Popularity: 4 (history)
| Director: | Bertrand Bonello |
|---|---|
| Writer: | Bertrand Bonello |
| Staring: |
| The dawn of the 20th century: L’Apollonide, a luxurious and traditional brothel in Paris, is living its last days. In this closed world, where some men fall in love and others become viciously harmful, the women share their secrets, their fears, their joys and their pains. | |
| Release Date: | Sep 21, 2011 |
|---|---|
| Director: | Bertrand Bonello |
| Writer: | Bertrand Bonello |
| Genres: | Drama |
| Keywords | paris, france, brothel, eroticism, sexual fantasy, sexual humiliation, prostitution, sexual desire, sexual favor, sexual exploration, sexual experimentation, sexual relationship, sexual attitudes, sexual discovery, sexual education |
| Production Companies | ARTE France Cinéma, Les Films du Lendemain, My New Picture |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jul 11, 2025 Entered: Jul 11, 2025 |
| Name | Job |
|---|---|
| Elsa Amiel | Still Photographer, First Assistant Director |
| Gaston Grandin | Key Grip |
| Marianne Lamour | Gaffer |
| Ferouz Zaafour | Key Hair Stylist |
| Ahmed Zaoui | Grip |
| Jérôme Ventura | Makeup Artist |
| Stéphane Gallou | Grip |
| Fabrice Rouaud | Editor |
| Bertrand Bonello | Original Music Composer, Director, Writer, Still Photographer |
| Joanna Grudzinska | Casting Associate |
| Veronica J. Valentini | Coordinating Producer |
| Marie Darel | Coordinating Producer |
| Anaïs Romand | Costume Design |
| Fabrice Herbet | Special Effects Makeup Artist |
| Virginie Le Romain | Property Buyer |
| Richard Rosseau | Casting |
| Nicolas Moreau | Sound Editor |
| Milou Sanner | Hairstylist |
| Jean-Pierre Duret | Sound Recordist |
| Cédric Fayolle | Visual Effects Supervisor |
| Sophie Denize | Visual Effects Producer |
| Clément Comet | Second Assistant Director |
| Nathalie Tabareau | Makeup Artist |
| Philippe Penot | Foley Artist |
| David Carvalho Nunes | Hairstylist |
| Jean-Pierre Laforce | Sound Re-Recording Mixer |
| Loïc Andrieu | Steadicam Operator |
| Alain Guffroy | Production Design |
| Catherine Werner Schmit | Set Decoration |
| Stéphane Chauvet | Special Effects Makeup Artist |
| Jean-Luc Hovens | Hairstylist |
| Madeleine Rolland | Makeup Artist |
| Laure Talazac | Key Makeup Artist |
| Judith Lou Lévy | Casting Associate |
| Mariette Désert | Script Consultant |
| Elif Uluengin | Assistant Editor |
| Sylvie Aioun | Assistant Unit Manager |
| Samuel Attia | Assistant Unit Manager |
| Frédéric Casnin | Post-Production Manager |
| Christina Crassaris | Post Production Supervisor |
| Capucine Grelardon | Assistant Unit Manager |
| Frederic Jupin | Post-Production Manager |
| Benoît Meyzer | Assistant Production Manager |
| Abdennebi Tlemcani | Assistant Production Manager |
| Charlotte Filler | Assistant Decorator |
| Alain Lebouvier | Construction Coordinator |
| Gilbert Pignol | Standby Painter |
| Pierre Zouaoui | Assistant Art Director |
| Jacques Defrance | Assistant Foley Artist |
| Dominique Eyraud | Boom Operator |
| Michel Monier | Dolby Consultant |
| Béatrice Bauwens | Visual Effects Production Manager |
| Jean-Matthieu Dieu | Visual Effects |
| Sabine Lineres | Visual Effects |
| Carole Béthuel | Still Photographer |
| Mourad Bouhdiba | Electrician |
| Lionel Devuyst | Grip |
| Catherine Georges | First Assistant Camera |
| Magalie Leroy | Electrician |
| Erick Meurice | Best Boy Electric |
| Hervé Renoud-Lyat | Grip |
| Nadège Bulfay | Dresser |
| Sarah Fischer | Dresser |
| Anu Gould | Dresser |
| Daphné Husson | Costumer |
| Lina Jsem | Costumer |
| Anne-Cécile Le Quere | Costumer |
| Ava Ortlieb | Dresser |
| Silver Sentimenti | Costumer |
| Gerard Savary | Color Timer |
| Guillaume Larray | Intern |
| Clara Regonesi | Intern |
| Josée Deshaies | Director of Photography, Still Photographer |
