Popularity: 2 (history)
| Director: | Simon Curtis |
|---|---|
| Writer: | Colin Clark, Adrian Hodges |
| Staring: |
| London, 1956. Genius actor and film director Laurence Olivier is about to begin the shooting of his upcoming movie, premiered in 1957 as The Prince and the Showgirl, starring Marilyn Monroe. Young Colin Clark, who dreams on having a career in movie business, manages to get a job on the set as third assistant director. | |
| Release Date: | Nov 23, 2011 |
|---|---|
| Director: | Simon Curtis |
| Writer: | Colin Clark, Adrian Hodges |
| Genres: | Drama, Romance |
| Keywords | countryside, based on novel or book, movie business, husband wife relationship, platonic love, biography, cinema on cinema, historical figure, filmmaking, older woman younger man relationship, movie star, 1950s |
| Production Companies | BBC Film, The Weinstein Company, Lipsync Productions, Trademark Films |
| Box Office |
Revenue: $35,100,000
Budget: $6,400,000 |
| Updates |
Updated: Aug 03, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Michelle Williams | Marilyn Monroe |
| Kenneth Branagh | Sir Laurence Olivier |
| Eddie Redmayne | Colin Clark |
| Dominic Cooper | Milton Greene |
| Philip Jackson | Roger Smith |
| Derek Jacobi | Sir Owen Morshead |
| Toby Jones | Arthur Jacobs |
| Michael Kitchen | Hugh Perceval |
| Julia Ormond | Vivien Leigh |
| Simon Russell Beale | Cotes-Preedy |
| Dougray Scott | Arthur Miller |
| Zoë Wanamaker | Paula Strasberg |
| Emma Watson | Lucy |
| Judi Dench | Dame Sybil Thorndike |
| Jim Carter | Barry |
| Richard Clifford | Richard Wattis |
| Robert Portal | David Orton |
| Pip Torrens | Sir Kenneth Clark |
| Geraldine Somerville | Lady Jane Clark |
| Miranda Raison | Vanessa |
| Karl Moffatt | Jack Cardiff |
| Victor McGuire | Andy |
| Richard Attlee | Reporter #1 |
| Michael Hobbs | Reporter #2 |
| Brooks Livermore | Reporter #3 |
| Rod O'Grady | Reporter #4 |
| Gerard Horan | Trevor |
| Alex Lowe | Denys Coop |
| Georgie Glen | Rosamund Greenwood |
| Richard Shelton | Waiter |
| Peter Wight | Lucy's Father |
| Paul Herzberg | Paul Hardwick |
| James Clay | Jeremy Spenser |
| Des McAleer | Senior Policeman |
| Jem Wall | Spectator |
| Ben Sando | Schoolboy #1 |
| Josh Morris | Schoolboy #2 |
| David Rintoul | Dr. Connell |
| Sean Vanderwilt | Male Dancer #1 |
| Adam Perry | Male Dancer #2 |
| Name | Job |
|---|---|
| Simon Curtis | Director |
| Mark Kebby | Art Direction |
| Colin Clark | Book |
| Adrian Hodges | Screenplay |
| Charmian Adams | Supervising Art Director |
| Donal Woods | Production Design |
| Sara Desmond | Production Manager |
| Conrad Pope | Conductor, Original Music Composer |
| Maggie Rodford | Music Supervisor |
| Jenny Shircore | Makeup Designer, Hair Designer |
| Jane Gibson | Choreographer |
| Guy Heeley | First Assistant Director |
| Jason Wheeler | Location Manager |
| Vicki Howe | Script Supervisor |
| Peggy Eisenhauer | Lighting Design |
| Chris Foggin | Third Assistant Director |
| Dana Sano | Music Supervisor |
| Charlotte Sewell | Costume Supervisor |
| Richard Dyer | Sound Mixer |
| Jules Fisher | Lighting Design |
| Charlie Reed | Second Assistant Director |
| Adam Coles | Focus Puller |
| Martin Pakledinaz | Costume Designer |
| Mark Clayton | Gaffer |
| Mark Holt | Special Effects Supervisor |
| Alan Church | Visual Effects Supervisor |
| Catherine Hodgson | Sound Effects Editor |
| Myron Nettinga | Sound Effects Editor |
| Adam Scrivener | Sound Re-Recording Mixer |
| Ian Waggott | Foley Artist |
| Kevin Day | Standby Property Master |
| Rupert Lloyd-Parry | Key Grip |
| Mike Power | Property Master |
| Laurence Cendrowicz | Still Photographer |
| Julian Spencer | Stunt Coordinator |
| Sheila Wickens | Visual Effects Supervisor |
| Nick Lowe | Supervising Sound Editor |
| Alastair Sirkett | Sound Effects Editor |
