Popularity: 285 (history)
| Director: | Rich Lee |
|---|---|
| Writer: | H. G. Wells, Marc Hyman, Kenny Golde |
| Staring: |
| Will Radford is a top analyst for Homeland Security who tracks potential threats through a mass surveillance program, until one day an attack by an unknown entity leads him to question whether the government is hiding something from him... and from the rest of the world. | |
| Release Date: | Jul 29, 2025 |
|---|---|
| Director: | Rich Lee |
| Writer: | H. G. Wells, Marc Hyman, Kenny Golde |
| Genres: | Science Fiction, Thriller |
| Keywords | government, attack, privacy, surveillance, cybersecurity, district, online privacy, screenlife, war |
| Production Companies | Universal Pictures, Patrick Aiello Productions, Bazelevs |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Sep 25, 2025 Entered: Aug 12, 2025 |
| Name | Character |
|---|---|
| Ice Cube | William Radford |
| Eva Longoria | NASA Scientist Sandra Salas |
| Clark Gregg | NSA Director Donald Briggs |
| Iman Benson | Faith Radford |
| Henry Hunter Hall | David Radford |
| Devon Bostick | Mark Goodman |
| Andrea Savage | FBI Field Agent Sheila Jeffries |
| Nicole Pulliam | News Reporter |
| Michael O'Neill | Secretary of Defense Walter Crystal |
| Jim Meskimen | POTUS |
| Name | Job |
|---|---|
| H. G. Wells | Novel |
| Christopher Probst | Director of Photography |
| John Sparano | Set Decoration |
| Charles Ancelle | Assistant Editor, Editor |
| Anny Kim | Makeup Department Head |
| Brandon Riley | Production Supervisor |
| Sebastian Diz | Set Decoration Buyer |
| Ira A. McAliley | Property Master |
| Jose Ibarra | Utility Sound |
| Angelo Lorenzo | Digital Imaging Technician |
| Jeff Pantaleo | Colorist |
| Jorge Campos | Security Coordinator, Location Assistant |
| Sherry Roldan | Assistant Location Manager |
| William Fix | Manager of Operations |
| Mark Rosas | Sound |
| Nicole Young | Manager of Operations |
| Jon Natchez | Original Music Composer |
| Justin Diener | Visual Effects Producer |
| Jean Delaunay | Visual Effects Supervisor |
| Nathan Ruyle | Sound Designer |
| David Moline | Art Direction |
| Rich Lee | Visual Effects Supervisor, Director |
| Marc Hyman | Screenplay |
| Laura Jennings | Editor |
| Nick Page | Second Assistant Director |
| Jake York | Editor |
| Max Reiner | Post Production Supervisor |
| Adam Sidman | Unit Production Manager |
| Philip Doucedame | Set Dresser |
| Miguel Rosero | Graphic Designer |
| Ian Eyre | Stunt Coordinator |
| Andy Ross | Music Supervisor |
| David Makana Kabisch | Assistant Editor |
| Ilya Zevakin | Editor |
| Dale Dreher | Location Scout |
| Ed Banney | Manager of Operations |
| Natalia Castellanos | ADR Voice Casting |
| Luke Pastor | Production Coordinator |
| Maxwell Henry Rudolph | Post Production Coordinator |
| Kenny Golde | Screenplay, Screenstory |
| Amey René | Casting |
| Greta Ruljevaite | Visual Effects Producer |
| Sean Struble | Visual Effects Supervisor |
| Rebecca Contreras | On Set Dresser |
| Joe Wicker | Line Producer |
| Clarence Major | Production Design |
| Chris Schmitt | Art Direction |
| Debra Denson | Makeup & Hair |
| Scott Farrar | Post Production Supervisor |
| Lizzette Calderon | Set Dresser |
| Xinyi 'Leila' Lin | Art Department Coordinator |
| Nathan Efstation | Dialogue Editor |
| Michael Kofsky | Camera Department Manager |
| Jordan Wiggins | Music Editor |
| Sasha Kletsov | Editor |
| Rich Bokides | Location Manager |
| Melissa Martinez Areffi | Location Scout |
| Karen Bryden | Manager of Operations |
| Claudia De Guzman | Health and Safety |
| Martin Petraitis | Key Set Production Assistant |
| Oscar Vaca | Production Consultant |
| Louise Baker Lee | Visual Effects Producer |
| Eric M. Klein | Visual Effects Producer |
| Andrew Coffing | First Assistant Director |
| Name | Title |
|---|---|
| Patrick Aiello | Producer |
| Max Reiner | Co-Producer |
| Simon Brooks | Co-Producer |
| Grigory Borodavkin | Associate Producer |
| Adam Sidman | Executive Producer |
| Jesse Brooks | Co-Producer |
| Charles M. Barsamian | Associate Producer |
| Ned Brown | Associate Producer |
| Timur Bekmambetov | Producer |
| Justin Diener | Associate Producer |
| Alanna Bayarin | Associate Producer |
| Louise Baker Lee | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 2 | 3 | 1 |
| 2024 | 5 | 2 | 5 | 1 |
| 2024 | 6 | 2 | 5 | 0 |
| 2024 | 7 | 2 | 9 | 0 |
| 2024 | 8 | 2 | 4 | 0 |
| 2024 | 9 | 2 | 3 | 1 |
| 2024 | 10 | 2 | 4 | 1 |
| 2024 | 11 | 2 | 6 | 1 |
| 2024 | 12 | 1 | 1 | 1 |
