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The Boys in the Boat Poster

The Boys in the Boat

Believe in the impossible. Believe in each other.
2023 | 124m | English

(29092 votes)

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Popularity: 2 (history)

Details

The triumphant underdog story of the University of Washington men's rowing team, who stunned the world by competing at the 1936 Berlin Olympics.
Release Date: Dec 25, 2023
Director: George Clooney
Writer: Mark L. Smith, Daniel James Brown
Genres: Drama, History
Keywords olympic games, sports, rowing, 1930s, dignified, hopeful
Production Companies Metro-Goldwyn-Mayer, Smokehouse Pictures, Spyglass Media Group
Box Office Revenue: $54,401,583
Budget: $40,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Joel Edgerton Coach Al Ulbrickson
Callum Turner Joe Rantz
Peter Guinness George Pocock
Sam Strike Roger Morris
Thomas Elms Chuck Day
Jack Mulhern Don Hume
Luke Slattery Bobby Moch
Bruce Herbelin-Earle Shorty Hunt
Wil Coban Jim McMillin
Tom Varey Johnny White
Joel Phillimore Gordy Adam
James Wolk Coach Tom Bolles
Hadley Robinson Joyce Simdars
Chris Diamantopoulos Royal Brougham
Courtney Henggeler Hazel Ulbrickson
Alec Newman Harry Rantz
Laurel Lefkow UW Registrar
Sam Douglas Henry Burke
Jaymes Butler Charlie Rylie
Chris Wilson Hermann Göring
Jacob James Beswick Harvey Love
Glenn Wrage Coach Ky Ebright
Edward Baker-Duly Benjamin Billings
Austin Haynes Joe's Grandson
Ian McElhinney Elderly Joe Rantz
John Ammirati NY Radio DJ
Name Job
Oliver Ferris Foley Artist
Arthur Graley Sound Designer
Adam Mendez Foley Supervisor
Mark L. Smith Screenplay
Martin Ruhe Director of Photography
Rachel Tenner Casting
Claire Fleming Art Direction
Tanya Swerling Editor
George Clooney Director
Daniel James Brown Novel
Kalina Ivanov Production Design
Luke Gomes Stunt Double
Andy Bennett Stunt Coordinator
Eldredd Wolf Stunts
Vincent Papaix Visual Effects Supervisor
Nori Pesina Costume Assistant
Cody Cardarelli Finishing Producer
Annamaria Pennazzi Assistant Editor
Matt Cowlam Assistant Location Manager
Aliya Parvez Location Coordinator
Mark DeSimone ADR Mixer
Alexandre Desplat Original Music Composer
Jenny Eagan Costume Design
Judy Farr Set Decoration
Simon Marsay Supervising Art Director
Alice Sutton Art Direction
Kane Silks Art Direction
Laura Blount Makeup Supervisor
Chris Coles Hairstylist
Louise Perkins Makeup Artist
Rosie Sinfield Makeup Artist
Rachel Rosser Production Supervisor
Illias Thoms Third Assistant Director
Piotr Berkowicz Hairstylist
Anita Burger Hairstylist
Macy Pemberton Makeup Trainee
Joanna Sim Makeup Artist
Steven Johnson Production Supervisor
Ben Wicks Third Assistant Director
Krishan Sharda Additional Third Assistant Director
Peter Ayriss Drone Pilot
Abigayle Blacow Second Assistant Camera
Mathew Clements Second Assistant "A" Camera
John Flemming Key Grip
Adam Moody Electrician
Jay Patel Digital Imaging Technician
Steve Quan Drone Operator
Thomas Royal Rigging Gaffer
Vis Sopjani Key Grip
Charlotte Broadbent Makeup Artist
Gemma Flaherty Hairstylist
Kirsten Sare Makeup Artist
Barbara A. Hall Unit Production Manager
Georgette Turner Unit Production Manager
Jo Tew Second Assistant Director
Saskia Barnes Camera Trainee
Ross Brown Lighting Technician
Tobias Eedy First Assistant "A" Camera
Arron Monkman First Assistant "A" Camera
Gary Owen Electrician
Rupert Power Steadicam Operator, "B" Camera Operator
Hamza F. Qureshi Video Assist Operator
Paul Snell First Assistant "B" Camera
