Popularity: 8 (history)
| Director: | Robert Zemeckis |
|---|---|
| Writer: | William Broyles Jr. |
| Staring: |
| Chuck Noland, a top international manager for FedEx, and Kelly, a Ph.D. student, are in love and heading towards marriage. Then Chuck's plane to Malaysia crashes at sea during a terrible storm. He's the only survivor, and finds himself marooned on a desolate island. With no way to escape, Chuck must find ways to survive in his new home. | |
| Release Date: | Dec 22, 2000 |
|---|---|
| Director: | Robert Zemeckis |
| Writer: | William Broyles Jr. |
| Genres: | Adventure, Drama |
| Keywords | exotic island, suicide attempt, volleyball, loneliness, survival, airplane crash, deserted island, tropical island, intense, bold, melodramatic |
| Production Companies | DreamWorks Pictures, 20th Century Fox, Playtone, ImageMovers |
| Box Office |
Revenue: $429,632,142
Budget: $90,000,000 |
| Updates |
Updated: Aug 03, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Tom Hanks | Chuck Noland |
| Helen Hunt | Kelly Frears |
| Chris Noth | Jerry Lovett |
| Paul Sanchez | Ramon |
| Lari White | Bettina Peterson |
| Leonid Citer | Fyodor |
| David Allen Brooks | Dick Peterson |
| Semion Sudarikov | Nicolai |
| Peter Von Berg | Yuri |
| Dmitri S. Boudrine | Lev |
| Nick Searcy | Stan |
| François Duhamel | French FedEx Loader |
| Michael Forest | Pilot Jack |
| Lauren Birkell | Lauren Madden |
| Yelena Popovic | Beautiful Russian Woman |
| Viveka Davis | Pilot Gwen |
| Jennifer Choe | Memphis State Student |
| Nan Martin | Kelly's Mother |
| Anne Bellamy | Anne Larson |
| Dennis Letts | Dennis Larson |
| Wendy Worthington | Wendy Larson |
| Valerie Wildman | Virginia Larson |
| John Duerler | John Larson |
| Steve Monroe | Steve Larson |
| Lisa Long | Lisa Madden |
| Elden Henson | Elden Madden |
| Timothy Stack | Morgan Stockton |
| Alice Vaughn | Alice Stockton |
| Joe Conley | Joe Wally |
| Garret Davis | Pilot Blaine |
| Jay Acovone | Pilot Peter |
| Christopher Kriesa | Pilot Kevin |
| Derick Alexander | Taxi Driver |
| Jenifer Lewis | Becca Twig |
| Vince Martin | Albert Miller |
| Valentina Ananina | Russian Babushka |
| Geoffrey Blake | Maynard Graham |
| Name | Job |
|---|---|
| Joanna Johnston | Costume Design |
| Robert Zemeckis | Director |
| Alan Silvestri | Original Music Composer, Conductor |
| Arthur Schmidt | Editor |
| Victoria Burrows | Casting |
| François Duhamel | Still Photographer |
| Daniel C. Striepeke | Key Makeup Artist |
| Deborah La Mia Denaver | Makeup Artist |
| Tom Macdonald | Set Costumer |
| Doug Coleman | Stunt Coordinator |
| Tom Boyd | Musician |
| Dennis Leonard | Supervising Sound Editor |
| Ken Ralston | Visual Effects Supervisor |
| Steve Starkey | Second Unit Director |
| Randy Thom | Sound Re-Recording Mixer |
| Tom Johnson | Sound Re-Recording Mixer |
| Gary Archer | Prosthetics |
| Josh McLaglen | First Assistant Director |
| William Broyles Jr. | Writer |
| Mickey Giacomazzi | Stunts |
| Sergei Gurevich | Production Manager |
| Stefan Dechant | Art Direction |
| Elizabeth Lapp | Art Direction |
| William James Teegarden | Art Direction |
| Karen O'Hara | Set Decoration |
| Chris Cummings | Art Department Coordinator |
| Neil Kirkland | Construction Coordinator |
| Dean Kraft | Construction Foreman |
| Carlo Basail | Greensman |
| Audrey Brooks | Location Scout |
| Leslie Ross | Painter |
| Warren Manser | Production Illustrator |
| Robin L. Miller | Property Master |
| Maureen McGuire | Props |
| Val Drake | Sculptor |
| Pamela Klamer | Set Designer |
| William Acedo | Set Dressing Artist |
| Anthony 'AJ' Leonardi Jr. | Standby Painter |
| Moshe Levin | Additional Camera |
| Dan Moore | Additional Photography |
| Gregory Lundsgaard | Camera Operator |
| Roger Wall | Camera Technician |
| Tommy Klines | First Assistant Camera |
| Jeff Andrus | Grip |
| Steve Smith | Key Grip |
| Robert Wojewodski | Assistant Costume Designer |
| Diana Wilson | Costume Supervisor |
| Kathryn Blondell | Hairstylist |
| Carmen Mazarow | Seamstress |
| Walt Conti | Animatronic and Prosthetic Effects |
