Popularity: 8 (history)
| Director: | Joel Schumacher |
|---|---|
| Writer: | Andrew Kevin Walker |
| Staring: |
| A small, seemingly innocuous plastic reel of film leads surveillance specialist Tom Welles down an increasingly dark and frightening path. With the help of the streetwise Max, he relentlessly follows a bizarre trail of evidence to determine the fate of a complete stranger. As his work turns into obsession, he drifts farther and farther away from his wife, family and simple life as a small-town PI. | |
| Release Date: | Feb 26, 1999 |
|---|---|
| Director: | Joel Schumacher |
| Writer: | Andrew Kevin Walker |
| Genres: | Crime, Mystery, Thriller |
| Keywords | new york city, sex shop, pornography, loss of loved one, underground, obsession, porn actor, snuff, investigation, sadomasochism, child pornography, private investigator, los angeles, california, subculture, missing person, bdsm, snuff film |
| Production Companies | Columbia Pictures, Hofflund/Polone, Global Medien KG |
| Box Office |
Revenue: $96,618,699
Budget: $40,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Nicolas Cage | Tom Welles |
| Joaquin Phoenix | Max California |
| James Gandolfini | Eddie Poole |
| Peter Stormare | Dino Velvet |
| Anthony Heald | Daniel Longdale |
| Chris Bauer | George Higgins |
| Catherine Keener | Amy Welles |
| Myra Carter | Mrs. Christian |
| Amy Morton | Janet Mathews |
| Norman Reedus | Warren Anderson |
| Jenny Powell | Mary Ann Mathews |
| Anne Gee Byrd | Senator |
| Jack Betts | Butler |
| Luis Oropeza | Archive Director |
| Rachel Singer | Neighbor |
| Don Creech | Mr. Anderson |
| Fran Bennett | Nun |
| Wilma Bonet | Nun |
| Luis Saguar | Manny |
| Walter K. Jordan | Thug |
| Norm Compton | Thug |
| Brian Keith Russell | Thug |
| John Robb | Porn Dealer |
| Devan Brown | Flea Market Woman |
| Doris Brent | Machine's Mother |
| Robert Amico | Casting Director |
| Kiva Dawson | Girl in Hall |
| Rachel Wolfe | Girl in Hall |
| Suzy Nakamura | Computer Wizard |
| Torsten Voges | Stick |
| Tahitia Dean | Hollywood Prostitute |
| Texas Terri | Dino's Redhead |
| Vernon Guichard II | Porn Guy |
| Emily Patrick | Porn Girl |
| Nancy Vee | Porno Make-Up Artist |
| Lisa Vanasco | Topless Ticket Taker |
| Bridgett Vera | Ticket Taker |
| Jennifer Harris | Strip Club Dancer |
| Burton Richards | Strip Club Dancer |
| Jovanna Vitiello | Strip Club Dancer |
| David U. Hodges | Surveillance Man |
| William Lawrence Mack | Larry |
| Lorena M. Santos | Prostitute |
| Connie Mercurio | Nurse |
| William Buck | Mr. Christian |
| Kerry Corcoran | Cheating Son-in-Law |
| Mario Ernesto Sánchez | Taxi Driver |
| Claudia Aros | Miami Girlfriend |
| Ava Lee Scott | Girl in Lot (uncredited) |
| Deborah Smith Ford | Dancer (uncredited) |
| Jacklyn Lick | Video Girl (uncredited) |
| Carla Moon | Girl in Jacuzzi (uncredited) |
| Name | Job |
|---|---|
| Mike Montgomery | Construction Grip |
| Georgia Fletcher | Costumer |
| Lisa J. Bloch | Second Second Assistant Director |
| Lucy Herrera | Assistant Accountant |
| Ralph Ferrara | Stunts |
| Tanner Gill | Stunt Double |
| Mohamed Nesrate | Music Consultant |
| John Robotham | Stunts |
| Chad Stahelski | Stunts |
| Emily Schweber | Casting Associate |
| Andrew Kevin Walker | Writer |
| Joel Schumacher | Director |
| Mychael Danna | Original Music Composer |
| Robert Elswit | Director of Photography |
| Mona May | Costume Design |
| Younes Megri | Additional Music |
| Marco Kyris | Stand In |
| Eddie Yansick | Stunt Coordinator |
| Bill Anagnos | Stunts |
| James Plannette | Gaffer |
| Brad Heiner | Rigging Grip |
| David J. Grant | Production Supervisor |
| Willie D. Burton | Sound |
| Donald Dowd | Lighting Technician |
| Gary A. Hecker | Foley Artist |
| Gary Wissner | Production Design |
| Mali Finn | Casting |
| Mark Stevens | Editor |
| Gershon Ginsburg | Art Direction |
| Nick Beaird | Grip |
| Nancy Mott | Craft Service |
| David Severin | Transportation Co-Captain |
| Ira M. Hammons-Glass | Costume Supervisor |
| Kevin Ritter | Set Costumer |
| James Barrett | Electrician |
| Colin De Rouin | Set Designer |
| Walter Zieska | Propmaker |
| Alan Edmisten | First Assistant Director |
| Glen Davis | Best Boy Electric |
| Michael Singer | Publicist |
| Nicholas Dodd | Conductor, Orchestrator |
| Billy Craft | Lighting Technician |
