Menu
Downton Abbey: A New Era Poster

Downton Abbey: A New Era

A cinematic return.
2022 | 125m | English

(35530 votes)

TMDb IMDb

Popularity: 7 (history)

Director: Simon Curtis
Writer: Julian Fellowes
Staring:
Details

The Crawley family goes on a grand journey to the south of France to uncover the mystery of the dowager countess's newly inherited villa. Meanwhile, a Hollywood director seeks to film his latest production at Downton.
Release Date: Apr 27, 2022
Director: Simon Curtis
Writer: Julian Fellowes
Genres: Drama, Romance, Mystery, History
Keywords villa, country house, southern france, testament, travel, britain, period drama, based on tv series
Production Companies Carnival Films, Focus Features
Box Office Revenue: $92,651,384
Budget: $40,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

More Like This

Full Credits

Name Character
Hugh Bonneville Robert Crawley
Maggie Smith Violet Crawley
Jim Carter Charles Carson
Michelle Dockery Mary Crawley
Elizabeth McGovern Cora Crawley
Imelda Staunton Maud Bagshaw
Penelope Wilton Isobel Merton
Robert James-Collier Thomas Barrow
Lesley Nicol Beryl Patmore
Allen Leech Tom Branson
Laura Carmichael Edith Crawley
Phyllis Logan Mrs Hughes
Dominic West Guy Dexter
Harry Hadden-Paton Bertie Hexham
Hugh Dancy Jack Barber
Brendan Coyle John Bates
Joanne Froggatt Anna Bates
Raquel Cassidy Phyllis Baxter
Kevin Doyle Joseph Molesley
Michael Fox Andy Parker
Laura Haddock Myrna Dagleish
Nathalie Baye Mme de Montmirail
Fifi Hart Sybbie Branson
Jonathan Coy Murray
Samantha Bond Lady Rosamund Painswick
Tuppence Middleton Lucy Branson
Douglas Reith Lord Merton
Oliver Barker George
Zac Barker George
Sophie McShera Daisy Parker
Sue Johnston Gladys Denker
Jonathan Zaccaï Montmirail
Charlie Watson Albert
Archer Robbins Johnnie
Eva Samms Marigold
Karina Samms Marigold
Paul Copley Mason
Alex MacQueen Mr Stubbins
David Robb Dr Clarkson
Megan Barker Caroline Talbot (uncredited)
Name Job
Anna Mary Scott Robbins Costume Designer
Donal Woods Production Design
Ellena Bleathman Art Direction
Damien Clement Set Decoration
Linda Wilson Set Decoration
Corinne Bossu Makeup Artist
Anne Oldham Makeup Artist
Lydia Noble Makeup Artist
Maja Meschede Costume Design
Zoe Freed Foley Artist
Glen Gathard Supervising Sound Editor
Nigel Heath Sound Re-Recording Mixer
Rebecca Heathcote Foley Artist
Julian Fellowes Characters, Screenplay
Simon Curtis Director
Jill Trevellick Casting
John Lunn Original Music Composer
Adam Recht Editor
Andrew Dunn Director of Photography
Name Title
Liz Trubridge Producer
Mark Hubbard Co-Producer
Nigel Marchant Executive Producer
Julian Fellowes Producer
Gareth Neame Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 31 40 24
2024 5 34 49 23
2024 6 29 46 19
2024 7 33 71 20
2024 8 29 49 19
2024 9 27 42 18
2024 10 29 57 19
2024 11 23 36 17
2024 12 25 42 14
2025 1 25 47 17
2025 2 16 24 3
2025 3 7 25 1
2025 4 4 10 2
2025 5 3 9 2
2025 6 3 5 2
2025 7 3 4 2
2025 8 3 4 2
2025 9 6 7 5

Trending Position


Year Month High Avg
2025 9 882 922
Year Month High Avg
2025 3 625 768

Return to Top

Reviews

Geronimo1967
7.0

This latest offering from Julian Fellowes presents two stories centred around the landed "Grantham" family. The first sees the dashing "Barker" (Hugh Dancy) come to Downton to make a film - that will pay for a much needed new roof - and soon makes friends with the absentee-husbanded "Lady Mary" (Mic ... helle Dockery). Sadly, though, he soon discovers that silent movies are rapidly losing their charm - and the stars, especially an entertaining "Myrna" (Laura Haddock) are facing a challenge that ended the careers of many a silent movie star - a voice that could strip paint. Meantime the grown ups head to the south of France to investigate a beautiful villa that has been bequeathed to the elderly Dowager Countess, and where they must tread a fine line between a generous welcome and open hostility from the erstwhile owners of this lavish property. We flit between the two threads effortlessly, with plenty of grand cinematography at both Highclere Castle and on the Côte D'Azur. The script is frequently quite amusing - with most of the best lines from those "downstairs"; there is a soupçon of romance, the odd bit of melodrama and loads for fans of these characters to enjoy. I found the Deborah Mitford-esque ending quite poignant too, with the Dames Maggie Smith and Penelope Wilton alongside a film-stealing scene from the underused Kevin Doyle ("Moseley") adding weight and pith to the story. I still struggle with Elizabeth McGovern, Hugh Bonneville is most certainly not at his best here, and the French story seems contrived at times, but essentially this is just another stylish template for some well established acting talent to deliver well established roles in a characterful and engaging fashion. Looks good and is, but I have to say - I do hope it really is the end of an era...

May 02, 2022
narrator56
8.0

After all this time, I didn’t expect Julian Fellowes to mess with his formula and start having radical plot twists and unexpected tragedies and mayhem. It is a comfortable family viewing franchise. If anything, except for the same-sex relationship element, it is less adventurous than it used to be. ... But that is all fine with me. It is like the new All Creatures Great and Small series: I know what to expect, but with an ensemble characters I know and like I don’t care. There were a few incidents that weren’t quite believable, such as a novice writer suddenly becoming a successful playwright, but it suited the plot and helped fill out the feel-good developments for nearly all the characters. There were no thrills chills or spills, but enough gentle humor and plot development to keep me engaged and watching with interest to the end.

Jun 20, 2022
CocoSea
10.0

The elegant, grand cinematography seduces your soul and attention throughout the film. The august natural environs and splendid humin environs complement one another. The modest yet haute fashion is desirable. The sailing, soothing, splaying theme song --- which announces, "Quelque choses de magnifi ... que arrive" --- returns to us and I am pleased. What a splendid cinematic jaunt to the British aristocracy of the early 19th century! The soundtrack is an accurate reflection of the uplifting and joyful tone of this film. Love has been gained; births and growths have occurred; understanding has been reached; and those who have sought to settle, have. Now, enters the hectic and intriguing world of early 19th century film. Now, enters a Crawley secret of the past. Now, enters a never anticipated good-bye yet surprise for the future. Wonderfully acted, the direction could have been better; it was too choppy. I would have hired the team of Merchant Ivory, known to deliver smooth, quietly uplifting, and nostalgic film direction. Also, I would have allowed the film to be two hours, instead one-hour and a half. I would have created a more femel-inclusive film with a femel director (or, at least, a femel director for the film within in the femel); femel composers; and an all-femel big band. But, few have the moxie to go all the way with the nice stuff in Life, like Count Viktoria!

Dec 27, 2023