| David Burton | CG Supervisor |
| Jeff Khachadoorian | Carpenter |
| Orlando Chongo | Craft Service |
| Steven Kunes | Creative Consultant |
| Andrew Menzies | Assistant Art Director |
| Allyn Partin | Dialect Coach |
| Richard Kidd | Digital Effects Supervisor |
| Audrea Topps Harjo | Digital Producer |
| Johnny Bartlet | Driver |
| Steve 'Mac' MacIntyre | Marine Coordinator |
| Patrick Esposito | Post-Production Manager |
| Jim Turner | Production Controller |
| Len Borggrebe | Propmaker |
| Luca Kouimelis | Script Supervisor |
| Tim Werle | Set Medic |
| Brian Hall | Software Engineer |
| Larz Anderson | Special Effects |
| Ray Zielinski | Stand In |
| Steven Baker | Stunts |
| Randy Cantor | Transportation Captain |
| Dennis W. Milliken | Transportation Co-Captain |
| Joel Marrow | Transportation Coordinator |
| Jane E. Russell | Unit Publicist |
| Carla Corwin | First Assistant Director |
| Jim Passon | Color Timer |
| Peter Ciardelli | Editorial Production Assistant |
| R. Orlando Duenas | First Assistant Editor |
| Craig Campbell | Electrician |
| Dean Andolsek | Gaffer |
| Brad Emmons | Rigging Gaffer |
| Danny Barfield | Rigging Grip |
| Scot Boland | Casting Associate |
| James W. Kristoff | Executive In Charge Of Production |
| Tim Hillman | Location Manager |
| Maria DeVane | Post Production Accountant |
| Ken Ryan | Production Accountant |
| Dhana Gilbert | Production Coordinator |
| Martin Krauka | Production Supervisor |
| Cherylanne Martin | Unit Production Manager |
| Marilyn McCoppen | ADR Supervisor |
| Colin O'Neill | Assistant Sound Editor |
| Robert Jackson | Boom Operator |
| Ewa Sztompke | Dialogue Editor |
| Sue Fox | Foley Editor |
| Kenneth Karman | Music Editor |
| William B. Kaplan | Production Sound Mixer |
| Ken Fischer | Sound Effects Editor |
| Dominic Sidoli | Visual Effects Coordinator |
| Guy T. Wiedmann | Visual Effects Editor |
| Crys Forsyth-Smith | Visual Effects Producer |
| Philip Keller | Storyboard Artist |
| Robin Richesson | Costume Illustrator |
| Linda Redmon | Costumer |
| Nigel Boyd | Key Costumer |
| Patricia Bercsi | Key Set Costumer |
| Anna E. Hayward | Additional Second Assistant Director |
| Basti Van Der Woude | Second Second Assistant Director |
| Graham Aston | Assistant Property Master |
| Jason Sweers | Graphic Designer |
| Kurt Blondis | Set Painter |
| Mary Etta Lang | Textile Artist |
| Derek Casari | ADR Engineer |
| Charleen Richards-Steeves | ADR Mixer |
| David Lucarelli | ADR Recordist |
| Dennie Thorpe | Foley Artist |
| Tony Eckert | Foley Mixer |
| Frank 'Pepe' Merel | Foley Recordist |
| Taylor Ball | Special Effects Assistant |
| Martin Montoya | Special Effects Technician |
| Amy Garback | Additional Visual Effects |
| Marzette Bonar | VFX Artist |
| Timothy Michael Cairns | Visual Effects Production Assistant |
| Lauren A. Littleton | Visual Effects Production Manager |
| Steven Blakey | Visual Effects Technical Director |
| Jon Roseman | Stunt Double |
| Richard Mosier | Assistant Camera |
| Steve Graves | Best Boy Grip |
| Steven Cueva | Camera Loader |
| Sean Devine | Dolly Grip |
| Kelly Diehl | Libra Head Technician |
| Cash Cockerill | Second Assistant Camera |
| Judith Bouley | Additional Casting |
| Jenne Herbst | Casting Assistant |
| Katie Hedrich | Assistant Editor |
| Jeremiah O'Driscoll | Associate Editor |
| Jeff Chaves | Colorist |
| John Nicolard | Digital Color Timer |
| Gary Burritt | Negative Cutter |
| Martin Lane | Assistant Location Manager |
| Anthony Cross | Location Assistant |
| Joel Sill | Music Consultant |
| Nila Neukum | Additional Script Supervisor |
| Chris Johnson | Art Department Production Assistant |
| Shannon Petska | Assistant Production Coordinator |
| Patrick Zentis | Digital Compositor |
| Mayda Renizzi-Holt | First Assistant Accountant |
| John Follmer | Head of Production |
| David Bleich | Matte Painter |
| Lori Ikeda | Payroll Accountant |
| Charlie Bolwell | Production Assistant |
| Steven R. Molen | Production Executive |
| Scott Puckett | Production Secretary |
