Popularity: 6 (history)
Director: | Demián Rugna |
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Writer: | Demián Rugna |
Staring: |
Residents of a small rural town discover that a demon is about to be born among them. They desperately try to escape before the evil is born, but it may be too late. | |
Release Date: | Oct 05, 2023 |
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Director: | Demián Rugna |
Writer: | Demián Rugna |
Genres: | Horror, Thriller |
Keywords | farm, shotgun, possession, goat, police officer, ex-wife, brother brother relationship, brutal violence, small town, village, gore, demon, dog, evil, body horror |
Production Companies | INCAA, Machaco Films, Cine Argentino, Aramos Cine, Shudder, La Puerta Roja |
Box Office |
Revenue: $2,090,252
Budget: $0 |
Updates |
Updated: Jul 30, 2025 (Update) Entered: Aug 14, 2024 |
Name | Character |
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Ezequiel Rodríguez | Pedro |
Demián Salomón | Jimi |
Silvina Sabater | Mirtha |
Luis Ziembrowski | Ruíz |
Marcelo Michinaux | Santino |
Emilio Vodanovich | Jair |
Virginia Garófalo | Sabrina |
Paula Rubinsztein | Sara |
Lucrecia Niron Talazac | Vicky |
Isabel Quinteros | Maria Elena Gómez |
Desirée Salgueiro | Jimena |
Federico Liss | Leo |
Ricardo Velázquez | Eduardo |
Jorge Prado | Lieutenant Iraola |
Diego Sampayo | Police Gutiérrez |
Pedro Larrabide | Kid García |
Cleo Díaz | Bad Breath Girl |
Agostina Aguilera | Crying Girl |
Julián César López | Neighbor 1 |
Maria Celina Carbajal | Policewoman |
Pablo Galarza | Uriel 1 |
Gonzalo Galarza | Uriel 2 |
Berta Muñiz | Uriel (voice) |
Name | Job |
---|---|
Demián Rugna | Writer, Director |
Mariano Suárez | Camera Operator, Director of Photography |
Laura Aguerrebehere | Art Direction, Production Design |
Fabián Forte | Assistant Director |
Andrés Borghi | VFX Artist, VFX Supervisor, Visual Effects Art Director |
Bernardo Bronstein | Script Supervisor, Continuity |
Leandro de Loredo | Sound Mix Technician |
Pablo Isola | Sound Designer, Sound Director |
Ricardo Lutsich | Sound Effects Editor, Sound Editor, Foley Artist |
Teodoro Gryner | Sound Editor, Dialogue Editor, Foley Artist |
Lionel Cornistein | Editor, Color Grading, VFX Artist |
Elizabet Gora | Makeup Department Head |
Carlos Chango Diaz | Gaffer |
Valeria Bistagnino | Production Director |
Erick Culasso | Visual Effects Art Director |
Melina Vasiliadis Bozzo | Second Assistant Director |
María Julio Rojo | Production Assistant |
Ezequiel Calafell Díaz | First Assistant Camera |
Camila Melone | First Assistant Camera |
Tomás Eloy Muñoz | Production Director |
Matias Costilla | Visual Effects Art Director |
Lucía Paz | First Assistant Director |
Giselle Fiorini | Production Assistant |
Eugenia Maneyro | Boom Operator |
Ciro Zanela | Second Assistant Camera |
Francisco Sarduy | Production Assistant, Video Assist Operator |
Aníbal Cattaneo | Key Grip |
Valentín Girbino | Grip |
Lucas Recalde | Grip |
Tomás Regidor | Lighting Technician |
Martín Conti | Set Designer |
Florencia Gabelli | Assistant Art Director |
Carlos Riveros | Props |
Sofía Pisoni | Costume Assistant |
Micaela Pimentel | Hair Designer |
Paula Eliana Morel | Location Manager |
Paula Ceballos | Visual Effects Coordinator, Post Production Coordinator |
Alba Ávila Jacome | Assistant Editor |
Ludmila Rodríguez Moreno | VFX Artist |
Eleazar Figueroa | VFX Artist |
Mauro Romero | VFX Artist |
Julián Maurin López | Sound Effects Editor |
Jorge Martínez | Genetator Operator |
Juan Manuel Hagelstrom | Grip |
Matías Buzzalino | Grip |
Matías Moccia | Lighting Director |
Alicia Vázquez | Set Designer |
Soledad Guerrero | Set Decoration |
Juan Francisco Ramos | Props |
Marcelo Rossati | Props |
Mauro Ferreira | Costume Assistant |
Carlos Segane | Location Manager |
Lucía Fernández | Still Photographer |
Abel Gómez | VFX Artist |
Fuu Pablo | Music |
Marcos Berta | Special Effects |
Marcelo Yañez | VFX Artist |
Luciana Schnir | Production Manager |
Ariel Sanchez Arellano | Production Assistant |
Damián Montes Calabró | Sound Director |
Juan Manuel Muñoz | Key Grip |
Antonella Jacob | Lighting Coordinator |
Pheonia Veloz | Costume Design |
Name | Title |
