 
  Popularity: 4 (history)
| Director: | David Cronenberg | 
|---|---|
| Writer: | David Cronenberg | 
| Staring: | 
| With his partner, a celebrity performance artist publicly showcases the metamorphosis of his organs in avant-garde performances. An investigator from the National Organ Registry obsessively tracks their movements, which is when a mysterious group is revealed... Their mission — to use the artist's notoriety to shed light on the next phase of human evolution. | |
| Release Date: | May 25, 2022 | 
|---|---|
| Director: | David Cronenberg | 
| Writer: | David Cronenberg | 
| Genres: | Science Fiction, Horror | 
| Keywords | detective, dystopia, murder, performance art, transhumanism, surgery, shipyard, body horror, organ harvesting, biotech company | 
| Production Companies | Ingenious Media, Serendipity Point Films, Téléfilm Canada, Argonauts Productions, RocketScience | 
| Box Office | Revenue: $4,551,565 Budget: $27,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Viggo Mortensen | Saul Tenser | 
| Léa Seydoux | Caprice | 
| Scott Speedman | Lang Dotrice | 
| Kristen Stewart | Timlin | 
| Welket Bungué | Cope | 
| Don McKellar | Wippet | 
| Tanaya Beatty | Berst | 
| Nadia Litz | Router | 
| Lihi Kornowski | Djuna | 
| Denise Capezza | Odile | 
| Efi Kantza | Adrienne Berceau | 
| Jason Bitter | Tarr | 
| Tassos Karahalios | Klinek | 
| Sozos Sotiris | Brecken | 
| Penelope Tsilika | Beauty Spa Woman | 
| Mihalis Valasoglou | NVU Agent | 
| Yorgos Pirpassopoulos | Dr. Nasatir | 
| Sotiris Siozos | Brecken | 
| Name | Job | 
|---|---|
| David Cronenberg | Director, Writer | 
| Howard Shore | Original Music Composer | 
| Douglas Koch | Director of Photography | 
| Takis Atsidakos | Electrician | 
| Babis Hawk Konstantinou | Stunt Coordinator, Stunt Double | 
| Andy Robinson | Visual Effects Compositor | 
| Kimberley Zaharko | Art Direction | 
| Haris Pournias | Lighting Technician | 
| Carol Spier | Production Design | 
| Christopher Donaldson | Editor | 
| Dimitris Katsikis | Art Direction | 
| David Warry-Smith | First Assistant Director | 
| Katerina Giannakopoulou | Third Assistant Director | 
| Elena Priovolou | Production Supervisor | 
| Stefanos Efthymiou | Production Sound Mixer | 
| Luis Freitas | First Assistant Editor | 
| Tom Bjelic | Sound Designer | 
| Deirdre Bowen | Casting | 
| Mayou Trikerioti | Costume Design | 
| Ken A. Smith | Second Assistant Director | 
| Alexandra Anger | Makeup Department Head | 
| Andreas Papanikolas | Art Department Coordinator | 
| Tasos Selimos | Boom Operator | 
| Dimitra Sourlantzi | Set Decoration | 
| Christian T. Cooke | Sound Re-Recording Mixer | 
| Mark Zsifkovits | Sound Re-Recording Mixer | 
| Maria Tsigonia | Set Costumer | 
| Goran Delic | Concept Artist | 
| Dimitris Apostolidis | Assistant Hairstylist | 
| Hronis Tzimos | Key Hair Stylist | 
| Michalis Kyrimis | Unit Manager | 
| Léonidas Arvanitis | Focus Puller | 
| Nikos Charitos | Video Assist Operator | 
| Marios Delias | Second Assistant Camera | 
| Eleni Lola | Second Assistant Camera | 
| Yiannis Maragoudakis | Best Boy Electric | 
| Nikos Nikolopoulos | Still Photographer | 
| Jill Purdy | Supervising Sound Editor | 
| Peter McAuley | Visual Effects Supervisor | 
| Panos Kondylis | Makeup Department Head | 
| Monica Pavez | Prosthetics | 
| Dionysia Dimitrakelou | Assistant Production Manager | 
| Douglas Wilkinson | Post-Production Manager | 
| Spyros Christoforatos | Best Boy Grip | 
| Andreas Evdemon | Steadicam Operator | 
| Nikos Loukakis | Electrician | 
| Edward Mikolic | Gaffer | 
| Nikos Papathanasis | Electrician | 
| Spiros Rekounas | Lighting Technician | 
| Giorgos Satolias | Rigging Gaffer | 
| Petros Tsampakouris | Digital Imaging Technician | 
| Nikolas Sfyrakis | Extras Casting | 
| George Alahouzos | Special Effects Supervisor | 
| Sophia Argyrou | Special Effects Assistant | 
| George Koumpoulis | Special Effects | 
| Argyrou Sofia | Sculptor, Tattooist | 
| Dimitris Tsiakkas | Special Effects Assistant | 
| Aris Veremis | Special Effects Assistant | 
| Sotiria Gloustianou | Stunts | 
| Giannis Karadanis | Line Producer | 
| Shari Spier | Graphic Designer | 
| Veselin Rusev | Electrician | 
| Mikaela Savvidi | Lighting Technician | 
| Petros Chytiris | Extras Casting | 
| Anna Deligianni | Background Casting Director | 
| Roulis Alahouzos | Special Effects Coordinator | 
| Leonidas Kirolari | Special Effects Assistant | 
| Christopher Stratos | Sculptor | 
| Efi Tsimpi | Sculptor | 
| Peter Bas | Digital Compositor | 
| Christa Tazzeo | Executive Visual Effects Producer | 
| Nefeli Rapti | Script Supervisor | 
| Vasilis Gkikas | Stunt Double | 
| Douglas Wilkinson | Post Production Supervisor | 
| Justin Stephenson | Title Designer | 
| Name | Title | 
|---|---|
| Panos Papahadzis | Producer | 
| Victor Hadida | Co-Executive Producer | 
| Christelle Conan | Executive Producer | 
| Steve Solomos | Producer | 
| Peter Touche | Executive Producer | 
| Robert Lantos | Producer | 
| Joe Iacono | Executive Producer | 
