 
  Popularity: 3 (history)
| Director: | Garth Davis | 
|---|---|
| Writer: | Garth Davis, Iain Reid | 
| Staring: | 
| Henrietta and Junior farm a secluded piece of land that has been in Junior's family for generations, but their quiet life is thrown into turmoil when an uninvited stranger shows up at their door with a startling proposal. Will they risk their relationship & personal identity for a chance to survive in a new world? | |
| Release Date: | Oct 06, 2023 | 
|---|---|
| Director: | Garth Davis | 
| Writer: | Garth Davis, Iain Reid | 
| Genres: | Science Fiction, Drama | 
| Keywords | based on novel or book, climate change, married couple, 2060s, disheartening, familiar, foreboding | 
| Production Companies | Anonymous Content, I Am That, See-Saw Films | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Saoirse Ronan | Hen | 
| Paul Mescal | Junior | 
| Aaron Pierre | Terrence | 
| Jordan Chodziesner | Formal Escort 1 | 
| William Freeman | Formal Escort 2 | 
| Jalen Ong | Computer Technician 1 | 
| Patrick Williams | Computer Technician 2 | 
| David Woods | VIP 1 | 
| Yesse Spence | VIP 2 | 
| Shamita Sivabalan | VIP 3 | 
| Gavin Coleman | Runner | 
| Name | Job | 
|---|---|
| Matthew Campbell | Stunts | 
| Bonnie Moir | Second Unit Director | 
| Will Pearce | Casting Associate | 
| Jason Hawkins | Visual Effects Supervisor | 
| Jane Griffin | Second Assistant Director | 
| Catherine Bridekirk | Third Assistant Director | 
| Marty Smith | Steadicam Operator, "B" Camera Operator | 
| Elise Lockwood | Still Photographer | 
| Glenn Newnham | ADR Supervisor | 
| Matthew Lee | Sound Assistant | 
| Duncan Campbell | Foley Mixer, Foley Editor | 
| John Erasmus | Visual Effects Editor, First Assistant Editor | 
| Hayden Stewart | Stunts | 
| Vanessa Cerne | Set Decoration | 
| Helen Magelaki | Makeup & Hair | 
| Roger Van Wensveen | Sound Recordist | 
| Michael Bell | Set Designer | 
| Aaron Morrison | Concept Artist | 
| Leigh Welsh | Set Decoration | 
| Andrew Kattie | Art Direction | 
| Alice Babidge | Costume Design | 
| Selena Pertzel | Makeup Supervisor | 
| Timothy Smith | Boom Operator | 
| Ginny Salmon | Art Department Assistant | 
| Paul Chadeisson | Concept Artist | 
| Jake Bennett | Stunts | 
| Jemma Burns | Music Supervisor | 
| Rachel Nott | Costume Supervisor | 
| Christophe Pacaud | VFX Artist | 
| Janie Parker | Supervising Art Director | 
| Peta Dunstall | Makeup & Hair | 
| Arlo Markantonatos | Special Effects Supervisor | 
| Cam Eason | Boom Operator | 
| Deak Ferrand | Concept Artist | 
| Karijus Schlogl | Set Designer | 
| Octavia Mansfield Schweitzer | Visual Effects Producer | 
| Eddie Thorne | First Assistant Director | 
| Rob Stagg | Camera Operator | 
| Rui Li | VFX Artist | 
| Scott Gray | Additional Editing | 
| Colleen Clarke | Post Production Supervisor | 
| Jessica Meier | Sound Effects Editor | 
| Adrian Medhurst | Foley Supervisor, Foley Recordist | 
| Guy Strachan | Script Supervisor | 
| Róbert Taller | Set Designer | 
| Nick McFarlane | Production Coordinator | 
| James Ashton | ADR Editor | 
| Olivia Aquilina | Foley Recordist | 
| Graeme Stewart | Music Editor | 
| Garth Davis | Screenplay, Director | 
| Peter Sciberras | Editor | 
| Mátyás Erdély | Director of Photography | 
| Francine Maisler | Casting | 
| Kirsty McGregor | Casting | 
| Patrice Vermette | Production Design | 
| Benjamin Donnelly | Concept Artist | 
| Philli Anderson | Stunt Coordinator | 
| Robert Mackenzie | Supervising Sound Editor, Sound Re-Recording Mixer, Sound Designer | 
| Oliver Coates | Original Music Composer | 
| Chris Weir | Fight Choreographer | 
| Iain Reid | Screenplay, Book | 
| Park Jiha | Original Music Composer | 
| Agnes Obel | Original Music Composer | 