| 2025 | 1 | 1 | 2 | 1 |
| 2025 | 2 | 1 | 1 | 1 |
| 2025 | 3 | 1 | 1 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 2 | 0 |
| 2025 | 8 | 1334 | 2650 | 1038 |
| 2025 | 9 | 571 | 1045 | 351 |
| 2025 | 10 | 320 | 371 | 282 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 92 | 469 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 54 | 232 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 24 | 86 |
Its amazing what you accomplish with a creative script, even on a limited budget. "War of the Worlds" isn't going to win any awards but its nonetheless still quite entertaining. The notion of the whole alien invasion playing out from the control room of a US NSA surveillance agent, is novel ... , as is the manner in which everything is nicely brought together. The acting is decent too, so no complaints there, either. Perhaps the only limited downside is the special effects, which are only passable. That said, they still function well enough, to make the whole thing enjoyable. In summary, a simple but watchable sci fi experience. A nice distraction for a wet weekend.
Trash. Uber trash. Worst use of an IP to date. ...
amazing relative idea to this era , liked the movie ...
<em>'War of the Worlds'</em>... boy oh boy. I've been out of the film loop recently, but word of this disaster even reached me. I had to check it out for myself to get it watched before I got spoiled. Sometimes the internet piles in to jointly overhate a movie... this is not one of those times. W ... hat a mess, there are sadly no redeeming qualities to it. First and foremost, it takes itself way too seriously. There are (I think) a few jokes scattered in there, though they last for literal seconds - everything else is played straight. It had a better chance of working as a comedy, albeit barely. The initial novelty of the "screenlife" (never knew that was a thing until now) set-up is kinda interesting, though it very quickly wears off completely. It ends up getting annoying, especially the constant calling noises - almost gave me a headache. It'd work as a short, not for 90mins! The computer stuff looks quite awful too, the most boring and least creative way of utilizing the whole PC concept too. They literally just zoom in and out for the entire flick. There is one scene where they do the <em>'Jaws'</em> dolly zoom effect, which is minorly cool to be fair. There is also a piece of photoshop right at the end that is hilariously bad, I'm pretty certain I could do a better job... OK, maybe not, but you know. The whole ending had me chuckling (negatively) at the film, with that aforementioned moment but also with that flying delivery thing. I've got this far into this (overly long) review without noting the acting talent. It has a few good names attached, but none of them do anything remotely standout - but, in fairness, have barely anything to work with. You could place any world leading lad or lass in this and it'd be the same. Ice Cube... I'm gonna let this one slide, because I do like him. Same goes for Eva Longoria. Both of 'em are, erm, not good though. The only actor I'd give a tiny solace of praise to would be Devon Bostick (Rodrick to you and I), who has one scene where his teary eyes look kinda convincing. As you can see, I'm reaching! I don't know what's worse. This movie, or the fact that I've just typed up seven paragraphs about it. We're both as bad as each other! This only avoids the bottom rating from yours truly through comparison. Incredibly, I have seen worse.
I once watched Jake Gyllenhalle talk on the phone for 1.5 hours and I hated it. I watch Ice Cube squint at a screen and chat with friends and family for 1.5 hours and I love it. Data! They're coming for data. They're going to eat all our data! Why not just copy the data? Why not just set up a sep ... arate server farm where they just make an infinite RickRoll for the aliens. There is technically unlimited data if you copy that data forever and if the aliens eat the data, does that mean there's space for more data on that hdd? If you could write the read spead of the aliens, you could just give them unlimited data off of some small device. That could keep them eating for a while and while they're distracted, you set up a nuclear bomb inside them that is on a timer and they could prevent it from going nuclear but doing so will cause them to sacrifice themselves for the greater good. Anyway. I like how this movie is shot. It is ridiculous and stupid. I happen to find it charming.