Popularity: 4 (history)
Director: | Nick Murphy |
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Writer: | Nick Murphy, Stephen Volk |
Staring: |
In post–War England, a writer and sometime-ghost hunter investigates a reported haunting at a boys boarding school. | |
Release Date: | Aug 17, 2011 |
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Director: | Nick Murphy |
Writer: | Nick Murphy, Stephen Volk |
Genres: | Horror, Mystery, Thriller |
Keywords | classroom, haunting, author, con, governess, suicide, investigation, teacher, fear, discovery, england, supernatural, murder, estate, ghost |
Production Companies | BBC Film, StudioCanal, Creative Scotland, Origin Pictures, Lipsync Productions |
Box Office |
Revenue: $6,879,667
Budget: $4,798,235 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Rebecca Hall | Florence Cathcart |
Dominic West | Robert Mallory |
Imelda Staunton | Maud Hill |
Isaac Hempstead Wright | Tom |
Lucy Cohu | Constance Strickland |
Cal MacAninch | Freddie Strickland |
John Shrapnel | Reverend Hugh Purslow |
Diana Kent | Harriet Cathcart |
Richard Durden | Alexander Cathcart |
Alfie Field | Victor Parry |
Tilly Vosburgh | Vera Flood |
Ian Hanmore | Albert Flood |
Andrew Havill | George Vandermeer |
Anastasia Hille | Dorothy Vandermeer |
Joseph Mawle | Edward Judd |
Shaun Dooley | Malcolm McNair |
Steven Cree | Sergeant Evans |
Felix Soper | Julian Dowden |
Sidney Johnston | John Franklin |
Spike White | Alistair Howell |
Charlie Callaghan | Chris Hartley |
James Kirkham | William Ramsbottom |
Ewan Andrew Walker | Richard McGorian |
Adam Thomas Wright | Max Tebbitts |
Ben Greaves-Neal | Child Impostor |
Daniel Pirrie | Captain Mills |
Nicholas Amer | Edgar Hirsthwit |
Nick Murphy | Teacher 1 |
Neil Broome | School Master (uncredited) |
Name | Job |
---|---|
Iain Geddes | Painter |
Nick Murphy | Screenplay, Director |
Daniel Pemberton | Original Music Composer |
Alex Bailey | Still Photographer |
Eduard Grau | Director of Photography |
Robert Wischhusen-Hayes | Set Decoration |
Shaheen Baig | Casting |
Fiona Gavin | Art Direction |
Sean Farrow | Visual Effects Supervisor |
Peter Robertson | Steadicam Operator |
Ian Johnson | Unit Publicist |
Suzanne Noble | Publicist |
Paul Edwards | Steadicam Operator |
Sandrine Mugglestone | Daily Makeup & Hair |
Julie Dorrat-Keenan | Makeup Artist |
Helen Allingham | Art Department Assistant |
Sam Curren | Painter |
Chris Chandler | Property Master |
Neil Maguire | Storyboard Artist |
David Sjodin | Digital Compositor |
Ray Brown | Electrician |
Robert Dibble | First Assistant Camera |
Andy Duncan | Gaffer |
Ian Wilkinson | ADR Editor |
Sue Harding | Foley Artist |
Robert Brazier | Foley Recordist |
Vanessa Baker | ADR Voice Casting |
Anna Lau | Costume Supervisor |
Lea Morement | Assistant Editor |
Ashley McFarlane | Floor Runner |
Billy Hinshelwood | Legal Services |
Steven Moore | Production Runner |
Stephen Volk | Screenplay |
Caroline Harris | Costume Design |
Emma Pike | Production Manager |
Abbi Collins | Stunt Coordinator |
Mike Scott | Steadicam Operator |
Lucy Enfield | Script Supervisor |
Nicki McCallum | Supervising Art Director |
Daniel Phillips | Hair Designer |
Tapio Salmi | Makeup Supervisor, Hair Supervisor |
Derek Fraser | Construction Manager |
Jim Elliott | Property Master |
Simon Leech | Digital Compositor |
Angela Stanley | Digital Compositor |
Martin Palmer | Electrician |
Alex Howe | First Assistant Camera |
Maite Astiz | Second Assistant Camera |
Mark Appleby | ADR Mixer |
Rowena Wilkinson | Foley Artist |
James Harrison | Sound Effects Designer |
Harriet Edmonds | Costume Standby |
Stuart Fyvie | Colorist |
Mary Brehony | Legal Services |
Peter Eardley | Production Accountant |
Colin Nicolson | Production Sound Mixer, Sound Mixer |
Jon Henson | Production Design |
Neal Champion | Special Effects |
Dave McKay | Helicopter Camera |
Cindy Thomson | Location Manager |