| Steve Golin | In Memory Of | 
| Name | Title | 
|---|---|
| David Levine | Executive Producer | 
| Libby Sharpe | Co-Producer | 
| Kate Glover | Co-Producer | 
| Robert Walak | Executive Producer | 
| Iain Reid | Executive Producer | 
| Kerry Kohansky-Roberts | Producer | 
| Garth Davis | Producer | 
| Emile Sherman | Producer | 
| Iain Canning | Producer | 
| Samantha Lang | Executive Producer | 
| Dawn Olmstead | Executive Producer | 
| Jonathan Schwartz | Co-Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 39 | 50 | 30 | 
| 2024 | 5 | 39 | 64 | 27 | 
| 2024 | 6 | 31 | 44 | 20 | 
| 2024 | 7 | 39 | 67 | 27 | 
| 2024 | 8 | 31 | 52 | 22 | 
| 2024 | 9 | 24 | 33 | 19 | 
| 2024 | 10 | 30 | 53 | 19 | 
| 2024 | 11 | 27 | 54 | 18 | 
| 2024 | 12 | 22 | 30 | 16 | 
| 2025 | 1 | 27 | 48 | 15 | 
| 2025 | 2 | 17 | 30 | 3 | 
| 2025 | 3 | 7 | 20 | 1 | 
| 2025 | 4 | 4 | 7 | 1 | 
| 2025 | 5 | 4 | 7 | 3 | 
| 2025 | 6 | 4 | 8 | 2 | 
| 2025 | 7 | 3 | 5 | 2 | 
| 2025 | 8 | 3 | 4 | 2 | 
| 2025 | 9 | 3 | 6 | 2 | 
| 2025 | 10 | 3 | 3 | 2 | 
Trending Position
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/foe-bfi-london-film-festival-review-one-of-the-messiest-scripts-of-the-year/ "Foe presents one of the messiest screenplays of the year, filled with incessant, unnecessary explanations through numerous narrative and visual methods, abruptly confusi ... ng time shifts, absurdly devoid of any sort of impact, and a strange message, to say the least, about the superiority of AI in human intimate relationships. At just under two hours, it manages to slowly drag itself to a multiple-ending conclusion, none capable of delivering any relevant information that wasn't already given beforehand. The cast does the best they can, but it's way too far from enough to rescue a movie doomed to leave its audience underwhelmed." Rating: D-
Anyone think this reminds them of a poor relation of "Interstellar"? "Hen" (Saoirse Ronan) lives on her remote family farm with husband "Junior" (Paul Mescal). You get the impression it's a pretty mundane existence and maybe not have been the strongest of relationships when a stranger in what looks ... like an old De Lorean arrives. It turns out that "Terrance" (Aaron Pierre) has come from the supra-governmental agency that's in charge of populating space - yep, the planet is on it's last legs - and that "Junior" has been selected to go live upstairs leaving is wife behind. No chance says "Junior", no choice says "Terrance" but there is some silver lining for "Hen". They will make her a carbon copy of her husband to "keep her company" whilst he is away. To that end, their visitor must remain for a few weeks to gather information on every intimate detail of their lives together so that "Junior 2" can be as authentic as possible. Now we don't actually know this, but it's safe to assume that somewhere in the ensuing proceedings, there is a body swap otherwise the rather dreary and drawn out denouement would make even less sense that it actually does. Is this suppose to be a crit on the nature of human relationships, or of the human psyche? If you went to bed at night and awoke to an identical partner that had been swapped in the night, would you even know? That's the problem. It's a complete non-story that limbers towards it's conclusion without really engaging on any level. That said, man-of-the-moment Mescal does turn in an emotional performance at times, but Ronan is really rather wasted here and the thinly developed characterisation of "Terrance" just further consigns this to the doldrums of what looks a short story laggardly dragged out for all but two hours. It's a slow and rather listless film for the most part and contains nothing new. Disappointing.