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Lockout

Take no prisoners.
2012 | 95m | English

(102730 votes)

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Popularity: 5 (history)

Details

Set in the near future, Lockout follows a falsely convicted ex-government agent , whose one chance at obtaining freedom lies in the dangerous mission of rescuing the President's daughter from rioting convicts at an outer space maximum security prison.
Release Date: Apr 12, 2012
Director: James Mather, Stephen St. Leger
Writer: James Mather, Luc Besson, Stephen St. Leger
Genres: Action, Science Fiction, Thriller
Keywords usa president, anti hero, dementia, future, space, convict, interrogation, space station, collision in space, 2070s
Production Companies Canal+, EuropaCorp, FilmDistrict, Ciné+, Digital Factory
Box Office Revenue: $32,948,113
Budget: $20,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Guy Pearce Snow
Maggie Grace Emilie Warnock
Vincent Regan Alex
Joseph Gilgun Hydell
Lennie James Harry Shaw
Peter Stormare Scott Langral
Jacky Ido Hock
Tim Plester Mace
Mark Tankersley Barnes
Anne-Solenne Hatte Kathryn
Peter Hudson President Warnock
Nick Hardin The Negotiator
Dan Savier Duke
Damijan Oklopdžić Slick
Bojan Perić LOPD Technician 1
Evan Moses II LOPD Technician 2
Greg De Cuir Radio Technician
Thomas Kelly White House Doctor 1
Daryl Fidelak White House Doctor 2
Miodrag Stevanović Frank Armstrong
Charles Robertson Safe Room Technician
Michael Sopko Rupert
Yan Dron Hitman 1
Vanja Lazin Barquero Hitman 2
Marko Janjić LOPD Pilot 1
Stefan Buzurović LOPD Pilot 2
Peter J. Chaffey MS1 Control Room Doctor
Bojana Bregovic Secretary
Milorad Kapor Scar
Jason Ryan Corridor Inmate with Knife
Jovan B. Todorović New Technician
Milana Milunović Street Girl
Patrick Cauderlier Shuttle Pilot
Name Job
James Mather Writer, Director, Director of Photography
Stéphane Bucher Sound
Luc Besson Writer, Thanks
Romek Delmata Production Design
Alexandre Azaria Original Music Composer
Laura Ozier Makeup Artist
Stephen St. Leger Writer, Director
Eamonn Power Editor
Frank Walsh Supervising Art Director
Oliver Hodge Art Direction
Malcolm Stone Set Decoration
Nenad Pečur Art Direction
Laurence Couturier Script Supervisor
Tim Morris Post Production Supervisor
Dušan Demić Set Designer
Jelena Blažić Production Coordinator
Tricia Perrott Post Production Supervisor
Paul Davies Sound
Didier Lozahic Sound
Richard Bain Visual Effects Supervisor
Sona Pak Visual Effects Producer
Anđelija Vlaisavljević Line Producer
Adrien Arnaud Sound Editor
Ilija Vekić Stunts
Vladimir Stevanovic Stunts
Tihomir Savic Stunts
Marija Savić Stunts
Ognjen Raduljica Stunts
Tomislav Mitrović Stunts
Milos Kesic Stunts
Vladan Gostiljac Stunts
Slaviša Ivanović Stunt Coordinator
Lyne Doffagne Stunt Double
Marina Stojanovic Additional Hairstylist
Doug Reid Rigging Gaffer
Camille Delamarre Editor
Olivier Bériot Costume Design
Elodie Glain Post-Production Manager
Miodrag Stevanović Unit Production Manager
Samuel Potin Music Editor
Dalibor Kostić Stunts
Alexandre Cauderlier Stunt Double
Name Title
Marc Libert Producer
Anđelija Vlaisavljević Executive Producer
Leila Smith Producer
Luc Besson Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 30 43 20
2024 5 35 64 19
2024 6 25 43 16
2024 7 27 50 17
2024 8 27 48 18
2024 9 19 36 13
2024 10 18 29 12
2024 11 18 24 13
2024 12 20 33 15
2025 1 22 35 14
2025 2 14 21 4
2025 3 6 18 1
2025 4 3 6 2
2025 5 3 6 2
2025 6 3 4 2
2025 7 2 3 2
2025 8 2 4 1
2025 9 5 8 4
2025 10 6 6 5

