Popularity: 35 (history)
Director: | Scott Derrickson |
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Writer: | C. Robert Cargill, Scott Derrickson |
Staring: |
Finney Blake, a shy but clever 13-year-old boy, is abducted by a sadistic killer and trapped in a soundproof basement where screaming is of little use. When a disconnected phone on the wall begins to ring, Finney discovers that he can hear the voices of the killer’s previous victims. And they are dead set on making sure that what happened to them doesn’t happen to Finney. | |
Release Date: | Jun 17, 2022 |
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Director: | Scott Derrickson |
Writer: | C. Robert Cargill, Scott Derrickson |
Genres: | Horror, Thriller |
Keywords | sibling relationship, child abuse, sadistic, 1970s, small town, dreams, kidnapping, colorado, mask, cellar, affectation, supernatural, bullying, basement, serial killer, slasher, based on short story, alcoholic father, child kidnapping, taunting, speculative, meditative, angry, zealous, unassuming, inspirational, understated, absurd, sentimental, whimsical, admiring, adoring, informative, matter of fact, straightforward, sympathetic, vibrant |
Production Companies | Blumhouse Productions, Crooked Highway |
Box Office |
Revenue: $161,440,742
Budget: $16,000,000 |
Updates |
Updated: Sep 08, 2025 Entered: Apr 13, 2024 |
Name | Job |
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Joe Hill | Short Story |
Frédéric Thoraval | Editor |
Patti Podesta | Production Design |
Rick Pour | Special Effects Makeup Artist, Makeup Department Head |
Antonio Gallardo | Visual Effects Producer |
Kent Johnson | Visual Effects Supervisor |
Paul Hackner | Sound Designer, Sound Re-Recording Mixer, Supervising Sound Editor |
Jessie Pariseau | Sound Effects Editor |
D. Chris Smith | Foley Editor, Sound Designer |
Ted Teske | Sound Re-Recording Mixer |
Jonathan Wales | Sound Re-Recording Mixer |
Delanie Gilliss | Assistant Makeup Artist |
Jeff Goodwin | Special Effects Makeup Artist |
Priscilla Green | Hairstylist |
Weldon Steinke | Key Hair Stylist |
Jason Willis | Key Makeup Artist, Special Effects Makeup Artist |
Harrison Huffman | Production Supervisor |
Renee Minasian | Post Production Supervisor |
Alex Beaver | Second Second Assistant Director |
Jason Blumenfeld | First Assistant Director |
Shane Forbes Bates | On Set Dresser |
Tracy Breyfogle | Art Department Coordinator |
Ashley Clements | Assistant Property Master |
Kristen Crouch | Props |
Joseph Feld | Set Designer |
Jeremy Lee | Set Dresser |
Michael S. Martin | Property Master |
Wes Simpkins | Storyboard Artist |
Dallas Clarke Thomas | Graphic Designer |
Kellen Bloomer | Boom Operator |
Elliott Elsey | ADR Recordist |
Jeff Hinton | ADR Mixer |
Ferenc Lukács | ADR Recordist |
Eliza Pollack Zebert | ADR Editor |
Jamison Rabbe | ADR Mixer |
Elanor Rimassa | Utility Sound |
Kevin Strahm | Sound Mixer |
Jacob Bridges | Special Effects Technician |
Kate T.C. Lin | Compositor |
Christopher H. Warner | Unit Production Manager |
Drew Sacks | Visual Effects Editor |
Richard Bucher | Stunt Double |
Benjamin Hinnant | Stunt Double |
David Brian Martin | Stunt Double |
Alex Meglei | Stunt Double |
Noah Schultz | Stunt Double |
Ben Tardif | Stunt Double |
Danny Brazen | Key Grip |
Doug Cordonier | Best Boy Grip |
Mike Gentilini Jr. | Drone Operator |
Jason Johnson | Digital Imaging Technician |
Samantha Keener | Grip |
Harrison Palmer | Key Rigging Grip |
Anthony Riggi | Electrician |
Jan Ruona | Camera Operator |
Bennett Todd | Grip |
Daniel Williams | Grip |
Dan Turek | First Assistant Camera |
Ally Conover | Casting Associate |
Lilly Tyson | Casting Assistant |
Jacob Aller | Costumer |
Aliyah Baynes | Costume Supervisor |
Demitria Lyles | Set Costumer |
Steven Witkowski | Set Costumer |
Stephen F. Newnam | Finishing Producer |
Zach Edwards | Location Assistant |
Jesse Stratford | Location Assistant |
Stephen Glawson | Script Coordinator |
Kara McGee | Script Supervisor |
Patrick Stephenson | Driver |
Charlie Wright | Transportation Coordinator |
Tracy Oliver | Animal Coordinator |
Sarah Domeier Lindo | Casting |
Matt Barrett | Special Effects Makeup Artist |
Christina Maher Holland | Additional Hairstylist |
Jennifer McCollom | Makeup Artist |
Scott Oberholzer | Second Unit First Assistant Director |
Cooper Booth | Greensman |
Beth Giles | Set Decoration Buyer |
Diane Heard | Scenic Artist |
Brian McGuire | Sculptor |
Levi Simpson | Concept Artist |
Rene Coronado | ADR Recordist |
Greg Crawford | ADR Mixer |
Aidan Dykes | ADR Mixer |