Josh Tilley Second Assistant "B" Camera
Patty Connolly ADR Voice Casting
Rick Messina Casting Associate
Lee Grumett First Assistant Director
Phil Arntz Aerial Director of Photography
Alessandro Brambilla Steadicam Operator
Rana Darwish First Assistant Camera
Richard Follett Electrician
Andy Munday Lighting Programmer
Amir F. Qureshi Video Assist Operator
Rose Ryk Third Assistant Camera
Sam Thurston Aerial Camera
Claire Chadwick Casting Assistant
Josie Kemp Casting Assistant
Lucy Taylor Casting Associate
Rosie Allen Costume Coordinator
Spencer Lammy Costume Standby
Julian White Gaffer
Lilly Mackie Casting Assistant
Lucinda Syson Casting
Jessica Albertson Assistant Costume Designer
Emily Egge Costume Supervisor
Brian Perkins Costumer
Benjamin Money Costume Assistant
Julian Debrah Post Production Coordinator
Debs Richardson First Assistant Editor
Monty Eliot Location Assistant
Ben Teicht Assistant Location Manager
Nicolas Charron Orchestrator
Roger Linley Musician
Liz West Script Supervisor
Geoffrey Basquin Visual Effects Supervisor
Jeremiah Sweeney Visual Effects Supervisor
Duncan MacLeod Special Effects Technician
Max Walsh Dialogue Editor
Jennie Breckenridge ADR Recordist
Geraldo Gutierrez Sound Re-Recording Mixer
Dominika Latusek Assistant Sound Editor
Jack Simpson Second Assistant Sound
Betty Woodhouse Graphic Designer
Emily Roberts Art Department Assistant
Philippa Mumford Assistant Art Director
Colleen MacLeod Props
Christian Antolin Title Designer
Natasha Vincent Casting Associate
Mark Almond Wardrobe Master
Carla Monvid-Jenkinson Assistant Costume Designer
Anna Spencer Costume Standby
Shing Hong Chan Color Assistant
Agnaldo Rezende Post Production Assistant
Mackenzie Crossland Location Manager
Cara Peel Location Assistant
Jean-Pascal Beintus Orchestrator
Gerard McCann Music Editor
James Leathers Script Supervisor
Stevie Kotey Transportation Captain
Diana Nikitina Visual Effects Supervisor
Joana Powell Visual Effects Production Manager
Dewi Alun Foulkes Special Effects Technician
Max Reader Special Effects Technician
Todd Beckett Sound Re-Recording Mixer
Jordan Feemster Second Assistant Sound
Dan Morgan Supervising Sound Editor
Eric Yamamoto Storyboard Artist
Joshua Wheel Props
Peter Nation-Grainger Assistant Art Director
Jessica Meredith Assistant Set Decoration
David Arch Musician
Mandy Mamlet Music Supervisor
Laurence Ungless Musician
Maurice Batson Driver
Adam Broderick Visual Effects Producer
Laura Pellin Visual Effects Production Assistant
Chris Daw Special Effects Technician
Ashleigh Marner Special Effects Coordinator
Louise Adair Sound
Renzo Garcia First Assistant Sound Editor
Sue Harding Foley Artist
Kate Morath Boom Operator
Julian Slater Supervising Sound Editor
Phoebe Williams-Ellis Assistant Set Decoration
Paul Oatway Property Master
Mike Mowatt Carpenter
Sara Hayward Standby Art Director
Charlie Fowler Props
Christoph Cordell Stunts
Josh Dyer Stunts
Name Title
Gary Barber Executive Producer
Grant Heslov Producer
Peter Oillataguerre Executive Producer
Barbara A. Hall Executive Producer
Lee Grumett Co-Producer
Andy Mitchell Executive Producer
Kevin Ulrich Executive Producer
George Clooney Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 55 73 38
2024 5 36 50 26
2024 6 34 57 23
2024 7 35 55 18
2024 8 24 39 16
2024 9 23 35 18
2024 10 19 29 12
2024 11 17 25 12
2024 12 15 25 11
2025 1 16 26 11
2025 2 13 25 3
2025 3 6 17 1
2025 4 3 6 1
2025 5 2 6 2
2025 6 3 5 2
2025 7 2 3 1
2025 8 2 3 1
2025 9 3 3 2
2025 10 2 3 1

