 
  Popularity: 2 (history)
| Director: | Nicolas Winding Refn | 
|---|---|
| Writer: | Nicolas Winding Refn | 
| Staring: | 
| Julian, who runs a Thai boxing club as a front organization for his family's drug smuggling operation, is forced by his mother Crystal to find and kill the individual responsible for his brother's recent death. | |
| Release Date: | May 30, 2013 | 
|---|---|
| Director: | Nicolas Winding Refn | 
| Writer: | Nicolas Winding Refn | 
| Genres: | Drama, Crime, Thriller | 
| Keywords | bangkok, thailand, surrealism, punishment, suicidal, police officer, neon light, neo-noir, drug trafficker, thai boxing, emasculation, vengeance, vibrant | 
| Production Companies | Gaumont, Wild Bunch, Bold Films, Film i Väst, Motel Movies, Space Rocket Nation | 
| Box Office | Revenue: $10,300,000 Budget: $4,800,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Ryan Gosling | Julian | 
| Kristin Scott Thomas | Crystal | 
| Vithaya Pansringarm | Chang | 
| Rhatha Phongam | Mai | 
| Gordon Brown | Gordon | 
| Tom Burke | Billy | 
| Byron Gibson | Byron | 
| Sahajak Boonthanakit | Kim | 
| Charlie Ruedpokanon | Daeng | 
| Wannisa Peungpa | Kanita | 
| Narucha Chaimareung | Papa San | 
| Danai Thiengdham | Waiter / Li Po | 
| Kowit Wattanakul | Choi Yan Lee | 
| Wittchuta Watjanarat | Ma Fong | 
| Pitchawat Petchayahon | Phaiban | 
| Nophand Boonyai | Charlie Ling | 
| Teerawat Mulvilai | Ko Sam | 
| Aratchaporn Sathet | Po Yan Lee | 
| Dujdao Vadhanapakorn | Concierge | 
| Matthew Ryder | Manager | 
| Oak Keerati | Porter | 
| Sasapin Siriwanij | Liang's Sister | 
| Nuntiya Thongnoo | Liang's Mother | 
| Saicheer Wongwirot | Gunman | 
| Alisa Wongvisut | Singer | 
| Byron Bishop | Burin | 
| Joe Cummings | Bar Customer (uncredited) | 
| Ron Smoorenburg | Muay Thai Fan (uncredited) | 
| Name | Job | 
|---|---|
| Nicolas Winding Refn | Director, Writer | 
| Matthew Newman | Editor | 
| Cliff Martinez | Original Music Composer | 
| Beth Mickle | Production Design | 
| Kristian Eidnes Andersen | Sound Designer | 
| Lars Rasmussen | Sound | 
| Larry Smith | Director of Photography | 
| Wasitchaya Mochanakul | Costume Design | 
| Russell Barnes | Art Direction | 
| Vitchu Chavasit | Makeup Artist | 
| Pattera Puttisuraset | Makeup Artist | 
| Witoon Suanyai | Art Direction | 
| Des Hamilton | Casting | 
| Eddie Simonsen | Sound Designer | 
| Julien Naudin | Sound | 
| Non Jungmeier | Casting | 
| Anne Moralis | Wigmaker | 
| Name | Title | 
|---|---|
| Sidonie Dumas | Producer | 
| Vincent Maraval | Producer | 
| Ryan Gosling | Executive Producer | 
| Lene Børglum | Producer | 
| Tom Quinn | Executive Producer | 
| Jessica Ask | Producer | 
| Yves Chevalier | Associate Producer | 
| Brahim Chioua | Executive Producer | 
| Jason Janego | Executive Producer | 
| Jacob Jarek | Producer | 
| David Lancaster | Executive Producer | 
| Michel Litvak | Executive Producer | 
| Hanne Palmquist | Producer | 
| Matthew Read | Executive Producer | 
| Thor Sigurjonsson | Executive Producer | 
| Gary Michael Walters | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 17 | 22 | 14 | 
| 2024 | 5 | 21 | 28 | 14 | 
| 2024 | 6 | 20 | 35 | 12 | 
| 2024 | 7 | 24 | 53 | 10 | 
| 2024 | 8 | 17 | 28 | 11 | 
| 2024 | 9 | 13 | 21 | 9 | 
| 2024 | 10 | 15 | 34 | 8 | 
| 2024 | 11 | 16 | 34 | 10 | 
| 2024 | 12 | 12 | 17 | 7 | 
| 2025 | 1 | 13 | 23 | 9 | 
| 2025 | 2 | 10 | 15 | 3 | 
| 2025 | 3 | 5 | 13 | 1 | 
| 2025 | 4 | 2 | 4 | 1 | 
| 2025 | 5 | 2 | 5 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 1 | 2 | 1 | 
| 2025 | 8 | 2 | 3 | 1 | 
| 2025 | 9 | 2 | 2 | 1 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 6 | 982 | 982 | 
It is an artistically very interesting movie. I would say that the benefit of watching this movie is entirely from the visuals were it excels. Unfortunately after a while the blood-red and, often, bizarre scenes become a bit boring. The story, well you have it in the movie blurb above. There is n ... ot much more to it and it is just used to tie the string of artistic expressions of the director/writer together. This is a quite violent movie. The old cop, Chang, gets more than one opportunity to use various sharp instruments, mostly his sword, on various criminal elements and the effects are frequently shown in all their gory glory. What about the actors and their performance? Well it is quite good for this type of movie but having said that the acting mostly consists of various people silently staring at each other. I had quite a bit of difficulty in deciding what rating I should give this movie. If I would go by the visuals only it should be very high but if I would go by the rest of the content it would be rather low. In the end I decided that although I appreciated the artwork I did not really like the movie as a whole that much. Thus it gets 5 out of 10 stars.
A challenging piece of cinema. Definitely not for everyone. The cinematography is breathtaking, and the violence is stomach turning. 8/10 ...
It has all the ingredients that I'd usually love in a film, but the pacing lets it down for me. <em>'Only God Forgives'</em> is pretty dark and strikingly gory, with the stylish cinematography really shining through to set the right tone. Ryan Gosling, meanwhile, is good in a role which is simila ... r to his one in 2011's <em>'<a href="https://letterboxd.com/film/drive-2011/" rel="nofollow">Drive</a>'</em>, which was also directed by Nicolas Winding Refn. Kristin Scott Thomas is solid, though I couldn't get away from the thought that her character was made to be portrayed by Toni Collette. Vithaya Pansringarm plays it cool as his character. All in all, I enjoyed it. I just didn't love it. It's a little too stop/start for my liking, as in it felt like I was watching a series of events as opposed to a fully fleshed out plot; I don't mean that the scenes feel unconnected, it just feels like every scene is too much its own thing in terms of storytelling.