Kimi
She's not the only one listening.
2022 | 89m | English
Popularity: 5 (history)
| Director: | Steven Soderbergh |
|---|---|
| Writer: | David Koepp |
| Staring: |
| A tech worker with agoraphobia discovers recorded evidence of a violent crime but is met with resistance when she tries to report it. Seeking justice, she must do the thing she fears the most: leave her apartment. | |
| Release Date: | Feb 10, 2022 |
|---|---|
| Director: | Steven Soderbergh |
| Writer: | David Koepp |
| Genres: | Crime, Mystery, Thriller |
| Keywords | seattle, washington, agoraphobia, mental illness, virus, covid-19 |
| Production Companies | New Line Cinema, HBO Max |
| Box Office |
Revenue: $0
Budget: $3,500,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Zoë Kravitz | Angela Childs |
| Byron Bowers | Terry Hughes |
| Jaime Camil | Antonio Rivas |
| Erika Christensen | Samantha Gerrity |
| Derek DelGaudio | Bradley Hasling |
| Robin Givens | Angela's Mother |
| Charles Halford | Tall Thug |
| Devin Ratray | Kevin |
| Jacob Vargas | Glasses Thug |
| Rita Wilson | Natalie Chowdhury |
| India de Beaufort | Sharon |
| Sarai Koo | Jessica Hasling |
| Koya Harada | Bradley's Son |
| George Evans | Neighbor Husband |
| Sheila Evans | Neighbor Wife |
| Sebastian Evans | Neighbor Kid |
| Henrich Evans | Neighbor Kid |
| Betsy Brantley | Kimi (voice) |
| Alyana Gomez | News Anchor |
| Brian Flores | News Anchor |
| Lakin Valdez | Marcos |
| Patrika Darbo | Southern Woman (voice) |
| Cheyenne Nguyen | Teenage Girl (voice) |
| Andrew Daymer | Young Boy (voice) |
| Alex Dobrenko | Darius Popescu |
| David Wain | Angela's Dentist |
| Andy Daly | Christian Holloway |
| Noelle E Parker | Tween |
| Finnegan George | Tween |
| Jamie Baer | Chowdhury's Assistant |
| Emily Kuroda | Dr. Sarah Burns |
| Alina Gatti | Amygdala Intercom |
| Caleb Emery | Tech Hub Worker |
| Beka Sikharulidze | Yuri |
| Aviona Rodriguez Brown | Boisterous Woman |
| Erica Matthews | Boisterous Woman |
| Megan Gotz | Boisterous Woman |
| Raymond Power | Guy in Suit |
| Brenna Wagner | Blonde Woman |
| Conner Marx | Man with Umbrella |
| Lauryn Scoon | Girl at Burrito Truck |
| Luca De Massis | Driver (uncredited) |
| Name | Job |
|---|---|
| Victor J. Zolfo | Set Decoration |
| Miho Suzuki | Makeup Department Head |
| Billy Sender | Set Dresser |
| Alina Gatti | Second Assistant Director |
| Michelle Damis | Stunts |
| Karleena Gore | Stunts |
| Bret Kiene | Stunts |
| Cassie Jo Craig | Stunts |
| Michael Hilow | Stunts |
| Doug O'Dell II | Stunts |
| Alex Terzieff | Stunts |
| James W. Apted | First Assistant "A" Camera |
| Brady Romberg | Stunts |
| Nico Woulard | Stunts |
| Robb Earnest | Production Supervisor |
| Bill Coe | First Assistant "B" Camera |
| Javier M. Hernández | Boom Operator |
| Christopher Duskin | Camera Operator |
| Cyndy Fujikawa | Production Accountant |
| Scott Peterson | Script Supervisor |
| John Joseph Minardi | Key Grip |
| Jeremy Silveira | Second Second Assistant Director |
| Corey Pinchoff | Casting Assistant |
| Susi Campos | Other |
| Tricia Yoo | Costumer |
| Jessica Peel | Costumer |
| Lydia Lucente | Art Department Coordinator |
| Judith Sunga | Casting Associate |
| Jaclyn Tamizato | Costume Supervisor |
| Cheryl Cravedi | Set Costumer, Costumer |
| Shay O'Grady | Costumer |
| Bryan Eddy | Graphic Designer |
| Trevor Carroll-Coe | Second Assistant "B" Camera |
| Josh Mar | Costumer |
| David Chow | Set Designer |
| Gerard Vernice | Utility Sound |
| Michael Vojvoda | Other |
| Addison Esson | Other |
| Shaun Young | Set Dresser |
| Michelle Miller | Key Makeup Artist |
| Mark Jan Wlodarkiewicz | Music Editor |
| Martina Kohl | Makeup Artist |
| Keith Miller | Visual Effects Supervisor |
| Brandi Benkert | Set Designer |
| Michael Gilbert | Sound Effects Editor |
| Alvin Zalamea | Stunts |
| Kate Gray | Stunts |
| Jeff McKracken | Stunts |
| James A. Smith | Stunts |
| Michael Manson | Art Direction |
| Leslie D. Bennett | Hair Department Head |
| Victor Capoccia | Assistant Art Director |
| Jody Spilkoman | First Assistant Director |
| Dennis Towns | Production Sound Mixer |
| Ken Lavet | Location Manager |
| Sabrina Calley | Assistant Costume Designer |
| Rich King | Extras Casting |
| Rebeka L. Roberts | Ager/Dyer |
| Adriana Limón | Production Coordinator |
| Nicholas Rymond | Leadman |
| Jeremy Cisneros | On Set Dresser |
| Corey Gomez | Set Dresser |
| Victor Mendez | Set Dresser |
| Pavy Olivarez | Other |
| Chelsea Pettit | Lighting Technician |
| Cricket Peters | Lighting Technician |
| Blake Leyh | Sound Effects Editor |
| Billy Theriot | ADR Editor, Foley Editor |
| Laurence Anslow | Scoring Mixer |
| Jeremiah Kent | Second Assistant "A" Camera |
| Wiley Schott | Camera Loader |
