 
  Popularity: 3 (history)
| Director: | Roger Ross Williams | 
|---|---|
| Writer: | David Teague, Roger Ross Williams | 
| Staring: | 
| The true story of Saúl Armendáriz, a gay amateur wrestler from El Paso that rises to international stardom after he creates the character Cassandro, the “Liberace of Lucha Libre.” In the process, he upends not just the macho wrestling world but also his own life. | |
| Release Date: | Sep 14, 2023 | 
|---|---|
| Director: | Roger Ross Williams | 
| Writer: | David Teague, Roger Ross Williams | 
| Genres: | Drama | 
| Keywords | transvestite, entertainer, texas, biography, wrestling, sports, based on true story, lgbt, mexican, mother son relationship | 
| Production Companies | Escape Artists, Motto Pictures, La Corriente del Golfo, Grand Illusion Films, Amazon MGM Studios | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Gael García Bernal | Saúl "Cassandro" | 
| Roberta Colindrez | Sabrina | 
| Perla de la Rosa | Yocasta | 
| Joaquín Cosío | Lorenzo | 
| Raúl Castillo | Gerardo | 
| El Hijo del Santo | El Hijo del Santo | 
| Bad Bunny | Felipe | 
| Gigántico | Murder Clown | 
| Yavor Vesselinov | Pete | 
| Leonardo Alonso | El Mysterioso | 
| Carmen Ledesma | Rosie | 
| Javier Escobar | Masked Massacre | 
| Lorenzo Constantini | Cousin Thiago | 
| Jorge Andrés Zerecero | Young Saúl | 
| Robert Salas | Eduardo | 
| Ronald Gonzales-Trujillo | Young Eduardo | 
| Sofía Félix | Young Yocasta | 
| Eduardo Cayetano | Diablo | 
| Joseph Gabriel Rodríguez | Ruben | 
| Julieta Ortiz | Candance | 
| Mark Vasconcellos | Dante | 
| Yolanda Abbud L. | Older Maid | 
| Víctor Ismael Pinillos | CD Juarez Announcer | 
| Norman Elizondo | Man at CDMX Club | 
| Luis J. Sánchez | El Paso TX Announcer | 
| Name | Job | 
|---|---|
| Odin Ayala | Stunts | 
| María Estela Fernández | Costume Designer | 
| Tomás Barreiro | Music | 
| David Teague | Screenplay | 
| Matías Penachino | Director of Photography | 
| Luis Rosales | Casting | 
| JC Molina | Production Design, Production Designer | 
| Margarita Laborde | Art Direction | 
| Vanessa Bryant | Set Decoration | 
| Itzel Peña | Makeup Designer | 
| Atenea Téllez | Hair Department Head | 
| Christina Salgado | Second Assistant Director | 
| Carlos Cruz Suazo | First Assistant Director | 
| Sebastian Perez Aguayo | Sound Editor | 
| Vinny Alfano | ADR Recordist | 
| Gerardo Islas Bulnes | Sound Editor | 
| Eduardo Castillo | Sound Effects Editor | 
| Michelle Couttolenc | Sound Re-Recording Mixer | 
| Mauricio Juárez García | Foley Mixer | 
| Marisela Suárez | Foley Artist | 
| Javier Umpierrez | Supervising Sound Editor, Sound Designer | 
| Thomas Boda | Visual Effects Supervisor | 
| Balo Bucio | Stunt Coordinator | 
| Carlos Zuñiga | Stunt Double | 
| Alberto Ojeda Muñoz | Steadicam Operator, "A" Camera Operator | 
| Mónica Mechoulam | Set Costumer | 
| Ana Ivette Frias | Costume Coordinator | 
| Luis Ángel Vázquez | Casting Coordinator | 
| Roger Ross Williams | Screenplay, Director | 
| Affonso Gonçalves | Editor | 
| Sabine Hoffman | Editor | 
| Yibrán Asuad | Editor | 
| Jaime Baksht | Sound Re-Recording Mixer | 
| Raúl Locatelli | Sound Mixer | 
| Marcelo Zarvos | Original Music Composer | 
| Chris Tenzis | Assistant Editor | 
| Name | Title | 
|---|---|
| Julie Goldman | Producer | 
| Todd Black | Producer | 
| David Bloomfield | Producer | 
| Paula Amor | Executive Producer | 
| Jason Blumenthal | Executive Producer | 
| Christopher Clements | Co-Executive Producer | 
| Carolyn Hepburn | Co-Executive Producer | 
| Alberto Muffelmann | Executive Producer | 
| Matías Penachino | Executive Producer | 
| Mariana Rodríguez Cabarga | Executive Producer | 
| Ted Hope | Producer | 
| Steve Tisch | Executive Producer | 
| Gael García Bernal | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 23 | 38 | 14 | 
| 2024 | 5 | 21 | 43 | 12 | 
| 2024 | 6 | 19 | 36 | 8 | 
| 2024 | 7 | 19 | 31 | 10 | 
| 2024 | 8 | 15 | 30 | 9 | 
| 2024 | 9 | 12 | 14 | 9 | 
| 2024 | 10 | 19 | 44 | 9 | 
| 2024 | 11 | 13 | 28 | 6 | 
| 2024 | 12 | 11 | 19 | 7 | 
| 2025 | 1 | 11 | 17 | 7 | 
| 2025 | 2 | 7 | 10 | 3 | 
| 2025 | 3 | 4 | 9 | 1 | 
| 2025 | 4 | 1 | 3 | 1 | 
| 2025 | 5 | 1 | 3 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 1 | 1 | 0 | 
| 2025 | 8 | 1 | 2 | 0 | 
| 2025 | 9 | 2 | 2 | 1 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
Gael García Bernal is great in this entertaining biopic of the eponymous wrestler who rose from Texan oblivion and poverty to international acclaim. We learn fairly early on that he and his mother "Jocasta" (Perla De La Rosa) get by after his father abandoned them by working loads of different jobs ... and by him taking on the role of an "exotico" - a sort of "glamour" wrestler - in a makeshift garage where his job is to camp things up and then get beaten by a guy twice his size. Aside from the fact that it hurts, he decides that he wants a new home for him and his mum, and that he also has the skill to take things a bit further professionally. Together with his new-found, kick-ass, trainer "Sabrina" (Roberta Colindrez) he decides to create the new character of "Cassandro" to become the first of his creed to actually win! What now ensues is quite a messy film, technically - the editing and continuity are not very good, but the sheer charisma of the star as he portrays this openly gay man in a world that offers him little but hostility is frequently quite amusing and engaging to watch. There's a little bit of (complicated) love interest for him, too, but essentially it's Bernal hamming it up, Liberace style, in the ring where he is adept and pinning down (not an euphemism) gents far more substantial than himself. Like stories of boxing in general, it's illustrative of just how few opportunities there are for those trapped in a cycle of poverty to escape the mundanity of their lives - especially when their sexuality doesn't exactly conform either; and it also demonstrates well just how a community thrives on and values these makeshift, almost bare-knuckle, events. I knew nothing at all about the "Lucha Libre" culture so that proved quite an eye-opener too - particularly when reconciled with a strong but not overwhelming gay storyline. Maybe it doesn't need to be seen in a cinema, but I did enjoy it and it's well worth a watch.