Popularity: 6 (history)
Director: | Sam Fell, Chris Butler |
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Writer: | Chris Butler |
Staring: |
In the town of Blithe Hollow, Norman Babcock can speak to the dead, but no one other than his eccentric new friend believes his ability is real. One day, Norman's eccentric uncle tells him of a ritual he must perform to protect the town from a curse cast by a witch centuries ago. | |
Release Date: | Aug 03, 2012 |
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Director: | Sam Fell, Chris Butler |
Writer: | Chris Butler |
Genres: | Animation, Family, Comedy, Adventure |
Keywords | medium, jock, stop motion, curse, zombie, ghost, communicating with the dead, aftercreditsstinger, witch trial, child witch, empathy, strange, giac quan |
Production Companies | LAIKA |
Box Office |
Revenue: $107,139,399
Budget: $60,000,000 |
Updates |
Updated: Aug 16, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Kodi Smit-McPhee | Norman Babcock (voice) |
Tucker Albrizzi | Neil Downe (voice) |
Anna Kendrick | Courtney Babcock (voice) |
Casey Affleck | Mitch Downe (voice) |
Christopher Mintz-Plasse | Alvin (voice) |
Leslie Mann | Sandra Babcock (voice) |
Jeff Garlin | Perry Babcock (voice) |
Elaine Stritch | Grandma Babcock (voice) |
Bernard Hill | Judge Hopkins (voice) |
Jodelle Ferland | Aggie Prenderghast (voice) |
Tempestt Bledsoe | Sheriff Hooper (voice) |
Alex Borstein | Mrs. Henscher (voice) |
John Goodman | Mr. Prenderghast (voice) |
Hannah Noyes | Salma (voice) |
Jack Blessing | Slob Guy / Civil War Ghost (voice) |
Ranjani Brow | Movie Lady (voice) |
Michael Corbett | Movie Zombie (voice) |
David Cowgill | Greaser Ghost (voice) |
Nicholas Guest | Hippie Ghost / Mobster Ghost (voice) |
Emily Hahn | Sweet Girl (voice) |
Bridget Hoffman | Crystal / Parachutist Ghost / Librarian (voice) |
Wendy Hoffmann | Gucci Lady (voice) |
Holly Klein | Hair Dryer Ghost (voice) |
Alicia Lagano | Female Tourist (voice) |
Scott Menville | Deputy Dwayne / Rapper Guy (voice) |
Nick Petok | Blithe Hollow Kid (voice) |
Ariel Winter | Blithe Hollow Kid (voice) |
Jeremy Shada | Pug (voice) |
Steve Alterman | Blithe Hollow Townperson (voice) |
Kirk Baily | Blithe Hollow Townperson (voice) |
Jacob Bertrand | Blithe Hollow Townperson (voice) |
Liz Bolton | Blithe Hollow Townperson (voice) |
Ava Benavente | Blithe Hollow Townperson (voice) |
Cam Clarke | Blithe Hollow Townperson (voice) |
Lara Cody | Blithe Hollow Townperson (voice) |
Caitlin Cutt | Blithe Hollow Townperson (voice) |
Susan Dudeck | Blithe Hollow Townperson (voice) |
Denise Faye | Blithe Hollow Townsperson (voice) |
Eddie Frierson | Blithe Hollow Townperson (voice) |
Matthew Ford Holt | Blithe Hollow Townperson (voice) |
Rif Hutton | Blithe Hollow Townperson (voice) |
David Jolliffe | Blithe Hollow Townperson (voice) |
Ashley Lambert | Blithe Hollow Townperson (voice) |
Donna Lynn Leavy | Blithe Hollow Townperson (voice) |
Evan R. Mehta | Blithe Hollow Townperson (voice) |
Edie Mirman | Blithe Hollow Townperson (voice) |
Juan Pacheco | Blithe Hollow Townperson (voice) |
Kelsey Rose | Blithe Hollow Townperson (voice) |
Joshua Stern | Blithe Hollow Townperson (voice) |
David Zyler | Blithe Hollow Townperson (voice) |
Name | Job |
---|---|
Christopher Murrie | Editor |
Allison Jones | Casting |
Kevin Kaska | Orchestrator |
Ross Stewart | Art Direction |
Steve Boeddeker | Sound Designer |
Tom Myers | Sound Designer, Sound Re-Recording Mixer |
Al Nelson | Sound Designer |
Sam Fell | Director |
Graham Annable | Storyboard |
Rachel Larsen | Animation |
Brad Schiff | Animation Supervisor |
Michael Schlingmann | Storyboard, Additional Storyboarding |
Darlie Brewster | Animation |
Justin M. Rasch | Animation |
Daniel Alderson | Animation |
