 
  Popularity: 5 (history)
| Director: | James Ivory | 
|---|---|
| Writer: | E.M. Forster, Ruth Prawer Jhabvala | 
| Staring: | 
| A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie. | |
| Release Date: | Mar 13, 1992 | 
|---|---|
| Director: | James Ivory | 
| Writer: | E.M. Forster, Ruth Prawer Jhabvala | 
| Genres: | Drama, Romance | 
| Keywords | london, england, sibling relationship, countryside, based on novel or book, empowerment, sister, class differences, turn of the century, edwardian england, 1900s, wealthy family, sister sister relationship | 
| Production Companies | Merchant Ivory Productions, Japan Satellite Broadcasting, Film Four International, Sumitomo Corporation, IMAGICA, Cinema Ten Corporation, Ide Productions | 
| Box Office | Revenue: $26,126,837 Budget: $8,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Emma Thompson | Margaret Schlegel | 
| Helena Bonham Carter | Helen Schlegel | 
| Anthony Hopkins | Henry J. Wilcox | 
| Samuel West | Leonard Bast | 
| Vanessa Redgrave | Ruth Wilcox | 
| Adrian Ross Magenty | Tibby Schlegel | 
| Prunella Scales | Aunt Juley | 
| James Wilby | Charles Wilcox | 
| Joseph Bennett | Paul Wilcox | 
| Jo Kendall | Annie | 
| Jemma Redgrave | Evie Wilcox | 
| Crispin Bonham-Carter | Albert Fussell | 
| Ian Latimer | Station Master | 
| Siegbert Prawer | Man Asking a Question | 
| Susie Lindeman | Dolly Wilcox | 
| Nicola Duffett | Jacky Bast | 
| Mark Tandy | Luncheon Guests | 
| Andrew St. Clair | Luncheon Guests | 
| Anne Lambton | Luncheon Guests | 
| Emma Godfrey | Luncheon Guests | 
| Duncan Brown | Luncheon Guests | 
| Iain Kelly | Luncheon Guests | 
| Atalanta White | Maid at Howards End | 
| Gerald Paris | Porphyrion Supervisor | 
| Allie Byrne | Blue-stockings | 
| Sally Geoghegan | Blue-stockings | 
| Paula Stockbridge | Blue-stockings | 
| Bridget Duvall | Blue-stockings | 
| Lucy Freeman | Blue-stockings | 
| Harriet Stewart | Blue-stockings | 
| Tina Leslie | Blue-stockings | 
| Mark Payton | Percy Cahill | 
| Delaney Davidson | Simpson's Carver | 
| Mary McWilliams | Wilcox Baby | 
| Barbara Hicks | Miss Avery | 
| Rodney Rymell | Chauffeur | 
| Luke Parry | Tom, the Farmer's Boy | 
| Antony Gilding | Bank Supervisor | 
| Peter Cellier | Colonel Fussell | 
| Patricia Lawrence | Wedding Guests | 
| Margery Mason | Wedding Guests | 
| Jim Bowden | Martlett | 
| Alan James | Porphyrion Chief Clerk | 
| Jocelyn Cobb | Telegraph Operator | 
| Peter Darling | Doctor | 
| Terence Sach | Delivery Man | 
| Brian Lipson | Police Inspector | 
| Mary Nash | Pianist | 
| Barr Heckstall-Smith | Helen's Child | 
| Simon Callow | Music and Meaning Lecturer (uncredited) | 
| Name | Job | 
|---|---|
| E.M. Forster | Novel | 
| Andrew Marcus | Editor | 
| Ian Whittaker | Set Decoration | 
| Christine Beveridge | Makeup Department Head | 
| Sallie Jaye | Assistant Makeup Artist | 
| Luciana Arrighi | Production Design | 
| John Ralph | Art Direction | 
| John Bright | Costume Design | 
| Carol Hemming | Hair Department Head | 
| Tony Pierce-Roberts | Director of Photography | 
| Celestia Fox | Casting | 
| Sian Grigg | Assistant Makeup Artist | 
| Paolo Mantini | Assistant Hairstylist | 
| James Ivory | Director | 
| Ruth Prawer Jhabvala | Screenplay | 
| Richard Robbins | Original Music Composer | 
| Jenny Beavan | Costume Design | 
| Name | Title | 
|---|---|
| Paul Bradley | Executive Producer | 
| Ann Wingate | Co-Producer | 
| Donald Rosenfeld | Associate Producer | 
| Ismail Merchant | Producer | 
| Organization | Category | Person | |
|---|---|---|---|
| Golden Globes | Best Actor | Anthony Hopkins | Nominated | 
