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Dick Tracy

Their turf. Their game. Their rules. They didn't count on HIS law...
1990 | 105m | English

(69021 votes)

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Popularity: 3 (history)

Details

The comic strip detective finds his life vastly complicated when Breathless Mahoney makes advances towards him while he is trying to battle Big Boy Caprice's united mob.
Release Date: Apr 05, 1990
Director: Warren Beatty
Writer: Jim Cash, Jack Epps Jr.
Genres: Comedy, Adventure, Crime
Keywords corruption, martial arts, crime fighter, fight, gangster, villain, investigation, based on comic, organized crime, one man army, criminal, police detective, one against many, urban setting, policeman, action hero, good versus evil
Production Companies Touchstone Pictures, Silver Screen Partners IV, Mulholland Productions
Box Office Revenue: $103,738,726
Budget: $47,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Warren Beatty Dick Tracy
Madonna Breathless Mahoney
Al Pacino Big Boy Caprice
Glenne Headly Tess Trueheart
Charlie Korsmo Kid
Mandy Patinkin 88 Keys
Seymour Cassel Sam Catchem
James Keane Pat Patton
Charles Durning Chief Brandon
William Forsythe Flattop
Dustin Hoffman Mumbles
James Tolkan Numbers
Ed O'Ross Itchy
Dick Van Dyke D.A. Fletcher
R.G. Armstrong Pruneface
Michael J. Pollard Bug Bailey
Paul Sorvino Lips Manlis
James Caan Spaldoni
Henry Silva Influence
Tom Signorelli Mike
Stig Eldred Shoulders
Jim Wilkey Stooge
Neil Summers The Rodent
Chuck Hicks The Brow
Lawrence Steven Meyers Little Face
Tony Epper Steve the Tramp
Estelle Parsons Mrs. Trueheart
Allen Garfield Reporter
John Schuck Reporter
Charles Fleischer Reporter
Mary Woronov Welfare Person
Kathy Bates Mrs. Green
Ian Wolfe Forger
Henry Jones Night Clerk
Catherine O'Hara Texie Garcia
Robert Beecher Ribs Mocca
Lew Horn Lefty Moriarty
Michael Donovan O'Donnell McGillicuddy
Marvellee Cariaga Soprano
Michael Gallup Baritone
Robert Costanzo Lips' Bodyguard
Jack Kehoe Customer at Raid
Marshall Bell Lips' Cop
Mike Hagerty Doorman
Arthur Malet Diner Patron
Jack Goode Jr. Lab Technician
Ray Stoddard Lab Technician
Hamilton Camp Store Clerk
Ed McCready Cop at Tess'
Colm Meaney Cop at Tess'
Bert Remsen Bartender
Frank Campanella Judge Harper
Sharmagne Leland-St. John Club Ritz Patron
Bing Russell Club Ritz Patron
Tom Finnegan Uniform Cop at Ritz
Billy Clevenger Newspaper Vendor
Ned Claflin Radio Announcer
John Moschitta Jr. Radio Announcer (voice)
Neil Ross Radio Announcer (voice)
Walker Edmiston Radio Announcer (voice)
Mike Mazurki Old Man at Hotel
Rita Bland Dancer
Lada Boder Dancer
Dee Hengstler Dancer
Liz Imperio Dancer
Karyne Ortega Dancer
Karen Russell Dancer
Michelle Johnston Dancer
Tamara Carrera Cigarette Girl (uncredited)
Bernie Jones Night Club Musician (uncredited)
Sheila Lussier Gangster's Girlfriend (uncredited)
Bruce Mahler Reporter (uncredited)
Jerry St. John Driver (uncredited)
Name Job
Gilbert B. Combs Stunts
Stephen Sondheim Original Music Composer, Songs
Mike Higelmire Leadman
Carlo La Bella Color Timer
Gene LeBell Stunts
Danny Elfman Original Music Composer
Jim Cash Screenplay
Cheri Minns Makeup Department Head
Michael Lloyd Visual Effects Producer
Jim Van Wyck First Assistant Director
Rodney Liber Production Supervisor
Dennis Drummond Supervising Sound Editor
Richard Sylbert Production Design
Harrison Ellenshaw Visual Effects Producer
Princess O'Mahoney Second Assistant Director
Harold Michelson Art Direction
Jackie Burch Casting
Rick Simpson Set Decoration
William H. Burton Sr. Stunt Coordinator
Joseph F. Brennan Boom Operator
Billy Clevenger First Assistant Camera
Gary Tandrow Chief Lighting Technician
Bernie Schwartz Dolly Grip
Bob Badami Music Editor
Thomas Causey Sound Mixer
Lynda Gurasich Hairstylist
Enrico Umetelli Camera Operator
Jamie Anderson Camera Operator
Giuseppe Alberti First Assistant Camera
Jeffrey Thorin Second Assistant Camera
Kevin J. Lang Rigging Gaffer
Frank L. Brown Assistant Property Master
David Moritz First Assistant Editor
Eric W. Orbom Set Designer
Laura Gary Studio Teacher
Chris Jenkins Sound Re-Recording Mixer
Steve Pederson Sound Re-Recording Mixer
Ellen Heuer Foley Artist
Donah Bassett Negative Cutter
Bradford Ralston Video Assist Operator
Deborah Morgan Second Assistant Camera
Steven C. McGee Assistant Chief Lighting Technician
C.J. Maguire Property Master
R. Bruce Steinheimer Special Effects Supervisor
Jacqueline George Production Coordinator
Roger Irvin Construction Coordinator
Lawrence J. Cavanaugh Special Effects Coordinator
Patrick Drummond Supervising Sound Effects Editor
Pat Newcomb Unit Publicist
David E. Campbell Sound Re-Recording Mixer
Greg Orloff Foley Recordist
Warren Beatty Director
Jack Epps Jr. Screenplay
Richard Marks Editor
Vittorio Storaro Director of Photography
Richard Williams Animation Director
Milena Canonero Costume Design
Ve Neill Makeup Effects
Jon Landau Unit Production Manager
Ana Maria Quintana Script Supervisor
Barbara Harris ADR Voice Casting
Doug Hemphill Sound Re-Recording Mixer
Paul Sharpe Sound Re-Recording Mixer
John Roesch Foley Artist
Steve Bartek Orchestrator
Bob Herron Stunt Double
Name Title
Jim Van Wyck Associate Producer
Warren Beatty Producer
Art Linson Executive Producer
Jon Landau Co-Producer
Organization Category Person
Academy Awards Best Actor Sal Pacino Nominated
Popularity Metrics

