Popularity: 2 (history)
| Director: | George Clooney |
|---|---|
| Writer: | Mark L. Smith, Daniel James Brown |
| Staring: |
| The triumphant underdog story of the University of Washington men's rowing team, who stunned the world by competing at the 1936 Berlin Olympics. | |
| Release Date: | Dec 25, 2023 |
|---|---|
| Director: | George Clooney |
| Writer: | Mark L. Smith, Daniel James Brown |
| Genres: | Drama, History |
| Keywords | olympic games, sports, rowing, 1930s, dignified, hopeful |
| Production Companies | Metro-Goldwyn-Mayer, Smokehouse Pictures, Spyglass Media Group |
| Box Office |
Revenue: $54,401,583
Budget: $40,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Joel Edgerton | Coach Al Ulbrickson |
| Callum Turner | Joe Rantz |
| Peter Guinness | George Pocock |
| Sam Strike | Roger Morris |
| Thomas Elms | Chuck Day |
| Jack Mulhern | Don Hume |
| Luke Slattery | Bobby Moch |
| Bruce Herbelin-Earle | Shorty Hunt |
| Wil Coban | Jim McMillin |
| Tom Varey | Johnny White |
| Joel Phillimore | Gordy Adam |
| James Wolk | Coach Tom Bolles |
| Hadley Robinson | Joyce Simdars |
| Chris Diamantopoulos | Royal Brougham |
| Courtney Henggeler | Hazel Ulbrickson |
| Alec Newman | Harry Rantz |
| Laurel Lefkow | UW Registrar |
| Sam Douglas | Henry Burke |
| Jaymes Butler | Charlie Rylie |
| Chris Wilson | Hermann Göring |
| Jacob James Beswick | Harvey Love |
| Glenn Wrage | Coach Ky Ebright |
| Edward Baker-Duly | Benjamin Billings |
| Austin Haynes | Joe's Grandson |
| Ian McElhinney | Elderly Joe Rantz |
| John Ammirati | NY Radio DJ |
| Name | Job |
|---|---|
| Oliver Ferris | Foley Artist |
| Arthur Graley | Sound Designer |
| Adam Mendez | Foley Supervisor |
| Mark L. Smith | Screenplay |
| Martin Ruhe | Director of Photography |
| Rachel Tenner | Casting |
| Claire Fleming | Art Direction |
| Tanya Swerling | Editor |
| George Clooney | Director |
| Daniel James Brown | Novel |
| Kalina Ivanov | Production Design |
| Luke Gomes | Stunt Double |
| Andy Bennett | Stunt Coordinator |
| Eldredd Wolf | Stunts |
| Vincent Papaix | Visual Effects Supervisor |
| Nori Pesina | Costume Assistant |
| Cody Cardarelli | Finishing Producer |
| Annamaria Pennazzi | Assistant Editor |
| Matt Cowlam | Assistant Location Manager |
| Aliya Parvez | Location Coordinator |
| Mark DeSimone | ADR Mixer |
| Alexandre Desplat | Original Music Composer |
| Jenny Eagan | Costume Design |
| Judy Farr | Set Decoration |
| Simon Marsay | Supervising Art Director |
| Alice Sutton | Art Direction |
| Kane Silks | Art Direction |
| Laura Blount | Makeup Supervisor |
| Chris Coles | Hairstylist |
| Louise Perkins | Makeup Artist |
| Rosie Sinfield | Makeup Artist |
| Rachel Rosser | Production Supervisor |
| Illias Thoms | Third Assistant Director |
| Piotr Berkowicz | Hairstylist |
| Anita Burger | Hairstylist |
| Macy Pemberton | Makeup Trainee |
| Joanna Sim | Makeup Artist |
| Steven Johnson | Production Supervisor |
| Ben Wicks | Third Assistant Director |
| Krishan Sharda | Additional Third Assistant Director |
| Peter Ayriss | Drone Pilot |
| Abigayle Blacow | Second Assistant Camera |
| Mathew Clements | Second Assistant "A" Camera |
| John Flemming | Key Grip |
| Adam Moody | Electrician |
| Jay Patel | Digital Imaging Technician |
| Steve Quan | Drone Operator |
| Thomas Royal | Rigging Gaffer |
| Vis Sopjani | Key Grip |
| Charlotte Broadbent | Makeup Artist |
| Gemma Flaherty | Hairstylist |
| Kirsten Sare | Makeup Artist |
| Barbara A. Hall | Unit Production Manager |
| Georgette Turner | Unit Production Manager |
| Jo Tew | Second Assistant Director |
| Saskia Barnes | Camera Trainee |
| Ross Brown | Lighting Technician |
| Tobias Eedy | First Assistant "A" Camera |
| Arron Monkman | First Assistant "A" Camera |
| Gary Owen | Electrician |
| Rupert Power | Steadicam Operator, "B" Camera Operator |
| Hamza F. Qureshi | Video Assist Operator |
| Paul Snell | First Assistant "B" Camera |
| Josh Tilley | Second Assistant "B" Camera |
| Patty Connolly | ADR Voice Casting |
| Rick Messina | Casting Associate |
| Lee Grumett | First Assistant Director |
| Phil Arntz | Aerial Director of Photography |
| Alessandro Brambilla | Steadicam Operator |
| Rana Darwish | First Assistant Camera |
| Richard Follett | Electrician |