| Lea Lambert | Rotoscoping Artist |
| Stuart McCowan | Sound Design Assistant |
| John Williams | Technical Advisor |
| Colleen Gibbons | Travel Coordinator |
| Kirk A. Holland | Transportation Captain |
| Jennifer Watson-Johnston | Stunts |
| Kim Sinclair | Art Direction |
| John Frazier | Special Effects Supervisor |
| Dennis Sands | Sound Re-Recording Mixer |
| Don Burgess | Director of Photography |
| Rick Carter | Production Design |
| Rosemary Brandenburg | Set Decoration |
| Drew Jones | Visual Effects Producer |
| Mac Smith | Apprentice Sound Editor |
| Name | Title |
|---|---|
| Robert Zemeckis | Producer |
| Steve Starkey | Producer |
| Tom Hanks | Producer |
| Joan Bradshaw | Executive Producer |
| Steven J. Boyd | Associate Producer |
| Cherylanne Martin | Associate Producer |
| Jack Rapke | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 57 | 77 | 35 |
| 2024 | 5 | 62 | 91 | 47 |
| 2024 | 6 | 51 | 81 | 35 |
| 2024 | 7 | 62 | 93 | 38 |
| 2024 | 8 | 52 | 73 | 33 |
| 2024 | 9 | 43 | 71 | 29 |
| 2024 | 10 | 40 | 74 | 29 |
| 2024 | 11 | 43 | 55 | 34 |
| 2024 | 12 | 45 | 57 | 34 |
| 2025 | 1 | 51 | 71 | 37 |
| 2025 | 2 | 38 | 49 | 7 |
| 2025 | 3 | 14 | 42 | 4 |
| 2025 | 4 | 11 | 18 | 6 |
| 2025 | 5 | 10 | 19 | 7 |
| 2025 | 6 | 9 | 14 | 8 |
| 2025 | 7 | 8 | 11 | 7 |
| 2025 | 8 | 7 | 10 | 6 |
| 2025 | 9 | 9 | 11 | 6 |
| 2025 | 10 | 7 | 9 | 5 |
Trending Position
| Year | Month | High | Avg |
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| 2025 | 10 | 344 | 719 |
| Year | Month | High | Avg |
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| 2025 | 9 | 406 | 735 |
| Year | Month | High | Avg |
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| 2025 | 8 | 330 | 687 |
| Year | Month | High | Avg |
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| 2025 | 7 | 298 | 729 |
| Year | Month | High | Avg |
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| 2025 | 6 | 218 | 712 |
| Year | Month | High | Avg |
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| 2025 | 5 | 335 | 692 |
| Year | Month | High | Avg |
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| 2025 | 4 | 276 | 643 |
| Year | Month | High | Avg |
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| 2025 | 3 | 269 | 655 |
| Year | Month | High | Avg |
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| 2025 | 2 | 256 | 619 |
| Year | Month | High | Avg |
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| 2025 | 1 | 159 | 590 |
| Year | Month | High | Avg |
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| 2024 | 12 | 158 | 686 |
| Year | Month | High | Avg |
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| 2024 | 11 | 341 | 731 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 380 | 705 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 538 | 807 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 467 | 763 |
We live and we die by time. And we must not commit the sin of losing our track on time. *** This review may contain spoilers *** Jetting off on yet another important task, FedEx whizzer Chuck Noland leaves his girlfriend Kelly Frears (Helen Hunt) behind just before Christmas. Disaster strikes ... during the flight and the plane crashes into the ocean. Managing to free himself from the sinking jet, Noland is washed up on an uninhabited island. Without basic modern comforts and fighting solitude daily, Noland must live in hope that one day he might be saved before he loses his mind or the will to live. Tom Hanks (Noland) re-teams with director Robert Zemeckis after their hugely successful collaboration on 1994 awards stealer, Forrest Gump. Though Cast Away didn't win any awards (the usual cry of it being Oscar bait had preceded it) it can be argued to be Hanks' best performance. Few actors in the modern era could carry the film the way that Hanks does. Beguiling and drawing us into his loneliness, Hanks, with minimal dialogue (his only company being a volleyball that washed up with a few other FedEx parcels) excels with facial and bodily acting. Zemeckis, who should be applauded