For over 40 years Val Kilmer, one of Hollywood’s most mercurial and/or misunderstood actors has been documenting his own life and craft through film and video. He has amassed thousands of hours of footage, from 16mm home movies made with his brothers, to time spent in iconic roles for blockbuster movies like Top Gun, The Doors, Tombstone, and Batman Forever. This raw, wildly original and unflinching documentary reveals a life lived to extremes and a heart-filled, sometimes hilarious look at what it means to be an artist and a complex man. | |
Release Date: | Jul 23, 2021 |
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Director: | Leo Scott, Ting Poo |
Writer: | |
Genres: | Documentary |
Keywords | cancer, throat cancer, hollywood, biography, actor |
Production Companies | A24, Boardwalk Pictures, IAC Films, Cartel Films, TwainMania, ValArt Ltd, HelMel Studios |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Val Kilmer | Self |
Jack Kilmer | Self / Narrator |
Mercedes Kilmer | Self |
Joanne Whalley | Self |
Kevin Bacon | Self (archive footage) |
Marlon Brando | Self (archive footage) |
David Thewlis | Self (archive footage) |
Kurt Russell | Self (archive footage) |
Kelly McGillis | Self (archive footage) |
Anthony Edwards | Self (archive footage) |
Oliver Stone | Self (archive footage) |
Mira Sorvino | Self (archive footage) |
Madeleine Stowe | Self (archive footage) |
Fairuza Balk | Self (archive footage) |
Cher | Self (archive footage) |
John Frankenheimer | Self (archive footage) |
Rick Rossovich | Self (archive footage) |
Tony Scott | Self (archive footage) |
Adam West | Self (archive footage) |
Burt Ward | Self (archive footage) |
Lucy Gutteridge | Self (archive footage) |
James Tolkan | Self (archive footage) |
Tom Sizemore | Self (archive footage) |
Barry Tubb | Self (archive footage) |
Tim Robbins | Self (archive footage) |
Oprah Winfrey | Self (archive footage) |
Jay Leno | Self (archive footage) |
Jimmy Fallon | Self (archive footage) |
Joel Schumacher | Self (archive footage) |
Sean Penn | Self (archive footage) |
Jim Morrison | Self (archive footage) |
Peter Kass | Self (archive footage) |
Tom Stratton | Self (archive footage) |
Name | Job |
---|---|
Leo Scott | Additional Camera, Director, Editor |
Ting Poo | Additional Camera, Director, Editor |
Garth Stevenson | Original Music Composer, Musician |
Tyler Pharo | Editor |
Lauren Fitzsimmons | Production Design |
Leila El hayani | Director of Photography |
Sara Lynn Krupnick | Production Supervisor |
Christopher Noviello | Post Production Supervisor |
Natalie Ancona | Assistant Editor |
Meryl Goodwin | Assistant Editor |
Angela Asistio | Music Supervisor |
Daniel de Vue | Colorist |
Casey Price | Creative Director |
John Bolen | Mixing Engineer, Recording Supervision |
Meagen Carroll | Post-Production Manager |
Britnee Forrest | Accounting Supervisor |
Zachary Wiley | Accountant |
Tiffany Soliah | Accountant |
Tom Stratton | Additional Camera |
Leila El Hayani | Additional Camera |
Michael Haldin | Sound Mixer |
Dan Fine | Set Dresser |
Raymond Schmidt | Set Dresser |
Mika Florin | Leadman |
Allison Keogh | Production Assistant |
Max Joslyn | Grip |
Adam Kolegas | Key Grip |
Tomas Magana | Best Boy Grip |
Justin Holdsworth | Gaffer |
Reed Koppen | First Assistant Camera |
Ross McLennan | Director of Photography |
Kim Kookendoffer | Production Coordinator |
Julie Hook | Production Manager |
Rebecca Altenhofen | Line Producer |
Óscar Velázquez | Sound Mixer |
Natalie Morrel | Production Assistant |
Dante DiBello | Production Assistant |
Bruce Brentlinger | Line Producer |
Hazel Bryan | Production Assistant, Production Coordinator |
Tim Stratton | Director of Photography |
Steven Meyer | Sound Mixer, Manager of Operations |
Simon Reilly | Additional Camera |
Phoebe Fraser | Additional Camera |
Craig Foster | Additional Camera |
Brandon Gry | Additional Camera |
Gena Fridman | Additional Camera |
Michael Canon | Additional Camera |
Patrick Nissim | Additional Camera |
Justin Kane | Additional Camera |
Adam Leene | Additional Camera |
Randy Kulina | Additional Camera |
Wojtek Kiela | Additional Camera |
