Popularity: 8 (history)
| Director: | Oliver Stone |
|---|---|
| Writer: | Oliver Stone |
| Staring: |
| As a young and naive recruit in Vietnam, Chris Taylor faces a moral crisis when confronted with the horrors of war and the duality of man. | |
| Release Date: | Dec 19, 1986 |
|---|---|
| Director: | Oliver Stone |
| Writer: | Oliver Stone |
| Genres: | Action, Drama, War |
| Keywords | ambush, helicopter, war crimes, mine, bunker, vietnam war, dying and death, village, jungle, infantry, gang rape, soldier, battle, violent death, false accusations, platoon, combat, casualty of war, marijuana joint, marijuana pipe, semi autobiographical, anti war, wounded soldier, conscripts, military draft, violent man, american soldiers, tour of duty, murder witness, army vs civilians, cautionary, suspenseful, critical, intense, defiant, philosophical depiction of war |
| Production Companies | Hemdale Film Corporation, Arnold Kopelson Productions |
| Box Office |
Revenue: $138,530,565
Budget: $6,000,000 |
| Updates |
Updated: Aug 02, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Charlie Sheen | Chris Taylor |
| Willem Dafoe | Sergeant Elias Grodin |
| Tom Berenger | Sergeant Robert "Bob" Barnes |
| Kevin Dillon | Bunny |
| Forest Whitaker | Big Harold |
| Mark Moses | Lieutenant Wolfe |
| Keith David | King |
| Richard Edson | Sal |
| Francesco Quinn | Rhah |
| John C. McGinley | Sergeant O'Neill |
| Johnny Depp | Gator Lerner |
| Reggie Johnson | Junior |
| David Neidorf | Tex |
| Chris Pedersen | Crawford |
| Tony Todd | Warren |
| Corkey Ford | Manny |
| Corey Glover | Francis |
| Bob Orwig | Gardner |
| Kevin Eshelman | Morehouse |
| James Terry McIlvain | Ace |
| J. Adam Glover | Sanderson |
| Ivan Kane | Tony |
| Paul Sanchez | Doc |
| Dale Dye | Captain Harris |
| Peter Hicks | Parker |
| Basile Achara | Flash |
| Steve Barredo | Fu Sheng |
| Chris Castillejo | Rodriguez |
| Andrew B. Clark | Tubbs |
| Bernardo Manalili | Village Chief |
| Than Rogers | Village Chief's Wife |
| Li Thi Van | Village Chief's Daughter |
| Clarisa Ortacio | Old Woman |
| Romy Sevilla | One-Legged Man |
| Matthew Westfall | Terrified Soldier |
| Nick Nicholson | Mechanized Soldier #1 |
| Warren McLean | Mechanized Soldier #2 |
| Li Mai Thao | Rape Victim |
| Ron Barracks | Medic |
| H. Gordon Boos | Soldier with Mohawk Haircut (uncredited) |
| Robert 'Rock' Galotti | Huffmeister (uncredited) |
| Oliver Stone | Alpha Company Major in Bunker (uncredited) |
| Brad Cassini | Soldier (uncredited) |
| Mark Ebenhoch | Ebenhoch (uncredited) |
| Name | Job |
|---|---|
| Georges Delerue | Conductor, Original Music Composer |
| Robert Richardson | Director of Photography |
| Pat Golden | Casting |
| Gordon Daniel | Supervising Sound Editor |
| Michael Cimino | Thanks |
| Tim Minear | Assistant Director |
| H. Gordon Boos | First Assistant Director |
| Dan Perri | Title Designer |
| Barbara Harris | ADR Voice Casting |
| Pierre David | Production Executive |
| Warren McLean | Casting |
| Bob Morones | Casting |
| Bruno Rubeo | Production Design |
| Rodell Cruz | Art Direction |
| Susan Malerstein | Script Supervisor |
| Budd Carr | Music Supervisor |
| Ricky Francisco | Still Photographer |
| Ooty Moorehead | Production Supervisor |
| Sherman Williams | Art Direction |
| Cecille Baun | Prosthetic Supervisor |
| Gordon J. Smith | Makeup Effects |
| Graham Henderson | Executive In Charge Of Production |
| Gerry Toomey | Assistant Director |
| Gil Arceo | Stunt Coordinator |
| Mary Colquhoun | Thanks |
| Kathryn Morrison | Set Costumer |
| Julie Monroe | Assistant Editor |
| Simon Kaye | Sound Mixer |
| David Campling | Sound Editor |
| Greg Dillon | Sound Editor |
| Charles Grenzbach | Sound Re-Recording Mixer |
| Taffy Haines | Sound Mixer |
| Anthony Palk | Sound Editor |
| James J. Klinger | Sound Editor |
| Richard D. Rogers | Sound Re-Recording Mixer |
| John Wilkinson | Sound Re-Recording Mixer |