for the middle section and the terrifying plane crash that precedes it, puts Hanks' Noland through the mangler. The convenience of said parcels washing ashore aside, Noland is bumped bruised and dentally challenged, the Robinson Crusoe clichés exist of course, but Zemeckis and a heartfelt Hanks put us there on the island as well, with a pat on the back due for the excellent work by the sound department I might add. Sadly Cast Away is bookended by not so great work. The opening character introductions are unremarkable but just about good enough for the plot set up, but the ending lacks emotional punch and defies what has been built up. Things aren't helped by Helen Hunt's lack of chemistry with Hanks, but that in turn is not helped by the writing from William Broyles Jr. since it's only really now that it's Noland that we care about. It's a bit churlish to complain too much though, because Zemeckis kept us on the island with Chuck, there was no cutting back to grieving family or fruitless rescue attempts. With that it was a truly fine one man show, even if that is something that ultimately renders the ending something of a let down. 7.5/10
**Cast Away is a brilliant movie in many ways, but some disappointing story and character decisions keep it from being a personal favorite.** It all began on Christmas Day. Many people forget that Cast Away is technically a Christmas movie. The fateful plane crash that strands Tom Hanks on an isl ... and alone with his volleyball best friend, Wilson, takes off and leaves his new fiance alone on Christmas Day. There are some fantastic aspects to this film. Tom Hanks once again gives an Oscar-worthy performance committing himself entirely to the role that honestly carried the film. Everyone loves Tom Hanks, so stranding him on a deserted island fighting for survival gets everyone involved. The directing and setting of the film were well-crafted. There are two reasons Cast Away receives such a low rating: > 1. Despite Hanks' incredible performance, the film was mostly one guy all alone talking to himself. It made the story drag and get a little boring. > > 2. Call me a romantic but the fact that he battles and finally makes it home to his fiance only to find out she moved on was extremely disappointing. Sure he abandoned her during the holiday season but still, he returned to her against all odds, only to be rejected. Ouch! I guess she sort of… cast him away. 🤭 I agree with anyone who says Cast Away is an amazing movie, but it's not a personal favorite.
Tom Hanks excels in this well put together depiction of the archetypal, rather fastidious, business executive who finds himself stranded - after his plane crashes - on a remote tropical island. Completely ill-suited for life without any modern conveniences, but not without a brain cell or two, he ha ... s to adapt à la "Robinson Crusoe" to his new life of coconuts and whatever fish he can catch. The story takes it's time but that all contributes well to the effectiveness of his performance as he must deal with the physical, logistical and increasingly psychological challenges his predicament throws at him. Loneliness and despair fight against his human nature to thrive and to survive - and cause his creation of "Wilson", a sort of hybrid between a volleyball and a pineapple, for company! It was a Fed-Ex plane, which allows Robert Zemeckis to introduce some brief flashes of humour to lighten the mood - it's astonishing what people think to send to each other - and there is even a role for some ice skates to serve as a dentistry aid! As it progresses, we know that rescue is unlikely so are not surprised when his thoughts turn to venturing into the great, and turbulent, unknown - on a raft held together by plant threads and video tape. There isn't a great deal of jeopardy so the ending isn't really in doubt, but the effort here by Hanks and some solid writing and directing create quite a compelling and at times un-nerving film to watch. I've never really been one for the tropical island experience - I'm certainly not now!