| Charlotte Berland | Hairstylist |
| Michel Delarue | Makeup Artist |
| Rachel Levieux | Hairstylist |
| Rose-Edmonde Tacail | Hairstylist |
| Patrice Thibault | Makeup Artist |
| Barbara Canale | Script Supervisor |
| Guillaume Saignol | Assistant Editor |
| Dominique Champel | Post Production Coordinator |
| Martin Amicel | Assistant Production Manager |
| Olivier Barges | Assistant Production Manager |
| Aude Cathelin | Production Manager |
| Rodolphe Durand | Assistant Unit Manager |
| Bruno Jouan | Assistant Unit Manager |
| Nicolas Lebigue | Assistant Unit Manager |
| Julie Sayagh | Assistant Production Manager |
| Amélie Supau | Unit Production Manager |
| Bertrand Guinnebault | Painter |
| Antoine Martial | Carpenter |
| Christine Teulier | Property Master |
| Aude Baudasse | Assistant Sound Editor |
| Emmanuel Desguez | Sound Re-Recording Mixer |
| Vincent Gregorio | Sound Re-Recording Mixer |
| Benjamin Viau | Foley Recordist |
| Henri Deruer | Visual Effects |
| Eric Fréchou | Visual Effects |
| Thomas Pastor | Visual Effects |
| Aymeric Ansieau | Grip |
| François Gallou | Electrician |
| Thomas Lamouroux | Best Boy Grip |
| Romain Marcel | Second Assistant Camera |
| Sophie Moulin | Grip |
| Danielle Boutard | Key Costumer |
| Lucie Durand | Dresser |
| Emilie Fourrier | Costumer |
| Marion Gouti | Dresser |
| Chloe Jauffrineau | Dresser |
| Que Hiang Jsem | Costumer |
| Eiko Okamura | Costumer |
| Pryscille Pulisciano | Dresser |
| Tifenn Tautou | Costumer |
| Vanessa Basté | Post Production Assistant |
| Sandra Marinier | Production Secretary |
| Fabrice Touze | Production Accountant |
| Name | Title |
|---|---|
| Bertrand Bonello | Producer |
| Kristina Larsen | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 23 | 47 | 13 |
| 2024 | 5 | 32 | 52 | 17 |
| 2024 | 6 | 22 | 40 | 11 |
| 2024 | 7 | 26 | 45 | 10 |
| 2024 | 8 | 17 | 26 | 12 |
| 2024 | 9 | 14 | 27 | 10 |
| 2024 | 10 | 23 | 51 | 11 |
| 2024 | 11 | 23 | 42 | 15 |
| 2024 | 12 | 21 | 26 | 17 |
| 2025 | 1 | 24 | 29 | 16 |
| 2025 | 2 | 16 | 23 | 4 |
| 2025 | 3 | 7 | 24 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 2 | 4 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 2 | 2 | 1 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 4 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 107 | 350 |
Though utterly depressing pretty much from start to finish, this is still a compelling film to watch as we follow a group of girls who are caught up in the most vicious of circles. They all work for "Madame Marie-France" (Noémie Lvovsky) in her slightly upmarket, but now fairly jaded, brothel. It's ... not just a "knocking shop" - the girls are expected to entertain their guests, to chat, sip Champagne and indulge their paymasters in anything they want. It's a dangerous way of life for these women. They are mired in debt - a debt their hostess ensures never shrinks, how ever much they earn. Some of their clients are benign, even generous - but most are there to treat them as disposable commodities. There's no star as such, each actor has a moment in the sun as we deal with abortion, addiction, violence and even the odd rather naive degree of optimism as "Clotilde" (Céline Sallette), "Julie" (Jasmine Trinca" and "Samira" (Hafsia Herzi) show us just what slavery with gossamer chains looks like. The pace might be a little slow at times, it is prone to a little repetition and the constant stream of (exclusively female) nudity does start to lose it's potency and look a little gratuitous after about an hour; but as a plausible observation of the hopeful amidst hopelessness at a time and in a city where nobody cared much for their plight, this is an engaging story that cleverly mixes up it's narrative with some poignant dialogue and strong performances.