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My Week with Marilyn Poster

My Week with Marilyn

She's worth all the trouble
2011 | 99m | English

(91070 votes)

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Popularity: 2 (history)

Details

London, 1956. Genius actor and film director Laurence Olivier is about to begin the shooting of his upcoming movie, premiered in 1957 as The Prince and the Showgirl, starring Marilyn Monroe. Young Colin Clark, who dreams on having a career in movie business, manages to get a job on the set as third assistant director.
Release Date: Nov 23, 2011
Director: Simon Curtis
Writer: Colin Clark, Adrian Hodges
Genres: Drama, Romance
Keywords countryside, based on novel or book, movie business, husband wife relationship, platonic love, biography, cinema on cinema, historical figure, filmmaking, older woman younger man relationship, movie star, 1950s
Production Companies BBC Film, The Weinstein Company, Lipsync Productions, Trademark Films
Box Office Revenue: $35,100,000
Budget: $6,400,000
Updates Updated: Aug 03, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Michelle Williams Marilyn Monroe
Kenneth Branagh Sir Laurence Olivier
Eddie Redmayne Colin Clark
Dominic Cooper Milton Greene
Philip Jackson Roger Smith
Derek Jacobi Sir Owen Morshead
Toby Jones Arthur Jacobs
Michael Kitchen Hugh Perceval
Julia Ormond Vivien Leigh
Simon Russell Beale Cotes-Preedy
Dougray Scott Arthur Miller
Zoë Wanamaker Paula Strasberg
Emma Watson Lucy
Judi Dench Dame Sybil Thorndike
Jim Carter Barry
Richard Clifford Richard Wattis
Robert Portal David Orton
Pip Torrens Sir Kenneth Clark
Geraldine Somerville Lady Jane Clark
Miranda Raison Vanessa
Karl Moffatt Jack Cardiff
Victor McGuire Andy
Richard Attlee Reporter #1
Michael Hobbs Reporter #2
Brooks Livermore Reporter #3
Rod O'Grady Reporter #4
Gerard Horan Trevor
Alex Lowe Denys Coop
Georgie Glen Rosamund Greenwood
Richard Shelton Waiter
Peter Wight Lucy's Father
Paul Herzberg Paul Hardwick
James Clay Jeremy Spenser
Des McAleer Senior Policeman
Jem Wall Spectator
Ben Sando Schoolboy #1
Josh Morris Schoolboy #2
David Rintoul Dr. Connell
Sean Vanderwilt Male Dancer #1
Adam Perry Male Dancer #2
Name Job
Simon Curtis Director
Mark Kebby Art Direction
Colin Clark Book
Adrian Hodges Screenplay
Charmian Adams Supervising Art Director
Donal Woods Production Design
Sara Desmond Production Manager
Conrad Pope Conductor, Original Music Composer
Maggie Rodford Music Supervisor
Jenny Shircore Makeup Designer, Hair Designer
Jane Gibson Choreographer
Guy Heeley First Assistant Director
Jason Wheeler Location Manager
Vicki Howe Script Supervisor
Peggy Eisenhauer Lighting Design
Chris Foggin Third Assistant Director
Dana Sano Music Supervisor
Charlotte Sewell Costume Supervisor
Richard Dyer Sound Mixer
Jules Fisher Lighting Design
Charlie Reed Second Assistant Director
Adam Coles Focus Puller
Martin Pakledinaz Costume Designer
Mark Clayton Gaffer
Mark Holt Special Effects Supervisor
Alan Church Visual Effects Supervisor
Catherine Hodgson Sound Effects Editor
Myron Nettinga Sound Effects Editor
Adam Scrivener Sound Re-Recording Mixer
Ian Waggott Foley Artist
Kevin Day Standby Property Master
Rupert Lloyd-Parry Key Grip
Mike Power Property Master
Laurence Cendrowicz Still Photographer
Julian Spencer Stunt Coordinator
Sheila Wickens Visual Effects Supervisor
Nick Lowe Supervising Sound Editor
Alastair Sirkett Sound Effects Editor
Mike Dowson Sound Re-Recording Mixer
Paul Hanks Foley Artist
Tania Blunden Post Production Supervisor
Deborah Aquila Casting
Nina Gold Casting
Tricia Wood Casting
Adam Recht Editor
Jill Taylor Costume Designer
Alexandre Desplat Main Title Theme Composer
Lang Lang Musician
Kathleen Marshall Choreographer
Denise Faye Choreographer
Penny Ryder Stunt Double
Belinda McGinley Stunts
Mark Milsome "C" Camera Operator
Ben Smithard "A" Camera Operator, Director of Photography
Judy Farr Set Decoration
Michelle Williams Songs
Diane Kingston Visual Effects Producer
Name Title
Kelly Carmichael Executive Producer
Ivan Mactaggart Executive Producer
Cleone Clarke Associate Producer
Jamie Laurenson Executive Producer
Colin Vaines Co-Executive Producer
David Parfitt Producer
Harvey Weinstein Producer
Bob Weinstein Executive Producer
Mark Cooper Co-Producer
Simon Curtis Executive Producer
Christine Langan Executive Producer
Organization Category Person
Golden Globes Best Supporting Actress Emma Watson Nominated
Golden Globes Best Actress Michelle Williams Nominated
BAFTA Awards Best Actress Michelle Williams Nominated
SAG Awards Best Actress Michelle Williams Nominated
SAG Awards Best Supporting Actress Kenneth Branagh Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 16 24 12
2024 5 22 33 12
2024 6 20 38 11
2024 7 23 47 12
2024 8 14 26 9
2024 9 11 16 7
2024 10 17 38 9
2024 11 15 39 7
2024 12 12 18 7
2025 1 13 24 9
2025 2 9 22 3
2025 3 4 12 1
2025 4 3 8 1
2025 5 2 9 1
2025 6 2 5 1
2025 7 1 2 1
2025 8 1 2 1
2025 9 4 5 3
2025 10 3 4 2

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Reviews

Geronimo1967
7.0

I reckon this might be my favourite effort from Michelle Williams as she plays the eponymous screen legend who arrives in the UK to play opposite Sir Laurence Olivier (Kenneth Branagh) in "The Prince and the Showgirl". Meantime, budding writer Colin Clark (Eddie Redmayne) is desparate to get into th ... e film industry and so has been doorstepping producer Hugh Perceval (Michael Kitchen) for ages. Eventually, he gets a foot in the door the a chance introduction to Sir Larry leads to another one with Monroe and soon young Clark finds himself tasked with keeping this increasingly flaky woman on message as it's fair to say that her methods are not quite as rigorous or disciplined as those of her co-star. If you've seen the 1957 film, you'll know that it possibly isn't anyone's finest hour - except, perhaps, for Dame Sybil Thorndyke who here portrayed by Dame Judi Dench offers the American visitor some semblance of understanding and tolerance as tempers fray and the relationship between Colin and Marilyn starts to intensify. The narrative is based on Clark's two books on the subject, so it does offer us quite an authentic and sensitive insight into just how that one week padded out; how these contrasting personalities and their working practices struggled to reconcile and Williams looks entirely comfortable as the troubled actress as does the uncannily made-up Branagh as an Olivier all too used to getting his own way. Redmayne makes surprisingly little impact - perhaps because his character must remain objective as a narrator and not unsurprisingly Clark wasn't keen on embellishing his own role - intimate or not - with Monroe. Both she and Olivier are fascination creatures in cinema history and this biopic presents us with a glimpse of just how creative clashes can result in a positive spark.

Jul 10, 2024