Popularity: 10 (history)
Name | Character |
---|---|
Scott Weinger | Aladdin (voice) |
Robin Williams | Genie / Peddler (voice) |
Linda Larkin | Jasmine (voice) |
Jonathan Freeman | Jafar (voice) |
Gilbert Gottfried | Iago (voice) |
Douglas Seale | Sultan (voice) |
Frank Welker | Abu / Cave of Wonders / Rajah (voice) |
Brad Kane | Aladdin (singing voice) |
Lea Salonga | Jasmine (singing voice) |
Bruce Adler | Peddler (singing voice) |
Charlie Adler | Additional Voices (voice) |
Jack Angel | Additional Voices (voice) |
Corey Burton | Additional Voices (voice) |
Philip L. Clarke | Additional Voices (voice) |
Jim Cummings | Additional Voices (voice) |
Jennifer Darling | Additional Voices (voice) |
Debi Derryberry | Additional Voices (voice) |
Bruce Gooch | Additional Voices (voice) |
Jerry Houser | Additional Voices (voice) |
Vera Lockwood | Additional Voices (voice) |
Sherry Lynn | Additional Voices (voice) |
Mickie McGowan | Additional Voices (voice) |
Patrick Pinney | Additional Voices (voice) |
Phil Proctor | Additional Voices (voice) |
Name | Job |
---|---|
H. Lee Peterson | Editor |
Bill Perkins | Art Direction |
Randy Cartwright | Supervising Animator |
Jacqueline Kinney | Assistant Editor |
Ron Clements | Screenplay, Director |
John Musker | Screenplay, Director |
Alan Menken | Original Music Composer, Songs |
Ted Elliott | Screenplay |
Terry Rossio | Screenplay |
Ron Bartlett | Sound Editor |
Burny Mattinson | Story |
Roger Allers | Story |
Kevin Lima | Story |
David Scott Smith | Story |
Chris Sanders | Story |
Glen Keane | Supervising Animator |
Eric Goldberg | Character Designer, Supervising Animator |
Mark Henn | Supervising Animator |
Dean Gordon | Background Designer |
Tia W. Kratter | Background Designer |
Mark Mangini | Sound Effects |
Tim Rice | Lyricist |
Howard Ashman | Lyricist, Songs |
Aaron Blaise | Animation |
Andreas Deja | Supervising Animator |
Daniel Hu | Layout |
Jeff Dickson | Layout |
Mitchell G. Bernal | Layout |
Fred Craig | Layout |
Allen Tam | Layout |
Sarah Duran | Post Production Supervisor |
Albert Tavares | Casting |
Kathleen Bennett | Supervising Sound Editor |
Bruce Botnick | Sound Recordist, Sound Mixer |
Teresa Eckton | Sound Editor |
Donald Flick | Sound Editor |
Danny Troob | Orchestrator |
Hans Bacher | Visual Development |
Ian Gooding | Background Designer |
Karen Keller | Layout |
Tom Shannon | Layout |
R.S. vander Wende | Production Design |
Steve Goldberg | CGI Supervisor |
Alice Dewey | Production Manager |
Daan Jippes | Character Designer, Story |
Kevin Harkey | Story |
Sue C. Nichols | Story |
Francis Glebas | Story, Visual Development |
Darrell Rooney | Story |
Larry Leker | Story |
James Fujii | Story |
Kirk Hanson | Story |
Rebecca Reese | Story |
Brian Pimental | Story |
Patrick A. Ventura | Story |
Duncan Marjoribanks | Supervising Animator |
David Pruiksma | Supervising Animator |
Allison Belliveau | Background Designer |
Justin L. Brandstater | Background Designer |
Thomas Cardone | Background Designer |
Dan Cooper | Background Designer |
Debbie DuBois | Background Designer |
Greg Drolette | Background Designer |
John Emerson | Background Designer |
Cristy Maltese | Background Designer |
Natalie Franscioni-Karp | Background Designer |
Serge Michaels | Background Designer |
Philip Phillipson | Background Designer |
Donald Towns | Background Designer |
Kevin Turcotte | Background Designer |
Tom Woodington | Background Designer |
Peter Gullerud | Visual Development |
Sharon Smith Holley | Assistant Editor |
Audrey Chang | Assistant Editor |
Barbara Gerety | Assistant Editor |
Eric C. Daroca | Assistant Editor |
Beth Collins-Stegmaier | Assistant Editor |
Mary Ruth Smith | Sound Editor |
Clayton Collins | Sound Editor |
Dan St. Pierre | Layout |
Terry Porter | Sound Re-Recording Mixer |
Mel Metcalfe | Sound Re-Recording Mixer |
David J. Hudson | Sound Re-Recording Mixer |
Dale E. Grahn | Color Timer |
Brad Flanagan | Choreographer |
Jennifer M. Shotwell | Casting Associate |
Curt Schulkey | Dialogue Editor |
James Melton | Dialogue Editor |
Jean Gillmore | Character Designer |
Dave Bossert | Animation |
Vera Pacheco | Animation |
Will Finn | Supervising Animator |
Don Paul | Visual Effects Supervisor |
Angie Prindle | Animation |
Name | Title |