| Steve Bartlett | Sound Designer |
| David Delina | Property Master |
| Chris Lombardi | First Assistant Camera |
| James Finnerty | Grip |
| Venancio Goltiano | Cableman |
| Bobby Buensalida | Craft Service |
| David Lowe | Legal Services |
| Frank Fleming | Loader |
| Orlando Nui | Security |
| Alex Cabodil | Stunts |
| Primo Guina | Transportation Captain |
| Ron Wengler | Color Timer |
| Celebrando Raymundo | Best Boy Electric |
| James Fitzpatrick | Gaffer |
| Jerry O'Hara | Location Manager |
| Andy Birmingham | Production Accountant |
| Angelica De Leon | Production Coordinator |
| Joe Constantino | Production Manager |
| Dianne E. Collins | Publicist |
| Cenón González | Unit Manager |
| Donald Santos | Boom Operator |
| Vanessa Theme Ament | Foley Artist |
| Yves De Bono | Special Effects Supervisor |
| Jim Elyea | Additional Wardrobe Assistant |
| Maria Cecina | Tailor |
| Pepito Diaz | Second Assistant Director |
| Romulo Bernales | Assistant Property Master |
| Rudy Candaza | Special Effects Assistant |
| Andrew Wilson | Special Effects Technician |
| Ernesto Enríquez | Assistant Electrician |
| Rufo Ballos Balicas | Best Boy Grip |
| Victor Cecogo | Clapper Loader |
| Rene Balicas | Dolly Grip |
| Mike Ambrosio | Wardrobe Assistant |
| Wynn Arenas | Wardrobe Supervisor |
| Tom Finan | Associate Editor |
| Joanne Weiss | Music Coordinator |
| Richard Stone | Supervising Music Editor |
| Yvonne Eastmond | Assistant Accountant |
| Charlie Rebolledo | Generator Operator |
| Jonathan Sheinberg | Head of Production |
| John Kerr | Key Production Assistant |
| Anne G. Garcia | Production Secretary |
| Dale A. Dye | Technical Advisor |
| Dwight Gaston | Assistant Set Dresser |
| Nick Nicholson | Production Assistant |
| David Brenner | First Assistant Editor |
| Oliver Stone | Screenplay, Director |
| Claire Simpson | Editor |
| Mary Nelson | Negative Cutter |
| Name | Title |
|---|---|
| Derek Gibson | Executive Producer |
| John Daly | Executive Producer |
| Arnold Kopelson | Producer |
| A. Kitman Ho | Co-Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Director | Oliver Stone | Won |
| Academy Awards | Best Picture | N/A | Won |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 104 | 185 | 58 |
| 2024 | 5 | 203 | 248 | 168 |
| 2024 | 6 | 124 | 213 | 41 |
| 2024 | 7 | 57 | 95 | 36 |
| 2024 | 8 | 51 | 77 | 35 |
| 2024 | 9 | 33 | 48 | 23 |
| 2024 | 10 | 34 | 59 | 23 |
| 2024 | 11 | 40 | 63 | 25 |
| 2024 | 12 | 36 | 67 | 27 |
| 2025 | 1 | 41 | 64 | 28 |
| 2025 | 2 | 31 | 52 | 9 |
| 2025 | 3 | 18 | 52 | 3 |
| 2025 | 4 | 8 | 15 | 5 |
| 2025 | 5 | 11 | 18 | 7 |
| 2025 | 6 | 16 | 24 | 8 |
| 2025 | 7 | 8 | 10 | 7 |
| 2025 | 8 | 7 | 9 | 6 |
| 2025 | 9 | 7 | 10 | 5 |
| 2025 | 10 | 7 | 9 | 5 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 319 | 769 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 288 | 681 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 285 | 628 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 423 | 763 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 291 | 628 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 331 | 702 |
| Year | Month | High | Avg |
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| 2025 | 4 | 207 | 710 |
| Year | Month | High | Avg |
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| 2025 | 3 | 365 | 736 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 63 | 677 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 246 | 653 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 553 | 821 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 199 | 730 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 734 | 866 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 408 | 691 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 307 | 670 |
