Popularity: 7 (history)
| Director: | Steven Spielberg |
|---|---|
| Writer: | Steven Spielberg |
| Staring: |
| Name | Character |
|---|---|
| Richard Dreyfuss | Roy Neary |
| François Truffaut | Claude Lacombe |
| Teri Garr | Ronnie Neary |
| Melinda Dillon | Jillian Guiler |
| Bob Balaban | David Laughlin |
| J. Patrick McNamara | Project Leader |
| Warren J. Kemmerling | Wild Bill |
| Roberts Blossom | Farmer |
| Phil Dodds | ARP Musician |
| Cary Guffey | Barry Guiler |
| Shawn Bishop | Brad Neary |
| Adrienne Campbell | Sylvia Neary |
| Justin Dreyfuss | Toby Neary |
| Lance Henriksen | Robert |
| Merrill Connally | Team Leader |
| Amy Douglass | Implantee |
| Gene Dynarski | Ike |
| Carl Weathers | Military Policeman |
| Norman Bartold | Norman Bartold |
| F.J. O'Neil | ARP Project Member |
| Hal Barwood | Returnee #2 Flt. 19 |
| Matthew Robbins | Returnee #3 Flt. 19 |
| Gene Rader | Hawker |
| Daniel Nunez | Federale |
| Chuy Franco | Federale |
| Luis Contreras | Federale |
| Galen Thompson | Special Forces |
| John Dennis Johnston | Special Forces |
| Robert Broyles | Dirty Tricks #3 |
| George DiCenzo | Major Benchley |
| Alexander Lockwood | Implantee |
| Josef Sommer | Larry Butler |
| Bill Thurman | Air Traffic |
| James Keane | Radio Telescope Team |
| Philip Dodds | Jean Claude |
| Mary Gafrey | Mrs. Harris |
| Michael J. Dyer | Himself |
| Roger Ernest | Highway Patrolman |
| Randy Herman | Returnee #1 Flt. 19 |
| David Anderson | Air Traffic Controller |
| Richard L. Hawkins | Air Traffic Controller |
| Craig Shreeve | Air Traffic |
| Roy E. Richards | Air East Pilot |
| Eumenio Blanco | Federale |
| Dennis McMullen | Radio Telescope Team |
| Cy Young | Radio Telescope Team |
| Tom Howard | Radio Telescope Team |
| Richard Stuart | Truck Dispatcher |
| Bob Westmoreland | Load Dispatcher |
| Matt Emery | Support Leader |
| John Ewing | Dirty Tricks #1 |
| Kirk Raymond | Dirty Tricks #4 |
| Keith Atkinson | Dirty Tricks #2 |
| Monty Jordan | Special Forces Commander / Helicopter Pilot (uncredited) |
| Basil Hoffman | Longly (uncredited) |
| Stephen Powers | UN Observer (uncredited) |
| J. Allen Hynek | Man Smoking Pipe at Landing Site (uncredited) |
| Howard K. Smith | Howard K. Smith (uncredited) |
| Name | Job |
|---|---|
| Steven Spielberg | Writer, Director |
| John Williams | Original Music Composer |
| Vilmos Zsigmond | Director of Photography |
| Michael Kahn | Editor |
| Shari Rhodes | Casting |
| Juliet Taylor | Casting |
| Joe Alves | Production Design |
| Buddy Joe Hooker | Stunt Coordinator |
| Dan Perri | Title Designer |
| Douglas Trumbull | Visual Effects Director |
| Carlo Rambaldi | Visual Effects |
| Steven Poster | Second Unit Director of Photography |
| László Kovács | Additional Director of Photography |
| Henry Kingi | Stunt Driver |
| Craig R. Baxley | Stunt Driver |
| J. Allen Hynek | Production Consultant |
| Daniel A. Lomino | Art Direction |
| Phil Abramson | Set Decoration |
| George Jenson | Production Illustrator |
| Don MacDougall | Sound Re-Recording Mixer |
| Kenneth Wannberg | Music Editor |
| Charlsie Bryant | Script Supervisor |
| Frank E. Warner | Supervising Sound Effects Editor |
| Earl Gilbert | Gaffer |
| Nick McLean | Camera Operator |
| Pete Turner | Still Photographer |
| Peter Sorel | Still Photographer |
| Jim Coe | Still Photographer |
| Murray Weissman | Publicist |
| Al Ebner | Publicist |
| Joe O'Har | Location Manager |
| Edie Panda | Hairdresser |
| Bob Westmoreland | Makeup Supervisor |
| Charles Myers | Assistant Director |
| Jim Bloom | Second Assistant Director |
| Bill Parks | Construction Manager |
| Sam Gordon | Property Master |
| Stephen Katz | Sound Supervisor |
| Jack Schrader | Supervising Dialogue Editor |
| Harry Moreau | Animation |
| Robert Swarthe | Animation Supervisor |
| Richard Yuricich | VFX Director of Photography |
| Peggy Rosson | Production Accountant |
| Joyce Goldberg | Production Secretary |
| Carol Bidault de L'Isle | Production Assistant |
| Gail Siemers | Production Secretary |
| Denny Arnold | Stunts |
| Bobby Bass | Stunts |
| Melvin Jones | Stunts |
| Monty Jordan | Utility Stunts |
| Stephen Powers | Stunts |
| Richard Oswald | Sound |
| John A. Alonzo | Additional Director of Photography |
| Robert 'Buzz' Knudson | Sound Re-Recording Mixer |
