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Howards End Poster

Howards End

Based on the Novel by E.M. Forster
1992 | 142m | English

(37990 votes)

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Popularity: 5 (history)

Details

A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.
Release Date: Mar 13, 1992
Director: James Ivory
Writer: E.M. Forster, Ruth Prawer Jhabvala
Genres: Drama, Romance
Keywords london, england, sibling relationship, countryside, based on novel or book, empowerment, sister, class differences, turn of the century, edwardian england, 1900s, wealthy family, sister sister relationship
Production Companies Merchant Ivory Productions, Japan Satellite Broadcasting, Film Four International, Sumitomo Corporation, IMAGICA, Cinema Ten Corporation, Ide Productions
Box Office Revenue: $26,126,837
Budget: $8,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Emma Thompson Margaret Schlegel
Helena Bonham Carter Helen Schlegel
Anthony Hopkins Henry J. Wilcox
Samuel West Leonard Bast
Vanessa Redgrave Ruth Wilcox
Adrian Ross Magenty Tibby Schlegel
Prunella Scales Aunt Juley
James Wilby Charles Wilcox
Joseph Bennett Paul Wilcox
Jo Kendall Annie
Jemma Redgrave Evie Wilcox
Crispin Bonham-Carter Albert Fussell
Ian Latimer Station Master
Siegbert Prawer Man Asking a Question
Susie Lindeman Dolly Wilcox
Nicola Duffett Jacky Bast
Mark Tandy Luncheon Guests
Andrew St. Clair Luncheon Guests
Anne Lambton Luncheon Guests
Emma Godfrey Luncheon Guests
Duncan Brown Luncheon Guests
Iain Kelly Luncheon Guests
Atalanta White Maid at Howards End
Gerald Paris Porphyrion Supervisor
Allie Byrne Blue-stockings
Sally Geoghegan Blue-stockings
Paula Stockbridge Blue-stockings
Bridget Duvall Blue-stockings
Lucy Freeman Blue-stockings
Harriet Stewart Blue-stockings
Tina Leslie Blue-stockings
Mark Payton Percy Cahill
Delaney Davidson Simpson's Carver
Mary McWilliams Wilcox Baby
Barbara Hicks Miss Avery
Rodney Rymell Chauffeur
Luke Parry Tom, the Farmer's Boy
Antony Gilding Bank Supervisor
Peter Cellier Colonel Fussell
Patricia Lawrence Wedding Guests
Margery Mason Wedding Guests
Jim Bowden Martlett
Alan James Porphyrion Chief Clerk
Jocelyn Cobb Telegraph Operator
Peter Darling Doctor
Terence Sach Delivery Man
Brian Lipson Police Inspector
Mary Nash Pianist
Barr Heckstall-Smith Helen's Child
Simon Callow Music and Meaning Lecturer (uncredited)
Name Job
E.M. Forster Novel
Andrew Marcus Editor
Ian Whittaker Set Decoration
Christine Beveridge Makeup Department Head
Sallie Jaye Assistant Makeup Artist
Luciana Arrighi Production Design
John Ralph Art Direction
John Bright Costume Design
Carol Hemming Hair Department Head
Tony Pierce-Roberts Director of Photography
Celestia Fox Casting
Sian Grigg Assistant Makeup Artist
Paolo Mantini Assistant Hairstylist
James Ivory Director
Ruth Prawer Jhabvala Screenplay
Richard Robbins Original Music Composer
Jenny Beavan Costume Design
Name Title
Paul Bradley Executive Producer
Ann Wingate Co-Producer
Donald Rosenfeld Associate Producer
Ismail Merchant Producer
Organization Category Person
Golden Globes Best Actor Anthony Hopkins Nominated
Golden Globes Best Supporting Actor Samuel West Nominated
Academy Awards Best Actress Emma Thompson Nominated
SAG Awards Best Actor Anthony Hopkins Nominated
SAG Awards Best Actress Emma Thompson Nominated
BAFTA Awards Best Supporting Actress Vanessa Redgrave Won
BAFTA Awards Best Picture N/A Nominated
BAFTA Awards Best Actor Anthony Hopkins Nominated
BAFTA Awards Best Actress Emma Thompson Nominated
BAFTA Awards Best Supporting Actor Anthony Hopkins Won
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 37 58 24
2024 5 37 65 23
2024 6 25 40 17
2024 7 27 48 14
2024 8 19 37 12
2024 9 16 28 10
2024 10 14 24 8
2024 11 14 21 10
2024 12 15 26 9
2025 1 18 31 11
2025 2 13 20 3
2025 3 6 15 1
2025 4 3 6 1
2025 5 2 6 1
2025 6 2 5 1
2025 7 1 2 1
2025 8 2 2 1
2025 9 2 2 1
2025 10 3 5 2

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Reviews

badelf
8.0

The script itself is not up the level of Remains of the Day, but then E.M.Forster is not Ishiguro (Never Let Me Go). Nevertheless E.M.Forster gives us a huge, complex story that holds our interest for the entire 142 minutes. And the Ivory-Merchant team contributes a beautiful setpiece, complete w ... ith perfect cinematography, locations, costumes and a team of the finest actors in Britain. And two of the Redgrave family to play mother and daughter. The acting from everyone on screen is phenomenal!

Nov 22, 2023
Geronimo1967
7.0

I think this might be the pinnacle of the Merchant Ivory storytelling world (with thanks to E.M. Forster), as a strong ensemble cast assembles to tell a tale of Edwardian Britain that brings into stark focus a class system that is just beginning to show some cracks. "Wilcox" (Anthony Hopkins) is wha ... t I suppose you'd call nouveau riche. A millionaire industrialist who has acquired quite a few grand country properties from the increasingly impoverished aristocracy. When his first wife (Vanessa Redgrave) dies at the eponymous country cottage, she has apparently promised it to her friend "Margaret" (Emma Thompson) but the family choose to disregard the bequeathing letter and she is none the wiser. Meantime, her well meaning and quite fussy sister "Helen" (Helena Bonham-Carter) has become aware of the hard working clerk "Bast" (Samuel West) who is married, sympathetically but rather unlovingly, to "Jacky" (Nicola Duffett) and not without ambition. "Wilcox" is set upon remarrying, and it's "Margaret" who gets the nod. Thing is, though, can there ever be any chance of any real love between them, or indeed for any of them, as the family ghosts - past and present, come back to haunt them and poor "Bast"? It's a grand looking saga this, and it plays the politics of the day well as there are three initially distinct strata of society gradually intermingling, some more willingly than others, throughout the unfolding drama. I actually thought it was the engaging effort from Duffett that stole the show, but Redgrave also contributes well, if briefly, as the ailing "Mrs. Wilcox" and Samuel West also stands out, portraying his character as a decent man who is a fish-out-of water at the best of times, but even more adrift after entrusting himself and his affairs to "Helen". It's a characterful study of human nature that shows up hypocrisy and delivers kindness, showcases nicely all the artifice of the creative talent and is worth a watch.

May 23, 2024