| Mike Dowson | Sound Re-Recording Mixer |
| Paul Hanks | Foley Artist |
| Tania Blunden | Post Production Supervisor |
| Deborah Aquila | Casting |
| Nina Gold | Casting |
| Tricia Wood | Casting |
| Adam Recht | Editor |
| Jill Taylor | Costume Designer |
| Alexandre Desplat | Main Title Theme Composer |
| Lang Lang | Musician |
| Kathleen Marshall | Choreographer |
| Denise Faye | Choreographer |
| Penny Ryder | Stunt Double |
| Belinda McGinley | Stunts |
| Mark Milsome | "C" Camera Operator |
| Ben Smithard | "A" Camera Operator, Director of Photography |
| Judy Farr | Set Decoration |
| Michelle Williams | Songs |
| Diane Kingston | Visual Effects Producer |
| Name | Title |
|---|---|
| Kelly Carmichael | Executive Producer |
| Ivan Mactaggart | Executive Producer |
| Cleone Clarke | Associate Producer |
| Jamie Laurenson | Executive Producer |
| Colin Vaines | Co-Executive Producer |
| David Parfitt | Producer |
| Harvey Weinstein | Producer |
| Bob Weinstein | Executive Producer |
| Mark Cooper | Co-Producer |
| Simon Curtis | Executive Producer |
| Christine Langan | Executive Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Golden Globes | Best Supporting Actress | Emma Watson | Nominated |
| Golden Globes | Best Actress | Michelle Williams | Nominated |
| BAFTA Awards | Best Actress | Michelle Williams | Nominated |
| SAG Awards | Best Actress | Michelle Williams | Nominated |
| SAG Awards | Best Supporting Actress | Kenneth Branagh | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 16 | 24 | 12 |
| 2024 | 5 | 22 | 33 | 12 |
| 2024 | 6 | 20 | 38 | 11 |
| 2024 | 7 | 23 | 47 | 12 |
| 2024 | 8 | 14 | 26 | 9 |
| 2024 | 9 | 11 | 16 | 7 |
| 2024 | 10 | 17 | 38 | 9 |
| 2024 | 11 | 15 | 39 | 7 |
| 2024 | 12 | 12 | 18 | 7 |
| 2025 | 1 | 13 | 24 | 9 |
| 2025 | 2 | 9 | 22 | 3 |
| 2025 | 3 | 4 | 12 | 1 |
| 2025 | 4 | 3 | 8 | 1 |
| 2025 | 5 | 2 | 9 | 1 |
| 2025 | 6 | 2 | 5 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 4 | 5 | 3 |
| 2025 | 10 | 3 | 4 | 2 |
Trending Position
I reckon this might be my favourite effort from Michelle Williams as she plays the eponymous screen legend who arrives in the UK to play opposite Sir Laurence Olivier (Kenneth Branagh) in "The Prince and the Showgirl". Meantime, budding writer Colin Clark (Eddie Redmayne) is desparate to get into th ... e film industry and so has been doorstepping producer Hugh Perceval (Michael Kitchen) for ages. Eventually, he gets a foot in the door the a chance introduction to Sir Larry leads to another one with Monroe and soon young Clark finds himself tasked with keeping this increasingly flaky woman on message as it's fair to say that her methods are not quite as rigorous or disciplined as those of her co-star. If you've seen the 1957 film, you'll know that it possibly isn't anyone's finest hour - except, perhaps, for Dame Sybil Thorndyke who here portrayed by Dame Judi Dench offers the American visitor some semblance of understanding and tolerance as tempers fray and the relationship between Colin and Marilyn starts to intensify. The narrative is based on Clark's two books on the subject, so it does offer us quite an authentic and sensitive insight into just how that one week padded out; how these contrasting personalities and their working practices struggled to reconcile and Williams looks entirely comfortable as the troubled actress as does the uncannily made-up Branagh as an Olivier all too used to getting his own way. Redmayne makes surprisingly little impact - perhaps because his character must remain objective as a narrator and not unsurprisingly Clark wasn't keen on embellishing his own role - intimate or not - with Monroe. Both she and Olivier are fascination creatures in cinema history and this biopic presents us with a glimpse of just how creative clashes can result in a positive spark.