Geraldo Gutierrez | Sound Re-Recording Mixer |
Darrin Mann | Foley Mixer |
Alyson Dee Moore | Foley Artist |
James Morioka | Dialogue Editor, ADR Editor |
Linda Yeaney | First Assistant Sound Editor |
Rob Young | Sound Re-Recording Mixer |
Bryan Binder | Visual Effects Producer |
C. Robert Cargill | Screenplay |
Brett Jutkiewicz | Director of Photography |
Kelli Barksdale | Stunt Double |
Patty Toy | Stunt Double |
Daniel Locicero | Fight Choreographer |
Mark Riccardi | Stunt Coordinator |
Chris Schmidt Jr. | Stunt Double |
Mark Korven | Original Music Composer |
Terri Taylor | Casting |
Devan Key | Makeup Designer |
Maggie Levin | Second Unit Director |
Sebastien Lacheray | Dialogue Editor |
Scott Derrickson | Director, Screenplay |
Susan Boyajian | ADR Voice Casting |
Jon Romano | Head of Production |
Amelia 'Amy' Andrews | Costume Design |
Name | Title |
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Jennifer Scudder Trent | Co-Producer |
C. Robert Cargill | Producer |
Joe Hill | Executive Producer |
Ryan Turek | Executive Producer |
Jason Blum | Producer |
Scott Derrickson | Producer |
Jon Romano | Co-Producer |
Christopher H. Warner | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 64 | 87 | 54 |
2024 | 5 | 109 | 124 | 83 |
2024 | 6 | 88 | 122 | 48 |
2024 | 7 | 76 | 130 | 53 |
2024 | 8 | 57 | 85 | 44 |
2024 | 9 | 51 | 66 | 41 |
2024 | 10 | 67 | 95 | 43 |
2024 | 11 | 58 | 83 | 40 |
2024 | 12 | 68 | 104 | 46 |
2025 | 1 | 59 | 74 | 40 |
2025 | 2 | 50 | 78 | 9 |
2025 | 3 | 15 | 56 | 3 |
2025 | 4 | 10 | 16 | 7 |
2025 | 5 | 8 | 15 | 5 |
2025 | 6 | 16 | 23 | 9 |
2025 | 7 | 10 | 12 | 8 |
2025 | 8 | 8 | 11 | 6 |
2025 | 9 | 13 | 18 | 8 |
2025 | 10 | 24 | 35 | 17 |
Trending Position
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2025 | 10 | 41 | 218 |
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2025 | 9 | 94 | 530 |
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2025 | 8 | 242 | 624 |
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2025 | 7 | 109 | 677 |
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2025 | 6 | 55 | 488 |
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2025 | 5 | 484 | 767 |
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2025 | 4 | 273 | 726 |
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2025 | 3 | 328 | 720 |
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2025 | 2 | 462 | 707 |
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2024 | 12 | 288 | 667 |
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2024 | 11 | 473 | 743 |
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2024 | 10 | 395 | 825 |
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2024 | 9 | 516 | 729 |
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2024 | 8 | 524 | 774 |
The thing about adapting a short story for cinema is that we tend to get a great deal of padding to get it to the duration. This film is certainly guilty of that, with the first half hour spent on way too much character establishment that really has very little to do with the gist of the story. Once ... it does get going though, it's a cleverly crafted and well put together scary movie centred around "Finn" (Mason Thames). Bullied at school, he is protected by his friend "Robin" (Miguel Cazarez Mora) until he disappears. He isn't the first child to disappear either, indeed five from this small community have gone missing over the last few weeks. "Finn" is walking home after school when he encounters a man who has dropped his groceries. Offering to help, next thing he knows he is in a grubby basement with only a soiled mattress and a disconnected phone on the wall. His mask-clad captor - who has something of the "Joker" about him - insists he is in no danger, but the phone on the wall starts to ring and the callers - the other five victims - warn him otherwise, and help him to try to best his nemesis. There are one or two jump moments, but mostly there is an effectively accumulating sense of menace well fuelled by confident efforts from Thames and his sister "Gwen" (Madeleine McGraw) who might have inherited her mother's ability to see the future in dreams - a skill that may prove vital in helping the police save her brother from certain death. There are violent undertones, but very little actual violence is shown as the young man comes to terms with some of his own demons and to try to escape. The last ten minutes redeem it well, and there is something distinctly satisfying about the conclusion. Scott Derrickson has provided us with one of the better Blumhouse dramas of recent years that is sure worth a watch.
