Popularity: 5 (history)
| Director: | Joseph Cates |
|---|---|
| Writer: | Arnold Drake, Leon Tokatyan |
| Staring: |
| A grim police detective embarks on a one-man crusade to track down a depraved sex maniac when a nightclub deejay receives a disturbing series of obscene phone calls. Finding himself getting far too close to the victim for comfort, the hard-boiled cop must track down the unbalanced pervert before he can carry out his sick threats... | |
| Release Date: | Sep 01, 1965 |
|---|---|
| Director: | Joseph Cates |
| Writer: | Arnold Drake, Leon Tokatyan |
| Genres: | Drama, Crime, Thriller |
| Keywords | sexual obsession, fetish, times square, perversion, busboy, police detective, disco, peeping tom, voyeurism, sexual predator |
| Production Companies | Phillips Productions |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 03, 2024 Entered: Apr 15, 2024 |
| Name | Character |
|---|---|
| Sal Mineo | Lawrence Sherman |
| Juliet Prowse | Norah Dain |
| Jan Murray | Lt. Dave Madden |
| Elaine Stritch | Marian Freeman |
| Margot Bennett | Edie Sherman |
| Daniel J. Travanti | Carlo (as Dan Travanty) |
| Diana Moore | Pam Madden |
| Frank Campanella | Police Captain |
| Bruce Glover | Frank |
| Tom Aldredge | Adler |
| Rex Everhart | Rude Customer |
| Alex Fisher | |
| Stanley Beck | |
| K.C. Townsend | Ms. Nielsen (as Casey Townsend) |
| Name | Job |
|---|---|
| Michael Chapman | Assistant Camera |
| Colleen Callaghan | Hairstylist |
| Al Kasha | Songs |
| Joseph Cates | Director |
| Joseph C. Brun | Director of Photography |
| Angelo Ross | Editor |
| Hank Aldrich | Art Direction |
| George Sullivan | Costume Design |
| Elizabeth Savage | Script Supervisor |
| Enrico Cortese | Makeup Artist |
| Sidney Kupferschmid | First Assistant Director |
| Charles Federmack | Sound Mixer |
| Robert Ross | Still Photographer |
| Warren Rothenberger | Camera Operator |
| Marilyn Putnam | Wardrobe Supervisor |
| Charles Calello | Conductor, Original Music Composer |
| Elinor Bunin | Title Designer |
| Marshall Naify | Presenter |
| Robert Weiner | Casting |
| Bob Gaudio | Songs |
| Arnold Drake | Screenplay, Story |
| Leon Tokatyan | Screenplay |
| Name | Title |
|---|---|
| Everett Rosenthal | Producer |
| Joshua White | Associate Producer |
| Joseph Cates | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 5 | 8 | 3 |
| 2024 | 5 | 7 | 15 | 3 |
| 2024 | 6 | 6 | 11 | 2 |
| 2024 | 7 | 7 | 16 | 4 |
| 2024 | 8 | 7 | 13 | 3 |
| 2024 | 9 | 5 | 9 | 2 |
| 2024 | 10 | 6 | 17 | 2 |
| 2024 | 11 | 5 | 11 | 2 |
| 2024 | 12 | 4 | 6 | 2 |
| 2025 | 1 | 4 | 8 | 2 |
| 2025 | 2 | 3 | 7 | 1 |
| 2025 | 3 | 3 | 11 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 2 | 3 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 0 | 2 | 0 |
| 2025 | 8 | 1 | 3 | 0 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 4 | 5 | 3 |
Trending Position
A very bold movie for 1965 that has today become a cult classic. Like a lot of these social films they are dated, but to me that is part of what makes them often times great. If I watch a film made in 1965, I want it to reflect the time it was made, not today. "Who Killed Teddy Bear" was one of ... the first U.S. films to be at the head of the new, changing cinema values of the 1960's. The subject matter was difficult for mainstream audiences. Rape, incest, lesbianism, sexual addiction were just some of the topics touched on in the picture directed by Joseph Cates. A young waitress (Juliet Prowse) at a cool New York City disco is being stalked. She has been receiving threatening phone calls and is scared. The police, headed by Jan Murray, have little leads. The film argues that everyone has some kind of sexual perversion. Some people are just better at covering it up. Though not a hit at the time, it seems very influential. Martin Scorsese's "Taxi Driver" is very similar with its bleak view of a rotting New York and the freaks that roam the streets. Scorsese's version of "Cape Fear" has several shots that are familiar. I think even Quentin Tarantino borrowed heavily with his dance number between John Travolta and Uma Thurman in "Pulp Fiction." It is very reminiscent of the sexual tension between Juliet Prowse and Sal Mineo when she tries to teach him to dance. It does start out a bit rocky, but gathers steam as it goes. There are some great performances, especially from Sal Mineo and Elaine Stritch. The film is mostly lost today, but hopefully its cult status will help it come back to life on DVD and Blue-Ray soon.