| Golden Globes | Best Supporting Actor | Samuel West | Nominated | 
| Academy Awards | Best Actress | Emma Thompson | Nominated | 
| SAG Awards | Best Actor | Anthony Hopkins | Nominated | 
| SAG Awards | Best Actress | Emma Thompson | Nominated | 
| BAFTA Awards | Best Supporting Actress | Vanessa Redgrave | Won | 
| BAFTA Awards | Best Picture | N/A | Nominated | 
| BAFTA Awards | Best Actor | Anthony Hopkins | Nominated | 
| BAFTA Awards | Best Actress | Emma Thompson | Nominated | 
| BAFTA Awards | Best Supporting Actor | Anthony Hopkins | Won | 
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 37 | 58 | 24 | 
| 2024 | 5 | 37 | 65 | 23 | 
| 2024 | 6 | 25 | 40 | 17 | 
| 2024 | 7 | 27 | 48 | 14 | 
| 2024 | 8 | 19 | 37 | 12 | 
| 2024 | 9 | 16 | 28 | 10 | 
| 2024 | 10 | 14 | 24 | 8 | 
| 2024 | 11 | 14 | 21 | 10 | 
| 2024 | 12 | 15 | 26 | 9 | 
| 2025 | 1 | 18 | 31 | 11 | 
| 2025 | 2 | 13 | 20 | 3 | 
| 2025 | 3 | 6 | 15 | 1 | 
| 2025 | 4 | 3 | 6 | 1 | 
| 2025 | 5 | 2 | 6 | 1 | 
| 2025 | 6 | 2 | 5 | 1 | 
| 2025 | 7 | 1 | 2 | 1 | 
| 2025 | 8 | 2 | 2 | 1 | 
| 2025 | 9 | 2 | 2 | 1 | 
| 2025 | 10 | 3 | 5 | 2 | 
Trending Position
The script itself is not up the level of Remains of the Day, but then E.M.Forster is not Ishiguro (Never Let Me Go). Nevertheless E.M.Forster gives us a huge, complex story that holds our interest for the entire 142 minutes. And the Ivory-Merchant team contributes a beautiful setpiece, complete w ... ith perfect cinematography, locations, costumes and a team of the finest actors in Britain. And two of the Redgrave family to play mother and daughter. The acting from everyone on screen is phenomenal!
I think this might be the pinnacle of the Merchant Ivory storytelling world (with thanks to E.M. Forster), as a strong ensemble cast assembles to tell a tale of Edwardian Britain that brings into stark focus a class system that is just beginning to show some cracks. "Wilcox" (Anthony Hopkins) is wha ... t I suppose you'd call nouveau riche. A millionaire industrialist who has acquired quite a few grand country properties from the increasingly impoverished aristocracy. When his first wife (Vanessa Redgrave) dies at the eponymous country cottage, she has apparently promised it to her friend "Margaret" (Emma Thompson) but the family choose to disregard the bequeathing letter and she is none the wiser. Meantime, her well meaning and quite fussy sister "Helen" (Helena Bonham-Carter) has become aware of the hard working clerk "Bast" (Samuel West) who is married, sympathetically but rather unlovingly, to "Jacky" (Nicola Duffett) and not without ambition. "Wilcox" is set upon remarrying, and it's "Margaret" who gets the nod. Thing is, though, can there ever be any chance of any real love between them, or indeed for any of them, as the family ghosts - past and present, come back to haunt them and poor "Bast"? It's a grand looking saga this, and it plays the politics of the day well as there are three initially distinct strata of society gradually intermingling, some more willingly than others, throughout the unfolding drama. I actually thought it was the engaging effort from Duffett that stole the show, but Redgrave also contributes well, if briefly, as the ailing "Mrs. Wilcox" and Samuel West also stands out, portraying his character as a decent man who is a fish-out-of water at the best of times, but even more adrift after entrusting himself and his affairs to "Helen". It's a characterful study of human nature that shows up hypocrisy and delivers kindness, showcases nicely all the artifice of the creative talent and is worth a watch.