Trending Position


Year Month High Avg
2025 9 617 702
Year Month High Avg
2024 12 667 667
Year Month High Avg
2024 10 745 838

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Reviews

Geronimo1967
7.0

Living out of a dilapidated old car on a piece of waste ground in a suburb of Seattle, Joe Rantz (Callum Turner) travels each day to the University of Washington where he studies engineering. Using newspapers to stop-up the holes in his boots, we learn quickly that he's pretty poverty stricken and w ... hen told he has to fund the second half of his semester, is facing quite a challenge. Luckily, his pal Roger Morris (Sam Strike) discovers that getting a spot on the rowing team would get them both a job and a bed. To the try-outs they go, but they don't expect virtually everyone else to be there too! A tough series of rigorous training exercises ensue and thanks to a developing relationship with boat-builder George Pocock (Peter Guinness) he actually begins to want this. It's not just about the job anymore - it's about pride in achievement. The fact that it also impresses Joyce Simdars (Hadley Robinson) as well is no bad thing, so under the guidance of head coach Al Ulbrickson (Joel Edgerton) the team is selected and must attempt to break some recent ducks to ensure it's continued funding and to, maybe, get a place at the forthcoming Berlin Olympiad. I first saw Turner in "Glue" (2014) and thought he had potential as a decent looking and quite proficient actor who seems to play the more reticent and shy character effectively. Here he works well as a man with a mission. Edgerton is also on good-form as the inspirational teacher but the star of the show for me, though, is their feisty and shrewd little cox Bobby Moch (Luke Slattery) who rather summed up the whole ethos of the all-for-one team spirit. The photography and general look of the film is engaging, as is the Alexandre Desplat score and George Clooney allows Turner et al to deliver a story of strong characters in the face of tough circumstances naturally and sympathetically. Not too sure Adolf was too impressed at the end!

Jan 16, 2024
r96sk
7.0

A pretty standard sports biopic. It successfully tells a feel-good underdog story. Events do meander in parts, but for the vast majority it's a solid watch. Callum Turner is, as you'd expect given he's the main character, the film's standout, I enjoyed his performance. Joel Edgerton is good too, ... as is Hadley Robinson in a small role. I also dug the score used throughout, at plenty of moments I could feel myself appreciating Alexandre Desplat's work. One thing, and the only thing if I'm honest, that I didn't like was how the film uses Adolf Hitler at the end. It just felt needless, especially as they overshow him reacting to the rowing like 4 or 5 times in a short period. Then he walks offscreen in a down-on-his-luck movie baddie sorta way, rather than as a literal evil dictator. Just odd. The likeness of the actor threw me off a bit as well, if not for the stache I wouldn't have known it was that guy to be honest. Tangent aside, <em>'The Boys in the Boat'</em> is a satisfactory movie.

Jan 26, 2024
Brent_Marchant
6.0

When it comes to underdog stories, there are offerings that are decidedly inspirational and those that are riddled with clichés. As for the latest in this genre from director George Clooney, the film falls squarely in the latter category. Although capably made for the most part, this fact-based acco ... unt about the 1936 US Olympic gold medal-winning eight-man rowing team is positively rife with shopworn predictable sports story tropes, nearly all of which can be handily spotted from a mile away. While the period piece production values and cinematography are generally solid, much of the rest of the picture is about as pedestrian as one can get, from the screenplay to the narrative to the performances. The release also features some unusual camera work and film editing, most of which adds nothing and comes across as more puzzling than anything else. What’s more, there are few meaningful tie-ins to the site of the 1936 Games – Berlin in Adolph Hitler’s Germany – an aspect of the story that serves as little more than a backdrop but carries few, if any, other connotations. To be honest, I expect more from a filmmaker like Clooney in terms of cinematic imagination and inventiveness, but those attributes are almost entirely lacking here. In short, “The Boys in the Boat” is fundamentally bland and unengaging – by no means a bad film but certainly a second-rate production that fails to get viewers particularly excited, enthused or inspired.

May 30, 2024
jimb15122
9.0

A well made period piece. Near total absence of woke themes and perversions. Bravo George Clooney!! ...

Jun 04, 2024