 
  Popularity: 0.3 (history)
| Director: | Jacob Dufour, Adam Dufour | 
|---|---|
| Writer: | Jacob Dufour, Adam Dufour | 
| Staring: | 
| A logger, a DNR officer, and a widow's lives intertwine as their small backwoods town deals with the aftermath of a local preacher's mysterious death. | |
| Release Date: | Nov 09, 2019 | 
|---|---|
| Director: | Jacob Dufour, Adam Dufour | 
| Writer: | Jacob Dufour, Adam Dufour | 
| Genres: | |
| Keywords | |
| Production Companies | |
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 04, 2025 Entered: May 01, 2024 | 
| Name | Character | 
|---|---|
| Dave Payton | Bill Childers | 
| Zeb Slone | Churchgoer (uncredited) | 
| Eleanor Brown | Lola Mae Tyson | 
| Cory Kays | Officer Ned Pearson | 
| Adam Dufour | Burl Axsom | 
| David Ross | The Hobo | 
| Angela Duggins | Genevieve Axsom | 
| Michael J. Patterson | Ernie Tyson | 
| Daniel Main | Randall Cunningham | 
| Rachel Casey | Peggy Wheeler | 
| Pete Law | Estel the Storekeeper | 
| John Wisley | Gunther Haltzbog | 
| Jacob Dufour | Harlan | 
| C.J. Swift | Casey | 
| Jackie Davis | Marge Childers | 
| Sophie Davis | Maybelline Childers | 
| Rich Jones | Nester | 
| Grace Rankin | Police Officer | 
| Stuart Schexnayder | Coroner | 
| Name | Job | 
|---|---|
| Jacob Dufour | Director, Writer, Music, Casting, Editor | 
| Will Jackson | Wardrobe Supervisor, Production Assistant | 
| Caleb Martin | Music | 
| Kara Wisley | Makeup Artist | 
| James Vincent | Boom Operator | 
| Justin Cleghorn | Grip | 
| Coral Vincent | Grip, Production Assistant | 
| Christina Loeffler | Script Supervisor | 
| Grace Rankin | Production Assistant, Wardrobe Supervisor | 
| Adam Dufour | Director, Writer, Casting | 
| Daniel Cleghorn | Cinematography | 
| Rachel Casey | Makeup Artist | 
| Stuart Schexnayder | Sound Mixer | 
| Grant Cadwell | First Assistant Camera | 
| Rebekah Lloyd | Gaffer | 
| Isaac Vincent | Second Assistant Camera | 
| Name | Title | 
|---|---|
| Daniel Cleghorn | Producer | 
| Don Marr | Executive Producer | 
| Adam Dufour | Executive Producer | 
| Jacob Dufour | Producer | 
| Karen Marr | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 1 | 3 | 1 | 
| 2024 | 5 | 3 | 7 | 1 | 
| 2024 | 6 | 1 | 5 | 0 | 
| 2024 | 7 | 2 | 4 | 1 | 
| 2024 | 8 | 1 | 2 | 0 | 
| 2024 | 9 | 1 | 2 | 1 | 
| 2024 | 10 | 1 | 1 | 1 | 
| 2024 | 12 | 1 | 1 | 1 | 
| 2025 | 1 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 0 | 0 | 
| 2025 | 9 | 0 | 0 | 0 | 
| 2025 | 10 | 0 | 0 | 0 | 
Trending Position
**_The challenge of life “under the sun” in the rural Midwest_** In the Ohio River region of southern Indiana, three people’s lives intersect after the death of a hypocritical pastor: A hardworking logger from a struggling family, a Department of Natural Resources officer looking for more action ... and a grieving widow. "Timbertown" (2019) is a psychological crime drama Indie reminiscent of the tone of “Winter’s Bone” (2010), albeit not as dismal due to its inherent spirituality linked to the book of Ecclesiastes. There are even flashes of low-key humor. Similar flicks include "The River King" (2005), "Snow Angels" (2007), "Frozen River" (2008), "The Drowning" (2016) and, in some ways, "Rust Creek" (2018). Such movies deal with the mundaneness of life in rural areas of the Midwest or Eastern America with usually a crime element; but they all depict the tedium of everyday life and the testing of character in one hardship or another. I point this out because some viewers might not appreciate the realistic, even tedious portrayal of everyday life. This one’s refreshing because, while it honestly illustrates the challenges of life that we can all relate to—providing for your family, seeking respect or love, the pursuit of meaning, grief, the burden of guilt and need for redemption—it never descends into unrelenting bleakness, like “Winter’s Bone” and bits of “Snow Angels.” There’s an artistic flashback sequence in the second half that’s done to classical music with no dialogue whatsoever. Although it’s arguably overlong, it’s well done and I didn’t have a problem with it. The sequence is creative and smacks of originality, but I couldn’t help think of bits in “2001: A Space Odyssey” and “Watchmen,” although in those movies the sequences aren’t flashbacks and they’re shorter. The film runs 1 hours, 30 minutes, and was shot in southern Indiana not too far from the Ohio River and, specifically, Washington County (which is a 20-25 minute drive from Louisville, Kentucky, to the southeast). GRADE: A-/B+