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Crimes of the Future Poster

Crimes of the Future

Surgery is the new sex.
2022 | 107m | English

(45805 votes)

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Popularity: 4 (history)

Details

With his partner, a celebrity performance artist publicly showcases the metamorphosis of his organs in avant-garde performances. An investigator from the National Organ Registry obsessively tracks their movements, which is when a mysterious group is revealed... Their mission — to use the artist's notoriety to shed light on the next phase of human evolution.
Release Date: May 25, 2022
Director: David Cronenberg
Writer: David Cronenberg
Genres: Science Fiction, Horror
Keywords detective, dystopia, murder, performance art, transhumanism, surgery, shipyard, body horror, organ harvesting, biotech company
Production Companies Ingenious Media, Serendipity Point Films, Téléfilm Canada, Argonauts Productions, RocketScience
Box Office Revenue: $4,551,565
Budget: $27,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

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Full Credits

Name Character
Viggo Mortensen Saul Tenser
Léa Seydoux Caprice
Scott Speedman Lang Dotrice
Kristen Stewart Timlin
Welket Bungué Cope
Don McKellar Wippet
Tanaya Beatty Berst
Nadia Litz Router
Lihi Kornowski Djuna
Denise Capezza Odile
Efi Kantza Adrienne Berceau
Jason Bitter Tarr
Tassos Karahalios Klinek
Sozos Sotiris Brecken
Penelope Tsilika Beauty Spa Woman
Mihalis Valasoglou NVU Agent
Yorgos Pirpassopoulos Dr. Nasatir
Sotiris Siozos Brecken
Name Job
David Cronenberg Director, Writer
Howard Shore Original Music Composer
Douglas Koch Director of Photography
Takis Atsidakos Electrician
Babis Hawk Konstantinou Stunt Coordinator, Stunt Double
Andy Robinson Visual Effects Compositor
Kimberley Zaharko Art Direction
Haris Pournias Lighting Technician
Carol Spier Production Design
Christopher Donaldson Editor
Dimitris Katsikis Art Direction
David Warry-Smith First Assistant Director
Katerina Giannakopoulou Third Assistant Director
Elena Priovolou Production Supervisor
Stefanos Efthymiou Production Sound Mixer
Luis Freitas First Assistant Editor
Tom Bjelic Sound Designer
Deirdre Bowen Casting
Mayou Trikerioti Costume Design
Ken A. Smith Second Assistant Director
Alexandra Anger Makeup Department Head
Andreas Papanikolas Art Department Coordinator
Tasos Selimos Boom Operator
Dimitra Sourlantzi Set Decoration
Christian T. Cooke Sound Re-Recording Mixer
Mark Zsifkovits Sound Re-Recording Mixer
Maria Tsigonia Set Costumer
Goran Delic Concept Artist
Dimitris Apostolidis Assistant Hairstylist
Hronis Tzimos Key Hair Stylist
Michalis Kyrimis Unit Manager
Léonidas Arvanitis Focus Puller
Nikos Charitos Video Assist Operator
Marios Delias Second Assistant Camera
Eleni Lola Second Assistant Camera
Yiannis Maragoudakis Best Boy Electric
Nikos Nikolopoulos Still Photographer
Jill Purdy Supervising Sound Editor
Peter McAuley Visual Effects Supervisor
Panos Kondylis Makeup Department Head
Monica Pavez Prosthetics
Dionysia Dimitrakelou Assistant Production Manager
Douglas Wilkinson Post-Production Manager
Spyros Christoforatos Best Boy Grip
Andreas Evdemon Steadicam Operator
Nikos Loukakis Electrician
Edward Mikolic Gaffer
Nikos Papathanasis Electrician
Spiros Rekounas Lighting Technician
Giorgos Satolias Rigging Gaffer
Petros Tsampakouris Digital Imaging Technician
Nikolas Sfyrakis Extras Casting
George Alahouzos Special Effects Supervisor
Sophia Argyrou Special Effects Assistant
George Koumpoulis Special Effects
Argyrou Sofia Sculptor, Tattooist
Dimitris Tsiakkas Special Effects Assistant
Aris Veremis Special Effects Assistant
Sotiria Gloustianou Stunts
Giannis Karadanis Line Producer
Shari Spier Graphic Designer
Veselin Rusev Electrician
Mikaela Savvidi Lighting Technician
Petros Chytiris Extras Casting
Anna Deligianni Background Casting Director
Roulis Alahouzos Special Effects Coordinator
Leonidas Kirolari Special Effects Assistant
Christopher Stratos Sculptor
Efi Tsimpi Sculptor
Peter Bas Digital Compositor
Christa Tazzeo Executive Visual Effects Producer
Nefeli Rapti Script Supervisor
Vasilis Gkikas Stunt Double
Douglas Wilkinson Post Production Supervisor
Justin Stephenson Title Designer
Name Title
Panos Papahadzis Producer
Victor Hadida Co-Executive Producer
Christelle Conan Executive Producer
Steve Solomos Producer
Peter Touche Executive Producer
Robert Lantos Producer
Joe Iacono Executive Producer
Thorsten Schumacher Executive Producer
Aida Tannyan Executive Producer
Bonnie Do Associate Producer
Dietmar Güntsche Co-Producer
Laura Lanktree Co-Producer
Victor Loewy Co-Executive Producer
Tom Quinn Executive Producer
Jeff Deutchman Executive Producer
Ariane Giroux-Dallaire Co-Executive Producer
Michael Kölmel Co-Producer
Maria Laskaridou Associate Producer
Christian Parkes Executive Producer
Charles Tremblay Co-Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 24 34 17
2024 5 24 32 17
2024 6 22 32 11
2024 7 32 66 14
2024 8 22 32 14
2024 9 26 56 15
2024 10 22 40 12
2024 11 16 22 11
2024 12 16 23 11
2025 1 16 23 11
2025 2 12 19 3
2025 3 8 21 1
2025 4 3 6 1
2025 5 3 7 1
2025 6 2 4 2
2025 7 2 2 1
2025 8 2 3 1
2025 9 3 4 2
2025 10 3 5 2