| Alana Shea | Set Decoration Buyer |
| Carolyn Lassek | Assistant Property Master |
| Eric Pierson | Set Dresser |
| Miguel Lequericabeascoa | Set Dresser |
| Justin Raleigh | Other |
| Levi Trent Williams | Lighting Technician |
| Peter Mavromates | Post Production Supervisor |
| John Pospisil | Sound Effects Editor |
| Eric Potter | Sound Effects |
| Darrel D'Itri | Assistant Chief Lighting Technician |
| Mike Misslin | Lighting Technician |
| Alfonso Carrion | Assistant Editor |
| Matt Coby | Dialogue Editor |
| Jody Levin | Executive In Charge Of Post Production |
| Bek Harvey | Makeup Artist |
| Heather Gray | Sound Editor |
| Katherine E. Beyda | Executive In Charge Of Production |
| Lindsay Garrison | Makeup Artist |
| Travis Reinke | Visual Effects |
| Steven Soderbergh | Director of Photography, Director, Editor |
| Philip Messina | Production Design |
| Cliff Martinez | Original Music Composer |
| Carmen Cuba | Casting |
| Ellen Mirojnick | Costume Design |
| Bruce Jones | Visual Effects Supervisor |
| Arian Nikjeh | Visual Effects Producer |
| David Koepp | Writer |
| Larry Blake | Supervising Sound Editor, Sound Re-Recording Mixer, Sound Designer |
| Michael Polaire | Unit Production Manager |
| R.A. Rondell | Stunt Coordinator |
| Derek Graf | Stunts |
| Gee Alexander | Stunts |
| Tommy Daniels | Stunts |
| Rachel Gelfeld | Stunts |
| Corey Bayes | Associate Editor |
| Season Kent | Music Supervisor |
| James Plannette | Gaffer |
| Brad Einhorn | Property Master |
| Alicia Stevenson | Foley Artist |
| Dawn Fintor | Foley Artist |
| David Jobe | Foley Mixer |
| Ashley Lambert | ADR Voice Casting |
| Dan Cox | Visual Effects Supervisor |
| Name | Title |
|---|---|
| David Koepp | Producer |
| Michael Polaire | Producer |
| Corey Bayes | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 30 | 53 | 15 |
| 2024 | 5 | 35 | 61 | 25 |
| 2024 | 6 | 25 | 38 | 18 |
| 2024 | 7 | 27 | 42 | 19 |
| 2024 | 8 | 24 | 39 | 14 |
| 2024 | 9 | 20 | 26 | 13 |
| 2024 | 10 | 20 | 34 | 13 |
| 2024 | 11 | 20 | 40 | 13 |
| 2024 | 12 | 19 | 30 | 13 |
| 2025 | 1 | 24 | 57 | 13 |
| 2025 | 2 | 14 | 23 | 4 |
| 2025 | 3 | 7 | 19 | 1 |
| 2025 | 4 | 3 | 8 | 2 |
| 2025 | 5 | 3 | 8 | 2 |
| 2025 | 6 | 3 | 5 | 2 |
| 2025 | 7 | 2 | 4 | 2 |
| 2025 | 8 | 2 | 2 | 1 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 2 | 5 | 1 |
Trending Position
MORE REVIEWS @ https://www.msbreviews.com/ "KIMI contains the narrative potential and impactful cinematography that movies by Steven Soderbergh (No Sudden Move) always have, but not even a superb performance from Zoë Kravitz (The Batman) can hide some issues with the developed themes. Technolo ... gically, the proximity of this world to ours is frighteningly realistic, but the attempts to tackle agoraphobia and invasion of privacy aren't all successful. The protagonist's arc focuses on her ability to overcome past trauma, something that is mostly well-done. However, the abrupt conclusion of the whole story not only lessens and simplifies PTSD but raises numerous plot-related logical questions, in addition to a moral one concerning stalking. It will likely create some division within the general audience." Rating: C
NEW SODERBERGH! NEW SODERBERGH! It’s three in the morning, but I’m gonna try and put down some coherent thoughts. This is exactly what I expected from a Soderberg thriller, and I mean that in the best way possible. I love his work and this is no exception. The technical filmmaking elements ... here are great: camerawork, editing, and its general sense of scene-to-scene rhythm. Feels methodical and elegant while still being fun and watchable. There are quite a few sequences that will stick with me for a while. Like how personal the stakes are in this and how well Zoë Kravitz handles her role. Reminded me a lot of Aneesh Chaganty’s Run in the way it frames and establishes its story. The biggest problems for me: It loses some of its rhythm around the middle and doesn’t feel as fleshed out as it could have been. Given how much I love David Koepp’s other works, I was a bit sad to see a lot of my qualms falling to the story writing/structuring. Few problems aside, I had a great time! Guess I’ll have to check out No Sudden Move now 👀 Side note: Watched this down in my room which means my HomePod Mini was looming right below my screen the whole time. Considering that the 4D experience.
Hadn’t stopped thinking about this since I first watched it, so I finally revisited it! Loved it even more this time around. The score and cinematography still might be my favorite aspects of this, it curates a thrilling and functional style. The direction and performances stood out to me a littl ... e more on this viewing to, sublime stuff. Hitchcock-influenced Soderbergh is too powerful.