---|---|
Donald W. Ernst | Co-Producer |
Amy Pell | Co-Producer |
Ron Clements | Producer |
John Musker | Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 89 | 131 | 60 |
2024 | 5 | 128 | 183 | 108 |
2024 | 6 | 95 | 122 | 52 |
2024 | 7 | 80 | 109 | 58 |
2024 | 8 | 65 | 90 | 47 |
2024 | 9 | 57 | 97 | 44 |
2024 | 10 | 61 | 89 | 43 |
2024 | 11 | 63 | 86 | 49 |
2024 | 12 | 63 | 82 | 50 |
2025 | 1 | 79 | 123 | 51 |
2025 | 2 | 57 | 80 | 18 |
2025 | 3 | 18 | 68 | 3 |
2025 | 4 | 14 | 17 | 12 |
2025 | 5 | 12 | 19 | 10 |
2025 | 6 | 11 | 14 | 7 |
2025 | 7 | 9 | 10 | 7 |
2025 | 8 | 8 | 12 | 7 |
2025 | 9 | 12 | 14 | 10 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 175 | 460 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 247 | 672 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 226 | 528 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 86 | 513 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 69 | 445 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 87 | 343 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 147 | 390 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 160 | 414 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 150 | 527 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 472 | 671 |
If you enjoy reading my Spoiler-Free reviews, please follow my blog :) Aladdin is one of Disney‘s most adored classics, being the indisputable favorite of many, many fans. The Lion King will always have that spot in my heart, but I also visited this story set in Agrabah dozens of times. Now, with ... the 2019’s remake about to premiere, I rewatched it last night and, once again, I fell in love. Honestly, I didn’t remember how funny and entertaining it is! It still holds up incredibly well, even though the film was released almost 30 years ago. The animation still looks stunning and fluid, but it’s the musical numbers and the voice work from the cast that makes this movie one of Disney‘s best. As it’s known, Robin Williams shines in a role that stands out from his brilliant filmography, as his career-best interpretation of an animated character. Genie is one of the most versatile figures of Disney and Williams spreads out his wings of creativeness and imagination, delivering a phenomenal voice performance of the hilarious blue entity. From his seamless imitations to the simple yet extremely difficult tone changes, he gives everything. Genie appears every time the film most needs him, which is when the pacing starts to drop and needs something to pump it back up while moving the plot forward. He could merely be a plot device, but thankfully the writers gave him an unique personality with his own motivations, making us not only laugh with him but genuinely care about his destiny. That’s the other main attribute of this movie: its writing. The dialogues feel realistic, grounded, and there are no real exposition scenes, besides the musical sequences, which are also meant to serve that purpose. Aladdin and Jasmine lived utterly opposite lives, and both wish to change. Each wants the other’s life experiences and adventures, which provides some amazing moments between these characters. I still wish their relationship had more time to develop (something I hope the remake will do), as well as Jafar‘s motivations. It’s 1992, and it’s an animated film, but the cliche villain who wants power because “I’m the bad guy” never quite worked. However, the menacing and dark voice of John Freeman sells this character. In addition to these protagonists, Abu and Iago are two comedy sources that perfectly work, all the time. Musically, there is no way of denying the cultural impact that the Aladdin songs had. From Arabian Nights to A Whole New World, every song is filled with rich lyrics, great rhythm, and a beautiful tone. Not only are these able to develop the character or move the plot forward, but they also help the story never to break its fast pacing. Almost 30 years later, the animation quality still looks striking, and there are so many memorable backgrounds and visually outstanding settings. Disney‘s 90s decade is an absolute treasure in movie history: Beauty and the Beast, Toy Story, The Lion King, Pocahontas, Mulan, Tarzan, Aladdin and a few more animated diamonds (in the rough) that went a bit under the radar. All of these will definitely get a live-action remake (some already have), and I welcome all of them. Stop trying to boycott something that will only help the new generations to fall in love with the same characters that we did. Live-action isn’t here to offend our childhood or produce cheap copies of our favorite films! It isn’t here to replace the originals but to honor them instead by delivering modern takes on stories that impacted us on a deep emotional level, and that will try to do the same for our children, grandsons and nephews. Are they going to be better than the source material? Worse? It doesn’t really matter as long as they keep the original’s essence and the traits that made us adore these unforgettable characters. And, please, stop the “they’re doing these remakes for money” argument. That can literally be said about every movie in the history of cinema. Unfortunately, entertainment is a business, it always was, and it always will be. Move on. All in all, Aladdin is a beautifully passionate story about how two incredibly different people with two completely different lifestyles can come to love each other by who they truly are. Robin Williams is a perfectly polished diamond and his scenes alone superbly elevate this film. One of Disney most impactful classics, filled with memorable songs, well-written characters, and stunning animation, which holds up remarkably still to this day. Despite some nitpicks regarding Jafar and the protagonists’ relationship, Aladdin is undoubtedly an unbelievably precious gem which continues (and will continue) to be loved by newer generations all around the world. Rating: A
Certainly one of the better animations from the reinvigorated 1990's Disney Studio. It still has the schmaltzy, over sentimental treatment that seems to torment me every time I watch a Disney film, but the characterisations of the "Genie" (Robin Williams") and the evil "Jafar" (Jonathan Freeman) are ... great as are the rest of the vocal acting talent (rather than using established stars). The script is punchy, well written and has plenty for folks of all ages to engage with. The songs are well paced and amusing and nowhere near as shouty as we have become used to in later animations. All in all this sits well as en enjoyable take on an an enjoyable Arabian Nights style story.
It's a classic. Grew up watching Aladdin all the time. Great movie still. ...
Prepare for a captivating and enchanting magic carpet ride unlike any other with Aladdin. This animated feature excels in every aspect, delivering an experience that will leave you spellbound from start to finish. Aladdin, a street rat yearning for acceptance, embarks on a journey filled with sel ... f-discovery and adventure. His bond with the mischievous monkey Abu adds depth to his character, as he navigates a world where he seeks connection and importance. The sequence in the Cave of Wonders is a visual marvel, portraying themes of self-doubt, determination, and thievery. It immerses viewers in Aladdin's quest for acceptance and validation, making for a compelling and relatable narrative. Jasmine's character is a standout, portraying a young princess who craves individuality and purpose beyond her royal status. She embodies strength, determination, and a fierce spirit, challenging traditional expectations of princesses with her own unique identity. The diverse cast of characters, including Carpet, Iago, Genie, Jafar, Raja, and Sultan, adds richness to the story, showcasing a range of personalities and motivations. From the mischievous villain to the loyal companions, each character contributes to the film's dynamic and engaging narrative. One of the film's most iconic and breathtaking moments is the song "A Whole New World," where Aladdin and Jasmine soar on the magic carpet. This scene is a testament to the film's magical and immersive storytelling, capturing the essence of adventure and romance in animation history. In conclusion, Aladdin's exceptional storytelling, vibrant characters, and exhilarating scenes make it a must-watch for anyone seeking a magical and thrilling cinematic experience. Strap in for a ride on the magic carpet and let Aladdin sweep you off your feet.