 
  Popularity: 2 (history)
| Director: | Léa Mysius | 
|---|---|
| Writer: | Paul Guilhaume, Léa Mysius | 
| Staring: | 
| 8-year-old Vicky has a mysterious gift: she can recreate any scent she comes across, even that of her beloved mother Joanne. When her estranged aunt Julia suddenly returns to town, the invocation of her fragrance plunges the young girl back in time to unravel a past replete with family secrets. | |
| Release Date: | Aug 31, 2022 | 
|---|---|
| Director: | Léa Mysius | 
| Writer: | Paul Guilhaume, Léa Mysius | 
| Genres: | Fantasy, Drama, Romance | 
| Keywords | interracial relationship, woman director, scent | 
| Production Companies | Wild Bunch, Le Pacte, F Comme Film, Trois Brigands Productions, Auvergne-Rhône-Alpes Cinéma | 
| Box Office | Revenue: $46,666 Budget: $3,370,000 | 
| Updates | Updated: May 27, 2025 Entered: May 27, 2025 | 
| Name | Character | 
|---|---|
| Adèle Exarchopoulos | Joanne Soler | 
| Sally Dramé | Vicky Soler | 
| Swala Emati | Julia Soler | 
| Moustapha Mbengue | Jimmy Soler | 
| Daphné Patakia | Nadine | 
| Patrick Bouchitey | Le père de Joanne | 
| Hugo Dillon | Jeff | 
| Antonia Buresi | La mère de famille | 
| Noée Abita | La serveuse en rollers | 
| Charlotte Bon Bornier | La petite fille blonde | 
| Alain Guillot | L'entraîneur de gym | 
| Stéphanie Lhorset | La directrice de l'école | 
| Inès Helouin | La chanteuse du karaoké | 
| Merwan Rim | Le DJ du karaoké | 
| Habib Rharbaoui | Le garçon de la bande | 
| Jade Kleine | La géante rousse | 
| Julien Reneaut | Le père de la géante rousse | 
| Clara Borne | Gymnaste | 
| Johara Telli | Gymnaste | 
| Anaïs Estival | Gymnaste | 
| Alexandra Fernandes | Gymnaste | 
| Leïa Giraud | Gymnaste | 
| Eva Queiros | Gymnaste | 
| Margot Raynaud | Gymnaste | 
| Eloah Louisjuste | La petite fille de la fin | 
| Name | Job | 
|---|---|
| Paul Guilhaume | Screenplay, Dialogue, Director of Photography | 
| Léa Mysius | Screenplay, Dialogue, Director | 
| Marion Chevance | Makeup Artist | 
| Florencia Di Concilio | Music, Original Music Composer | 
| Adèle Tvrdy | Assistant Production Manager | 
| Mathilde Poncet | Set Dresser | 
| Nader Chalhoub | Grip | 
| Morgane Aubert-Bourdon | Script Supervisor | 
| Elodie Roy | First Assistant Director | 
| Laure Ménégale | Electrician | 
| Esther Mysius | Production Design | 
| Mathieu Reymond | Drone Operator | 
| Estelle Tolstoukine | Key Hair Stylist | 
| Pierre Cohen | Assistant Property Master | 
| Camille Simien | Electrician | 
| Caroline Vandenbussche | Location Scout | 
| Harold Hennequin | Boom Operator | 
| Justine Roussillon | First Assistant Editor | 
| Jane Mazeron | Assistant Decorator | 
| Christophe Bousquet | Colorist | 
| Vathana Kang | Key Grip | 
| Jules Aubert | Assistant Location Manager | 
| Alice Robert | Key Makeup Artist | 
| Yolande Decarsin | Sound | 
| Charlotte Caussarieu | Second Assistant Art Director | 
| Florian Penot | Foley Artist | 
| Thibault Deboaisne | Music Supervisor | 
| Laura Caselli | Casting Director | 
| François Guignard | Casting | 
| Xavier Sylvestre-Bru | Electrician | 
| Florian Berthellot | Steadicam Operator | 
| Marina Klimoff | Electrician | 
| Rachel Raoult | Costume Design | 
| Alice Pin | Assistant Location Manager | 
| Judith Chalier | Casting | 
| Nathan Mysius | Assistant Unit Manager | 
| David Labrousse | Wardrobe Supervisor | 
| Patrick Armisen | Production Manager | 
| Céleste Ougier | Second Assistant Camera | 
| Sarah Billand | Key Costumer | 
| Christine Duchier | Post-Production Manager | 
| Cyrille Hubert | First Assistant Camera | 
| Grégory Graziani | Painter | 