| Andy Munday | Lighting Programmer |
| Amir F. Qureshi | Video Assist Operator |
| Rose Ryk | Third Assistant Camera |
| Sam Thurston | Aerial Camera |
| Claire Chadwick | Casting Assistant |
| Josie Kemp | Casting Assistant |
| Lucy Taylor | Casting Associate |
| Rosie Allen | Costume Coordinator |
| Spencer Lammy | Costume Standby |
| Julian White | Gaffer |
| Lilly Mackie | Casting Assistant |
| Lucinda Syson | Casting |
| Jessica Albertson | Assistant Costume Designer |
| Emily Egge | Costume Supervisor |
| Brian Perkins | Costumer |
| Benjamin Money | Costume Assistant |
| Julian Debrah | Post Production Coordinator |
| Debs Richardson | First Assistant Editor |
| Monty Eliot | Location Assistant |
| Ben Teicht | Assistant Location Manager |
| Nicolas Charron | Orchestrator |
| Roger Linley | Musician |
| Liz West | Script Supervisor |
| Geoffrey Basquin | Visual Effects Supervisor |
| Jeremiah Sweeney | Visual Effects Supervisor |
| Duncan MacLeod | Special Effects Technician |
| Max Walsh | Dialogue Editor |
| Jennie Breckenridge | ADR Recordist |
| Geraldo Gutierrez | Sound Re-Recording Mixer |
| Dominika Latusek | Assistant Sound Editor |
| Jack Simpson | Second Assistant Sound |
| Betty Woodhouse | Graphic Designer |
| Emily Roberts | Art Department Assistant |
| Philippa Mumford | Assistant Art Director |
| Colleen MacLeod | Props |
| Christian Antolin | Title Designer |
| Natasha Vincent | Casting Associate |
| Mark Almond | Wardrobe Master |
| Carla Monvid-Jenkinson | Assistant Costume Designer |
| Anna Spencer | Costume Standby |
| Shing Hong Chan | Color Assistant |
| Agnaldo Rezende | Post Production Assistant |
| Mackenzie Crossland | Location Manager |
| Cara Peel | Location Assistant |
| Jean-Pascal Beintus | Orchestrator |
| Gerard McCann | Music Editor |
| James Leathers | Script Supervisor |
| Stevie Kotey | Transportation Captain |
| Diana Nikitina | Visual Effects Supervisor |
| Joana Powell | Visual Effects Production Manager |
| Dewi Alun Foulkes | Special Effects Technician |
| Max Reader | Special Effects Technician |
| Todd Beckett | Sound Re-Recording Mixer |
| Jordan Feemster | Second Assistant Sound |
| Dan Morgan | Supervising Sound Editor |
| Eric Yamamoto | Storyboard Artist |
| Joshua Wheel | Props |
| Peter Nation-Grainger | Assistant Art Director |
| Jessica Meredith | Assistant Set Decoration |
| David Arch | Musician |
| Mandy Mamlet | Music Supervisor |
| Laurence Ungless | Musician |
| Maurice Batson | Driver |
| Adam Broderick | Visual Effects Producer |
| Laura Pellin | Visual Effects Production Assistant |
| Chris Daw | Special Effects Technician |
| Ashleigh Marner | Special Effects Coordinator |
| Louise Adair | Sound |
| Renzo Garcia | First Assistant Sound Editor |
| Sue Harding | Foley Artist |
| Kate Morath | Boom Operator |
| Julian Slater | Supervising Sound Editor |
| Phoebe Williams-Ellis | Assistant Set Decoration |
| Paul Oatway | Property Master |
| Mike Mowatt | Carpenter |
| Sara Hayward | Standby Art Director |
| Charlie Fowler | Props |
| Christoph Cordell | Stunts |
| Josh Dyer | Stunts |
| Name | Title |
|---|---|
| Gary Barber | Executive Producer |
| Grant Heslov | Producer |
| Peter Oillataguerre | Executive Producer |
| Barbara A. Hall | Executive Producer |
| Lee Grumett | Co-Producer |
| Andy Mitchell | Executive Producer |
| Kevin Ulrich | Executive Producer |
| George Clooney | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 55 | 73 | 38 |
| 2024 | 5 | 36 | 50 | 26 |
| 2024 | 6 | 34 | 57 | 23 |
| 2024 | 7 | 35 | 55 | 18 |
| 2024 | 8 | 24 | 39 | 16 |
| 2024 | 9 | 23 | 35 | 18 |
| 2024 | 10 | 19 | 29 | 12 |
| 2024 | 11 | 17 | 25 | 12 |
| 2024 | 12 | 15 | 25 | 11 |
| 2025 | 1 | 16 | 26 | 11 |
| 2025 | 2 | 13 | 25 | 3 |
| 2025 | 3 | 6 | 17 | 1 |
| 2025 | 4 | 3 | 6 | 1 |
| 2025 | 5 | 2 | 6 | 2 |
| 2025 | 6 | 3 | 5 | 2 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 3 | 3 | 2 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 617 | 702 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 667 | 667 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 745 | 838 |
