Menu
Pier 23 Poster

Pier 23

GANGLAND GALAHAD! He's a cop's pet peeve... and a gal's pet passion!
1951 | 58m | English

(200 votes)

TMDb IMDb

Popularity: 2 (history)

Details

Pier 23 was one of three hour-long mysteries produced by Lippert Productions for both TV and theatrical release. Each of the three films was evenly divided into two half-hour "episodes," and each starred Hugh Beaumont as San Francisco-based amateur sleuth Dennis O'Brien. In Pier 23, O'Brien first tackles the case of a wrestler who has died of a suspicious heart attack after refusing to lose a match. He then agrees to help a priest talk an escaped criminal into returning to prison. The film's two-part structure leads to repetition and predictability, but it's fun to watch TV's "Ward Cleaver" making like Philip Marlowe.
Release Date: May 11, 1951
Director: William Berke
Writer: Herb Margolis, Lou Morheim, Julian Harmon, Victor West
Genres: Drama, Crime, Mystery
Keywords san francisco, california, b movie
Production Companies Sigmund Neufeld Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 03, 2024
Entered: Apr 25, 2024
Trailers and Extras

No trailers or extras available.

Backdrops

No backdrops available.

International Posters

No images available.

More Like This

No recommended movies found

Full Credits

Name Character
Hugh Beaumont Dennis O'Brien
Ann Savage Ann Harmon
Edward Brophy Prof. Shicker
Richard Travis Police Inspector Lt. Bruger
Margia Dean Flo Klingle
Mike Mazurki Ape Danowski
David Bruce Charles Giffen
Raymond Greenleaf Father Donovan
Eve Miller Norma Harmon
Harry Hayden Dr. Earl J. Tomkins
Joi Lansing The Cocktail Waitress
Peter Mamakos Nick Garrison
Chris Drake Mike Greeley
Billy Varga Willie Klingle
John Indrisano Mushy Cavelli
Richard Monahan Henry - Bartender
Charles Wagenheim Lefty - Policy Man
Jack Chefe Waiter (uncredited)
Heinie Conklin Counter Man (uncredited)
Jack Gordon Wrestling Match Spectator (uncredited)
Kit Guard Drunk at Wrestling Match (uncredited)
Barry Norton Waiter (uncredited)
Cosmo Sardo Club patron (uncredited)
Max Wagner Bar Patron (uncredited)
Name Job
Stanley Price Dialogue Coach
William Berke Director
Herb Margolis Story
Lou Morheim Story
Glen Glenn Sound
Julian Harmon Screenplay
Victor West Screenplay
Jack Greenhalgh Director of Photography
Carl Pierson Editor
Harry Reynolds Editor
Harry Reif Set Decoration
Frank Paul Sylos Art Direction
Paul Stanhope Makeup Artist
Bert Shefter Music
John Francis Murphy Assistant Director
Leigh Carson Property Master
Tom Kemp Construction Manager
Ray Mercer Special Effects
Alfred Berke Wardrobe Supervisor
Name Title
William Berke Producer
Jack Leewood Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 3 9 1
2024 5 5 8 2
2024 6 3 7 1
2024 7 3 9 1
2024 8 4 8 1
2024 9 2 5 1
2024 10 3 8 1
2024 11 3 11 1
2024 12 1 2 1
2025 1 2 9 1
2025 2 1 2 1
2025 3 1 1 1
2025 4 1 1 1
2025 5 1 1 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 0 2 0
2025 9 2 3 1
2025 10 1 2 1

Trending Position


No trending metrics available.

Return to Top

Reviews

Geronimo1967
5.0

Hugh Beaumont is adequate here as private investigator "O'Brien" in this really rather procedural crime drama. Indeed, it comes across as two separate episodes rather clunky joined together. What does link the themes though, is that he always seems to find himself in the wrong place at the wrong tim ... e and usually ends up trying to convince folks that he isn't the criminal that all fingers seem to want to point to. This rather dry feature sees him embroiled in a wrestling cover-up for a murder which is completely devoid of jeopardy because that story concludes with half an hour to go! The next sequence sees him trying to persuade a convicted felon not to try to escape from Alcatraz, only to - yet again - get all caught up in some shenanigans that could see him in the "chair". What really doesn't help is the annoying narration - peppered with what they must have hoped were witticisms - that describe what he is about to do before he does it. It is almost as if it were made by a production team with a radio background less used to the audience being able to see what action (activity may be better) is actually going on. Kills an hour, but then so does the hoovering.

Jan 02, 2023