Popularity History


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Reviews

John Chard
7.0

A bit too mellow yellow. Dick Tracy is directed by Warren Beatty and written by Jim Cash and Jack Epps Jr. Based on Chester Gould’s comic strip creation of the same name, it stars Beatty, Al Pacino, Madonna, Glenne Headly, Dustin Hoffman, Charlie Korsmo, Charles Durning and William Forsythe. Musi ... c is by Danny Elfman, with songs by Stephen Sondheim, and cinematography is by Vittorio Storaro. Punk Rock band X-Ray Spex once sang about The Day The World Turned Day-Glo, Warren Beatty’s Dick Tracy was exactly that. The live action cartoon is a feast for the eyes, as the city backdrop for this cops and gangsters tale is a fountain of bright, lurid primary colours. The characters are drawn brilliantly, where the good guys are very much human, but the bad guys are a bunch of grotesques, like a mutant gathering under one coalition banner. All star casting, striking costuming, amazing effects work, quality songs and a brisk musical score (Elfman reworks his score for Batman from the previous year), Dick Tracy as a production is grade “A” stuff. It also did very well at the box office, where although it didn’t reach Disney’s expectation levels financially, it coined to the tune of over $100 million in profit Worldwide. Not bad for a film some still think was a flop! It’s a film that feels a lot better watching it now than it did back on release, to be able to view it as a smart technical accomplishment for the time it was made. The cast factor also makes it something of a fascinating experience, watching legends like Pacino and Hoffman absolutely buy into the cartoon excess on show. However, the old problem with it just will never go away. Yes the plot is very simple, but that’s easy to accept these days, it was after all a gangster movie made for all the family, it’s that Beatty’s portrayal of Tracy is too under played. He’s a good guy, we know that, we are on his side, but it’s a flat characterisation, he’s never pushed to be anything other than a cool dude. This of course lets the monstrous villains take the film by the scruff of the neck, as most villains tend to anyway, but for a film carrying his name, you expect a bit more from Dick Tracy the man. Still, Dick Tracy is a fun movie experience, not all it can be, but enjoyable regardless. 7/10

May 16, 2024
talisencrw
8.0

I'm heartily disappointed that this didn't produce sequels. If any fine actor/director of the period was perfect for the role of Dick Tracy, it was Beatty. He does very good work here. It's as if he took Tim Burton's template for 'Batman' and simply adjusted it for his comic-book picture. Madonna is ... n't bad here either, simply because she's pretending to be Marilyn Monroe, something she'd been wanting to do all of her career to that point. And the rogues gallery here is perhaps second in quality only to the aforementioned DC Caped Crusader. In retrospect, that perhaps was the picture's weakest link--no true criminal really dominated proceedings and stuck in one's mind. Had they tried the time-tested hookup of two baddies to get in Dick's hair just enough to rile him, it may have worked better. Still one of the most enjoyable, and underrated, comic-book pictures of the past three decades.

Jun 23, 2021