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The Spy in Black Poster

The Spy in Black

Today's U-boat terror makes this the year's timeliest picture!
1939 | 82m | English

(2838 votes)

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Popularity: 1 (history)

Details

A German submarine is sent to the Orkney Isles in 1917 to sink the British fleet.
Release Date: Aug 03, 1939
Director: Michael Powell
Writer: J. Storer Clouston, Emeric Pressburger
Genres: Thriller, War
Keywords submarine, northern england, sea battle, german spy, british fleet, german navy, triple agent, torpedoed ship, orkney, counter-espionage, imposter
Production Companies London Films Productions, Irving Asher Productions
Box Office Revenue: $0
Budget: $4,668,069
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Backdrops

International Posters

Full Credits

Name Character
Conrad Veidt Captain Ernst Hardt
Sebastian Shaw Ashington
Valerie Hobson The School Mistress
Marius Goring Lieutenant Felix Schuster
June Duprez Anne Burnett
Athole Stewart The Rev. Hector Matthews
Agnes Lauchlan Mrs. Matthews
Helen Haye Mrs. Sedley
Cyril Raymond The Rev. John Harris
George Summers Captain Ratter
Hay Petrie Engineer
Grant Sutherland Bob Bratt
Robert Rendel Admiral
Mary Morris Chauffeuse
Margaret Moffatt Kate
Kenneth Warrington Commander Denis
Torin Thatcher Submarine Officer
Esma Cannon Maggie
Cyril Chamberlain Bit Part (uncredited)
Bryan Herbert Corporal Guarding POW's on Ferry
Skelton Knaggs German Sailor looking for Capt. Hardt
Howard Marion-Crawford German Officer in Kieler Hof Hotel
Bernard Miles Hans - Hotel Receptionist
John Penrose Newlywed at Kiel Hotel
Johnnie Schofield Armed Guard of POWs on Ferry
Diana Sinclair-Hall Undetermined Minor Role (uncredited)
Graham Stark Bell Boy (uncredited)
Jack Lambert Passport Official (uncredited)
Jeanne Macintyre German Girl (uncredited)
Jack Sharp
Name Job
J. Storer Clouston Story
Hugh Stewart Editor
Frederick Pusey Art Direction
Bernard Browne Director of Photography
Patrick Jennings Assistant Director
A.W. Watkins Sound Director
John W. Mitchell Boom Operator
Vincent Korda Supervising Art Director
William Hornbeck Supervising Film Editor
Muir Mathieson Music Director
Michael Powell Director
Emeric Pressburger Screenplay
Roland Pertwee Scenario Writer
Miklós Rózsa Original Music Composer
Name Title
Irving Asher Producer
Alexander Korda Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 7 9 3
2024 5 7 10 4
2024 6 7 15 3
2024 7 8 14 4
2024 8 7 11 4
2024 9 4 7 2
2024 10 6 14 3
2024 11 7 22 3
2024 12 6 9 4
2025 1 5 10 3
2025 2 4 7 2
2025 3 3 7 1
2025 4 1 2 1
2025 5 1 2 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 0 1 0
2025 9 1 1 0
2025 10 1 2 1

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Reviews

narrator56
7.0

This is a classic black and white spy thriller, thought of highly enough to be part of a national project to restore old films. The movie is entertaining, with a couple of departures from normal thrillers, I think (though I am not a follower of the genre). The bulk of the story is told from the p ... erspective of the Germans, the enemy, as it were. It would be like the movie The Alamo being told from the perspective of Santa Anna’s Mexican army. Also, the ending is unusual compared to a modern thriller, where then good guy and bad guy usually square off and settle things in a climactic final scene. But they do produce a plot twist, the norm for any spy movie, and it works. It is a short movie, well under 90 minutes, and it moves right along. The lack of color adds to the atmosphere of the film. The script is fine. Oddly, several lines are delivered in German with no translation, but obviously nothing critical is left out because of it. You can sort of get what they must be saying and they are brief bits of dialogue. I wouldn’t go out of my way to watch this movie a second time, but I don’t regret the time spent watching it.

Jun 23, 2021
Geronimo1967
7.0

Valerie Hobson steals the show here in this dark, tense, wartime espionage drama about a German U-boat captain (Conrad Veidt) sent to the Orkney Islands in WWI to gather intelligence on the British Grand Fleet. Released at the start of the Second World War, this first outing for Powell/Pressberger d ... elivers in a much more ominous tone than that of a mere piece of propaganda. There is a depth to the writing and a sinisterness to the story that is gripping for just shy of 90 minutes before culminating in the sort of "gallant" ending that I suspect would not have been considered appropriate five years later.

Mar 28, 2022