Martin Asbury | Storyboard |
Craig Atkinson | Animation |
Andy Bailey | Animation |
Will Becher | Animation |
Kyle Bell | Animation |
Ludovic Berardo | Animation |
Vera Brosgol | Storyboard |
Emanuela Cozzi | Storyboard |
Payton Curtis | Animation |
Phil Dale | Animation |
Brian Addison Elliot | Animation |
Adam Fisher | Animation |
John Hoffman | Storyboard |
Mike Hollenbeck | Animation |
Oliver Jones | Animation Supervisor |
Rachelle Lambden | Animation |
Malcolm Lamont | Animation |
Susanna Luck | Visual Effects |
Jan-Erik Maas | Animation |
Dan MacKenzie | Animation |
Kevin MacLean | Animation |
Joseph E. Merideth | Animation |
Julian Narino | Storyboard |
Ovi Nedelcu | Storyboard |
Brian Ormiston | Storyboard |
Florian Perinelle | Animation |
David Pugh | Animation |
Dan Ramsay | Animation |
Jeff Riley | Animation |
Anthony Scott | Animation |
Peg Serena | Animation Supervisor |
Kim Slate | Animation |
Heidi Marie Smith | Art Department Manager |
Kevin Smith | Editorial Coordinator |
Aaron Sorenson | Animation |
Gabe Sprenger | Animation |
Jason Stalman | Animation |
Anthony Straus | Animation |
Jerry Svoboda | Animation |
Philippe Tardif | Animation |
Chris Tootell | Animation |
Suzanne Twining | Animation |
Eric A. Urban | Animation |
David Vandervoort | Animation |
Kevin Walton | Animation |
Patrick Weinberg | Animation |
Kim Blanchette | Animation |
Eric Wachtman | Visual Development |
Rob Bekuhrs | Animation |
Nelson Lowry | Production Design |
Mike Smith | Storyboard |
Doug Young | Production Assistant |
Tristan Oliver | Director of Photography |
Chris Butler | Director, Screenplay |
Andy Biddle | Animation |
Cesar Diaz Melendez | Animation |
Brian Leif Hansen | Animation |
Travis Knight | Animation |
Juan Peralta | Sound Re-Recording Mixer |
Jon Brion | Original Music Composer |
Name | Title |
---|---|
Arianne Sutner | Producer |
Travis Knight | Producer |
Organization | Category | Person | |
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Golden Globes | Best Animated Feature | N/A | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 36 | 54 | 25 |
2024 | 5 | 40 | 53 | 25 |
2024 | 6 | 38 | 51 | 29 |
2024 | 7 | 46 | 71 | 27 |
2024 | 8 | 45 | 79 | 30 |
2024 | 9 | 34 | 45 | 26 |
2024 | 10 | 48 | 65 | 34 |
2024 | 11 | 44 | 79 | 24 |
2024 | 12 | 29 | 44 | 19 |
2025 | 1 | 35 | 62 | 26 |
2025 | 2 | 23 | 32 | 6 |
2025 | 3 | 12 | 31 | 2 |
2025 | 4 | 6 | 10 | 4 |
2025 | 5 | 4 | 11 | 3 |
2025 | 6 | 5 | 6 | 4 |
2025 | 7 | 5 | 9 | 3 |
2025 | 8 | 5 | 7 | 4 |
2025 | 9 | 7 | 8 | 6 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 526 | 752 |
Year | Month | High | Avg |
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2025 | 8 | 371 | 718 |
Year | Month | High | Avg |
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2025 | 7 | 295 | 687 |
Year | Month | High | Avg |
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2025 | 6 | 315 | 618 |
Year | Month | High | Avg |
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2025 | 5 | 872 | 872 |
Year | Month | High | Avg |
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2025 | 4 | 956 | 977 |
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2025 | 3 | 702 | 777 |
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2025 | 2 | 560 | 783 |
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2025 | 1 | 661 | 761 |
Year | Month | High | Avg |
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2024 | 12 | 758 | 839 |
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2024 | 11 | 315 | 709 |
Year | Month | High | Avg |
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2024 | 10 | 258 | 834 |
Year | Month | High | Avg |
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2024 | 9 | 795 | 900 |
Year | Month | High | Avg |