Platoon is a must see. The film that put Stone on the map, Platoon is considered by Vietnam Vets as the most realistic. But in keeping the maxim of giving credit where credit is due, much of the success of Platoon belongs to military adviser Captain Dale Dye, who has been linked to pretty much every ... great war movie in the last twenty years. Much accolades to Tom Berenger as well, whose performance as Sgt. Barnes is the tour de force of his career. With a great script, great performances, and awesome cinematography, Platoon is a surefire classic.
**A film with a good script and good characters, but which exaggerates some things and is as anti-war as almost all films about Vietnam.** The Vietnam War is one of the most brutal conflicts the US was involved in the 20th century, and one of the first wars that Americans lost. Following the expu ... lsion of the Japanese and the end of French colonization in the region, the effort to help democratic South Vietnam to survive the invasion by its northern neighbor, a pawn at the orders of the USSR, resulted in a bloodbath that it leaves dents in the American mentality. That's why there are several films about this war, and the vast majority are highly critical of US intervention. This film is just another one and brings us a story that is not very different from what we can see in “Apocalypse Now” or “Full Metal Jacket”. Charlie Sheen gives us what we can consider his best and most solid effort as an actor. In addition to looking appropriately unprepared, like an ordinary kid who goes to a war he's not ready for, he makes a poignant dramatic effort and gives the character a well-done psychological evolution. However, the film also features two great actors who achieved a deserved highlight: Tom Berenger and Willem Dafoe. They give life to two totally antagonistic characters who, with their conflict, almost jeopardize the operational viability of their combat group. The film also stars Forrest Whitaker, Keith David and an extremely young Johnny Depp. Technically, the film has extremely solid points. Skillfully directed by Oliver Stone, who gives us one of the most intense and consistent works in his cinematographic work, the film was made in very good locations and manages to give us all the realism and tension we could want in a war film. The second part is particularly brutal, with very intense combat scenes, a lot of blood and scenes not suitable for impressionable people. I even dare to say that it is not a suitable film for anyone who has been in combat and has been left with psychological problems. The cinematography is deeply atmospheric, with a creative use of light, cloudiness, fog and vegetation, and very intelligent framing. The soundtrack features several deeply atmospheric themes, of which I highlight Samuel Barber's Adagio, one of the most poignant melodies in the classical repertoire. The script is also full of qualities. Amid all the brutality and the usual messages about the futility and inhumanity of war, common to most films about Vietnam, a plot of bloody rivalry develops between two sergeants from the same platoon: one is a man with leadership skills who is determined to carry out the mission without allowing himself to commit unjustified excesses and brutalities; the other is a worn-out veteran who doesn't mind massacring everything he touches to do the thing. Obviously, things become unsustainable and soldiers' loyalties are divided, something that would be unacceptable in a military unit. It's good to see this, the rivalry gives more flavor to the film, even though it is completely absurd if we consider how much the military values obedience and the chain of command. In addition to all this, the film also divagates a lot about the use of drugs as a way of escaping the reality. This actually happened, and it was not uncommon to give soldiers exciting substances so that they could more easily withstand the hardships of combat, but it seems to me that the film goes beyond what is reasonable. Oliver Stone exaggerates in his portrayal, which is no surprise considering the films he has directed.