| Jeannie Epper | Stunts |
| Jerry Brutsche | Stunt Driver |
| Name | Title |
|---|---|
| Clark L. Paylow | Producer |
| Julia Phillips | Producer |
| Michael Phillips | Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Picture | N/A | Nominated |
| Academy Awards | Best Supporting Actress | Melinda Dillon | Nominated |
| Academy Awards | Best Director | Steven Spielberg | Nominated |
| Golden Globes | Best Director | Steven Spielberg | Won |
| Cannes Film Festival | Best Director | Steven Spielberg | Won |
| Venice Film Festival | Best Director | Steven Spielberg | Won |
| BAFTA Awards | Best Director | Steven Spielberg | Nominated |
| BAFTA Awards | Best Supporting Actor | Bob Balaban | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 37 | 51 | 28 |
| 2024 | 5 | 40 | 58 | 26 |
| 2024 | 6 | 35 | 55 | 24 |
| 2024 | 7 | 39 | 66 | 23 |
| 2024 | 8 | 34 | 47 | 25 |
| 2024 | 9 | 30 | 49 | 18 |
| 2024 | 10 | 29 | 41 | 18 |
| 2024 | 11 | 34 | 71 | 24 |
| 2024 | 12 | 30 | 42 | 19 |
| 2025 | 1 | 31 | 43 | 19 |
| 2025 | 2 | 25 | 37 | 4 |
| 2025 | 3 | 12 | 32 | 2 |
| 2025 | 4 | 6 | 11 | 3 |
| 2025 | 5 | 5 | 13 | 3 |
| 2025 | 6 | 5 | 8 | 4 |
| 2025 | 7 | 4 | 5 | 2 |
| 2025 | 8 | 4 | 4 | 3 |
| 2025 | 9 | 5 | 6 | 4 |
| 2025 | 10 | 5 | 8 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 132 | 622 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 351 | 673 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 232 | 779 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 240 | 747 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 414 | 759 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 616 | 787 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 242 | 711 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 514 | 753 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 493 | 705 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 257 | 780 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 473 | 821 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 488 | 791 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 725 | 819 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 420 | 746 |
**Do the mashed potato!** Roy Neely is a gas repair man who has a close encounter with an alien craft and begins having strange visions of mashed potatoes, shaving cream and mud mountains. This all leads to Needy's marriage breaking up and he sets out to find the truth about his mashed potato vis ... ions. The climax at a mountain is breathtaking when Neely comes face to face with his destiny. One of Spielberg's best with a nice cameo by French director Francois Truffaut.
I always remember as a child hoping/praying that if extra terrestrials ever did come to visit us, that they wouldn't arrive in America. Think "The Day the Earth Stood Still" (1951) or most other sci-fi stories: the first things they would see when they opened their door would be guns, tanks, missile ... s, soldiers... This film takes a far more sophisticated approach to how we might engage with an alien species, and together with some super effects and a far more nuanced storyline leaves us with room for optimism that we might not just try to shoot first and ask questions afterwards - should anyone ever do arrive. Spielberg was still, in my view anyway, learning his craft when he wrote/directed this and that shows in the real paucity of pace for the first hour. Richard Dreyfuss is adequate, but the constantly amazed/perplexed looks on his face start to become annoying after a while. François Truffaut features now and again - largely as part of a parallel storyline - but really, this only begins to engage in the last thirty minutes when the threads all knit together giving us a clever denouement as the scientists discover an innovative, musical, way to communicate that doesn't involved threats and bullets. Oddly enough, even when I first saw this at the age of 9, I never got any sense of menace from our travellers and the absence of any substantial physical form for us to identify with seems to help keep the magic working. Not John Williams' finest work, I thought the score suffered from the slow rate of progress with the plot but the symbolism and curiosity of spirit this film engenders makes it still, just about, worth sticking though...