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2024 | 8 | 699 | 829 |
Mom, tell the Zombie to stop saying stuff about me! The medium of animated films has really gone through the roof in the last 20 years. There was a time when Disney was the only reliable source for such colourful frolics. Now we are blessed with a whole raft of film makers creating their own anim ... ated films born out by their personal visions. One of the benefits of this "branching out" has been the rise in the animated horror comedy, right up there with the best of them in recent times is ParaNorman. Norman Babcock is considered to be the weird kid in town, you see he claims to see ghosts. Little do the residents of this New England haven know it, but they will soon need Norman to break a centuries old witches curse or they are all doomed! Picture unfolds in a delightfully quirky nature, with the makers showing great love and respect to both the genres it appertains to. As with the best animated films, ParaNorman manages to be an all encompassing family friendly production. The chilly thrills are the right side of child friendly, the animation craft superb, while the humour is smart and the Gothic atmosphere surrounding the tale is pitch perfect. It all builds nicely to a bona fide thrilling finale, where the visual spectacle sits comfortably with the emotional beats of the film. Lovely, intelligent and spooky into the bargain. 8/10
Really good watch, could watch again, and can recommend. This is surprisingly dark, and underrated. While the animated characters are almost grosteque in their stylization, it serves fairly well when it comes to the undead. It also pushes the boundaries of it being a "kid's" movie or an "adult' ... s" movie in it's content. So this is probably a movie for "older younger" audiences. Not only is this a great concept, effect execution, and story, the characters that do pop, really do. I honestly could have done without a few of them, but most of the important characters work for what they need to do. There is a much appreciated "twist" that examples some self-aware story telling that comes with the tropes typically involved with "I see dead people" stories. Its really rather refreshing without removing the idea that burning witches at the stake was an atrocity in history. The story is touching and charming and just requires an open mind, which is part of the message of the story.
His parents think he's a bit bonkers, but "Norman" swears that he can communicate with his deceased grandmother (especially when she wants the central heating turned up!). When his uncle tells him that his unique skills might help with a ritual that could spare their sleepy town from a curse, he agr ... ees to help - but oops! Next thing, the place is awash with zombies and it falls to "Norman" to figure out just what originally caused the curse and to find a way - together with his popular sister and his new found, and rather unlikely, friends - to annul it before it is too late! This is a fun family adventure with some strong characterisations (including the really enthusiastic voice talent of Kodi Smit-McPhee in the title role) and some superbly detailed stop motion animation. The writing is frequently quite pithy with plenty for the grown ups to smile at, and think about, as the story progresses. Though hardly original - the story itself has everything from "Salem's Lot" (1979) to "Hocus Pocus" (1993) running through it - it's still an enjoyable watch that lends itself well to a big screen to better appreciate the colourful vivacity of the creative artistry and lively Jon Brian score. Sure, their heads are bigger than the rest of their bodes combined, but the facial expressions are what makes this and I rather liked this film.