| Susan Dukow | Production Coordinator |
| Angelo Di Giacomo | First Assistant Camera |
| John Orlebeck | Transportation Coordinator |
| Joseph M. Caracciolo | Unit Production Manager |
| Daniel R. Chavez | Executive In Charge Of Post Production |
| Marvin E. Lewis | Boom Operator |
| Philip Canfield | Leadman |
| Rick Raphael | Steadicam Operator |
| Anthony Milch | Sound Editor |
| David Peterson | Special Effects Supervisor |
| Felipe Sanchez | Costume Illustrator |
| Ben Beaird | Key Grip |
| Joe Divitale | Sound Effects Editor |
| Tom Nelson | Sound Mixer |
| Gary Fettis | Set Decoration |
| Michael Boonstra | Production Office Coordinator |
| Mads Hansen | Script Coordinator |
| Carl D. Ware | Sound Engineer |
| Cherie Tamai | Assistant Sound Editor |
| Michael J. Burmeister | Location Manager |
| Gina August | Driver |
| Kim Maitland | Sound Recordist |
| Gloria Kaiser | Color Timer |
| Elizabeth Tompkins | Production Accountant |
| Thomas Milano | Music Editor |
| Jason Weil | Assistant Art Director |
| Linda Grimes | Makeup Artist |
| John Leveque | Supervising Sound Editor |
| Tambre Hemstreet | Art Department Coordinator |
| Michael Ginsburg | Still Photographer |
| Joseph Coscia | Hairstylist |
| Al Griswold | Special Effects Coordinator |
| Sarah Bullion | Art Department Assistant |
| Alan Martin | Key Set Costumer |
| Thomas Saccio | Property Master |
| Rick A. Benedetto | Rigging Gaffer |
| Mychael Bates | Set Dresser |
| Nerses Gezalyan | Foley Mixer |
| Mildred Iatrou | Dialogue Editor |
| Eli Richbourg | Second Unit Director |
| Becky Sullivan | Supervising ADR Editor |
| Jakub Durkoth | Swing |
| Marcia Patten | Wardrobe Supervisor |
| Joseph P. Mercurio | Special Effects Assistant |
| Gary A. Beaird | Dolly Grip |
| Greg Faysash | Second Assistant Camera |
| Gene Patterson | Location Assistant |
| R. Michael De Chellis | Assistant Chief Lighting Technician |
| Phillip Fuller | Sound Mix Technician |
| Russell Engels | Chief Lighting Technician |
| Andrew George Fink | Production Assistant |
| Debbie Arrowood | Assistant Camera |
| Rebecca White | Accountant |
| Bill Marinella | Extras Casting |
| Martin Charles | Graphic Designer |
| Maureen Whalen | Casting Assistant |
| Tony Romain | Production Secretary |
| Earl Perque | Best Boy Grip |
| Edward Poveda | Payroll Accountant |
| Christopher Carlson | Assistant Decorator |
| Kevin Long | Assistant Property Master |
| Scott Janush | Assistant Editor |
| David Hallinan | Second Assistant Director |
| Vincent Guarriello | Key Construction Grip |
| Mo Henry | Negative Cutter |
| Lisa Davidson | Assistant Production Coordinator |
| Alex Kivlen | Assistant Location Manager |
| Amy Eldridge | First Assistant Accountant |
| Carrick O'Quinn | Stunts |
| Cheryl Quarantiello | Unit Production Manager |
| Masako Masuda | Set Designer |
| Kurt V. Hulett | Leadman |
| Carlane Passman | Costume Supervisor |
| Peter Tothpal | Hairstylist |
| Richard Wood | Special Effects Coordinator |
| John J. Rutchland III | Construction Coordinator |
| Michael Randolph | Craft Service |
| Donald L. Warner Jr. | Dialogue Editor |
| Kimberly Lowe Voigt | Dialogue Editor |
| Margo Hunt McKay | Transportation Coordinator |
| Ron Petagna Sr. | Construction Coordinator |
| Terence Harris | Casting Associate |
| Frank Ferrara | Stunts |
| Name | Title |
|---|---|
| Joel Schumacher | Producer |
| Judy Hofflund | Producer |
| Gavin Polone | Producer |
| Joseph M. Caracciolo | Executive Producer |
| Jeff Levine | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 31 | 55 | 16 |
| 2024 | 5 | 32 | 60 | 15 |
| 2024 | 6 | 33 | 49 | 21 |
| 2024 | 7 | 52 | 78 | 32 |
| 2024 | 8 | 34 | 67 | 18 |
| 2024 | 9 | 20 | 30 | 14 |
| 2024 | 10 | 20 | 30 | 11 |
| 2024 | 11 | 17 | 27 | 10 |
| 2024 | 12 | 23 | 36 | 13 |
| 2025 | 1 | 28 | 43 | 17 |
| 2025 | 2 | 22 | 51 | 4 |
| 2025 | 3 | 7 | 28 | 2 |
| 2025 | 4 | 4 | 8 | 3 |
| 2025 | 5 | 5 | 9 | 3 |
| 2025 | 6 | 6 | 9 | 4 |
| 2025 | 7 | 3 | 4 | 2 |
| 2025 | 8 | 3 | 5 | 2 |
| 2025 | 9 | 6 | 7 | 4 |
| 2025 | 10 | 5 | 8 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 835 | 887 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 906 | 906 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 571 | 845 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 614 | 753 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 747 | 880 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 360 | 638 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 594 | 751 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 709 | 709 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 672 | 672 |
