Popularity: 7 (history)
| Director: | Barry Sonnenfeld |
|---|---|
| Writer: | Elmore Leonard, Scott Frank |
| Staring: |
| Chili Palmer is a Miami mobster who gets sent by his boss, the psychopathic "Bones" Barboni, to collect a bad debt from Harry Zimm, a Hollywood producer who specializes in cheesy horror films. When Chili meets Harry's leading lady, the romantic sparks fly. After pitching his own life story as a movie idea, Chili learns that being a mobster and being a Hollywood producer really aren't all that different. | |
| Release Date: | Oct 20, 1995 |
|---|---|
| Director: | Barry Sonnenfeld |
| Writer: | Elmore Leonard, Scott Frank |
| Genres: | Comedy, Crime, Thriller |
| Keywords | gambling, miami, florida, based on novel or book, gangster, murder, travel, mafia, money, debt, mobster, business, hollywood, drugs, producer, con |
| Production Companies | Metro-Goldwyn-Mayer, Jersey Films |
| Box Office |
Revenue: $115,101,622
Budget: $30,250,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| John Travolta | Chili Palmer |
| Gene Hackman | Harry Zimm |
| Rene Russo | Karen Flores |
| Danny DeVito | Martin Weir |
| Dennis Farina | Ray 'Bones' Barboni |
| Delroy Lindo | Bo Catlett |
| James Gandolfini | Bear |
| Jon Gries | Ronnie Wingate |
| Renee Props | Nicki |
| David Paymer | Leo Devoe |
| Martin Ferrero | Tommy Carlo |
| Miguel Sandoval | Mr. Escobar |
| Jacob Vargas | Yayo Portillo |
| Linda Hart | Fay Devoe |
| Bette Midler | Doris Saphron |
| Bobby Slayton | Dick Allen |
| Ron Karabatsos | Momo |
| Alison Waddell | Bear's Daughter |
| Amber Waddell | Bear's Daughter |
| John Cothran | Agent Curtis |
| Jack Conley | Agent Dunbar |
| Bernard Hocke | Agent Morgan |
| Big Daddy Wayne | Ray Barboni's Bodyguard |
| Jay Montalvo | Big Guy with Escobar |
| Carlease Burke | Rental Car Attendant |
| Vito Scotti | Manager at Vesuvio's |
| Rino Piccolo | Waiter at Vesuvio's |
| Alfred Dennis | Ed the Barber |
| Ralph Manza | Fred the Barber |
| Zed Frizzelle | Kid at Lockers |
| Harry Victor | Limo Driver with Sign |
| Patrick Breen | Resident Doctor |
| Barry Sonnenfeld | Doorman |
| Donna W. Scott | Screaming Woman |
| Rebeca Arthur | Las Vegas Waitress |
| Zack Phifer | Ivy Restaurant Maitre d' |
| Greg Goossen | Duke, Man at the Ivy |
| Jeffrey Stephan | Bones' Buddy |
| Ernest 'Chili' Palmer | Bones' Buddy |
| Leslie Bega | Vikki Vespa |
| Harvey Keitel | Himself |
| Penny Marshall | Herself |
| Alex Rocco | Jimmy Capp |
| Name | Job |
|---|---|
| Elmore Leonard | Novel |
| Scott Frank | Screenplay |
| Debra Zane | Casting |
| Barry Sonnenfeld | Director |
| John Lurie | Original Music Composer |
| Skip Lievsay | Supervising Sound Editor |
| Brian Smrz | Stunt Coordinator |
| Jophery C. Brown | Stunts |
| Carl Ciarfalio | Stunts |
| Doc Duhame | Stunts |
| Peter S. Larkin | Production Design |
| David Rubin | Casting |
| Ron Scott | Key Hair Stylist |
| David Rawley | Costume Supervisor |
| Lori Stilson | Set Costumer |
| Steve Arnold | Art Direction |
| Eugene Gearty | Sound Effects Editor |
| Don Coufal | Production Sound Mixer |
| Eliza Paley | Dialogue Editor |
| Linda R. Chen | Still Photographer |
| Gary Holland | Production Sound Mixer |
| Donald Peterman | Director of Photography |
| Robby Green | Art Department Coordinator |
| Sabrina Rosen | Assistant Costume Designer |
| Ellen Wong | Makeup Department Head |
| Jim Ondrejko | Construction Coordinator |
| Gail Showalter | ADR Supervisor |
| Frank Kern | Foley Editor |
| Jeff Wexler | Production Sound Mixer |
| Jim Miller | Editor |
| Philip Stockton | Supervising Sound Editor |
| Lewis Goldstein | Sound Effects Editor |
| Oscar Dillon | Stunts |
| Gary D. Bierend | Special Effects Coordinator |
| Karyn Rachtman | Music Supervisor |
| Betsy Heimann | Costume Design |
| Leslie E. Rollins | Set Decoration |
| Suzanne Pillsbury | First Assistant Editor |
| Natalie Wood | Makeup Artist |
| Audrey Futterman-Stern | Hairstylist |
| Lee Dichter | Sound Re-Recording Mixer |
| Wilma Garscadden-Gahret | Script Supervisor |