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Fernando Díaz | Producer |
Roxana Ramos | Producer |
Samuel Zimmerman | Executive Producer |
Emily Gotto | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 90 | 120 | 74 |
2024 | 5 | 94 | 110 | 72 |
2024 | 6 | 170 | 287 | 57 |
2024 | 7 | 131 | 199 | 90 |
2024 | 8 | 77 | 112 | 57 |
2024 | 9 | 67 | 95 | 45 |
2024 | 10 | 79 | 104 | 57 |
2024 | 11 | 54 | 86 | 40 |
2024 | 12 | 44 | 58 | 34 |
2025 | 1 | 44 | 54 | 31 |
2025 | 2 | 29 | 51 | 6 |
2025 | 3 | 12 | 42 | 3 |
2025 | 4 | 9 | 15 | 6 |
2025 | 5 | 6 | 14 | 4 |
2025 | 6 | 10 | 16 | 4 |
2025 | 7 | 5 | 5 | 4 |
2025 | 8 | 5 | 7 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 597 | 806 |
Year | Month | High | Avg |
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2025 | 7 | 266 | 753 |
Year | Month | High | Avg |
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2025 | 6 | 90 | 553 |
Year | Month | High | Avg |
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2025 | 5 | 390 | 808 |
Year | Month | High | Avg |
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2025 | 4 | 249 | 660 |
Year | Month | High | Avg |
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2025 | 3 | 42 | 329 |
Year | Month | High | Avg |
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2025 | 2 | 536 | 723 |
Year | Month | High | Avg |
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2025 | 1 | 539 | 822 |
Year | Month | High | Avg |
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2024 | 12 | 688 | 846 |
Year | Month | High | Avg |
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2024 | 11 | 164 | 509 |
Year | Month | High | Avg |
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2024 | 10 | 88 | 519 |
Year | Month | High | Avg |
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2024 | 9 | 68 | 402 |
Year | Month | High | Avg |
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2024 | 8 | 662 | 839 |
I can see what When Evil Lurks is trying to achieve. Its an alternate take on reality, a horror infused, supernatural world, where demonic possession is an accepted occurrence. Its done convincingly, with an everyday vibe, where a possession event is akin to a serious crime or perhaps, a natural ... disaster. The problem is, the treatment is deeply, violently disturbing, to the point where you start to ask if this is, in fact, adding value as a creative work? Its a subjective point but I found this one too brutal and shocking, for me to really say I found it compelling. I think too, a more subtle approach could have been taken, with better results in terms of watch-ability. In summary, makes the outlandishly otherworldly everyday, in a convincing manner but the delivery is on the heavy handed side of horror, to say the least.
Really hits with the catholic horror hard. Fades, though. There's only so many demons before they don't matter. Really enjoyable for an hour...some people to chat with for the last leg of slaying would be ideal. ...
In the film "When Evil Lurks," I approached it with reservations, unsure of what to expect. The entire movie is presented in Spanish with subtitles, allowing me to follow the storyline. It unfolds as a Spanish take on the exorcism theme, reminiscent of "The Exorcist." However, instead of an exorcism ... , the focus is on Satan possessing bodies, moving from one to another after each host's death, always transferring to the person responsible for the previous death. The film's execution left much to be desired, lacking a coherent script and veering off in multiple directions. The actors did their best with the material provided, but the disjointed narrative made it challenging to anticipate the next plot development. A concerning moment arises when a child appears on screen completely naked, a gratuitous and unnecessary inclusion that crosses a line. Such a scene is unwarranted and inappropriate, detracting from the viewing experience and raising ethical concerns. Overall, "When Evil Lurks" fails to deliver a compelling and cohesive story, marred by questionable choices and a lack of narrative clarity. This misstep, especially involving a child actor, overshadows any potential the film may have had.