Into the perverse underworld of smut, S&M and snuff films RELEASED IN 1999 and directed by Joel Schumacher, "8MM" chronicles events when a private investigator (Nicolas Cage) is hired by an aged wealthy woman whose husband recently passed away. A snuff film was found in his safe and she wants to ... see if the girl in the movie (Jenny Powell) really died or not. Amy Morton appears as the girl’s mother while Joaquin Phoenix plays a wannabe rock musician in Los Angeles who works in the porn trade. Catherine Keener is on hand as the P.I.’s wife. The movie combines the basic plot of “Hardcore” (1979) with the style of late 90’s crime thrillers, like “Kiss the Girls” (1997). The first half involves the P.I.’s tracking down the makers of the snuff film. While it’s tedious work (which I wouldn’t want to do) this part of the movie is gritty and compelling. The second half of the movie goes into material that’s difficult to pull off with a straight face, like the smut-obsessed underbelly of Los Angeles & New York. The main villains come off cartoonish somehow rather than gritty realistic, but it’s a fine line. Still, I like the message of the movie. My wife & I knew a wealthy man who passed away a few years ago. He often didn’t pay the people he did business with, not to mention his employees who were living paycheck to paycheck. Someone asked him how he could own two Cadillacs and regularly go on globetrotting vacations while treating people like this and he arrogantly responded: “Because I caaAAAN.” The low-lifes in “8MM” have a similar attitude. THE MOVIE RUNS 2 hours 3 minutes and was shot in Miami, Pennsylvania (Wormleysburg/Harrisburg), New York (Hastings-on-Hudson, Elmsford, Yonkers, Queens & Long Island) and S. Cal. (Los Angeles & Long Beach). WRITER: Andrew Kevin Walker. ADDITIONAL CAST: Anthony Heald plays the rich woman’s lawyer while James Gandolfini, Peter Stormare and Chris Bauer appear as smut pervs. GRADE: B
8MM probably only got greenlit due to the success of Se7en. Like Se7en, 8MM explores the existence of people who are simply pure evil while the main character wants to know why they are like this. 8MM doesn't provide many answers but it also isn't thematically complex. It follows a standard whodunit ... plot. While Nicolas Cage gives a solid performance, there are times where he takes us out of the story with his signature freak outs. Joel Schumacher manages to create a gritty tone but he has a rather bland style. Regardless of its flaws, 8MM is still a decent movie. It prefers plot over exploitation and story over violence. For those reasons, I recommend it.
Another one of Nicholas Cage's crazy movies. Like all the rest of his movies, this one was good too. ...
Joel Schumacher does it again. Look into how this film was made, what went into it, the intended directors, the intended stars, the intended budget. It started as a low budget "Dark and Gritty" film that was going to be "hand held" and star Russel Crowe and be directed by David Fincher... that w ... ould probably have worked. Look at the release date, 1999, when audiences welcomed low budget movies done well. Back in the 90s audiences accepted low budgets and dark and gritty films. It could have been the sleeper success that Se7en was. Instead you got Schumacher that lightened it up, and Cage that brought in more of a budget that in turn brought in more studio interference that wanted it lightened even more... with a director that agreed. And what could have been a great movie turned to be throwaway junk... that Joel was "Still proud of" decades later, but saw the writer throw up his hands, walk away, and disown the mess. And this was written by Andrew Kevin Walker, he tells a good story, especially if you keep things on the darker side. This COULD have been a moody, dark, thriller with a tone so ominous that it stays with you decades later. A film that took off out of nowhere like Se7en did... ... instead it was junk and a film so forgettable that I had to be reminded that I had seen it, and, after 15 minutes, reminded why I blacked it out.