| Thorsten Schumacher | Executive Producer | 
| Aida Tannyan | Executive Producer | 
| Bonnie Do | Associate Producer | 
| Dietmar Güntsche | Co-Producer | 
| Laura Lanktree | Co-Producer | 
| Victor Loewy | Co-Executive Producer | 
| Tom Quinn | Executive Producer | 
| Jeff Deutchman | Executive Producer | 
| Ariane Giroux-Dallaire | Co-Executive Producer | 
| Michael Kölmel | Co-Producer | 
| Maria Laskaridou | Associate Producer | 
| Christian Parkes | Executive Producer | 
| Charles Tremblay | Co-Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 24 | 34 | 17 | 
| 2024 | 5 | 24 | 32 | 17 | 
| 2024 | 6 | 22 | 32 | 11 | 
| 2024 | 7 | 32 | 66 | 14 | 
| 2024 | 8 | 22 | 32 | 14 | 
| 2024 | 9 | 26 | 56 | 15 | 
| 2024 | 10 | 22 | 40 | 12 | 
| 2024 | 11 | 16 | 22 | 11 | 
| 2024 | 12 | 16 | 23 | 11 | 
| 2025 | 1 | 16 | 23 | 11 | 
| 2025 | 2 | 12 | 19 | 3 | 
| 2025 | 3 | 8 | 21 | 1 | 
| 2025 | 4 | 3 | 6 | 1 | 
| 2025 | 5 | 3 | 7 | 1 | 
| 2025 | 6 | 2 | 4 | 2 | 
| 2025 | 7 | 2 | 2 | 1 | 
| 2025 | 8 | 2 | 3 | 1 | 
| 2025 | 9 | 3 | 4 | 2 | 
| 2025 | 10 | 3 | 5 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 6 | 304 | 326 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 5 | 617 | 794 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 223 | 499 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 10 | 368 | 690 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 9 | 283 | 544 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 8 | 461 | 625 | 
Nonsensical incoherent movie that was hard to watch, and i turned it off after 30 min. It clearly written with a good amount of shock value, but the only shock i got was my finger to press "off" button. Cronenberg has made some good body horror in the past, but this was just rubbish. ...
Whilst certainly nowhere near his best, this is still quite an intriguing drama from David Cronenberg. It all centres around "Saul Tenser" (Viggo Mortensen) who uses his own body to grow (or "cook") extra organs which he and his assistant "Caprice" (Léa Seydoux) extract as part of rather gruesome, b ... ut popular, theatrical performances. Meantime, "Dotrice" (Scott Speedman) is reeling from the suffocation of his young plastic-eating son (by his own wife) and so convinces the exhibitionists that an autopsy revealing the internal digestive organs of this most unusual of mutations would make for excellent viewing. Don McKellar ("Wippet") and his colleague "Timlin" (Kristen Stewart) run the government department for organ registration and needless to say they take a dim view on the legality of some or all of these activities... or do they? The concept is interesting and ethically highly dubious but sadly the execution is a bit lacklustre and there is way too much dialogue and, oddly enough here, too little use made of the special effects that are at times quite disturbing to watch and are, no pun intended, rather at the heart of the story. Stewart's very presence suggests her character has a more significant part in the proceedings but her appearances themselves are actually quite sparing which is always a bonus for me! It does take a while to get going, and somehow the ending is all rather underwhelming but it still has enough traces of the director's unique style and imagination to make it worth a watch - once
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/opinion-pieces/what-do-both-dont-worry-darling-and-crimes-of-the-future-have-in-common "Personally, I believe that cinematic narratives with multiple plot points and questions related to the world itself are too often confused and envisioned a ... s character studies driven by a single protagonist. Both Olivia Wilde and David Cronenberg complete their movies when the main character fulfills the minimum requirements of their arc, consequently renouncing all other equally significant issues worthy of in-depth exploration. In the case of Don't Worry Darling, one finishes it with an underwhelming feeling from an unsurprising conclusion, while in Crimes of the Future, viewers are left with several questions and interesting, half-developed paths about such a mesmerizing futuristic world. Neither film explores its own world-building satisfactorily." Rating: B+
Not the most enjoyable of watches, it meanders a bit, though <em>'Crimes of the Future'</em> is most certainly interesting throughout. I tend to find films like this a little hit-and-miss, as I personally find the constant reaching for shock value or just simple weirdness a bit too forced. And th ... is film does that a few times, but to be fair as the run time was ticking by I could definitely feel myself becoming more and more intrigued by events portrayed on screen. Cast-wise, Viggo Mortensen and Léa Seydoux great together, very good acting and very good chemistry. Don McKellar (just me who sees a Jeffrey DeMunn likeness in his eyes? probably ...) and Welket Bungué are more than decent too. Kristen Stewart and Scott Speedman give solid showings as well. A, fair to say, weird one it is, but a weird one that I just about got enough from.