Popularity: 2 (history)
Director: | Tim Fehlbaum |
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Writer: | Oliver Kahl, Tim Fehlbaum, Thomas Wöbke |
Staring: |
In 2016 the sun has turned the entire world into a scorched and barren wasteland. The humans who have survived are either resourceful or violent, and sometimes both. Marie, her little sister Leonie, and best friend Phillip, are in a car headed to the mountains - rumor has it there is water there. Along the way they meet Tom, a first-rate mechanic. But can they trust him? Fraught with deep distrust, the group is lured into an ambush where their real battle for survival begins. | |
Release Date: | Sep 20, 2011 |
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Director: | Tim Fehlbaum |
Writer: | Oliver Kahl, Tim Fehlbaum, Thomas Wöbke |
Genres: | Science Fiction, Horror, Mystery, Thriller |
Keywords | ambush, chase, heat, post-apocalyptic future, dystopia, survival, fear, locked in, end of times |
Production Companies | Paramount Pictures, Claussen+Wöbke Filmproduktion, Seven Pictures, ZDF, Vega Film, Caligari Film- und Fernsehproduktions |
Box Office |
Revenue: $1,359,257
Budget: $0 |
Updates |
Updated: Oct 10, 2025 Entered: Mar 01, 2025 |
Name | Character |
---|---|
Hannah Herzsprung | Marie |
Lars Eidinger | Phillip |
Stipe Erceg | Tom |
Lisa Vicari | Leonie |
Angela Winkler | Bäuerin Elisabeth |
Yoann Blanc | Micha |
Christoph Gaugler | Bauer Brückner |
Ellen Schweiger | Oma |
Luca Winkler | Jens |
Tammo Winkler | Toni |
Anne Hartung | Sophia |
Stanislav Bogdanov | Knecht |
Christine Sehr | Gefangene |
Christine Kollmann | Gefangene |
Name | Job |
---|---|
Andreas Menn | Editor |
Leonie Leuenberger | Costume Design |
Oliver Kahl | Screenplay |
Tim Fehlbaum | Director, Screenplay |
An Dorthe Braker | Casting |
Lorenz Dangel | Original Music Composer |
Heike Lange | Production Design |
Thomas Wöbke | Screenplay |
Markus Förderer | Director of Photography |
Name | Title |
---|---|
Gabriele M. Walther | Producer |
Thomas Wöbke | Producer |
Roland Emmerich | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 16 | 24 | 8 |
2024 | 5 | 17 | 38 | 10 |
2024 | 6 | 12 | 18 | 6 |
2024 | 7 | 13 | 27 | 8 |
2024 | 8 | 14 | 27 | 9 |
2024 | 9 | 9 | 14 | 6 |
2024 | 10 | 13 | 26 | 7 |
2024 | 11 | 14 | 34 | 6 |
2024 | 12 | 9 | 18 | 5 |
2025 | 1 | 12 | 21 | 8 |
2025 | 2 | 7 | 14 | 3 |
2025 | 3 | 6 | 11 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 1 | 2 | 0 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 1 | 2 | 1 |
2025 | 10 | 2 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 10 | 160 | 523 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 517 | 682 |
While not very original and quite predictable and having a very high contrast not only in post processing but also in characters, the narrative is still quite convincing and the acting is passable too. Possibly as a budget restraint, the lack of cinematic mattes and ambitious sets add to the realist ... ic feel. The use of overexposed lights as blacked out darkness is a clever move. Overall it is a good post apocalyptic movie experience if you keep yourself from analyzing as it goes along.