 
  Popularity: 3 (history)
| Director: | Jack Conway | 
|---|---|
| Writer: | Anita Loos, Katharine Brush | 
| Staring: | 
| Lil works for the Legendre Company and causes Bill to divorce Irene and marry her. She has an affair with businessman Gaerste and uses him to force society to pay attention to her. | |
| Release Date: | Jun 25, 1932 | 
|---|---|
| Director: | Jack Conway | 
| Writer: | Anita Loos, Katharine Brush | 
| Genres: | Comedy, Drama, Romance | 
| Keywords | red hair, based on novel or book, chauffeur, manipulation, mistress, divorce, pre-code, gold digger, coal, scheming, home wrecker, social climbing, romantic entrapment, redhead | 
| Production Companies | Metro-Goldwyn-Mayer | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Jean Harlow | Lillian 'Lil' / 'Red' Andrews Legendre | 
| Chester Morris | William 'Bill' / 'Willie' Legendre Jr. | 
| Lewis Stone | William 'Will' Legendre Sr. | 
| Leila Hyams | Irene 'Rene' Legendre | 
| Una Merkel | Sally | 
| Henry Stephenson | Charles B. 'Charlie' / 'C.B.' Gaerste | 
| May Robson | Aunt Jane | 
| Charles Boyer | Albert | 
| Harvey Clark | Uncle Fred | 
| Henry Armetta | Waiter Warning Bill of Lipstick (uncredited) | 
| Sidney Bracey | Man Wanting to Use Phone Booth (uncredited) | 
| Ed Brady | Man Outside Pool Hall (uncredited) | 
| Ralph Byrd | Driver, at Film's End, with Mustache (uncredited) | 
| Albert Conti | Frenchman in Paris (uncredited) | 
| James T. Mack | Thomas, Legendre Butler (uncredited) | 
| Wilfrid North | Judge at Divorce Hearing (uncredited) | 
| Edgar Norton | Gaerste's Butler Tompkins (uncredited) | 
| William H. O'Brien | Waiter at Gaerste Party (uncredited) | 
| Sarah Padden | Mary, Legendre Maid (uncredited) | 
| William Pawley | Al (uncredited) | 
| Lee Phelps | Waiter Calling Bill to Phone (uncredited) | 
| Eddie Phillips | Gaerste's Dinner Guest (uncredited) | 
| Rolfe Sedan | Man at Race Track (uncredited) | 
| August Tollaire | Bearded Millionaire Frenchman (uncredited) | 
| Adolph Faylauer | Man at Race Track (uncredited) | 
| Leyland Hodgson | Surprised Party Guest (uncredited) | 
| Edmund Mortimer | Gaerste's Dinner Guest (uncredited) | 
| Name | Job | 
|---|---|
| Jack Conway | Director | 
| Anita Loos | Screenplay | 
| Cedric Gibbons | Art Direction | 
| Katharine Brush | Novel | 
| Blanche Sewell | Editor | 
| George Hurrell Sr. | Still Photographer | 
| Adrian | Costume Design | 
| Douglas Shearer | Sound Director | 
| Harold Rosson | Director of Photography | 
| Felix E. Feist | Additional Writing | 
| F. Scott Fitzgerald | Additional Writing | 
| Bess Meredyth | Additional Writing | 
| C. Gardner Sullivan | Additional Writing | 
| Benjamin Thau | Casting | 
| Charles Dorian | Assistant Director | 
| James Brock | Sound | 
| Name | Title | 
|---|---|
| Irving Thalberg | Producer | 
| Albert Lewin | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 8 | 13 | 4 | 
| 2024 | 5 | 12 | 19 | 5 | 
| 2024 | 6 | 8 | 15 | 4 | 
| 2024 | 7 | 8 | 15 | 4 | 
| 2024 | 8 | 6 | 10 | 3 | 
| 2024 | 9 | 5 | 12 | 2 | 
| 2024 | 10 | 5 | 11 | 2 | 
| 2024 | 11 | 5 | 14 | 3 | 
| 2024 | 12 | 4 | 7 | 2 | 
| 2025 | 1 | 5 | 12 | 2 | 
| 2025 | 2 | 3 | 6 | 1 | 
| 2025 | 3 | 2 | 6 | 1 | 
| 2025 | 4 | 1 | 2 | 1 | 
| 2025 | 5 | 1 | 2 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 0 | 1 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 2 | 3 | 1 | 
| 2025 | 10 | 3 | 4 | 2 | 
Trending Position
Jean Harlow is the ambitious "Lil". She takes a bit of an interest in her boss "Bill" (Chester Morris) whose marriage she sets out to destroy. He is a bit hapless, and though he genuinely loves his wife "Irene" (Leila Hyams) he is still played like a fiddle by his former assistant. Once she has achi ... eved her goal, however, her attentions begin to wander and poor old businessman "Gaerste" (Henry Stepehnson) and down-to-earth chauffeur "Albert" (Charles Boyer) are soon in her sights. The story here isn't so remarkable, it's the role reversal that works well. Harlow is a natural as the outwardly flighty, but actually rather shrewd lady who knows what she wants, and is prepared to use her guile and her smile to get it. Katharine Brush's book also illustrates just how incapable men can be when faced with the prospect of a strong woman easily able to manipulate and out-manoeuvre them. It's funny - in an accumulating sense. Not so much laugh out loud, more a gently simmering assassination of many things male and established. It packs quite a lot into eighty minutes; there are some engaging supporting contributions from Lewis Stone, Una Merkel and it offers us the right amount of just desserts at the conclusion. Harlow acts everyone else's socks off here. Her character is feisty, brave and calculating yet never cruel and by the end, though I didn't like "Lil" very much, I did admire her.