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The Awakening

Sometimes dead does not mean gone.
2011 | 107m | English

(71088 votes)

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Popularity: 4 (history)

Details

In post–War England, a writer and sometime-ghost hunter investigates a reported haunting at a boys boarding school.
Release Date: Aug 17, 2011
Director: Nick Murphy
Writer: Nick Murphy, Stephen Volk
Genres: Horror, Mystery, Thriller
Keywords classroom, haunting, author, con, governess, suicide, investigation, teacher, fear, discovery, england, supernatural, murder, estate, ghost
Production Companies BBC Film, StudioCanal, Creative Scotland, Origin Pictures, Lipsync Productions
Box Office Revenue: $6,879,667
Budget: $4,798,235
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Rebecca Hall Florence Cathcart
Dominic West Robert Mallory
Imelda Staunton Maud Hill
Isaac Hempstead Wright Tom
Lucy Cohu Constance Strickland
Cal MacAninch Freddie Strickland
John Shrapnel Reverend Hugh Purslow
Diana Kent Harriet Cathcart
Richard Durden Alexander Cathcart
Alfie Field Victor Parry
Tilly Vosburgh Vera Flood
Ian Hanmore Albert Flood
Andrew Havill George Vandermeer
Anastasia Hille Dorothy Vandermeer
Joseph Mawle Edward Judd
Shaun Dooley Malcolm McNair
Steven Cree Sergeant Evans
Felix Soper Julian Dowden
Sidney Johnston John Franklin
Spike White Alistair Howell
Charlie Callaghan Chris Hartley
James Kirkham William Ramsbottom
Ewan Andrew Walker Richard McGorian
Adam Thomas Wright Max Tebbitts
Ben Greaves-Neal Child Impostor
Daniel Pirrie Captain Mills
Nicholas Amer Edgar Hirsthwit
Nick Murphy Teacher 1
Neil Broome School Master (uncredited)
Name Job
Iain Geddes Painter
Nick Murphy Screenplay, Director
Daniel Pemberton Original Music Composer
Alex Bailey Still Photographer
Eduard Grau Director of Photography
Robert Wischhusen-Hayes Set Decoration
Shaheen Baig Casting
Fiona Gavin Art Direction
Sean Farrow Visual Effects Supervisor
Peter Robertson Steadicam Operator
Ian Johnson Unit Publicist
Suzanne Noble Publicist
Paul Edwards Steadicam Operator
Sandrine Mugglestone Daily Makeup & Hair
Julie Dorrat-Keenan Makeup Artist
Helen Allingham Art Department Assistant
Sam Curren Painter
Chris Chandler Property Master
Neil Maguire Storyboard Artist
David Sjodin Digital Compositor
Ray Brown Electrician
Robert Dibble First Assistant Camera
Andy Duncan Gaffer
Ian Wilkinson ADR Editor
Sue Harding Foley Artist
Robert Brazier Foley Recordist
Vanessa Baker ADR Voice Casting
Anna Lau Costume Supervisor
Lea Morement Assistant Editor
Ashley McFarlane Floor Runner
Billy Hinshelwood Legal Services
Steven Moore Production Runner
Stephen Volk Screenplay
Caroline Harris Costume Design
Emma Pike Production Manager
Abbi Collins Stunt Coordinator
Mike Scott Steadicam Operator
Lucy Enfield Script Supervisor
Nicki McCallum Supervising Art Director
Daniel Phillips Hair Designer
Tapio Salmi Makeup Supervisor, Hair Supervisor
Derek Fraser Construction Manager
Jim Elliott Property Master
Simon Leech Digital Compositor
Angela Stanley Digital Compositor
Martin Palmer Electrician
Alex Howe First Assistant Camera
Maite Astiz Second Assistant Camera
Mark Appleby ADR Mixer
Rowena Wilkinson Foley Artist
James Harrison Sound Effects Designer
Harriet Edmonds Costume Standby
Stuart Fyvie Colorist
Mary Brehony Legal Services
Peter Eardley Production Accountant
Colin Nicolson Production Sound Mixer, Sound Mixer
Jon Henson Production Design
Neal Champion Special Effects
Dave McKay Helicopter Camera
Cindy Thomson Location Manager
James Clarke Digital Intermediate
Toby Ford First Assistant Director
Fiona Dickson Draughtsman
George McKay Painter
Kara Ramsay Standby Art Director
Emelie Nilsson Digital Compositor
Lucy Tanner Visual Effects Coordinator
Kevin Robertson Electrician
David Tyler Gaffer
Tom Miller Still Photographer
Paul Cotterell ADR Mixer
Ben Brazier Foley Editor
Graham Hunter Assistant Costume Designer
John Laurie Costume Standby
Scott Goulding Online Editor
Reno Antoniades Legal Services
Jenny Williams Production Coordinator
Victoria Boydell Editor
Helene Lenszner Location Manager
Aisha Bywaters Casting Associate
Name Title
David M. Thompson Producer
Sarah Curtis Producer
Julia Stannard Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 27 48 15
2024 5 32 40 21
2024 6 26 43 13
2024 7 23 33 16
2024 8 20 38 12
2024 9 12 18 9
2024 10 17 31 11
2024 11 16 35 8
2024 12 13 19 8
2025 1 17 29 11
2025 2 12 20 3
2025 3 6 16 1
2025 4 4 7 2
2025 5 3 8 2
2025 6 2 5 1
2025 7 2 2 1
2025 8 2 3 1
2025 9 4 4 3

Trending Position


Year Month High Avg
2025 2 821 821

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Reviews

John Chard
8.0

There's no place on earth people understand loneliness better than here. The Awakening is directed by Nick Murphy and Murphy co-writes the screenplay with Stephen Volk. It stars Rebecca Hall, Dominic West, Imelda Staunton, Isaac Hempstead Wright, Shaun Dooley and Joseph Mawle. Music is by Daniel ... Pemberton and cinematography by Eduard Grau. Britain, post World War 1, and Florence Cathcart (Hall) makes a living as an exposer of charlatan spiritualists, a debunker of ghost sightings. When she receives a request from school master Robert Mallory (West) to investigate the supernatural events at a remote boarding school for boys, she is suitably intrigued to take on the assignment... It comes as no surprise to find that numerous reviews for The Awakening make reference to ghost story films that were made previously. The Woman in Black released a year later would suffer the same fate, charges of it not bringing nothing new to the table etc. A ghost story set in a big mansion or remote educational/correctional establishment is what it is, and will continue to be so, all fans of such spooky fare ask is that it does it well and maybe add some adult themes into the bargain. The Awakening does these in spades. The concept of a disbeliever in ghosts having their belief system tested to the full is not new, but it's a great concept and one with longevity assured. Here, boosted by a terrific performance from Hall, the screenplay consistently keeps you guessing. The possibilities of real or faked are constant as the director pumps up the creep factor, whilst he simultaneously crafts a number of genuine shock sequences - including one of the best doll house scenes put to film! This really has all the requisite jolts and atmospheric creeps for a period spooker. It's not until the final quarter when the screenplay begins to unravel its mystery, a finale that has proved both ambiguous and divisive. The ambiguity factor is a little baffling since everything is made clear in a nicely staged scene, and this is something which the director has gone on record to state as well. As for the divisive side of things? That's a blight for this sub-genre of horror. It's convoluted! Contrived! It has been done before they cry! These are true to be sure, and without doubt there's a leap of faith required to not get annoyed, but it garners a reaction and has done its ghost story essence very well indeed. Beautifully photographed, scored and performed by the leads to boot, this is for sure one for fans of period spookers with brains. 7.5/10

May 16, 2024