 
  Popularity: 2 (history)
| Director: | Frank Lloyd | 
|---|---|
| Writer: | Garrett Fort, Lester Cole, Nathaniel Curtis | 
| Staring: | 
| Nick Condon, an American journalist in 20s Tokyo, publishes the Japanese master plan for world domination. Reaction from the understandably upset Japanese provides the action, but this is overshadowed by the propaganda of the time. | |
| Release Date: | Apr 26, 1945 | 
|---|---|
| Director: | Frank Lloyd | 
| Writer: | Garrett Fort, Lester Cole, Nathaniel Curtis | 
| Genres: | Action, Drama, War | 
| Keywords | japan, journalist | 
| Production Companies | United Artists, William Cagney Productions | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| James Cagney | Nick Condon | 
| Sylvia Sidney | Iris Hilliard | 
| Porter Hall | Arthur Bickett | 
| John Emery | Premier Gilchi Tanaka | 
| Robert Armstrong | Col Hideki Tojo | 
| Wallace Ford | Ollie Miller | 
| Rosemary DeCamp | Edith Miller | 
| John Halloran | Capt. Oshima | 
| Leonard Strong | Hijikata | 
| James Bell | Charley Sprague | 
| Marvin Miller | Yamada | 
| Rhys Williams | Joseph Cassell | 
| Frank Puglia | Prince Tatsugi | 
| Grace Lem | Amah | 
| Sam Harris | Bar Patron (uncredited) | 
| Harold Miller | Bar Patron (uncredited) | 
| Name | Job | 
|---|---|
| Frank Lloyd | Director | 
| Garrett Fort | Writer | 
| Lester Cole | Writer | 
| Nathaniel Curtis | Writer | 
| Frank Melford | Idea | 
| Walter Hannemann | Editor | 
| Truman K. Wood | Editor | 
| A. Roland Fields | Set Decoration | 
| Theodor Sparkuhl | Director of Photography | 
| Michael Woulfe | Costume Design | 
| Miklós Rózsa | Original Music Composer | 
| Name | Title | 
|---|---|
| William Cagney | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 7 | 12 | 4 | 
| 2024 | 5 | 9 | 13 | 4 | 
| 2024 | 6 | 7 | 14 | 3 | 
| 2024 | 7 | 6 | 12 | 3 | 
| 2024 | 8 | 8 | 19 | 4 | 
| 2024 | 9 | 4 | 7 | 1 | 
| 2024 | 10 | 6 | 16 | 2 | 
| 2024 | 11 | 5 | 14 | 2 | 
| 2024 | 12 | 5 | 13 | 2 | 
| 2025 | 1 | 6 | 11 | 3 | 
| 2025 | 2 | 3 | 7 | 1 | 
| 2025 | 3 | 3 | 14 | 1 | 
| 2025 | 4 | 1 | 4 | 1 | 
| 2025 | 5 | 2 | 5 | 1 | 
| 2025 | 6 | 1 | 4 | 1 | 
| 2025 | 7 | 1 | 3 | 0 | 
| 2025 | 8 | 1 | 3 | 0 | 
| 2025 | 9 | 1 | 1 | 0 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
James Cagney is a journalist in pre-war Tokyo who gets embroiled in a tussle between the forces of Imperial aggression led by John Emery ("Tanaka") and those of peaceful conciliation headed by "Prince Tatsugu" (Frank Puglia). When the expansionists realise that Cagney is not going to play along - af ... ter bribery/threats and blackmail all fail to convince him; his very life is soon in peril - made worse once he is given a letter from the Prince that his opponents need back at all costs. Made at the end of WWII, it is a pretty obvious slice of propaganda, though it is tempered by some respect for the decent Japanese who did not want war, and it reflects their sense of "honour" in quite an interesting fashion - is it to the glory of the ancestors or just glorified cowardice? Cagney carries this pretty much single handedly. Marvin Miller is quite menacing as the dastardly "Yamada" too, but Sylvia Sidney as the plotting "Iris" doesn't remotely carry off her task as a scheming double-dealer and Rhys Williams ought to have stuck to his more jovial roles - he never could carry off meatier parts. The budget went on the star, the technical aspects of this leave quite a bit to be desired. It's a straight-up goodies v baddies film and nothing more complex than that...