Charles Bae | Additional Camera |
José Peña | Additional Camera |
Ali Alborzi | Additional Camera |
Brad Koepenick | Additional Camera |
Gabriel Walter | Additional Sound Re-Recordist |
Sean McCormick | Additional Sound Re-Recordist |
Leila Jardman | Additional Sound Re-Recordist |
Armando Macias | Additional Sound Re-Recordist |
Christina Courtin | Musician |
Annie Lynch | Musician |
Ben Gerstein | Musician |
Dan Brantigan | Musician |
Emily Osborne | Documentation & Support, Production Manager |
Chris Bowyer | Coordinating Producer |
Mary Moran | Director of Operations |
Emilee Smith | Administration |
Val Kilmer | Cinematography |
Justin Cook | Best Boy Electric |
Name | Title |
---|---|
Dustin LaForce | Producer |
Andrew Fried | Producer |
Dane Lillegard | Producer |
Jordan Wynn | Producer |
Ali Alborzi | Producer |
Brad Koepenick | Producer |
Leo Scott | Producer |
Ting Poo | Producer |
Lauren Bleiweiss | Associate Producer |
Sarba Das | Co-Executive Producer |
Suzanne Greenfield | Co-Producer |
Christopher Noviello | Co-Producer |
Emily Osborne | Co-Executive Producer |
Jenny Bright | Producer |
Thatcher Peterson | Executive Producer |
Scott Friske | Executive Producer |
Lauren Cascio | Executive Producer |
Alex Velasco | Associate Producer |
Ben Cotner | Executive Producer |
Mercedes Kilmer | Associate Producer |
Val Kilmer | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 16 | 29 | 8 |
2024 | 5 | 15 | 29 | 12 |
2024 | 6 | 14 | 24 | 9 |
2024 | 7 | 13 | 25 | 7 |
2024 | 8 | 11 | 25 | 7 |
2024 | 9 | 8 | 14 | 6 |
2024 | 10 | 10 | 18 | 6 |
2024 | 11 | 8 | 12 | 6 |
2024 | 12 | 9 | 13 | 6 |
2025 | 1 | 11 | 24 | 7 |
2025 | 2 | 7 | 10 | 3 |
2025 | 3 | 5 | 9 | 1 |
2025 | 4 | 3 | 7 | 0 |
2025 | 5 | 2 | 7 | 1 |
2025 | 6 | 2 | 4 | 1 |
2025 | 7 | 1 | 2 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 0 | 1 | 0 |
Trending Position
Year | Month | High | Avg |
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2025 | 4 | 105 | 429 |
The line between fiction and reality is seldom as blurry as when it comes to actor Val Kilmer who, as clichéd as it sounds, is a true chameleon. As consumptive gunslinger Doc Holliday in Tombstone, Kilmer looks for all the world like a man who’s running late for his own funeral. And on The Doors, "H ... e looks so uncannily like Jim Morrison that we feel like this isn't a case of casting, it's a case of possession" (Ebert). As it turns out, Kilmer has apparently held a camcorder in his hand for as long as he was strong enough to lift it, only putting it down in the stretches between "action" and "cut." This footage, spanning 800 hours of footage and 40 years of personal and professional life, is the raw material for Val, an intimate, honest, urgent, bittersweet, optimistic, hopeful documentary. "Now that it's harder to talk, I want to tell my story more than ever," says Kilmer through his son Jack, who narrates the film in the first person. In recent years Kilmer was diagnosed with throat cancer, and although he is currently in remission, his voice has taken the toll of radiation, chemotherapy, and two tracheotomies. Val is not a hagiography but a 'warts and all' portrait that devotes equal attention to the lows as to the highs; among the former none is more painful to watch than Kilmer’s current status as a living relic of himself, making appearances at showings of his more iconic films and signing autographs at comic book conventions; as he puts it, “basically selling my old self, my old career.” On the other hand, it’s a career that sells itself; in addition to the aforementioned The Doors and Tombstone, there’s Top Gun, Thunderheart, Heat, The Ghost and the Darkness, The Salton Sea, Spartan, Kiss Kiss Bang Bang, and Bad Lieutenant: Port of Call New Orleans, just to name a few (the documentary can’t be accused of selective amnesia, though, revisiting as well the likes of Batman Forever and The Island of Dr. Moreau. All things considered, Val doesn't just preach to the choir; the movie includes home videos, audition tapes, behind-the-scenes stuff, and much more, making it an item of interest to fans of Kilmer, students of acting, and lovers of cinema alike.