Popularity: 8 (history)
| Director: | Stephen Daldry |
|---|---|
| Writer: | David Hare, Bernhard Schlink |
| Staring: |
| The story of Michael Berg, a German lawyer who, as a teenager in the late 1950s, had an affair with an older woman, Hanna, who then disappeared only to resurface years later as one of the defendants in a war crimes trial stemming from her actions as a concentration camp guard late in the war. He alone realizes that Hanna is illiterate and may be concealing that fact at the expense of her freedom. | |
| Release Date: | Dec 10, 2008 |
|---|---|
| Director: | Stephen Daldry |
| Writer: | David Hare, Bernhard Schlink |
| Genres: | Drama, Romance |
| Keywords | germany, based on novel or book, war crimes, women's prison, trial, female prisoner, reading aloud, love affair, cynical, law student, teenage sexuality, older woman younger man relationship, reading to someone, secret lover, shame, literacy, frantic, west germany, courtroom drama, complex, cautionary, depressing, cruel, disheartening, embarrassed, tragic |
| Production Companies | Studio Babelsberg, The Weinstein Company, Mirage Enterprises |
| Box Office |
Revenue: $108,902,486
Budget: $32,000,000 |
| Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Ralph Fiennes | Michael Berg |
| Kate Winslet | Hanna Schmitz |
| David Kross | Young Michael Berg |
| Lena Olin | Rose Mather |
| Bruno Ganz | Professor Rohl |
| Jeanette Hain | Brigitte |
| Hannah Herzsprung | Julia |
| Karoline Herfurth | Marthe |
| Volker Bruch | Dieter Spenz |
| Alexandra Maria Lara | Young Ilana Mather |
| Fabian Busch | Hanna's Defense Council |
| Vijessna Ferkic | Sophie |
| Susanne Lothar | Carla Berg |
| Matthias Habich | Peter Berg |
| Burghart Klaußner | Judge |
| Sylvester Groth | Prosecuting Council |
| Jürgen Tarrach | Gerhard Bade |
| Florian Bartholomäi | Thomas Berg |
| Moritz Grove | Holger |
| Kirsten Block | Female Judge |
| Margarita Broich | Co-Defendant |
| Marie Gruber | Co-Defendant |
| Martin Brambach | Remand Prison Guard #1 |
| Carmen-Maja Antoni | Prison Librarian |
| Heike Hanold-Lynch | Prison Guard |
| Linda Bassett | Ms. Brenner |
| Ludwig Blochberger | Student |
| Benjamin Trinks | Holger's friend |
| Name | Job |
|---|---|
| Chris Menges | Director of Photography |
| David Hare | Screenplay |
| Nico Muhly | Original Music Composer |
| Simone Bär | Casting |
| Ann Roth | Costume Design |
| Yeşim Zolan | Art Direction |
| Karin Betzler | Set Decoration |
| Stefan Hauck | Art Direction |
| Erwin Prib | Art Direction |
| Eva Stiebler | Set Decoration |
| Donna Maloney | Costume Design |
| Christian M. Goldbeck | Supervising Art Director |
| Barbara Jean Kearney | Digital Intermediate |
| Susanna Lenton | Script Supervisor |
| Linda Gamble | Unit Publicist |
| Katri Billard | Script Supervisor |
| Anja Fromm | Art Direction |
| Linda Melazzo | Makeup Artist |
| Annette Kudrak | Music Editor |
| Bernhard Schlink | Book |
| Anu Schwartz | Art Direction |
| Gabriele Kent-Horspool | Makeup Artist |
| Peter Owen | Wig Designer |
| Annett Schulze | Makeup Artist |
| Matthew Smith | Prosthetic Designer |
| Anna Von Gwinner | Makeup Artist |
| Maria Torfeld | Makeup Artist |
| George A. Lara | Foley Mixer |
| Eric Hirsch | Sound Recordist |
| Harry Higgins | Sound Re-Recording Mixer |
| Michael Fowler | ADR Mixer |
| Lee Dichter | Sound Re-Recording Mixer |
| Marko Costanzo | Foley Artist |
| Jina Jay | Casting |
| Stephen Daldry | Director |
| Roger Deakins | Director of Photography |
| Claire Simpson | Editor |
| Brigitte Broch | Production Design |
| Chris Lyons | Special Effects Makeup Artist |
| Name | Title |
|---|---|
| Anthony Minghella | Producer |
| Bob Weinstein | Executive Producer |
| Jason Blum | Co-Executive Producer |
| Christoph Fisser | Co-Producer |
| Henning Molfenter | Co-Producer |
| Donna Gigliotti | Producer |
| Redmond Morris | Producer |
| Sydney Pollack | Producer |
| Harvey Weinstein | Executive Producer |
| Carl Woebcken | Co-Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Actor | Clive Owen | Won |
| Academy Awards | Best Supporting Actress | Kate Winslet | Nominated |
| Academy Awards | Best Picture | N/A | Nominated |
| Academy Awards | Best Actress | Kate Winslet | Nominated |
| Golden Globes | Best Actress | Kate Winslet | Won |
| Golden Globes | Best Director | Stephen Daldry | Nominated |
| Golden Globes | Best Picture | N/A | Nominated |
| Golden Globes | Best Actor | Michael Fassbender | Nominated |
| BAFTA Awards | Best Picture | N/A | Nominated |
| BAFTA Awards | Best Actor | David Kross | Nominated |
