Popularity: 6 (history)
| Director: | Damon Santostefano |
|---|---|
| Writer: | Erik Patterson, Jessica Scott |
| Staring: |
| In this modern telling of the classic tale, aspiring singer Katie Gibbs falls for the new boy at her performing arts high school. But Katie's wicked stepmother and stepsister are scheming to crush her dream before she can sing her way into his heart. | |
| Release Date: | Sep 05, 2011 |
|---|---|
| Director: | Damon Santostefano |
| Writer: | Erik Patterson, Jessica Scott |
| Genres: | Family, Comedy, Drama, Romance |
| Keywords | high school, aspiring singer, orphan, teenage romance, modern fairy tale |
| Production Companies | Warner Premiere |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Lucy Hale | Katie Gibbs |
| Freddie Stroma | Luke Morgan |
| Missi Pyle | Gail Van Ravensway |
| Megan Park | Bev Van Ravensway |
| Matt Lintz | Victor Van Ravensway |
| Jessalyn Wanlim | Angela |
| Titus Makin Jr. | Mickey O'Malley |
| Alyson Stoner | Back Up Dancer |
| Manu Narayan | Ravi |
| Dikran Tulaine | Guy Morgan |
| Lucy Davenport | Ms. Plumberg |
| Onira Tarés | Crazy Girl |
| Julie Champagne | Dancer |
| Ashley Kellogg | Dancer |
| Adriana Leonard | Dancer |
| Jackson Alvarez | Dancer |
| Jazmia Battle | Dancer |
| Taylor Bradley | Dancer |
| Rusty Deats | Dancer |
| Abby Earnest | Dancer |
| Kiara Ely | Dancer |
| Natalie Griffie | Dancer |
| Shena Holley | Dancer |
| George Lawrence Jr. | Dancer |
| Asia Diamond Mason | Dancer |
| Brittany McGinley | Dancer |
| Abbey Moody | Dancer |
| Leah Perison | Dancer |
| Anna Rednour | Dancer |
| Joy Spears | Dancer |
| Brooklyne Willaimson | Dancer |
| Khadijah Wilson | Dancer |
| Name | Job |
|---|---|
| Erik Patterson | Writer |
| Tony Lombardo | Editor |
| Jonathan A. Carlson | Production Design |
| James Edward Ferrell Jr. | Set Decoration |
| Braden Kimball | Music |
| Phil Green | Stunt Driver |
| Tom Keniston | Line Producer |
| Jessica Scott | Writer |
| John Peters | Cinematography |
| Brian Stultz | Art Direction |
| Haley Nott | Stunt Double |
| Dino Muccio | Stunt Coordinator |
| Damon Santostefano | Director |
| Donna Morong | Casting |
| Michelle Johnston | Choreographer |
| Name | Title |
|---|---|
| Clifford Werber | Executive Producer |
| Keith Giglio | Co-Producer |
| Ilyssa Goodman | Executive Producer |
| Dylan Sellers | Producer |
| Peter Greene | Co-Producer |
| Michelle Johnston | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 27 | 33 | 22 |
| 2024 | 5 | 33 | 46 | 22 |
| 2024 | 6 | 32 | 61 | 18 |
| 2024 | 7 | 32 | 48 | 22 |
| 2024 | 8 | 30 | 48 | 21 |
| 2024 | 9 | 23 | 29 | 19 |
| 2024 | 10 | 32 | 73 | 18 |
| 2024 | 11 | 25 | 43 | 17 |
| 2024 | 12 | 22 | 30 | 18 |
| 2025 | 1 | 20 | 26 | 15 |
| 2025 | 2 | 18 | 24 | 4 |
| 2025 | 3 | 8 | 21 | 1 |
| 2025 | 4 | 3 | 5 | 2 |
| 2025 | 5 | 2 | 6 | 1 |
| 2025 | 6 | 2 | 3 | 2 |
| 2025 | 7 | 2 | 2 | 1 |
| 2025 | 8 | 2 | 3 | 2 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 4 | 7 | 3 |
Trending Position
**If the voice matches!** So this is the third film in the franchise of modern 'Cinderella' adaptation. It was not like a film series that follows from one film to another. All the films were individual and thematically same at the core, but told from different perspectives with different cast an ... d characters. I have seen the previous two and they were not bad. Maybe you can say I watched it for Lucy, otherwise I was not interested in it. A decent film, but you know, we know the story how everything's going to happen, which is the negative side of giving it a try. I felt they should have altered a bit with the more it to look like a real Cinderella story from the visual aspect. Like suspense between Cinderella and the prince. Though the step-family part was up to the satisfaction in a simple manner. Now coming to that magical event, as this takes place in the modern world and without magics, I liked how they showed that part as much as realistically. But in the name of Bollywood/Indianess, they wrongly depicted everything. I mean the costumes, songs, choreography, all were close to Indian style, except the female costumes, which became Arabian nights. Because Indians won't cover their head or face, culturally or religiously. That was a big mistake and if you are a western viewer, this won't be an issue, so you might enjoy the film. I think it's an okay film, one time watchable film, but I would suggest previous films over this. _6/10_
"A Cinderella Story" has become an iconic franchise, with the version starring Hilary Duff standing out as a standout favorite. While Duff's portrayal alongside Chad Michael Murray brought a modern twist to the classic tale of Cinderella, subsequent installments in the franchise have failed to live ... up to the same standard. The franchise seems to be struggling to recapture the magic of the original film, instead resorting to unnecessary side stories and deviations from the core Cinderella narrative. It appears that attempts to replicate the success of the Walt Disney and Roger and Hammerstein versions have fallen short, leading to a sense of fatigue and irrelevance surrounding the franchise. Despite the star power of Selena Gomez in "Another Cinderella Story," the film failed to reach the heights set by Hilary Duff's portrayal. Similarly, Lucy Hale's "A Cinderella Story: Once Upon a Song" was criticized for its lackluster execution and departure from the essence of the Cinderella story. "Sofia Carson's "A Cinderella Story: If the Shoe Fits" attempted to capitalize on dance elements reminiscent of "Grease," but ultimately fell flat, marking a low point in the franchise. Laura Marano's "A Cinderella Story: Christmas Wish" was deemed the weakest link in the series, solidifying the downward trend in quality. As the franchise continues with new installments, the lackluster reception of recent films has dampened enthusiasm for further entries in the series. Viewers may find it challenging to engage with future releases given the disappointing trajectory of the franchise.