Living out of a dilapidated old car on a piece of waste ground in a suburb of Seattle, Joe Rantz (Callum Turner) travels each day to the University of Washington where he studies engineering. Using newspapers to stop-up the holes in his boots, we learn quickly that he's pretty poverty stricken and w ... hen told he has to fund the second half of his semester, is facing quite a challenge. Luckily, his pal Roger Morris (Sam Strike) discovers that getting a spot on the rowing team would get them both a job and a bed. To the try-outs they go, but they don't expect virtually everyone else to be there too! A tough series of rigorous training exercises ensue and thanks to a developing relationship with boat-builder George Pocock (Peter Guinness) he actually begins to want this. It's not just about the job anymore - it's about pride in achievement. The fact that it also impresses Joyce Simdars (Hadley Robinson) as well is no bad thing, so under the guidance of head coach Al Ulbrickson (Joel Edgerton) the team is selected and must attempt to break some recent ducks to ensure it's continued funding and to, maybe, get a place at the forthcoming Berlin Olympiad. I first saw Turner in "Glue" (2014) and thought he had potential as a decent looking and quite proficient actor who seems to play the more reticent and shy character effectively. Here he works well as a man with a mission. Edgerton is also on good-form as the inspirational teacher but the star of the show for me, though, is their feisty and shrewd little cox Bobby Moch (Luke Slattery) who rather summed up the whole ethos of the all-for-one team spirit. The photography and general look of the film is engaging, as is the Alexandre Desplat score and George Clooney allows Turner et al to deliver a story of strong characters in the face of tough circumstances naturally and sympathetically. Not too sure Adolf was too impressed at the end!
A pretty standard sports biopic. It successfully tells a feel-good underdog story. Events do meander in parts, but for the vast majority it's a solid watch. Callum Turner is, as you'd expect given he's the main character, the film's standout, I enjoyed his performance. Joel Edgerton is good too, ... as is Hadley Robinson in a small role. I also dug the score used throughout, at plenty of moments I could feel myself appreciating Alexandre Desplat's work. One thing, and the only thing if I'm honest, that I didn't like was how the film uses Adolf Hitler at the end. It just felt needless, especially as they overshow him reacting to the rowing like 4 or 5 times in a short period. Then he walks offscreen in a down-on-his-luck movie baddie sorta way, rather than as a literal evil dictator. Just odd. The likeness of the actor threw me off a bit as well, if not for the stache I wouldn't have known it was that guy to be honest. Tangent aside, <em>'The Boys in the Boat'</em> is a satisfactory movie.
When it comes to underdog stories, there are offerings that are decidedly inspirational and those that are riddled with clichés. As for the latest in this genre from director George Clooney, the film falls squarely in the latter category. Although capably made for the most part, this fact-based acco ... unt about the 1936 US Olympic gold medal-winning eight-man rowing team is positively rife with shopworn predictable sports story tropes, nearly all of which can be handily spotted from a mile away. While the period piece production values and cinematography are generally solid, much of the rest of the picture is about as pedestrian as one can get, from the screenplay to the narrative to the performances. The release also features some unusual camera work and film editing, most of which adds nothing and comes across as more puzzling than anything else. What’s more, there are few meaningful tie-ins to the site of the 1936 Games – Berlin in Adolph Hitler’s Germany – an aspect of the story that serves as little more than a backdrop but carries few, if any, other connotations. To be honest, I expect more from a filmmaker like Clooney in terms of cinematic imagination and inventiveness, but those attributes are almost entirely lacking here. In short, “The Boys in the Boat” is fundamentally bland and unengaging – by no means a bad film but certainly a second-rate production that fails to get viewers particularly excited, enthused or inspired.
A well made period piece. Near total absence of woke themes and perversions. Bravo George Clooney!! ...