Trending Position


Year Month High Avg
2025 6 304 326
Year Month High Avg
2025 5 617 794
Year Month High Avg
2025 3 223 499
Year Month High Avg
2024 10 368 690
Year Month High Avg
2024 9 283 544
Year Month High Avg
2024 8 461 625

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Reviews

the_blueeyes
N/A

Nonsensical incoherent movie that was hard to watch, and i turned it off after 30 min. It clearly written with a good amount of shock value, but the only shock i got was my finger to press "off" button. Cronenberg has made some good body horror in the past, but this was just rubbish. ...

Jul 26, 2022
Geronimo1967
6.0

Whilst certainly nowhere near his best, this is still quite an intriguing drama from David Cronenberg. It all centres around "Saul Tenser" (Viggo Mortensen) who uses his own body to grow (or "cook") extra organs which he and his assistant "Caprice" (Léa Seydoux) extract as part of rather gruesome, b ... ut popular, theatrical performances. Meantime, "Dotrice" (Scott Speedman) is reeling from the suffocation of his young plastic-eating son (by his own wife) and so convinces the exhibitionists that an autopsy revealing the internal digestive organs of this most unusual of mutations would make for excellent viewing. Don McKellar ("Wippet") and his colleague "Timlin" (Kristen Stewart) run the government department for organ registration and needless to say they take a dim view on the legality of some or all of these activities... or do they? The concept is interesting and ethically highly dubious but sadly the execution is a bit lacklustre and there is way too much dialogue and, oddly enough here, too little use made of the special effects that are at times quite disturbing to watch and are, no pun intended, rather at the heart of the story. Stewart's very presence suggests her character has a more significant part in the proceedings but her appearances themselves are actually quite sparing which is always a bonus for me! It does take a while to get going, and somehow the ending is all rather underwhelming but it still has enough traces of the director's unique style and imagination to make it worth a watch - once

Sep 19, 2022
msbreviews
7.0

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/opinion-pieces/what-do-both-dont-worry-darling-and-crimes-of-the-future-have-in-common "Personally, I believe that cinematic narratives with multiple plot points and questions related to the world itself are too often confused and envisioned a ... s character studies driven by a single protagonist. Both Olivia Wilde and David Cronenberg complete their movies when the main character fulfills the minimum requirements of their arc, consequently renouncing all other equally significant issues worthy of in-depth exploration. In the case of Don't Worry Darling, one finishes it with an underwhelming feeling from an unsurprising conclusion, while in Crimes of the Future, viewers are left with several questions and interesting, half-developed paths about such a mesmerizing futuristic world. Neither film explores its own world-building satisfactorily." Rating: B+

Oct 16, 2022
r96sk
7.0

Not the most enjoyable of watches, it meanders a bit, though <em>'Crimes of the Future'</em> is most certainly interesting throughout. I tend to find films like this a little hit-and-miss, as I personally find the constant reaching for shock value or just simple weirdness a bit too forced. And th ... is film does that a few times, but to be fair as the run time was ticking by I could definitely feel myself becoming more and more intrigued by events portrayed on screen. Cast-wise, Viggo Mortensen and Léa Seydoux great together, very good acting and very good chemistry. Don McKellar (just me who sees a Jeffrey DeMunn likeness in his eyes? probably ...) and Welket Bungué are more than decent too. Kristen Stewart and Scott Speedman give solid showings as well. A, fair to say, weird one it is, but a weird one that I just about got enough from.

Feb 20, 2023