James Clarke | Digital Intermediate |
Toby Ford | First Assistant Director |
Fiona Dickson | Draughtsman |
George McKay | Painter |
Kara Ramsay | Standby Art Director |
Emelie Nilsson | Digital Compositor |
Lucy Tanner | Visual Effects Coordinator |
Kevin Robertson | Electrician |
David Tyler | Gaffer |
Tom Miller | Still Photographer |
Paul Cotterell | ADR Mixer |
Ben Brazier | Foley Editor |
Graham Hunter | Assistant Costume Designer |
John Laurie | Costume Standby |
Scott Goulding | Online Editor |
Reno Antoniades | Legal Services |
Jenny Williams | Production Coordinator |
Victoria Boydell | Editor |
Helene Lenszner | Location Manager |
Aisha Bywaters | Casting Associate |
Name | Title |
---|---|
David M. Thompson | Producer |
Sarah Curtis | Producer |
Julia Stannard | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 27 | 48 | 15 |
2024 | 5 | 32 | 40 | 21 |
2024 | 6 | 26 | 43 | 13 |
2024 | 7 | 23 | 33 | 16 |
2024 | 8 | 20 | 38 | 12 |
2024 | 9 | 12 | 18 | 9 |
2024 | 10 | 17 | 31 | 11 |
2024 | 11 | 16 | 35 | 8 |
2024 | 12 | 13 | 19 | 8 |
2025 | 1 | 17 | 29 | 11 |
2025 | 2 | 12 | 20 | 3 |
2025 | 3 | 6 | 16 | 1 |
2025 | 4 | 4 | 7 | 2 |
2025 | 5 | 3 | 8 | 2 |
2025 | 6 | 2 | 5 | 1 |
2025 | 7 | 2 | 2 | 1 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 4 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
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2025 | 2 | 821 | 821 |
There's no place on earth people understand loneliness better than here. The Awakening is directed by Nick Murphy and Murphy co-writes the screenplay with Stephen Volk. It stars Rebecca Hall, Dominic West, Imelda Staunton, Isaac Hempstead Wright, Shaun Dooley and Joseph Mawle. Music is by Daniel ... Pemberton and cinematography by Eduard Grau. Britain, post World War 1, and Florence Cathcart (Hall) makes a living as an exposer of charlatan spiritualists, a debunker of ghost sightings. When she receives a request from school master Robert Mallory (West) to investigate the supernatural events at a remote boarding school for boys, she is suitably intrigued to take on the assignment... It comes as no surprise to find that numerous reviews for The Awakening make reference to ghost story films that were made previously. The Woman in Black released a year later would suffer the same fate, charges of it not bringing nothing new to the table etc. A ghost story set in a big mansion or remote educational/correctional establishment is what it is, and will continue to be so, all fans of such spooky fare ask is that it does it well and maybe add some adult themes into the bargain. The Awakening does these in spades. The concept of a disbeliever in ghosts having their belief system tested to the full is not new, but it's a great concept and one with longevity assured. Here, boosted by a terrific performance from Hall, the screenplay consistently keeps you guessing. The possibilities of real or faked are constant as the director pumps up the creep factor, whilst he simultaneously crafts a number of genuine shock sequences - including one of the best doll house scenes put to film! This really has all the requisite jolts and atmospheric creeps for a period spooker. It's not until the final quarter when the screenplay begins to unravel its mystery, a finale that has proved both ambiguous and divisive. The ambiguity factor is a little baffling since everything is made clear in a nicely staged scene, and this is something which the director has gone on record to state as well. As for the divisive side of things? That's a blight for this sub-genre of horror. It's convoluted! Contrived! It has been done before they cry! These are true to be sure, and without doubt there's a leap of faith required to not get annoyed, but it garners a reaction and has done its ghost story essence very well indeed. Beautifully photographed, scored and performed by the leads to boot, this is for sure one for fans of period spookers with brains. 7.5/10