The Enforcer
Some guardians aren't angels.
2022 | 91m | English
Popularity: 4 (history)
| Director: | Richard Hughes |
|---|---|
| Writer: | W. Peter Iliff |
| Staring: |
| A noir thriller set in Miami, the film follows an enforcer who discovers his femme fatale boss has branched out into cyber sex trafficking, putting a young runaway he’s befriended at risk. He sacrifices everything to save the young girl from the deadly organization he’s spent his life building. | |
| Release Date: | Sep 22, 2022 |
|---|---|
| Director: | Richard Hughes |
| Writer: | W. Peter Iliff |
| Genres: | Action, Drama, Crime |
| Keywords | |
| Production Companies | Millennium Media, Born to Burn Films |
| Box Office |
Revenue: $0
Budget: $1,261,569 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Antonio Banderas | Cuda |
| Kate Bosworth | Estelle |
| Mojean Aria | Stray |
| Alexis Ren | Lexus |
| Zolee Griggs | Billie |
| 2 Chainz | Freddie |
| Aaron Cohen | Joe |
| Natalie Burn | Olivia |
| Mark Rhino Smith | Doom |
| Luke Bouchier | Paycheck |
| Kika Georgiou | Medina |
| Kostas Sommer | Ronnie |
| Christos Vasilopoulos | Silvio |
| Vivian Milkova | Lola |
| Lucia McKinstry Calvo | Katie |
| Eleftheria Giovanaki | Margot |
| Giannis Zoumpandis | Eric |
| Nikos Thomas | Henchman |
| Panagiotis Milas | Biker |
| Rhiannon Lee | Chantelle |
| Orestis Chang Faethon | Ling |
| Panagiotis Kapritsios | Maintenance Man |
| Maria Hekimian | Street Vendor |
| Dave Thompson | Burley Man |
| Dimitris Efrimidis | Security |
| Lennan Andruisiw | Man on Pharm |
| Tihomir Vinchev | Philly |
| Asen Asenov | Referee |
| Manos Gavras | Slender Man |
| Rosmary Yaneva | Dancer #1 |
| Ekaterini Athanasiadou | Dancer #2 |
| Name | Job |
|---|---|
| Giorgio Giampà | Original Music Composer |
| Asen Asenov | Fight Choreographer, Stunt Coordinator |
| Vladimir Kaloyanov | Sound Mixer |
| Arta Tozzi | Set Decoration |
| Milen Ivanov | Key Hair Stylist |
| Tapio Liukkonen | Foley Artist |
| Richard Hughes | Director |
| Damian F. Gomez | Editor |
| Callan Green | Director of Photography |
| Irina Kotcheva | Costume Design |
| Despina Saroglou | Casting Director |
| Stefan Mutafchiev | Unit Production Manager |
| Kristina Sakizli | Second Assistant Director |
| Danail Hadzhiyski | Visual Effects Producer |
| W. Peter Iliff | Writer |
| Mattias Morheden | Editor |
| Jonathan McKinstry | Production Design |
| Ryan Svendsen | Music Supervisor |
| Vessela Bannzurkova | Line Producer |
| Mark Roper | First Assistant Director |
| Paula Crickard | Post Production Supervisor |
| Vinca Cox | Script Supervisor |
| David Ingram | Supervising Art Director |
| Anna Ivanova | Key Makeup Artist |
| Zarko Karatanchev | Special Effects Supervisor |
| Kris Casavant | Supervising Sound Editor |
| Nikolay Bakalov | Sound Effects Editor |
| Harold Herbert | VFX Supervisor |
| Nikolas Kanellopoulos | VFX Supervisor |
| Aleksander Aleksiev | VFX Supervisor |
| Ryan Nowak | Sound Designer |
| Graham Sutton | Music Editor |
| Eleftheria Iliadou | Visual Effects Producer |
| Name | Title |
|---|---|
| Natalie Burn | Producer |
| Avi Lerner | Executive Producer |
| Les Weldon | Producer |
| Rob Van Norden | Producer |
| Luke Bouchier | Co-Producer |
| W. Peter Iliff | Executive Producer |
| David Fannon | Executive Producer |
| David Nagelberg | Executive Producer |
| John Kalafatis | Co-Producer |
| Jeffrey Greenstein | Producer |
| Yariv Lerner | Producer |
| Trevor Short | Executive Producer |
| Tanner Mobley | Executive Producer |
| Seth Needle | Executive Producer |
| Lonnie Ramati | Co-Executive Producer |
| Jonathan Yunger | Producer |
| Boaz Davidson | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 36 | 48 | 26 |
| 2024 | 5 | 37 | 54 | 27 |
| 2024 | 6 | 33 | 58 | 19 |
| 2024 | 7 | 36 | 63 | 22 |
| 2024 | 8 | 28 | 41 | 22 |
| 2024 | 9 | 32 | 60 | 21 |
| 2024 | 10 | 30 | 51 | 21 |
| 2024 | 11 | 23 | 49 | 16 |
| 2024 | 12 | 25 | 52 | 15 |
| 2025 | 1 | 29 | 49 | 21 |
| 2025 | 2 | 17 | 26 | 3 |
| 2025 | 3 | 8 | 21 | 1 |
| 2025 | 4 | 3 | 5 | 2 |
| 2025 | 5 | 26 | 61 | 1 |
| 2025 | 6 | 8 | 14 | 6 |
| 2025 | 7 | 5 | 7 | 3 |
| 2025 | 8 | 5 | 16 | 2 |
| 2025 | 9 | 4 | 5 | 3 |
| 2025 | 10 | 5 | 6 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 807 | 881 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 613 | 816 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 433 | 697 |
Now Jason Statham (and Bruce Willis) have made some dross in their time, but somehow I never quite expected Antonio Banderas to have to eke out a living doing the same kind of derivate action drama. Well here he is "Cuda" (as in Barracuda!) who is charged by mobster "Estelle" (Kate Bosworth) to lick ... yard-fighter "Stray" (Mojean Aria) into shape so he can help him collect her tributes - from an increasingly independently-minded bunch of cyber-sex affiliates. What follows now is an amalgam of cheap and cheerful thriller and romance as both men find their attentions drawn to young women (for completely different reasons) who are going to have a profound impact on just about everybody's lives. It's terribly over-scripted with the ending - much like the rest of it - being pretty risible and leaving the whole film resembling an assembly of cutting room out-takes from numerous other similarly high budget, low quality, productions. It's only ninety minutes, so that's a blessing - but why this is on general release anywhere is anyone's guess. I can assure you that it's not worth paying to see.