| BAFTA Awards | Best Actress | Kate Winslet | Won |
| BAFTA Awards | Best Director | Stephen Daldry | Nominated |
| SAG Awards | Best Picture | N/A | Nominated |
| SAG Awards | Best Director | Kate Winslet | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 52 | 66 | 41 |
| 2024 | 5 | 50 | 108 | 27 |
| 2024 | 6 | 36 | 57 | 24 |
| 2024 | 7 | 41 | 56 | 29 |
| 2024 | 8 | 33 | 44 | 25 |
| 2024 | 9 | 27 | 34 | 22 |
| 2024 | 10 | 34 | 68 | 19 |
| 2024 | 11 | 34 | 50 | 23 |
| 2024 | 12 | 43 | 72 | 28 |
| 2025 | 1 | 40 | 62 | 32 |
| 2025 | 2 | 31 | 51 | 7 |
| 2025 | 3 | 10 | 37 | 2 |
| 2025 | 4 | 8 | 11 | 4 |
| 2025 | 5 | 7 | 12 | 5 |
| 2025 | 6 | 6 | 9 | 4 |
| 2025 | 7 | 5 | 6 | 4 |
| 2025 | 8 | 5 | 6 | 4 |
| 2025 | 9 | 5 | 6 | 4 |
| 2025 | 10 | 6 | 9 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 852 | 896 |
| Year | Month | High | Avg |
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| 2025 | 8 | 540 | 748 |
| Year | Month | High | Avg |
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| 2025 | 6 | 671 | 746 |
| Year | Month | High | Avg |
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| 2025 | 5 | 768 | 826 |
| Year | Month | High | Avg |
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| 2025 | 4 | 577 | 851 |
| Year | Month | High | Avg |
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| 2025 | 2 | 889 | 934 |
| Year | Month | High | Avg |
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| 2025 | 1 | 737 | 740 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 442 | 788 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 625 | 829 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 903 | 903 |
David Kross is really effective in this tale of a young boy ("Michael") who encounters "Hanna" (Kate Winslet) as he shelters in her doorway from a rainstorm. In fairly short order, this fifteen year old boy becomes her lover; in return she gets him to read to her. He is soon infatuated and devastate ... d when he turns up at her apartment one day to find her gone. Skip on thirty years or so and he - now Ralph Fiennes - takes over a retrospective of her story as we discover she was tried for being a particularly nasty Nazi prison camp guard and she is sentenced to life imprisonment. Throughout her internment, the two continued to correspond - he would send her tapes to aid in her learning to read... Stephen Daldry has created a delicate masterpiece here, I think. Winslet is very much on form as the story goes from a bit of sexual fantasy for the young man, through to a far darker, more horrific, second part. There is something unnervingly natural about Winslet's performance; from the playful and generous - though temperamental - lover for this naive young boy, then the odious and distinctly unrepentant, almost belligerent, woman at her trial. Despite that, somehow, Daldry manages to elicit just a grain of sympathy for her. Was she inherently bad or just inherently weak - or both? Did she crave for affection just as much as the young "Michael" did when they met? His story is one of emotional barren-ness growing up in a large family where his relationship with his father was distant and chilly and the young Kross really does shine in the role. There is plenty of sex at the beginning, but it's not gratuitous; it's exploratory - for both of them and that intimacy also adds richness to what is ultimately quite a sad tale that, though thought-provoking when it comes to the whole concept of forgiveness and reconciliation, did make me realise that so many people caught up in the Nazi machine were ill-educated and frightened. It's also worth noting the subtle role played by Bruno Ganz as his legal professor "Rohl". This is a character who proves to be a crucial conduit for the young man as he has to come to terms with what he thought she was, and what he now knows she became. The pace of this production is measured, the photography frequently intimate and lingering and the attention to the detail from the production designer also adds potency to this visceral and touching story that I really did find well worth a watch.
I didn't turn this movie off after the beautiful sex scenes only because two others were watching it with me. The mere fact that "Germans" were speaking English totally destroyed the whole "suspend disbelief" for me. This film is an awful rendition by Brits of an award-winning German book. Perhaps, ... only someone from the Nachgeborenen (to coin Bertolt Brecht's meaning of German post-Holocaust generations) should have made this film. The two stars are for Winslet and Kross. The rest sucks.