With supernatural dread lifted directly from the likes of _Stir of Echoes_ and _The Sixth Sense_, _The Black Phone_ features a breakthrough performance from Madeleine McGraw while Ethan Hawke’s hauntingly memorable turn as The Grabber is felt in a hair-raising sense; like someone who has unknowingly ... snuck up behind you and waits in your peripheral for that dramatic reveal. _The Black Phone_ is a solid, pulse racing horror film that packs a punch, but seems like the type of film that simply won’t be as delectable on repeat viewings. **Full review:** https://hubpages.com/entertainment/The-Black-Phone-2022-Review-A-Juvenile-Curtain-Call-of-Death
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/the-black-phone-spoiler-free-review "The Black Phone carries a horror premise with a supernatural touch full of potential, but it plays too safe by betting on a narrative that's too simple, predictable, and repetitive. Scott D ... errickson elevates his work with a distinct style, and the fact that the main focus belongs to the protagonists development rather than on generic jumpscares pleases me. Mason Thames and Madeleine McGraw are, without a doubt, the most impressive elements of the entire film, delivering two of the best performances by young actors of the last decade. Ethan Hawke is underused, just like his unexplored character. I recommend it, but personally, I expected something more creative." Rating: C+
The Black Phone is a paranormal abduction thriller that balances the tension/despair of being trapped and the ghost elements very well. The movie does a great job setting up the main characters in the beginning that gives you a relationship with them and genuine desire for them to succeed. There are ... a few plot points that are a little questionable, but are they are minor nitpicks and didn’t pull me out of the story too much. The performances all around were great. Ethan Hawke does fantastic in his limited screen time. He conveys the mental state of the Grabber with such nuance, it really makes the hair on the back of your neck stand up. The children do very well too, especially in the more emotionally heavy scenes. A few of the classmates performances in the beginning were a bit awkward. Overall, I had a great time with this movie and it is a testament to the directors and writers that they could adapt such a creative thriller from a short story. **Verdict:** _Great_
I had to abandon this very early on, as I couldn't see anything. I'm pretty sure it was daytime, because kids were going to school, but it was so darkly lit that it looked like late dusk. I think there was a sun in the sky, but it might have been a firefly. I put my TV on "vivid," but it couldn't re ... medy the problem. Maybe there's a good movie in here, but the production is clearly broken, so if you have an HDR TV, you won't be able to see anything.
THE BLACK PHONE is a haunting and suspenseful new thriller starring Mason Thames, Madeleine McGraw, and Ethan Hawke, and directed by Scott Derrickson. 13-year-old Charlie is kidnapped by a child murderer and locked in a soundproof basement. The previous victims of the killer start calling Charlie ... on an out-of-service phone. These chilling calls give the boy a chance to save himself and others from the killer's clutches. THE BLACK PHONE is suspenseful and scary without the need to have onscreen violence (the violence is mostly off-screen). The cast is excellent, particularly Thames and McGraw, who both give standout performances. Thames is particularly convincing as the terrified boy who is trying to make sense of the situation he's in. Hawke is also chilling as the killer, though his character is not as fleshed out as I would have liked. The movie is well-made and well-acted and has a solid story with some creepy moments — and the length is exactly right. An enjoyable addition to the genre.
Had some decently suspense-filled moments and Ethan Hawke was great but otherwise I found most of this pretty forgettable, yet still worth watching as a rental. **3.25/5** ...
**Not quite a full-on horror movie but a well-done creepy thriller.** I love a good Blumhouse flick (and honestly, I love the bad Blumhouse flicks too). Thankfully The Black Phone is the former. Even though it’s more thriller than horror, The Black Phone is an eerie story that keeps the tension h ... igh. I was worried with the subject matter that Scott Derrickson could take things too far and into some tasteless places, but instead, the plot was intense and satisfying.
Excelente Película, sin duda la volveria a ver de nuevo ...