Popularity: 3 (history)
| Director: | Shekhar Kapur |
|---|---|
| Writer: | Jemima Khan |
| Staring: |
| Two childhood friends now in their thirties must decide whether to follow their heads or their hearts once the man decides to follow his parents' advice and enter into an arranged marriage in Pakistan. | |
| Release Date: | Jan 26, 2023 |
|---|---|
| Director: | Shekhar Kapur |
| Writer: | Jemima Khan |
| Genres: | Comedy, Romance |
| Keywords | |
| Production Companies | Canal+, StudioCanal, Instinct Productions, Working Title Films |
| Box Office |
Revenue: $10,898,395
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Lily James | Zoe |
| Shazad Latif | Kazim Khan |
| Shabana Azmi | Aisha Khan |
| Emma Thompson | Cath |
| Sajal Ali | Maymouna |
| Oliver Chris | James |
| Asim Chaudhry | Mo the Matchmaker |
| Jeff Mirza | Zahid Khan |
| Alice Orr-Ewing | Helena |
| Mim Shaikh | Farooq Khan |
| Iman Boujelouah | Yasmin Khan |
| Pakiza Baig | Nani Jan Khan |
| Alexander Owen | Olly |
| Ben Ashenden | Sam |
| Sindhu Vee | Fertility Doctor |
| Taj Atwal | Sumaira |
| Michael Marcus | David |
| Shaheen Khan | Maymouna's Mother |
| Haqi Ali | Maymouna's Father |
| Peter Sandys-Clarke | Harry |
| Ravi Aujla | Yousef |
| Wasim Zakir | Ali |
| Rahat Fateh Ali Khan | Self |
| Nosheen Phoenix | Pucci |
| Nikkita Chadha | Baby |
| Katie Anjuli Singh | Binky |
| Jamal Andreas | Taqi |
| Shannon Shanthakumar | Hajra |
| Munir Khairdin | Tailor |
| Adil Akram | Shopkeeper |
| Name | Job |
|---|---|
| Nitin Sawhney | Original Music Composer |
| Adrian Bell | Sound |
| Olivia Grant | Casting |
| Nick Angel | Music Supervisor |
| Caroline McCall | Costume Designer |
| Simon Elliott | Production Design |
| Jemima Khan | Writer |
| Shekhar Kapur | Director |
| Remi Adefarasin | Director of Photography |
| Guy Bensley | Editor |
| Nick Moore | Editor |
| Lucy Bevan | Casting |
| Sally Tynan | Makeup Artist |
| Tara McDonald | Makeup Artist |
| Gemma Hoff | Makeup Artist, Hairstylist |
| Zoe Freed | Foley Artist |
| Glenn Freemantle | Supervising Sound Editor |
| Rebecca Heathcote | Foley Artist |
| Jemma Riley-Tolch | Foley Artist |
| Tom Coates | Art Direction |
| Annie Gilhooly | Set Decoration |
| Name | Title |
|---|---|
| Jemima Khan | Producer |
| Nicky Kentish Barnes | Producer |
| Anna Marsh | Executive Producer |
| Joe Naftalin | Executive Producer |
| Sarmad Masud | Executive Producer |
| Lucas Webb | Executive Producer |
| Katherine Pomfret | Executive Producer |
| Tim Bevan | Producer |
| Eric Fellner | Producer |
| Ron Halpern | Executive Producer |
| Sarah Harvey | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 16 | 21 | 13 |
| 2024 | 5 | 19 | 24 | 12 |
| 2024 | 6 | 20 | 31 | 12 |
| 2024 | 7 | 20 | 38 | 14 |
| 2024 | 8 | 13 | 29 | 9 |
| 2024 | 9 | 15 | 24 | 9 |
| 2024 | 10 | 15 | 28 | 9 |
| 2024 | 11 | 16 | 40 | 8 |
| 2024 | 12 | 17 | 36 | 10 |
| 2025 | 1 | 12 | 19 | 9 |
| 2025 | 2 | 10 | 15 | 3 |
| 2025 | 3 | 5 | 16 | 1 |
| 2025 | 4 | 2 | 5 | 1 |
| 2025 | 5 | 1 | 4 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 2 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 1 | 2 | 0 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 704 | 826 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 357 | 401 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 984 | 984 |
If you remember "Last Christmas" (2019) then you will have a rough idea of what to expect here with this rather formulaic, if colourful, drama. It all centres around a film being made by "Zoe" (Lily James) about the forthcoming "assisted" marriage of her lifelong friend "Kaz" (Shazad Latif). Her mot ... her "Cath" (Dame Emma Thompson) lives next door to his family and so is relishing the family trip to Pakistan for the traditional wedding. "Zoe" is (as, I suspect, are we) pretty sceptical of the whole arrangement - getting married to someone you've only met on Skype, but proceed we do through a lively ceremony that allows Dame Emma to don her sari and dance for all she is worth (gin-fuelled!) whilst the predictable love triangle melodrama slowly, but predictably, plays out. It all comes to an head when they have returned home and she shows her film to all concerned and, just like this, it receives mixed and divisive reviews. I found this all very twee, middle class and vaguely judgmental which after a while I felt rather defeated the purpose in the first place. It is pretty clear from the start what is going to happen, and although the route to that conclusion isn't exactly a straight line, this leaves very little room for jeopardy to a plot you can see from Mars. Latif has a degree of charm to him, and some of the scenes with Lily James are quite engaging in a cheesy sort of way, but for the most part this is eminently forgettable fayre that will do fine on telly at Christmas.
Largely underwhelming, even if <em>'What’s Love Got to Do with It?'</em> holds a few redeeming qualities. It's all competently shot and all that, the music for example is excellent - nice work, Nitin Sawhney & Co. The level of acting is also all good, though I wouldn't say there is necessarily an ... yone that stands out individually. On that note, Emma Thompson: As usual I like her, but her character isn't the best - I feel like I've seen her play the same (similar, at best) character one or two times before recently-ish, <em>'Last Christmas'</em> for example. She's merits more to work with. The story is one that is almost as old as time, like with the aforementioned I feel like I've seen this plot play out many a time. It has a couple of unique elements I guess, but overall it's pretty derivative. I'm also not sold on Lily James' Zoe being 'Player 1', so to speak... like, her character is fairly meh. In fact, I'd go as far to say that Mariam Haque's Jamila should've been the film's key - that part of the story interested me the most of anything else portrayed onscreen. Haque and Michael Marcus's portion only features relatively smally, so I kinda wish they used them two instead as their bits are the most touching. All in all, it's fine - but is too mundane and predictable to be definitively enjoyable, in my opinion of course.