| Thomas Weyland | Electrician | 
| Valentine De Garidel | Set Designer | 
| Guillaume Clément | Music Supervisor | 
| Luce Jalbert | Graphic Designer | 
| Benoît Jolivet | Gaffer | 
| Peyo Jolivet | Property Master | 
| Damien Cabries | Third Assistant Camera | 
| Nathanaël Rémond | Electrician | 
| Victor Tsaconas | Assistant Location Manager | 
| Marc Sausset | Painter | 
| Anthony Lyant | Visual Effects Supervisor | 
| Marie Loustalot | Editor | 
| Baptiste Quemener | ADR Supervisor | 
| Anne-Sophie Delseries | Set Dresser | 
| Alicia Cadot | Casting Assistant | 
| Thomas Ducos | First Assistant Art Direction | 
| Rémy Bertelli | Electrician | 
| Clément Germain | Visual Effects Supervisor | 
| Jules Bertier | Sound | 
| Victor Praud | Sound Re-Recording Mixer | 
| Guillaume Marien | Visual Effects Producer | 
| Name | Title | 
|---|---|
| Fanny Yvonnet | Producer | 
| Jean-Louis Livi | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 12 | 16 | 8 | 
| 2024 | 5 | 15 | 23 | 9 | 
| 2024 | 6 | 14 | 24 | 9 | 
| 2024 | 7 | 17 | 45 | 8 | 
| 2024 | 8 | 10 | 14 | 7 | 
| 2024 | 9 | 9 | 13 | 6 | 
| 2024 | 10 | 8 | 12 | 5 | 
| 2024 | 11 | 8 | 12 | 5 | 
| 2024 | 12 | 9 | 14 | 6 | 
| 2025 | 1 | 9 | 16 | 5 | 
| 2025 | 2 | 9 | 15 | 3 | 
| 2025 | 3 | 5 | 9 | 1 | 
| 2025 | 4 | 2 | 3 | 1 | 
| 2025 | 5 | 1 | 2 | 0 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 1 | 1 | 0 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 5 | 928 | 928 | 
"Vicky" (Sally Dramé) lives with her school swimming coach mother "Joanne" (Adèle Exarchopoulos) and fireman father "Jimmy" (Moustapha Mbengue). Despite a fair degree of quite nasty teasing from her schoolmates, she is a happy enough child who has an astonishing gift. She has the most acute sense of ... smell. She can differentiate between natural and man-made scents - she can even sniff her mother out in the woods, at a distance, amongst all the other fragrances. The appearance of her aunt "Julia" (Swala Emati) causes upset though. She has just been released from prison and her arrival at their home seems to unleash in the young girl an enhanced set of powers that allows her to see into the past, as if she were a bystander, and slowly a story of lust, love and violence is revealed. It's an intriguing premiss, but somehow it just never really stays focussed long enough to become interesting. Some of the characters - especially the young Dramé are engaging enough, but the story itself is weak and underwhelming. It's not that it is boring, it isn't: it's that for too long nothing happens and then when something does, it is usually seen through the eyes of a child far too innocent to fully appreciate (I hope) what she is witness too. There is plenty of sexual fluidity here, and even a bit of tragedy at the end, but for the most part it's a jigsaw puzzle of a film with too many pieces that either don't fit or don't matter. It kills one hundred minutes easily enough, but I doubt I will ever watch it again.
Léa Mysius has created a fascinating study here in The Five Devils. It reminds me a lot of Kubrick's horror, The Shining. Both films revolve around a protagonist that is a child gifted with the "Shining", the gift of "seeing" what others do not. The common thread is that the gift is really a metapho ... r for how much adults underestimate what a child sees, hears, and understands. Mysius uses magic surrealism as the vehicle for her exposition. It's quite charming and exciting. It's very well done and worth the accolades, even though I felt the script had just a few faults that took me away from complete enjoyment.