pressure to accumulate. It's history - so ... we know what happens, but somehow that lack of jeopardy doesn't really matter as we follow the efforts of an international team trying to rescue the twelve boys and their coach who have found themselves stuck underground, a few kilometres from the entrance, after heavy monsoon rains struck and flooded the tunnels. Now, of course, the first question might have been for the coach - didn't he look at the weather forecast first? However, now marooned quickly in their dark and claustrophobic environment, Ron Howard takes his time to demonstrate to us all just how this most innovative and challenging of evacuations was planned and executed - none of it without considerable risk to everyone involved. We are drawn into the scenarios, and I felt that I had skin in this game - the story has a palpable immersion (no pun intended) for the viewer. The cast gel well without any stand-out contributions or wordy dialogue, which I think well illustrates the strenuous pressures put on these men, essentially volunteers, by themselves, the families, the authorities and the relentless rain. The subterranean photography works really well in generating a feeling of peril and I certainly shared in that sense of relief at the end... A cinema watch is better, if you can - somehow the big screen demonstrates the small, tight spaces, better!
Thirteen Lives is a deeply moving film that highlights the incredible true story of the 2018 Tham Luang cave rescue in Thailand. Directed by Ron Howard, the movie focuses on the global effort and teamwork that led to the miraculous rescue of a young soccer team and their coach. The performances by V ... iggo Mortensen, Colin Farrell, and Joel Edgerton are excellent, portraying the bravery and skill of the divers who risked everything to save the boys. The film is technically outstanding, with gripping underwater scenes and a realistic portrayal of the challenging conditions faced by the rescuers. Howard’s direction keeps the focus on the human element, showing the immense sacrifices and collaboration that made the rescue possible. However, I couldn’t help but feel like something was missing. The movie spends so much time on the rescuers’ perspective that it doesn’t dive deeply into the emotional experiences of the boys and their coach. This lack of focus on their side of the story left me feeling that a key part of the event’s impact was underexplored. Despite this, Thirteen Lives is still a powerful film that captures the resilience and determination of everyone involved in the rescue. It’s a testament to what humanity can achieve when people come together in the face of impossible odds. While it might not fully explore every emotional angle, it’s a well-made and inspiring story that’s worth watching.