Trending Position


Year Month High Avg
2025 4 570 776
Year Month High Avg
2025 3 699 871
Year Month High Avg
2025 1 676 787

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Reviews

Dark Jedi
7.0

We watched this movie more or less by chance last evening. We normally do not have Canal+ in our “bouquet” but they are making a drive right now so everyone can watch Canal+ for a couple of weeks and this movie looked interesting, at least compared to the rest of the choice available that evening, s ... o we watched it. It was a surprisingly entertaining evening movie. It is pretty much a standard Hollywood nonsensical pop-corn movie but it is a well done one. It makes no pretence of being anything else than it is. The story is a fairly predictable action story. Hero gets framed during the introduction scenes. Quick flip to the space prison that is going to serve as the scenery of the bulk of the movie. Dumbass thinks he is more clever than everyone else so he breaks the rules. Goes bad. Prisoners break out. President’s daughter just happens to be there at the same tame. Our hero is sent in to save the day. Action time! There are a few more complications to the story but that is pretty much it. It is a simple and solid story that pretty much holds water. It would have been a fairly standard, even mediocre, movie if it was not for our hero which is doing an admirable job of playing hero and tough guy. The dialog, as nonsensical as it is, definitely lifts the move. The action is fairly good and so are the special effects although it is by no means a movie that is held up by its effects. The main bad guy is a really irritating psychotic son-of-a-bitch. The actor is doing a good job of portraying him but the character itself bugged the hell out of me when watching the movie. He is a bit over the top that has to be said. Anyway, the movie was quite entertaining as an evening pop-corn flick and since we picked it more or less by chance and did not know much about it before hand it was indeed a fairly pleasant surprise.

May 16, 2024
John Chard
7.0

Nobody smokes anymore, Snow! I was kind of inclined to headline this as being the movie guaranteed to make highbrow film fans froth with incredulity. That anyone could enjoy such a derivative, tongue-in-cheek, low ambition piece of schlock, is surely cause for venomous spleen venting from the se ... rio film brigade. They call them guilty pleasures, but thing is, I just don't feel guilty about having such a wonderfully fun filled great time with the Luc Besson produced Lockout. Plot? Well it's the future and basically Guy Pearce (Snow) is wrongly convicted of a crime and sentenced to do stir in stasis until whenever. But up in space at the MS1 prison facility, home to all the maniacs found in "Demolition Man", the president's daughter, do-gooder babe Emilie Warnock (Maggie Grace), is suddenly taken captive and it's a big hostage situation. This looks like a mission for a serious hard bastard type! Well "Snake Plissken" wasn't available, so they get Snow, who is bulked up, full of wise cracks and has a point to prove. Guess what follows? Yep, complete popcorn frenzy as Pearce and Grace cut a swathe through MS1 and have a date with coolness personified. On the way, via a truly gorgeous sci-fi affected Blu-ray print, we will tick off the homages and influences and compare notes with our viewing partners about how it's a "Snake Plissken" movie but with Shane Black type dialogue. While those who are partial to a bit of sci-fi design are well served here. Because even though there might be the worst CGI effects ever during a chase scene (that mercifully only runs for 50 seconds), the space ships, sets and Torsion System sequence, prove that you don't need Michael Bay type bucks to please the eyes. From the quite brilliant and hilarious opening interrogation beat down, to the big reveal and punch line, this Besson produced piece is serving popcorn with a smile to a certain segment in the film watching populace. With bits of the "Snake Plissken" movies, "Fortress", "Die Hard", "Commando", "Demolition Man", "Minority Report", "Last Boy Scout" and any other quip laden dude/wronged man on a mission movie, Lockout clearly lacks originality. But seriously! Was anyone involved playing it as anything other than a sly homage movie? No, they wasn't. Pearce is great fun in the role, but he isn't trying to worry the highbrow crowd's votes for films of the year. Anyone viewing it expecting something cerebral should feel more guilty than those who stand up to say they had a great time watching it. Ingem Ferem. 7/10

May 16, 2024