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Suture Poster

Suture

A thriller where nothing is black and white.
1993 | 96m | English

(2251 votes)

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Popularity: 5 (history)

Details

A man named Clay flies into Phoenix for a reunion with his long-lost half-brother Vincent.
Release Date: Sep 14, 1993
Director: David Siegel, Scott McGehee
Writer: David Siegel, Scott McGehee
Genres: Drama, Thriller
Keywords amnesia, betrayal, black and white, twins, evil twin, identity swap
Production Companies Kino Korsakoff
Box Office Revenue: $102,780
Budget: $0
Updates Updated: Jan 28, 2026
Entered: Apr 24, 2024
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No extras available.

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Full Credits

Name Character
Dennis Haysbert Clay Arlington
Mel Harris Dr. Renee Descartes
Sab Shimono Dr. Max Shinoda
Dina Merrill Alice Jameson
Michael Harris Vincent Towers
David Graf Lt. Weismann
Fran Ryan Mrs. Lucerne
John Ingle Sidney Callahan
Sanford Gibbons Dr. Fuller (as Sandy Gibbons)
Mark DeMichele Detective Joe
Sandra Ellis Lafferty Nurse Stevens (as Sandra Lafferty)
Capri Darling Soprano
Carol Kiernan Ticket Agent
Laura Groppe Sportswoman
Mel Coleman Sportsman
Lon Carli Man with Camera
Ann Van Wey Mrs. Lucerne's Nurse
Sam Smiley Doctor #1
Seth Siegel Doctor #2
Vincent Barbi Arthur Towers
Mark Siegel Emergency Room Doctor (as Mark Siegel D.O.)
Jack Rubens Captain Sparks (voice)
Name Job
David Siegel Writer, Director
Hilary Momberger-Powers Script Supervisor
Lauren Zuckerman Editor
Patrick Rush Casting
Nancy Wenz Set Decoration
Daniel Goldfield Assistant Art Director
Dana Sano Music Supervisor
Willie Boden Gaffer
Linda Enger Still Photographer
Lynn E. Champagne Hairstylist
Steve Rice Art Direction
Julia Evershade ADR Editor
David Gertz Foley Mixer
David Chornow Sound Mixer
Neal W. Zoromski Property Master
Sally Dennison Casting
Kelly McGehee Production Design
Mette Hansen Costume Design
Patricia Troy Casting Associate
Jennifer Richardson Music Supervisor
Robert Fitzgerald Camera Operator
Steve Gero Gaffer
Steve F.B. Smith Dolby Consultant
Katherine James Hairstylist
Cary Berger Original Music Composer
Ellen Heuer Foley Artist
Tom Caton Boom Operator
Scott McGehee Writer, Director
Greg Gardiner Director of Photography
Mark Mangini Sound Designer
Ron Bartlett Sound Re-Recording Mixer
Doc Kane ADR Mixer
Name Title
David Siegel Producer
Scott McGehee Producer
Steven Soderbergh Executive Producer
Michèle Pétin Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 7 13 2
2024 5 10 20 3
2024 6 7 16 3
2024 7 6 15 3
2024 8 6 16 2
2024 9 4 7 2
2024 10 5 13 2
2024 11 4 7 2
2024 12 4 8 2
2025 1 5 11 2
2025 2 3 5 1
2025 3 3 5 1
2025 4 2 3 1
2025 5 2 3 1
2025 6 1 2 1
2025 7 0 1 0
2025 8 0 1 0
2025 9 1 2 1
2025 10 1 3 1
2025 11 3 4 2
2025 12 3 5 0
2026 1 2 5 1

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Reviews

John Chard
7.0

Stitching that burning ring of fire. Suture is written and directed by Scott McGehee and David Siegel. It stars Dennis Haysbert, Mel Harris, Sab Shimono, Dina Merrill and Michael Harris. Music is by Cary Berger and cinematography by Greg Gardiner. Identity is the crisis can't you see - X-Ray S ... pex 1978 Suture is an unusual film that on the surface hangs its chief premise on a most ridiculous concept. Yet what is most striking about the film's heart and soul is that it embraces a number of staple film noir narrative threads. Photographed in spanking monochrome, and featuring an unnerving musical score, this surreal like play works with a cheeky glint in its eye as it challenges the viewer's perception of the unfurling story. Wrapped around a suggested agony of identity, Suture revels in films and styles of film making it is influenced by. Name checking them all is folly, but as the amnesia angle blends with surgical reconstruction, and the murder plot betrayal sidles up to the voiceover, other potent pics spring instantly to mind. And yet in a piece heavy on identity, Suture, in spite of its reliance on influences, does have its own identity, very much so. It's quite a debut from McGehee and Siegel, one that begs the question of why they didn't go on to greater things? Here they have great camera craft, with close ups, overheads and frame blends in action, while there's some striking imagery and noirville shadow play to take in as mood setting accompaniments. It could be argued that much of it is highfalutin, and that the philosophical probing is overkill, but the film remains unique and intriguing, if not as remotely thrilling as one hoped. 7/10

May 16, 2024