| Steven Visscher | Foley Editor |
| Kam Chan | Foley Editor |
| Michelle Bühler | Makeup Artist |
| Robert DeVine | Special Effects |
| Juno J. Ellis | ADR Editor |
| Jene Fielder | Makeup Artist |
| Danny Gill | Special Effects Coordinator |
| Dane Farwell | Stunts |
| Name | Title |
|---|---|
| Danny DeVito | Producer |
| Michael Shamberg | Producer |
| Stacey Sher | Producer |
| Barry Sonnenfeld | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 29 | 48 | 15 |
| 2024 | 5 | 32 | 68 | 19 |
| 2024 | 6 | 23 | 34 | 13 |
| 2024 | 7 | 24 | 35 | 17 |
| 2024 | 8 | 19 | 28 | 11 |
| 2024 | 9 | 16 | 22 | 12 |
| 2024 | 10 | 17 | 31 | 12 |
| 2024 | 11 | 20 | 42 | 13 |
| 2024 | 12 | 20 | 32 | 12 |
| 2025 | 1 | 21 | 47 | 13 |
| 2025 | 2 | 16 | 27 | 4 |
| 2025 | 3 | 6 | 24 | 1 |
| 2025 | 4 | 5 | 10 | 1 |
| 2025 | 5 | 4 | 12 | 2 |
| 2025 | 6 | 3 | 6 | 2 |
| 2025 | 7 | 2 | 3 | 2 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 4 | 6 | 2 |
| 2025 | 10 | 6 | 7 | 4 |
Trending Position
I know that no movie is perfect but for my money Get Shorty is on my short list of films that come close. As good as the book is, I believe the movie improved upon it. I have watched it a few times, it being one of those movies we might invite a friend over to watch who hasn’t seen it. Plus it has ... surfaced a few times when I surf streaming channels and I usually stop to watch for a while, no matter where in the film I am. The ensemble cast (which includes a few lower echelon stars) is excellent and mostly look like they are having fun with it. There is violence, but not with buckets of blood. It almost seems like cartoonish violence. And of course wit and humor run through it, with a bit of satire on Hollywood thrown in. I just found out today that a sequel was made called Be Cool and a British tv series based on the book, but I like this one so much I won't even risk disappointment by watching those other entries.
You know what, I really love Elmore Leonard, and a part of me feels that nearly any movie made from his works is going to come out as fresh, original, and worth watching. This is the rare exception. Here they took a classic Elmore Leonard plot and made it too Hollywood for its own good. And th ... en they tried a bit hard to make it too much like a Pulp Fiction film, but with less bleak comedy and more slapstick comedy. You still have Leonard's unique originality...but the story has been raped and what's left is trash.
Mobster "Chilli Palmer" (John Travolta) finds himself a bit exposed when his benefactor boss has an heart attack on his sixty-fifth birthday. Luckily for him, his new nemesis "Bones" still has an use for him - go to Hollywood and collect some gambling debts from "Harry" (Gene Hackman). This fellow p ... roduces the kind of horror films that would have made Roger Corman blush, but he's a bit smarter than the average bear so is soon trying to manoeuvre his new friend into a career in the movies. Not acting in them, but producing them - and suddenly "Chilli" realises that he already has quite a few of the skills necessary to coax, cajole and plain old extort from just about everyone to fund a vehicle for "Karen" (Rene Russo). They use established star "Weir" (Danny DeVito) as a consultant and try to con the dapper drug-peddling "Catlett" (Delroy Lindo) out of half a million dollars to pay the bills - well someone's bills. Travolta is on good form here with a tongue in cheek, less-is-more, style of delivery but it's really Hackman who steals the show. His sharp and opportunistic character pokes fun at the film industry from funding to casting to filming in quite an entertaining fashion, and Russo complements well as the high maintenance woman who used to date "Weir". Who hasn't dated who in this town? The joke does wear a bit thin after a while, but for the most part it's a charismatic affair with a cast gelling well to deliver this amiable adaptation of the Elmore Leonard send up of the mob and the movies. It's dated a bit, but still worth a watch.